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135:. It is signed by Antonello and dated 1476. It was part of the Florentine noble family Rinuccini's collection, which was later acquired by the Trivulzio. In 1935 the collection was scattered, although most of the material went to Milan. The Turin museum obtained this portrait and the
78:. Despite the sign, the similarity to Flemish portrait paintings and the poor state of preservation have caused some scholars to doubt the attribution to Antonello. The work has been dated to the 1460s based on the fashion of the subject's dress and headgear.
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analysis has proved that the eyes originally looked in a different direction. There may also once have been a parapet, later cut off, which bore the artist's signature. It has been suggested that this late work could be a self-portrait.
105:. Among Antonello's portraits, it is among the most expressively animated. The subject, a young man, is drawn from a quite near point of view, with the master's usual skill in rendering detail.
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The work portrays an unknown man, whose garments belonged to the "middle-upper class" of the time. He wears a leather blouse, under which a white shirt is visible, and a red cloth beret.
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in northern Italy. It is signed in the
Flemish manner by directly engraving the painter's name on the parapet in the lower foreground (instead of using a false glued panel), as with the
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The man is depicted from three-quarters, a departure from the custom of the time. The dark background and the essential composition are derived from
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The work has been dated approximately to the early 1470s, based on the typical "zuccotto" headgear, a fashion more characteristic of 1460s Italy.
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Several male portraits by the
Italian Renaissance artist Antonello da Messina
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Mostraantonellodamessina.it: Exhibition of
Antonello da Messina's main works
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is the conventional title of several male portraits by the
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Another painting, executed in c. 1475, is housed in the
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Antonello da
Messina : Sicily's Renaissance master
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294:Staatliche Museen zu Berlin (Berlin State Museums)
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152:Portrait of a Man (Antonello da Messina, London)
18:Portrait of a Man (Antonello da Messina, Turin)
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317:De Vecchi, Pierluigi; Elda Cerchiari (1999).
264:De Vecchi, Pierluigi; Elda Cerchiari (1999).
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351:. New York: The Metropolitan Museum of Art.
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187:, such as the work of the Flemish painter
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561:Male portraits by Antonello da Messina
169:is an oil painting of c. 1476 in the
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582:Paintings by Antonello da Messina
253:Page at museum's official website
131:, this portrait is housed in the
133:Turin City Museum of Ancient Art
177:note issued from 1979 to 1983.
227:The portrait usually known as
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290:"Bildnis eines jungen Mannes"
185:Early Netherlandish painting
62:One such painting is in the
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468:Saint Jerome in His Study
439:(c. 1460–1469; disputed)
343:Barbera, K, ed. (2005).
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367:by Antonello da Messina
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408:Antonello da Messina
41:Antonello da Messina
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321:. Milan: Bompiani.
268:. Milan: Bompiani.
37:Italian Renaissance
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129:Trivulzio portrait
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484:Portrait of a Man
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222:Portrait of a Man
216:Portrait of a Man
166:Portrait of a Man
144:Portrait of a Man
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299:2024-04-24
240:References
543:Ecce Homo
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415:Paintings
218:, Berlin
146:(London)
85:(Madrid)
72:Lombardy
554:Related
476:Calvary
427:Abraham
311:Sources
235:, Paris
231:in the
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233:Louvre
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195:X-ray
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