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175:. Their new home seems to be mysteriously haunted, but the very young and homeless street smart girl Marianna proves to be the reason. Connie gets married in this book and leaves her nursing career and Bill pressures Sue to marry him. Sue refuses, wanting a chance to repay the training she received from the Settlement Houses. Serving as visiting nurses, they are educating families on how to take care of the sick, teach them about hygiene and health as well as getting employment and financial aid as well. At one point, Sue helps an elderly patient fulfill her dream of travel by using the money meant for her own wedding wardrobe.
146:, Sue begins training as a student nurse. She meets her friends, Canadian Katherine (Kit) Van Dyke and socialite Constance (Connie) Halliday, in this book, and her future husband, Dr. Bill Barry. Sue manages to have a number of adventures as she trains, including falling down a laundry shaft and saving a feverish patient from jumping out of a window while recovering from appendix surgery.
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Hilda, in fact, was my room-mate when I was in probe. Miss
Cameron was so real she scares me yet, though I loved her dearly. She was greatly amused to find herself in a book and wrote me a charming letter about it. Sue is not me! I made her up, lock, stock and barrel. She is the kind of person and the kind of nurse I wished I were, and I had a lot of fun creating her."
114:
In a publisher's note in a 1967 British edition of the book, Boylston wrote that all the nursing incidents in the first two books were based on real events. The Kit, Connie and Bill characters were also based on real individuals and used their real names, while others used pseudonyms. She denied that
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Every single incident in the first two 'Sue's' - nursing incident, I mean - actually happened, either to me or to some of my classmates. Kit and Connie were real, and those are their real names. Same goes for Bill. Francesca and Hilda were also taken from life, though those are not their real names.
201:
Sue suffers regrets about leaving her nursing career while she cares for her three children
Tabitha and twin boys Johnny and Jerry, each of whom has particular needs. She also helps a young teenager, Cal, to be more sociable, and Cal's mother, the artist Mona Stuart, to be kinder. Sue realizes that
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and then works as the head of the nursing school at the new hospital in
Springdale. However, her marriage to the new Senior Physician Bill is not smooth sailing and Sue questions her ability to provide a proper nursing training for her students. Marianna Lawson, an old acquaintance from her Henry
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has written that "Nursing is consistently constructed in the Sue Barton books as an appropriate means for a young woman to achieve some measure of financial independence and professional status and to contribute to the general good". Philips describes
Boylston as having "a feminist edge" though
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follows Sue as she leaves the
Visiting Nurses and returns home, only to find that a tragic accident has left Bill with the care of his disabled brother Elliot. He cannot marry Sue until things are settled. Sue sets herself up as a visiting rural nurse in the town of
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noting that the books are silent on the subject of racism in nursing. Philips writes that the books "offer a radical intervention into contemporary debates about nursing and femininity in
America, that derives from very marked feminist and radical origins".
209:(the final installment in the series), Sue returns to work with the help of her loyal domestic help and friend Veazie Ann Cooney, to support her four children. Baby Sue is less than a year old, while her husband Dr. Bill Barry is in a
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Barton herself was an autobiographical portrait, saying "I made her up, lock, stock and barrel. She is the kind of person and the kind of nurse I wished I were, and I had a lot of fun creating her."
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notes the "current of worry that runs through the series, a to-and-fro rumination about a woman's difficulties in combining an independent life with marriage, a profession with a family".
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and saw a number of reprints following its initial publication. The series follows red-headed Sue Barton through her nurse's training and her career.
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Street time in New York City, poses many problems. In the very end of the book Sue hands in her resignation and tells Bill she is pregnant.
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her role in her family and the wider neighborhood is also important. Her old friend Kit Van Dyke is the new head of the nursing school.
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and winds up in the middle of a typhoid outbreak and a sudden dam accident. The funding of a local hospital gets underway.
400:. Online access: Taylor and Francis Routledge Historical Resources: History of Feminism. Taylor & Francis. p. 42.
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Routledge
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between 1936 and 1952. The series was published by
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430:"REREADING: Sue Barton and Me"
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428:Ashenburg, Katherine (2003).
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317:Journal of American Studies
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109:Little, Brown & Co.
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503:"Boylston, Helen Dore"
546:The Sue Barton Series
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132:Katherine Ashenburg
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624:(1948–1956)
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604:Cherry Ames
600:(1934–1955)
284:Staff Nurse
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257:Rural Nurse
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245:Sue Barton:
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813:Categories
756:Rick Brant
750:Power Boys
732:Don Sturdy
726:Danny Dunn
670:Vicki Barr
658:Sue Barton
646:Nancy Drew
640:Meg Duncan
634:Kay Tracey
473:2009-02-15
451:5 February
376:0340024631
350:5 February
291:References
211:sanatorium
155:obstetrics
138:The series
101:Sue Barton
91:Media type
31:Sue Barton
768:Tom Quest
345:143375145
86:1936-1952
83:Published
73:Publisher
744:Ken Holt
523:cite web
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337:27556535
513:7 July
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232:(1936)
53:Author
442:JSTOR
413:5 Feb
341:S2CID
333:JSTOR
94:Print
529:link
515:2013
488:link
453:2023
415:2023
402:ISBN
371:ISBN
352:2023
325:doi
205:In
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
