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1171:, commissioned by the Municipality of Budapest. In 1913 the parish priest, János Leimeter had it covered with whitewash, and commissioned a scene-painter to create new decorations, which caused an uproar. The Kimnach fresco was rediscovered and restored in 1928 by instruction of the municipal heritage commission. At the same time the side walls and the vaults of the church were embellished with ornamental Neo-Baroque painted decorations by Béla Sándor. Although the interior has suffered some war damage, the ceiling frescoes were only removed during the modernist reconstruction of the church in 1957-58. The
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taxpayer heads of families (the
Orthodox Serbs numbered 461) but the canonical visitation in 1756 found more than 4000 Catholics in Tabán. Their number grew to almost 5000 in 1802. At first almost all of them were Illyrs (South Slavs) but German immigrants arrived in large numbers from the 1720s. In 1783 the Germans already outnumbered the Illyrs while the Hungarians and the Slovaks were still few in numbers. From the middle of the 18th century sermons were delivered in German and Illyric, and teaching in the parish school was also bilingual.
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1067:, and was probably an eyewitness of the catastrophe. The saint is depicted as a Roman officer kneeling on a cloud above the burning town. A putto is pouring water on the flames while an angel is holding a veil with the inscription: "Allmächtigster Gott mit Vunder schützest du uns änzelne Hauser erschone O Gnädigster in Zukunft auch unsere mit Bruder In Cen DIVMIn ras CIanICa Die 5 Sept", a prayer to God to protect the houses and the people of the town in the future. The Latin part of the inscription is a
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The articulated cornice runs around the whole building. The entrance was protected by a porch which was finally demolished in 1960. The central bay and the tower has simple segmental arched windows. The facade is crowned by a
Baroque gable articulated by four smaller pilasters, flanked by volutes and surmounted by a curved pediment. The second storey of the tower has Ionic pilasters and rectangular windows, while the belfry (third storey) has Corinthian pilasters and arched windows with balconets. Four
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ascending cross on the left. This group is flanked by two flaming vases. The large plaster statues on the sides of the altar depict the
Apostles Peter and Paul. In 1910 a Neo-Baroque predella with two adoring angels was added to the altar which obstructed the lower part of the altarpiece; this was removed during the reconstruction in the 1950s. Two 18th-century angel statuettes, a statue of Our Lady of Sorrows, a crucifix and six candlesticks are sometimes displayed on the ledge of the altar.
762:. In the following years serious structural problems became apparent with widening cracks on the side walls and the vaults, and the church was declared dangerous. In the course of a thorough reconstruction in 1959-1960, the building was fitted with a reinforced concrete frame structure and buttresses, the vaults were strengthened, the main facade was simplified and the entrance porch was demolished. In 1966 the interior was modified according to the needs of the revised liturgy of the
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504:. A house was built by the chapel for the friar who settled there in 1693. The friar also served as a schoolmaster because the Franciscans built a school on the edge of the cemetery which had been established around the chapel. This small stone building had a single room, and a few shops provided income for its maintenance. The Cameral Administration has granted approval to finish the construction of these shops on 31 May 1697.
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Baroque sacristy in 1896, the original approach was lost, stairs were added, and one of the parapet panels was converted to a door. The surface is painted light green imitating marble with gilt ornaments. Iconography: the
Pentecost (central relief), laurel wreathes (parapet panels), wreathes and palm branches. The sculptural group on the top of the abat-voix is composed of putti among clouds holding a cross and an anchor.
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556:. A Baroque nave was added to the older part that was retained as the chancel. The main pieces of furnishings, including the pulpit and the altarpiece, were constructed in the 1740s. A crypt was built under the whole nave in 1749. The slow pace of the construction shows that the financial resources of the parish were limited, although several citizens had left donations for the church.
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is the altar where the eucharist has been kept in a Neo-rococo tabernacle since the predella of the main altar was removed. Four candlesticks and two statues of angels in adoration are displayed on the ledge. The altarpiece is set in a concave frame decorated with gilded rosettes. The original painting was destroyed in the bombardment of 1849. The present altarpiece was painted by
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Budapest planned to build a new parish house, the project never came to fruition. A new sacristy was built on the west side of the church, and the parish office moved to different rented buildings nearby. The parish office was located at no. 6 Hadnagy utca from 1908 until 1938 when this building was also demolished due to urban redevelopment.
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the altar by Joseph Karl Schöfft depicts the
Franciscan saint holding the Infant Jesus with a pair of children at his feet, holding an open book and a white lily stalk; two angels in the sky are carrying a wreath. A modern painting of Saint Francis was set in the pediment in the 1980s replacing the original image of the Virgin Mary.
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has a solid convex parapet. There is a small chapel on the ground floor of the tower which is connected to the narthex. Every bay has segmental arched windows on both sides while the chancel is lit by a similar window on the right and the large, arched opening of the former oratory which was part of the demolished sacristy.
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population decreased from 27'568 (in 1920) to 6772. The reduced parish covered the Tabán area, the northern slopes of Gellért Hill, the southern part of
Naphegy and the hilly neighbourhoods around Sas-hegy. The territory of the Tabán parish was further reduced when the new Farkasréti parish was established in 1950.
667:. The simple pyramidal roof of the tower was replaced with an ornate copper spire. The porch in front of the entrance was rebuilt in Italianate style. The plans of the reconstruction were made by the Engineering Office of the Municipality. The interior was decorated with new frescos in the following years.
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in 1910-11, and financed by different donors. The seven windows of the nave and the chancel depicted various religious scenes: Mary appearing in the grotto of
Lourdes; the Holy Family; Saint Anne teaching the Virgin to read; the Annunciation; Anthony of Padua with the Infant Jesus; Christ and John on
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The vaulted chapel on the ground floor of the tower opens to the narthex, its entrance is protected by an iron grille. In the 18th century it was dedicated to the Holy Cross but also served as the Holy
Sepulchre during Easter. Now the chapel is furnished with an early 18th-century Baroque altar which
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on the opposite side of the nave has the same ornate design. Both were donated by Wenzel Schützenberger and his wife in 1816, and still have their original donation plaques. The statues show Saint
Barbara (carrying a chalice) and Saint Catherine of Siena (as a nun in Dominican habit). The painting on
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is the second side altar on the right; it belongs to the most ornate type of Late
Baroque side altars in the church. The pediment is decorated with volutes, three putti and flaming vases. The altarpiece is flanked by a pair of decorative Corinthian columns and two statues, Archangel Michael slaying a
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of the chancel, opposite the pulpit. It was built after the Great Tabán Fire around 1815 in a similar Late Baroque style to the main altar and all the other important items of church furniture. The pediment is decorated with two flaming vases, the Eye of Providence and two putti holding a cross. This
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The urban context of the church has been changed fundamentally in the 19th-20th century with the widening of Attila út and several phases of large-scale demolitions. An outbuilding for the parish office occupies the central part of the original narrow churchyard on the north and the west which is not
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The side facades of the church are simple with large segmental arched windows. Originally the side walls and the apse were decorated with pilasters but in the end of the 1950s the building was strengthened with reinforced concrete buttresses on the outside. The sacristy to the left of the chancel was
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Between 1933 and 1938 a large part of Tabán district was demolished by the municipality of Budapest. Only a small group of houses was preserved and the context of the church changed fundamentally as the dense urban grain of the historic neighbourhood was replaced by a new park and wide thoroughfares.
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At the time of the unification of Buda and Pest in 1873 the chancel and the northeastern side of the church was surrounded by a narrow churchyard, enclosed by the neighbouring houses, and there was a small square in front of the facade. The street which connected Szarvas tér and Templom tér was named
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The reconstruction was begun by József Dankó the Elder in 1812 and it was finished by Ludwick Kimnach in 1818. Due to a shortage of funds, the ornate spire of the tower was replaced with a symple pyramidal roof in 1823. The interior and the new furniture was not finished until the 1830s. A new parish
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A further enlargement became necessary due to the rapid growth of the Roman Catholic population, and the old chancel – the converted Ottoman mosque – was demolished in 1765. The construction of a new section of the nave, the chancel and a two-storey sacristy on the western side was finished on 15 May
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on 25 March 1756 described the rich Baroque furniture: a main altar with the painting of Saint Catherine and several statues, an ornate pulpit decorated with statues of the Evangelists, St. Francis and seven angels, and side altars dedicated to the Holy Trinity, the Immaculate Virgin Mary, St. Antony
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became the Council of Buda according to the 1703 letter of privilege of the town. The guardian of the Víziváros friary served as parish priest but actual pastoral care was entrusted to a Franciscan administrator who lived in the Tabán district. The baptismal register was started in 1692, marriage and
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The interior of the church had several phases of fresco decorations, but none of them have survived. The frescoing of the chancel dome was first mentioned in 1822, and most probably it was created after the Great Tabán Fire of 1810. The fresco depicted Saint Catherine and the four Evangelists. A new
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is placed in the tabernacle niche. The altar was not part of the original furniture of the church, and stood in front of the Altar of Saint Anne in the 1950s. There is an 18th-century painting of the Madonna and Child above the altar. Two wooden statues of angels, which survived the Great Tabán Fire
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The Baroque pews were made after those which survived the 1810 fire; the originals were the works of Johann Ender, the same woodworker who created the lost Baroque main altar of the church in 1743-44. Other valuable items are the Empire confessional (after 1810) and a Neo-Baroque patron's pew in the
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The main altar of the church was built after the Great Tabán Fire of 1810 which had destroyed the previous structure. According to a description from 1756, the church had a richly decorated main altar with several statues and an oil painting of Saint Catherine of Alexandria. This was replaced by the
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The Church of Saint Catherine is a freestanding, single-nave Baroque church with a single tower on the southwest and an apse in the north. The main facade is divided into three vertical sections by simple Tuscan pilasters. The adjoining tower has similar pilasters at the corners on the ground floor.
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The Franciscan presence in the district also increased as one more friar settled in the small Tabán parish house in 1732. The old house was replaced by a more spacious building next to the church in 1759. The six room house was large enough to accommodate three friars from 1770 on. A new schoolhouse
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Tabán quickly became the most densely populated quarter of Buda in the first decades of the 18th century in spite of the several natural disasters and epidemics that hit the district. The number and percentage of the Catholic population also increased. In 1702 there were only 250 Catholics among the
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by László Kimnach was an animated Neo-Baroque composition. The painting illusionistically opened up the vault of the chancel toward the sky showing the ascent of the saint to Heaven. It was framed by trompe l'oeil architecture in the form of a round cornice. Saint Catherine was surrounded by angels
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performing Bach's organ works and his own compositions which was enjoyed by a large audience. The ornate Empire style cases, painted bluish green with a faux marble effect, are decorated with Ionic columns, half-pillars, urns and gilded ornaments; the Eye of Providence is set in the pediment of the
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of the church was built by Johann Staudinger in 1725; this was modified in 1738. In 1797 it was replaced by a new organ, built by Wilhelm Hartmann, which was lost in the Great Tabán Fire of 1810. A new organ was created in 1834-35 by Károly Focht, a 23-year-old young organ builder from Pest, as his
1063:, the first side altar on the right, is one of the most important works of art in the church. The altarpiece was created by Joseph Karl Schöfft in 1811. The painting is a contemporary depiction of the Great Tabán Fire which destroyed the whole area in the previous year. Schöfft lived in the city of
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is a large oil painting in Italian style with appealingly warm colours, painted with smooth academicism and clearly composed figures. It follows the traditional iconography of the mystical marriage of the saint: Saint Catherine receives a ring from the infant Christ held by his mother. The scene is
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sprung from pairs of simple Tuscan pilasters. The projecting cornice is strongly articulated. The first bay contains the western narthex, which is covered with three cross vaults, and opens toward the nave with a central elliptical arch and two semi-circular arches. The organ loft above the narthex
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in 1944-45. A bomb hit the western side of the building; the roof, the spire and the obelisk of the pediment were destroyed, the liturgical furnishings and the altars were extensively damaged or lost. Repair work began in June 1945, and the church became functional again by the autumn, although the
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in 1775. A new organ was built in 1797 by Wilhelm Hartmann, and a new main altar was erected between 1803 and 1806 (a work by stonemasons Franz Hofhauser and Antonio Allio, sculptor Friedrich Held and painters Josef Helm and Karl Josef Schöft). A new clock for the tower was made by Josef Hibling in
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A drawing from 1721 documented the Baroque reconstruction of the converted mosque. The original dome was replaced by a steep conical roof, the upper part of the minaret was demolished to the height of the main building and the remaining part was topped with a belfry and an ornate spire. A porch was
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The remaining three altars have a simpler Late Baroque design with gilded decoration on the top (small flaming vases, name plates and crosses) and slim side columns or pilasters; they have no altar tables. The original fourth altar of this type was dedicated to Saint Teresa but it was destroyed in
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The previous Baroque pulpit was destroyed by the Great Tabán Fire of 1810; it was a richly decorated structure from the 1740s with several statues. The present Empire style pulpit was created in 1822 by János Dolánszky, the sculptural elements were made by Frigyes Held. After the demolition of the
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as parish priest although the Illyrs protested against the change, and still demanded a Slavic-speaking priest. Franciscan friars served as Croatian chaplains until 1887 but the gradual assimilation of the Illyr population made their further presence unnecessary. Sermons were delivered in Croatian
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nearby which radically changed the urban surroundings again. Due to the disappearance of the Tabán district, the church became somewhat isolated, and the parish had a decreasing population in the last decades of the 20th century (numbering about 6000 people in 1982). There was a revival of parish
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The surroundings of the church changed again when the new circular grand boulevard of Buda was created. The level of Szarvas tér was lowered in 1894, and the parish office building with the sacristy was demolished to make way for the new road which was named Attila körút. Although the Council of
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were originally sparsely populated but the urbanization of the area made necessary to establish an independent parish because the majority of the parishioners already lived there. The Tabán parish was compensated with a small area that was detached from the Krisztinaváros parish but overall its
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The monumental retable has four colossal, partly gilded Corinthian columns and an elaborate entablature. It is crowned by a large sculptural group representing the Holy Trinity with the mappa mundi orb. The figures of the Father and the Son are surrounded by angels and clouds, and there is an
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was bought in 1756 where secular schoolmasters taught. From 1757 the Franciscan house in the Víziváros district (and the friars of the Tabán parish) belonged to new Province of St. John Capistrano. The majority of the friars, who served the parish in the 18th century, were Illyrs (Croatians).
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from 1881. The sculptor was commissioned by the municipality on 16 October 1880 for a payment of 1200 forints, and the three figures were made of Sóskút sandstone. The figure of Saint Gerard Sagredo is a visual reference to the medieval origins of the parish, which was founded after Gerard's
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The church burned down completely in the Great Tabán Fire of 1810 which destroyed the whole district. "The tower of the Catholic church in Rácváros caught fire after midnight yesterday, and collapsed horribly in the morning; the church itself also burned, illuminating this terrible night", a
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which gives the date of the fire: 5 September 1810. Schöfft painted the burning city as seen from Pest with its two churches and the row well-built houses on the Danube bank. There are two burning ships on the river, heavily loaded with goods, which is another historically accurate element.
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The parishes of Budapest were reorganized in 1922 to better suit the needs of the population which had been growing rapidly in the previous decades. The ancient Tabán parish was reduced to its core area, and lost a large part lying to the south of Gellért Hill. The districts of
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in 1850. The Venetian painter, who lived in Pest-Buda, received a commission from the parish to paint two large oil paintings for the church replacing those that were damaged in the revolutionary war. The 900 forints fee was only paid out in 1852 after some controversy. The
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second Baroque altar between 1803 and 1806. The present main altar was designed by József Dankó in a classicizing Late Baroque (Zopf) style in 1810-1812. The sculptural elements were made by stonemason Peter Bauer while the plaster statues were created by Johann Kurtzweil.
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the Last Supper and the Baptism of Jesus. The stained glass window of the organ loft was commissioned by the parish priest, János Leimeter in 1911 for the memory of his mother who died that year; it depicted a coat-of-arms with a black flag and a dedicatory inscription.
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The nave of the church is four bays long. The first three bays are covered with barrel vaults, while the wider fourth bay is covered with a Bohemian vault. The apse is surmounted by a pendentive dome, and a concave triumphal arch joins it to the nave. The double
1202:. The wrought-iron communion rail, which was decorated with heads of putti and vegetal scrolls, was removed. The ornate Neo-Baroque wood panels added by János Leimeter in the early 1910s were also eliminated, and a new table altar and lectern was installed.
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A painted and carved wood Ecce Homo statue is placed in a niche behind a grille on the right wall of the narthex; it was created between 1740 and 1760, and survived the Great Tabán Fire of 1810. A pair of shell-shaped, red limestone holy water stoups by
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the bells of the churches in Budapest were requisitioned by the Austro-Hungarian Army. Four larger bells from the 18th century were removed from the tower and taken away to be melted for military uses in 1916. Only the two small bells were retained.
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in 1686. The area had few inhabitants until November 1690 when a group of South Slavic refugees were resettled there by the Cameral Administration. The majority of the new arrivals were Orthodox Serbs who built their own quarter on the banks of the
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chancel with the coats-of-arms of Budapest (1927). The stone baptismal font is one of the few artefacts that survived the Great Fire, it was made by Johann Kugler in 1749; the wooden cover is decorated with a sculpture of Jesus baptized by John.
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watched by the Apostles Peter and Paul, two angels and a group of putti in the sky. The saint is depicted in royal robes with a crown and a broken wheel, her usual attributes at her feet, and one of the angels is holding the palm of martyrdom.
659:(later the name was changed to Palota utcza, then Attila körút). The new patron, the Municipal Authority of Budapest built a large new parish house on Attila körút by the side of the church for 48.000 forints in Neo-Renaissance style in 1877.
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1777 when the cross was raised on the roof. The architect of the expansion was probably Matthäus Nepauer. Two new side altars were erected in the 1770s that were dedicated to St. Sebastian and St. Joseph, and a third one was dedicated to the
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Zakariás G. Sándor: Adatok Buda építészetéhez a XIX. század első felében, in: Tanulmányok Budapest Múltjából 12. (1957), p. 302; Gy. Balogh Ágnes: Buda Főváros Kőműves és Kőfaragó Céhe mesterei, Építés - Építészettudomány 27. (1998), p.
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The original Baroque facade was also decorated with statues of saints (namely Catherine, Andrew and Peter), stone vases, volutes and a cross. These were created by sculptor Anton Eberhardt and stone-cutter Johann Kugler in the 1750s.
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The 232-year-long Franciscan administration of the parish ended with the death of the last administrator, Paskál Kostroschitz who served here from 1850 until 3 March 1868. In October 1868 the Council of Buda appointed a member of the
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by the Hungarian revolutionary army in May 1849, and Tabán was hit by artillery fire from Buda Castle. It was quickly repaired in the same year, the chancel was decorated with new frescoes and two altarpieces were added in 1850-51.
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masterpiece. When it was inaugurated, this was the most beautiful and best sounding church organ in Pest and Buda, and it had several technological innovations. A concert was held on 29 October 1835 in the church by
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The church was reconstructed in 1880-1881 by the Municipal Authority of Budapest: the facade was rebuilt in Neo-Baroque style, the shape of the pediment was changed and the facade was decorated with three statues by
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A stone cross was erected in front of the church in 1806, which bears an inscription on the plinth: "Ao 1806". The present statue of the Virgin Mary by Károly Antal was added in 1975, replacing an older sculpture.
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built in front of the entrance door. The chapel had four bells: two older ones and two new bells that were cast in 1723 by Jacob Nosbicher, a bellmaker in Pest. The new bells were dedicated to Apostles
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was created in the first half of the 19th century by an unknown artist, it depicts the saint wearing a dalmatic in the company of two angels, kneeling on a cloud with a gridiron beneath his feet. The
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1146:(1778) also belong to the period before the fire. There are three oil paintings in the narthex, Jude the Apostle and Saint Peter by J. Rauch (1844) and a modern painting of Saint Rita by
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until 1910, and singing in Illyric ceased four years later. Hungarian became the primary language of the Roman Catholic community of the district in the last decades of the 19th century.
567:, who worked on several churches in Buda at the time. The tower had an ornate spire with a lantern, and the facade was decorated with volutes, two stone vases, a cross and the statues of
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central aedicule. The large organ case was designed in a way that it does not block the light from the central window. A new pipe organ mechanism was constructed by Ottó Rieger in 1905.
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Two new bells were installed in the tower on 29 November 1925; the larger one weighing 500 kg was dedicated to Saint Catherine, the smaller to Saint Joseph. The bells were made by
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interior renovations went on in the following years. The renovation was still funded by the Municipal Authority of Budapest that remained the patron of the parish until 1950 when the
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at the time. They were mostly financed by donations collected by the Tabáni Oltáregyesület, a local charitable organization. The church was renovated by the municipality in 1928.
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Fejérdy András: A tabáni Alexandriai Szent Katalin plébánia, In: Katolikus Budapest I–II. Általános történeti szempontok. Plébániák. ed. Margit Beke. Budapest, 2013. pp. 386-387
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419:. The church is a listed monument that was built in Central European Baroque style between 1728 and 1777. It was reconstructed several times in the 19th–20th centuries.
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and putti among clouds, holding a large cross and a chalice in her hands. The four Evangelists with their symbols were depicted on the spandrels of the dome.
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of 1810, are also preserved in this chapel. The chrism is kept in a built-in cabinet near the entrance, and the northern wall is covered with votive tablets.
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Bizottsági és tanácsi előterjesztés a székesfővárosi kegyurasági római katholikus plébániák újabb területi beosztása és új plébániák felállítása tárgyában.
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are set into the arched cornice of the tower. The Neo-Baroque copper spire is composed of an onion dome, a lantern, triangular pediments and a steeple.
766:. The appearance of the church has not changed since then but it was renovated and modernized several times, specifically in 1981, 1989, 2002 and 2021.
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In 1948 the parish marked the 900th anniversary of its foundation together with the Pest Inner City parish. An open-air mass was celebrated by Cardinal
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1158:). The origin of the 12th-century Maiestas Domini relief is uncertain but it was preserved by the Baroque builders of the church as a historic relic.
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canonization in 1083 (the bishop was martyred nearby at the foot of Gellért Hill). Saint Charles Borromeo was a popular saint of the Catholic
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relief is placed on the wall where the original sculpture was located until the Second World War (the sculpture itself is preserved in the
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were exposed on a temporary altar. In the following years expressions of religious faith and parish life were severely restricted by the
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district, to take on the pastoral care of the Catholic Slavs who lived in the area. The Franciscan fathers already had a presence in
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on the western wall of the apse, was destroyed at the same time when the semicircular window of the former oratory was reopened.
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The church of Saint Catherine in 1810 with the ornate Baroque spire before the Great Fire. Detail of a view by Franz Jaschke.
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The next phase of the works began on 11 August 1750 and lasted until 1753. A new Baroque facade and a tower was built by
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Nagy Lajos: Budapest története III. A török kiűzetéstől a márciusi forradalomig, Akadémiai Kiadó, Budapest, 1975, p. 144
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burial records have been kept from 1709. In 1706 the council granted a 2.3 ha vineyard on Gellért Hill to the parish.
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period, when the parish was re-established after a long hiatus, and the new church was dedicated to Saint Catherine.
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János Jajczay: Budai és pesti veduták vallásos tárgyú képeken, in: Tanulmányok Budapest Múltjából 4. (1936), p. 171
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was donated by Anton Hierwarter, and the naive altarpiece was painted in 1872 by C. Sauer. The altarpiece of the
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Saint Catherine of Alexandria holding a ring and a book (with a broken wheel and a sword at her side) - pediment
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The chancel was modernized in 1965-66 according to the requirements of the reformed Catholic liturgy after the
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The Serbian Orthodox and the Roman Catholic churches of Tabán in the 1870s before their Neo-Baroque remodelling
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1415:"Budapest-Tabán Alexandriai Szent Katalin-plébánia (Parish of St. Catherine of Alexandria in Tabán-Budapest)"
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In 1962-1964 new roads and a traffic interchange was built in connection with the construction of the new
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The stained glass windows of the church were also removed in the end of the 1950s. They were created by
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2011:
1913:
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fresco was painted around 1850 by József Wágner but this was in turn replaced in 1890 by a fresco of
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The altarpiece is set in a concave frame decorated with gilded rosettes. The original painting by
436:
The Lower Town of Buda with the Mosque of Sokollu Mustafa Pasha in 1686. Engraving from Boethius'
2651:
2176:
2016:
1784:
1538:
Farkas Zsuzsa: Marastoni Jakab pesti festőiskolájára vonatkozó iratanyag a Fővárosi Levéltárban,
1147:
1143:
803:
747:, the Archbishop of Esztergom on August 15 on Eskü tér (now Március 15. tér) where the relics of
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The main decorative elements of the facade are the niches which contain three statues by
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1948:
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and stonemason Johann Kugler. Four new bells were cast in 1755 by Anton Czeichner. The
517:
392:
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in 1850 in a similar Italianate style as the painting on the main altar. It depicts a
2946:
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of Padua, St. Anne and the Holy Cross, all decorated with paintings and statues.
465:. The Roman Catholics settled on the southern slopes of Castle Hill and near the
2641:
2425:
2201:
1739:
1529:
Budapest műemlékei I, ed. Miklós Horler, Akadémiai Kiadó, Budapest, 1955, p. 715
1003:
and John the Baptist, Elizabeth and Zechariah with angels and putti in the sky.
1000:
955:
was destroyed in the bombardment of 1849. The present altarpiece was painted by
576:
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1998:
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The interior of the church was renovated again in the early 1910s. During the
496:
during the Ottoman period, and they spoke the Illyric language. The mosque of
82:
69:
2269:
553:
229:
2569:
2527:
1364:
Rédey Rezső: Tabán és a 900 éves tabáni plébánia, Budapest, 1939, pp. 19-20
1373:
Nándor Kaizer: A ferencrendiek Budapest-Tabánban, Magyar Ferences Könyvtár
2835:
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2221:
1661:
508:
400:
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is set in the pediment; it shows the saint with a lioness at her feet.
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298:
1382:
Arnold Schoen: A buda-tabáni Szent Katalin plébánia-templom, in:
1128:
is made of polished wood with marquetry inlay. A small statue of
2881:
1625:
731:
The building and its surroundings were seriously damaged in the
493:
1629:
1243:
The church from Buda Castle with Gellért Hill in the background
723:
The reconstructed church in modern urban surroundings in 1967
832:
caring for the sick (with a rope in his neck) - on the right
500:
was converted to a chapel in 1692 and it was consecrated to
1349:
Sokollu Mustafa Pasa'nin Budin'deki Camileri ve Mescitleri
1332:
Sokollu Mustafa Pasa'nin Budin'deki Camileri ve Mescitleri
507:
The medieval parish was re-established in 1702, and its
480:
In 1689 the head of the Cameral Administration of Buda,
2968:
18th-century Roman Catholic church buildings in Hungary
1482:, 1 December 1922, 1st Supplement, p. 8 and pp. 19-21
269:
1728-1736, 1750-1753, 1765-1777, 1880-1881, 1959-1960
2854:
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2499:
2444:
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2060:
1997:
1882:
1836:
1793:
1730:
1677:
1668:
1123:
The Chapel of Mary on the ground floor of the tower
359:
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98:
21:
411:of the Tabán Parish which also comprises parts of
548:Between 1728 and 1736 the church was enlarged by
814:The saints are portrayed with their attributes:
329:Roman Catholic Archdiocese of Esztergom–Budapest
758:The church suffered further damage during the
1641:
8:
444:The southern part of the Lower Town between
2862:Budapest Ferenc Liszt International Airport
2810:Károli Gáspár University of Reformed Church
1255:The 12th-century relief of the Tabán Christ
901:demolished in the end of the 19th century.
683:The requisition of the church bells in 1916
625:the church was damaged again when Buda was
469:around the mosque of the Ottoman governor (
2915:
1674:
1648:
1634:
1626:
1465:Győző Czigler: A budapest-tabáni templom,
49:
18:
2963:Roman Catholic churches completed in 1777
2750:Moholy-Nagy University of Art and Design
2682:Café Budapest Contemporary Arts Festival
1231:View of the church from the Gellért Hill
1150:(1970). A copy of the famous Romanesque
579:. The stone parts were made by sculptor
241:, Engineering Office of the Municipality
1355:Ahmet Yesevi Üniversitesi. pp. 743-762.
1338:Ahmet Yesevi Üniversitesi. pp. 743-762.
1314:
1209:
843:
2162:Alfréd Hajós National Swimming Stadium
2122:Stigmatisation of Saint Francis Church
1010:The Altar of the Holy Family with the
461:stream. Their chapel later became the
2795:Budapest University of Jewish Studies
2755:National University of Public Service
2126:Szilágyi Dezső Square Reformed Church
7:
1939:Semmelweis Museum of Medical History
477:(1566-1578) which survived the war.
22:Saint Catherine of Alexandria Church
2958:Roman Catholic churches in Budapest
2841:List of companies based in Budapest
2099:Our Lady of the Snows Parish Church
1616:Church of Saint Demetrius, Budapest
1291:The Pentecost, relief on the pulpit
1219:Tabán in 1942 with the two churches
1084:The Altar of Saint Joseph with the
552:, a master builder originally from
2118:St. Catherine of Alexandria Church
604:View of Tabán and Pest around 1830
563:, a masterbuilder originally from
389:Pfarrkirche zur heiligen Katharina
373:St. Catherine of Alexandria Church
41:Pfarrkirche zur heiligen Katharina
14:
2815:Pázmány Péter Catholic University
2740:Hungarian University of Fine Arts
2725:Budapest University of Technology
2242:László Papp Budapest Sports Arena
2007:Budapest Zoo and Botanical Garden
1303:Churchyard with the parish office
1012:Holy Family with John the Baptist
618:house was also built in 1818-19.
381:Alexandriai Szent Katalin-templom
33:Alexandriai Szent Katalin-templom
2927:
2926:
2914:
2790:Budapest Metropolitan University
2785:Aquincum Institute of Technology
2770:University of Physical Education
2080:Inner City Parish Church in Pest
1959:Metropolitan Ervin Szabó Library
1656:
1491:Harangszentelés a Tabánban, in:
1296:
1284:
1272:
1260:
1248:
1236:
1224:
1212:
888:
874:
860:
846:
1576:, 12 November 1835, pp. 731-732
1044:Altar of Saint Anthony of Padua
712:, the most important Hungarian
343:
227:
159:
2482:Millennium Underground Railway
1598:A tabáni templom freskói, in:
1504:Boldogasszony ünnepségek, in:
1384:Regnum Egyháztörténeti évkönyv
675:The church in the 20th century
486:Franciscans of Bosna Argentina
183:Cameral Administration of Buda
1:
2805:International Business School
2745:Liszt Ferenc Academy of Music
2612:Pestszentlőrinc-Pestszentimre
2477:Hungarian Academy of Sciences
2032:Fiume Road National Graveyard
1813:Hungarian Parliament Building
1351:. In Bayram, B. et al. (ed).
1347:Yilmaz, Mehmet Emin. (2021).
1334:. In Bayram, B. et al. (ed).
1330:Yilmaz, Mehmet Emin. (2021).
1184:Apotheosis of Saint Catherine
1088:by Joseph Karl Schöfft (1816)
825:holding a cross - on the left
623:Hungarian War of Independence
614:contemporary report claimed.
569:Saint Catherine of Alexandria
463:Cathedral of the Holy Trinity
194:Saint Catherine of Alexandria
1031:on the altar was painted by
982:The first side altar is the
962:Betrothal of Saint Catherine
760:Hungarian Revolution of 1956
609:19th century reconstructions
2800:Central European University
2378:Hungarian State Opera House
1989:Southeast Asian Gold Museum
1803:Carmelite Monastery of Buda
502:St. Catherine of Alexandria
16:Church in Budapest, Hungary
2984:
2846:Budapest Metropolitan Area
2085:Lutheran Church of Budavár
1979:National Széchényi Library
1540:Művészettörténeti Értesítő
1130:Saint Elizabeth of Hungary
917:The interior of the church
2910:
2877:Budapest Commuter Railway
2775:Academy of Drama and Film
2692:Hungarian National Ballet
2227:National Athletics Centre
1844:Holocaust Memorial Center
1564:, 7 November 1835, p. 356
1560:Nevezetes új orgona, in:
1014:by Jakab Marastoni (1850)
790:The church from northwest
488:, who had a house in the
64:
60:
48:
26:
2902:Southern railway station
2735:Eötvös Loránd University
2720:Budapest Business School
2672:Budapest Spring Festival
2667:Budapest Fringe Festival
2436:Széchenyi Medicinal Bath
2207:Illovszky Rudolf Stadion
2197:Hidegkuti Nándor Stadion
2172:Budai II. László Stadion
2108:Rumbach Street Synagogue
1770:Labyrinth of Buda Castle
1495:, 29 November 1925. p. 8
1386:. Budapest 1936., p. 316
984:Altar of the Holy Family
260:Central European Baroque
55:The facade of the church
2897:Western railway station
2892:Eastern railway station
2831:Budapest Stock Exchange
2202:Hungaroring-Formula One
2070:Dohány Street Synagogue
1823:Hungarian National Bank
1156:Budapest History Museum
1057:Altar of Saint Lawrence
1025:Saint Emeric of Hungary
947:The Empire style pulpit
524:, and the Virgin Mary.
2340:Móricz Zsigmond Square
2131:St. Stephen's Basilica
1969:Museum of Applied Arts
1934:Natural History Museum
1722:Széchenyi Chain Bridge
1589:, 5 August 1913, p. 14
1404:Nándor Kaizer op. cit.
1200:Second Vatican Council
1124:
1089:
1061:Altar of Saint Florian
1015:
948:
918:
882:Saint Charles Borromeo
791:
764:Second Vatican Council
753:Stalinist dictatorship
724:
684:
638:
605:
537:
482:Johann Stephan Werlein
452:was devastated by the
441:
388:
380:
83:47.49222°N 19.043955°E
40:
32:
2872:Budapest Tram Network
2765:Semmelweis University
2662:Budapest Fashion Week
2373:Erzsébetliget Theatre
2363:Court Theatre of Buda
2187:Szusza Ferenc Stadion
2090:Mary Magdalene Church
1984:Transportation Museum
1899:Museum of Ethnography
1173:Lamentation of Christ
1122:
1086:Death of Saint Joseph
1083:
1029:Death of Saint Joseph
1020:Altar of Saint Joseph
1009:
946:
916:
895:Stone cross from 1806
789:
722:
682:
636:
603:
594:Fourteen Holy Helpers
535:
498:Sokollu Mustafa Pasha
475:Sokollu Mustafa Pasha
435:
2144:Church of St. George
1944:Railway History Park
1914:Hospital in the Rock
1874:Shoes on Danube Bank
1585:Tönkretett freskók,
1469:, 1880-10-31, p. 348
1175:, an 1890 fresco by
1099:Johann Nepomuk Batka
905:open to the public.
854:Saint Gerard Sagredo
585:canonical visitation
550:Christian Obergruber
235:Christian Obergruber
213:Heritage designation
2921:History of Budapest
2836:Economy of Budapest
2780:Andrássy University
2730:Corvinus University
2677:Budapest Opera Ball
2534:Belváros-Lipótváros
2325:Széll Kálmán Square
2192:Ferencváros Stadion
2062:Religious buildings
1974:Museum of Fine Arts
1750:Fisherman's Bastion
1732:Castles and palaces
1456:, 1878-01-20, p. 23
1434:, 11 September 1810
1053:Altar of Saint Anne
1033:Joseph Karl Schöfft
997:sacra conversazione
953:Joseph Karl Schöfft
809:Counter-Reformation
112:Várkerület district
88:47.49222; 19.043955
79: /
2350:Theaters and opera
2280:Deák Ferenc Square
2237:Szőnyi úti Stadion
2177:City Park Ice Rink
2017:City Park Ice Rink
1828:Budapest City Hall
1785:Vajdahunyad Castle
1542:, 2005/1-2, p. 125
1520:, 1881-02-18, p. 3
1508:, 1948-08-29, p. 3
1125:
1090:
1016:
949:
919:
792:
738:right of patronage
725:
685:
639:
606:
538:
528:The Baroque church
442:
249:Single-nave church
246:Architectural type
2940:
2939:
2687:Hungarian Cuisine
2522:Óbuda-Békásmegyer
2495:
2494:
2472:Gundel Restaurant
2467:Great Market Hall
2462:Elizabeth Lookout
2431:Rácz Thermal Bath
2335:Vörösmarty Square
2300:Hungary Boulevard
2140:University Church
2113:Saint Anne Parish
2075:Gellért Hill Cave
1999:Parks and gardens
1904:Geological Museum
1869:Matthias Fountain
1818:House of Magnates
1775:Nagytétény Castle
924:transverse arches
745:József Mindszenty
740:ceased to exist.
733:siege of Budapest
369:
368:
205:Functional status
2975:
2930:
2929:
2918:
2917:
2760:Óbuda University
2388:National Theatre
2285:Ferenciek Square
2275:Danube Promenade
2136:Tomb of Gül Baba
1924:National Gallery
1849:Kossuth Memorial
1692:Elisabeth Bridge
1675:
1660:
1650:
1643:
1636:
1627:
1603:
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1483:
1480:Fővárosi Közlöny
1476:
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1300:
1288:
1276:
1264:
1252:
1240:
1228:
1216:
892:
878:
864:
850:
830:Charles Borromeo
776:end of socialism
771:Elisabeth Bridge
561:Matthäus Nepauer
239:Matthäus Nepauer
94:
93:
91:
90:
89:
84:
80:
77:
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2936:
2906:
2850:
2819:
2706:
2702:Sziget Festival
2653:
2646:
2491:
2440:
2397:
2344:
2320:Small Boulevard
2290:Grand Boulevard
2265:Andrássy Avenue
2255:
2246:
2148:
2095:Matthias Church
2056:
2037:Margaret Island
1993:
1929:National Museum
1919:House of Terror
1894:Aquincum Museum
1885:
1878:
1862:Little Princess
1832:
1789:
1780:New York Palace
1726:
1702:Margaret Bridge
1664:
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1467:Az Építési Ipar
1464:
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1454:Az Épitési Ipar
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1359:
1353:Bildiri Kitabi.
1346:
1342:
1336:Bildiri Kitabi.
1329:
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1268:
1265:
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1229:
1220:
1217:
1208:
993:Jakab Marastoni
957:Jakab Marastoni
911:
896:
893:
884:
879:
870:
868:Saint Catherine
865:
856:
851:
784:
774:life after the
689:First World War
677:
611:
581:Anton Eberhardt
530:
430:
425:
313:stone and brick
87:
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78:
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2869:
2867:Budapest Metro
2864:
2858:
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2656:
2648:
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2638:
2636:Budafok-Tétény
2632:
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2418:
2413:
2407:
2405:
2399:
2398:
2396:
2395:
2393:Vigadó of Pest
2390:
2385:
2383:Magyar Theatre
2380:
2375:
2370:
2365:
2360:
2358:Comedy Theatre
2354:
2352:
2346:
2345:
2343:
2342:
2337:
2332:
2327:
2322:
2317:
2312:
2310:Liberty Square
2307:
2305:Kossuth Square
2302:
2297:
2295:Heroes' Square
2292:
2287:
2282:
2277:
2272:
2267:
2261:
2259:
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2214:
2209:
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2189:
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2174:
2169:
2167:Bozsik Stadion
2164:
2158:
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2150:
2149:
2147:
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2138:
2133:
2128:
2123:
2120:
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2110:
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2055:
2054:
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2039:
2034:
2029:
2024:
2019:
2014:
2009:
2003:
2001:
1995:
1994:
1992:
1991:
1986:
1981:
1976:
1971:
1966:
1961:
1956:
1951:
1949:Koller Gallery
1946:
1941:
1936:
1931:
1926:
1921:
1916:
1911:
1906:
1901:
1896:
1890:
1888:
1880:
1879:
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2154:Sports venues
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1765:Hotel Gellért
1763:
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1760:Hotel Astoria
1758:
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1745:Danube Palace
1743:
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1712:Petőfi Bridge
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1162:Lost artworks
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797:turret clocks
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653:Templom utcza
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455:
454:Siege of Buda
451:
447:
439:
434:
428:Early history
427:
422:
420:
418:
414:
410:
409:parish church
406:
402:
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165:parish church
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63:
59:
52:
47:
42:
38:
34:
30:
25:
20:
2919:
2887:M0 Ring Road
2882:BuBi Bicycle
2712:Universities
2697:LOW Festival
2624:Pesterzsébet
2516:2nd district
2452:Anker Palace
2421:Lukács Baths
2416:Király Baths
2403:Thermal spas
2232:Puskás Aréna
2212:Kincsem Park
2182:Danube Arena
2117:
2052:Óbuda Island
2022:Gellért Hill
1954:Memento Park
1861:
1853:
1687:Árpád Bridge
1621:Tabán Christ
1599:
1594:
1586:
1581:
1573:
1569:
1561:
1556:
1547:
1539:
1534:
1525:
1518:Pesti Hírlap
1517:
1513:
1505:
1500:
1492:
1487:
1479:
1474:
1466:
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1453:
1449:
1439:
1432:Magyar Kurir
1431:
1427:
1419:ittlakunk.hu
1418:
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1317:
1197:
1192:József Palka
1189:
1183:
1181:
1172:
1165:
1161:
1160:
1152:Tabán Christ
1140:
1136:
1135:
1126:
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1113:
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1105:
1104:
1091:
1085:
1075:
1074:
1060:
1056:
1052:
1049:
1043:
1041:
1037:Saint Thecla
1028:
1023:serpent and
1019:
1017:
1011:
999:between the
988:epistle side
983:
981:
977:
976:
972:
968:
967:
961:
950:
938:
934:
930:
929:
920:
903:
899:
881:
867:
853:
839:
835:
813:
801:
793:
782:Architecture
768:
757:
749:Saint Gerard
742:
730:
726:
714:bell-founder
707:
694:
686:
669:
661:
657:Kirchengasse
656:
652:
649:
640:
620:
616:
612:
590:
573:Saint Andrew
558:
547:
543:
539:
514:
506:
479:
470:
450:Gellért Hill
443:
437:
413:Gellért Hill
407:. It is the
372:
370:
365:Balázs Hegyi
350:Tabán Parish
340:Buda-Középső
230:Architect(s)
200:Architecture
133:Denomination
2558:Ferencváros
2552:Józsefváros
2426:Rudas Baths
2330:Váci Street
2027:Haller Park
1884:Museums and
1740:Buda Castle
1493:Uj Nemzedék
1148:Masa Feszty
1144:Carlo Adami
1001:Holy Family
978:Side altars
804:Gyula Szász
665:Gyula Szász
621:During the
577:Saint Peter
446:Castle Hill
438:Kriegs-Helm
399:quarter of
266:Years built
86: /
2947:Categories
2654:traditions
2652:Events and
2606:Rákosmente
2540:Terézváros
2510:Várkerület
2487:F-4 Object
2217:Kisstadion
1909:Kunsthalle
1795:Government
1600:A Műgyűjtő
1562:Társalkodó
1309:References
1279:Main altar
1177:Lázár Nagy
1092:The first
1069:chronogram
1051:1945. The
931:Main altar
702:Lágymányos
484:asked the
459:Ördög-árok
297:Number of
221:Designated
189:Dedication
180:Founder(s)
74:19°02′38″E
71:47°29′32″N
2855:Transport
2576:Hegyvidék
2501:Districts
2270:Citadella
2012:City Park
1886:galleries
1837:Memorials
1670:Landmarks
1574:Honművész
1106:Furniture
778:in 1990.
698:Kelenföld
554:Carinthia
490:Víziváros
471:beylerbey
377:Hungarian
361:Priest(s)
309:Materials
284:Completed
145:Tradition
104:Attila út
29:Hungarian
2932:Category
2642:Soroksár
2222:MVM Dome
2042:Népliget
1662:Budapest
1610:See also
1506:Új Ember
909:Interior
518:Matthias
401:Budapest
116:Budapest
99:Location
2824:Economy
2640:XXIII.
2634:XXII.
2628:XXI.
2622:XX.
2618:Kispest
2616:XIX.
2610:XVIII.
2604:XVII.
2598:XVI.
2592:XV.
2586:XIV.
2580:XIII.
2574:XII.
2568:XI.
2564:Kőbánya
2562:X.
2556:IX.
2550:VIII.
2544:VII.
2538:VI.
2532:V.
2526:IV.
2520:III.
2514:II.
2508:I.
2315:Oktogon
2257:streets
2252:Squares
2047:Normafa
1679:Bridges
1206:Gallery
1137:Narthex
986:on the
423:History
417:Naphegy
405:Hungary
391:) is a
336:Deanery
324:Diocese
172:Founded
156:History
126:Hungary
122:Country
2630:Csepel
2570:Újbuda
2528:Újpest
1864:statue
1027:. The
969:Pulpit
828:Saint
821:Saint
627:sieged
597:1808.
565:Vienna
522:Thomas
509:patron
467:Danube
385:German
355:Clergy
346:Parish
299:spires
216:listed
208:Active
167:(1702)
161:Status
37:German
2953:Tabán
2588:Zugló
2445:Other
1587:Világ
1094:organ
1076:Organ
397:Tabán
255:Style
150:Latin
108:Tabán
1182:The
1065:Pest
1042:The
1018:The
700:and
575:and
520:and
494:Buda
448:and
415:and
371:The
287:1777
279:1728
224:1936
175:1692
2254:and
1444:312
655:or
102:11
2949::
1417:.
755:.
571:,
473:)
403:,
387::
383:,
379::
237:,
114:,
110:,
106:,
39::
31::
1649:e
1642:t
1635:v
1421:.
440:.
375:(
303:1
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