50:. The use of S.P.I.T. methodology involves matching the scale, pattern, inversion, and triad to the key signature of the song that requires improvisation. The methodology allows the musician to scan the S.P.I.T. page that matches the key signature of the song for improvisational embellishments that can be applied during rests or whole notes in the melody.
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78:"Conquering Giant Steps, Master Coltrane Harmony by Deconstructing One of the Most Revered and Feared Standards In jazz History" by Cory Christiansen
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and usually pertains to the first four chord types which include major 7, dominant 7, minor 7, and half-diminished expressed in all twelve
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or sometimes simply called SPIT is a methodology developed by Mark and Jane
Shellhammer, is a specific way of learning
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67:"An Introduction to Jazz Improvisation" by MSG Gary McCourry
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16:Musical improvisation methodology
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210:Electroacoustic improvisation
26:. The letters S.P.I.T. is an
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24:musical improvisation
140:Backdoor progression
362:Musical techniques
269:Jazz improvisation
215:Free improvisation
200:Constant structure
180:Chord-scale system
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175:Call and response
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331:Twelve-bar blues
190:Coltrane changes
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357:Music education
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279:Melodic pattern
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48:key signatures
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124:improvisation
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324:Tadd Dameron
155:Bird changes
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309:Syncopation
252:Jam session
232:Harmolodics
160:Block chord
150:Bebop scale
351:Categories
314:Turnaround
289:Polyrhythm
274:Lead sheet
257:Jazz chord
205:Contrafact
135:Avoid note
54:References
185:Chordioid
165:Blue note
40:inversion
247:Jam band
20:S.P.I.T.
284:Outside
262:So What
237:Harmony
195:Comping
170:Cadenza
36:pattern
28:acronym
319:ii-V-I
227:Groove
120:theory
42:, and
304:Swing
299:Scale
44:triad
32:scale
242:Head
220:List
122:and
117:Jazz
30:for
353::
38:,
34:,
109:e
102:t
95:v
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