241:
260:‘The Epochs of Painting: a biographical and critical Essay on Painting and Painters of all Times and many Places,’ London, 1847; enlarged, 1859 and 1864. This was dedicated by Wornum to the memory of his father. Appended to the later editions is ‘a table of the contributions of some of the more eminent painters to the exhibitions of the Royal Academy.’ This was adopted as a textbook for art school examinations.
478:
121:, a reforming move in the administration of the Gallery, with a large increase in the salary. Eastlake himself was appointed Director of the Gallery in March 1855, and in the following July were issued Treasury minutes entirely reconstituting the administration. In 1860−1 Wornum was chiefly instrumental in getting the
140:
Wornum's energies were devoted to improvement and development, and he deprecated the separation of the pictures by
British artists from those by foreigners. He died at his residence, 20 Belsize Square, South Hampstead, on 15 December 1877, leaving a widow and a large family.
77:
cartoon competition of 1840. In 1848 Wornum was appointed lecturer on art to the government schools of design, and lectured around
England. Among his topics was Islamic design, and he suggested that his students should visit
532:
277:, though as a 'non-separatist' he remained in communion with the Church of England. In this book he expressed the notion of conflict between the teaching of Christ and the theology of St. Paul.
491:
266:‘Some Account of the Life and Works of Hans Holbein, Painter, of Augsburg, with numerous illustrations,’ 1867. Appended was a catalogue of portraits and drawings by
168:
542:
552:
263:‘Analysis of Ornament: the Characteristics of Style and Introduction to the Study of the History of Ornamental Art,’ London, 1856; 8th edit. 1893.
240:
298:'The National Gallery;' a selection of pictures by the old masters, photographed by Leonida Caldesi (with annotations), London, 1868–73;
133:(1856–60), restored to its place in the National Gallery, in accordance with the terms of the artist's bequest. Wornum worked with
500:
384:
367:
117:
and George
Saunders Thwaites, as jointly Keeper of the National Gallery and Secretary to the trustees, on the recommendation of
537:
517:
177:, and, having drawn attention to the shortcomings of the National Gallery catalogues then in circulation, he was authorised by
295:'s 'Anecdotes of Painting in England,' with notes and emendations, London, 1849, 3 vols. (a revised edition appeared in 1888);
137:
on this project. Turner's legacy included some drawings considered obscene; Wornum burned them, and Ruskin watched him do it.
274:
547:
156:
557:
61:. In 1834 he went abroad, spending six years in visiting galleries, in Munich, Dresden, Rome, Florence, and Paris.
34:
357:
245:
54:
267:
87:
204:
79:
181:
to compile an official catalogue. This appeared in 1847, and served as a model for similar publications.
102:
33:(1812–1877) was a British artist, art historian and administrator. He was keeper and secretary of the
527:
522:
273:'Saul of Tarsus; or Paul and Swedenborg. By a Layman,' London, 1877. Wornum had been a member of the
118:
94:
455:
151:
237:
galleries, which were quite inadequate to contain the 725 pictures then belonging to the nation.
430:
126:
122:
356:
389:
234:
225:
216:
130:
74:
487:
352:
178:
173:
292:
223:(1862), passed some disparaging remarks upon Wornum; a reply came in an article in the
98:
511:
482:
70:
46:
286:
114:
401:
301:'Etchings from the National Gallery,' 18 plates, with notes, two series, 1876−8.
134:
393:
229:(April 1862), in which Wornum's work was commended. In the introduction to the
495:
362:
58:
17:
57:
in 1832, he gave up plans to read for the bar, and attended the studio of
83:
414:
211:. During 1861 he edited, in a sumptuous folio, with memoir and notes,
192:
for the best essay on 'The
Exhibition of 1851 as a Lesson in Taste.'
50:
481: This article incorporates text from a publication now in the
69:
At the end of 1839 Wornum settled in London as a portrait-painter.
239:
199:, 'by a lady' (Maria Farquhar), while in 1856 he contributed the
101:. A reorganisation created the Department of Practical Art, and
371:. Vol. 63. London: Smith, Elder & Co. pp. 31–32.
93:
In 1852 he was appointed librarian and keeper of casts to the
73:
came to study with him. He was honourably mentioned in the
310:
His children included the architect Ralph Selden Wornum.
53:, Northumberland, on 29 December 1812. Having studied at
197:
Biographical
Catalogue of the Principal Italian Painters
49:
the pianoforte maker, and was born at
Thornton, near
533:
People associated with the
National Gallery, London
188:. In 1851 he was awarded the prize offered by the
105:sent Wornum on a fact-finding mission to France.
195:In 1855 Wornum edited and practically rewrote a
113:In December 1854 he was chosen as successor to
504:. Vol. 63. London: Smith, Elder & Co.
169:Society for the Diffusion of Useful Knowledge
8:
388:(online ed.). Oxford University Press.
427:The History and Philosophy of Art Education
186:Essay upon the Schools of Design in France
233:Wornum pleaded for an enlargement of the
161:Dictionary of Greek and Roman Antiquities
215:, forming a series of sixty engravings.
385:Oxford Dictionary of National Biography
319:
285:‘Lectures on Painting’ , 1848, for the
163:, while he also wrote for the abortive
347:
345:
343:
341:
339:
337:
335:
333:
331:
329:
327:
325:
323:
7:
382:Patten, Robert L. "Sibson, Thomas".
543:Alumni of University College London
171:. In 1846 he began working for the
125:, which had been banished first to
256:Wornum's major publications were:
97:, then under the direction of the
25:
457:Dictionary of Scottish Architects
501:Dictionary of National Biography
476:
368:Dictionary of National Biography
149:From 1840 he contributed to the
27:British artist and art historian
553:19th-century English historians
358:"Wornum, Ralph Nicholson"
1:
446:(2002), pp. 243–4 and p. 250.
402:UK public library membership
95:Government schools of design
281:In addition Wornum edited:
37:from 1855 until his death.
574:
35:National Gallery of London
82:'s reconstruction of the
55:University College London
415:Victoria and Albert page
184:In 1848 he published an
65:Art and design in London
492:Wornum, Ralph Nicholson
165:Biographical Dictionary
109:At the National Gallery
88:Sydenham Crystal Palace
538:British Swedenborgians
518:British art historians
394:10.1093/ref:odnb/25506
253:
205:Edward Shepherd Creasy
203:of British artists to
31:Ralph Nicholson Wornum
243:
548:British male writers
119:Sir Charles Eastlake
558:People from Norham
425:Stuart MacDonald,
254:
250:The Turner Gallery
213:The Turner Gallery
45:He was the son of
400:(Subscription or
155:, and in 1841 to
127:Marlborough House
123:Turner collection
16:(Redirected from
565:
505:
488:Seccombe, Thomas
480:
479:
460:
453:
447:
440:
434:
429:(2004), p. 243;
423:
417:
412:
406:
405:
397:
379:
373:
372:
360:
353:Seccombe, Thomas
349:
235:Trafalgar Square
226:Quarterly Review
217:Walter Thornbury
152:Penny Cyclopædia
131:South Kensington
75:Westminster Hall
21:
573:
572:
568:
567:
566:
564:
563:
562:
508:
507:
486:
477:
469:
464:
463:
454:
450:
441:
437:
424:
420:
413:
409:
399:
381:
380:
376:
351:
350:
321:
316:
308:
179:Sir Robert Peel
147:
111:
67:
43:
28:
23:
22:
15:
12:
11:
5:
571:
569:
561:
560:
555:
550:
545:
540:
535:
530:
525:
520:
510:
509:
474:
473:
468:
467:External links
465:
462:
461:
448:
435:
418:
407:
374:
318:
317:
315:
312:
307:
304:
303:
302:
299:
296:
293:Horace Walpole
290:
279:
278:
271:
264:
261:
246:William Miller
231:Turner Gallery
221:Life of Turner
209:British Empire
146:
143:
129:, and then to
110:
107:
99:Board of Trade
66:
63:
42:
39:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
570:
559:
556:
554:
551:
549:
546:
544:
541:
539:
536:
534:
531:
529:
526:
524:
521:
519:
516:
515:
513:
506:
503:
502:
497:
493:
489:
484:
483:public domain
471:
470:
466:
459:
458:
452:
449:
445:
439:
436:
432:
428:
422:
419:
416:
411:
408:
403:
395:
391:
387:
386:
378:
375:
370:
369:
364:
359:
354:
348:
346:
344:
342:
340:
338:
336:
334:
332:
330:
328:
326:
324:
320:
313:
311:
305:
300:
297:
294:
291:
288:
284:
283:
282:
276:
272:
269:
265:
262:
259:
258:
257:
251:
247:
244:Engraving by
242:
238:
236:
232:
228:
227:
222:
218:
214:
210:
206:
202:
198:
193:
191:
187:
182:
180:
176:
175:
170:
166:
162:
158:
157:William Smith
154:
153:
144:
142:
138:
136:
132:
128:
124:
120:
116:
108:
106:
104:
100:
96:
91:
89:
85:
81:
76:
72:
71:Thomas Sibson
64:
62:
60:
56:
52:
48:
47:Robert Wornum
40:
38:
36:
32:
19:
499:
475:
456:
451:
443:
442:Tim Hilton,
438:
431:Google Books
426:
421:
410:
383:
377:
366:
309:
287:Bohn Library
280:
255:
249:
230:
224:
220:
212:
208:
200:
196:
194:
189:
185:
183:
172:
164:
160:
150:
148:
139:
115:Thomas Uwins
112:
92:
68:
44:
30:
29:
18:Ralph Wornum
528:1877 deaths
523:1812 births
496:Lee, Sidney
472:Attribution
444:John Ruskin
363:Lee, Sidney
270:at Windsor.
190:Art Journal
174:Art Journal
135:John Ruskin
512:Categories
404:required.)
314:References
275:New Church
103:Henry Cole
80:Owen Jones
59:Henry Sass
41:Early life
490:(1900). "
219:, in his
355:(1900).
84:Alhambra
498:(ed.).
485::
365:(ed.).
268:Holbein
252:(1875).
167:of the
86:at the
494:". In
398:
306:Family
51:Norham
361:. In
248:from
201:Lives
145:Works
390:doi
207:'s
159:'s
514::
322:^
90:.
433:.
396:.
392::
289:;
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
