32:, travelled to New York in 1982 they visited a number of dealer art galleries. On their return, Crockford resolved to open a dealer gallery in Auckland and early in 1985 she opened the Sue Crockford Gallery on Albert Street. The following the gallery moved to Archilles House in Commerce Street and in 1995 to the second floor of the Endeans Building, where it remained until the gallery closed in 2012. Sue Crockford died in 2023.
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When the Sue
Crockford Gallery opened in the mid-1980s, it was considered to be extremely progressive with its large exhibition space, its decision not to take part in the secondary re-sale market and a dedication to a carefully selected group of younger artists. Sue Crockford's sophisticated style
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that had caused considerable controversy. The key issue in contention concerned Gordon
Walters, a Crockford Gallery artist, who Killeen and others felt to have been demeaned both by his positioning in the exhibition and in an essay by art historian Rangihiroa Panoho.
112:(USA). The gallery also worked with Buren to produce an artist's book for his exhibition. Buren's exposure in New Zealand through this exhibition led to him being commissioned to build one of the largest sculptures on the Gibbs Farm sculpture park north of Auckland.
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was expressed in the New York look of the gallery with its high ceilings and wooden floors. The artist John
Reynolds described the first exhibition space as ‘a clean white cube idea of a gallery – lots of light, lots of space for the art and minimal distraction.’
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Art critic Wystan Curnow wrote of the exhibition that it was, "one of those moments in an artist's career when the work suddenly makes a new and deeper sense to and to their most engaged viewers".
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Sue
Crockford's career in the visual arts began with her role as an Arts Advisory Officer in the Department of Education. When she and her husband, art historian
477:. Christina Barton, Robert Leonard, Thomasin Sleigh, Adam Art Gallery, Victoria University Press, Institute of Modern Art. Wellington, New Zealand. p. 444.
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Ralph Hotere and Bill
Culbert met at the Sue Crockford Gallery and in this exhibition laid the ground work for their joint installation on the façade of the
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This solo exhibition by
Richard Killeen ‘engaged with some of the dialogue’ and used images related to the exhibition
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Buren (France) was one of the international artists who showed with the gallery along with
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This was the final solo exhibition to be held at the Sue
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Ralph Hotere : the dark is light enough : a biographical portrait
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The Sue
Crockford Gallery opened with a group of eight foundation artists:
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387:. Bill Culbert. Auckland, N.Z.: Auckland University Press. p. 187.
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Peter McLeavey : the life and times of a New
Zealand art dealer
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was a contemporary art dealer gallery in
Auckland, New Zealand.
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Albrecht, Gretchen (Spring 2023). "Sue Crockford (1948-2023)".
544:"Controversy and growth – the Auckland art scene in the 1990s"
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The critic's part : Wystan Curnow art writings 1971–2013
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Culture in a small country : the arts in New Zealand
298:"Daniel Buren: Coloured Transparency Situated Works"
282:White, Margo (Winter 2011). "Art of the City".
437:Daly-Peoples, John (Summer 1992). "Auckland".
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144:Headlands: Thinking Through New Zealand Art
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522:"John Reynolds: Twenty Years Separation"
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384:Bill Culbert : making light work
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199:Plumbly, Ben (12 September 2013).
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201:"An Audience with Sue Crockford"
542:Williams, Briar (5 June 2022).
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152:2006 Julian Dashper
561:Horrocks, Roger (2022).
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567:. Pokeno. p. 153.
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454:"Rethinking Headlands"
99:Coloured Transparency
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284:Heritage New Zealand
165:Diptych of Triptychs
92:Selected exhibitions
452:Barton, Christina.
381:Wedde, Ian (2009).
163:2012 John Reynolds
154:It is What It Isn't
97:1992 Daniel Buren
574:978-1-9911591-2-0
484:978-0-86473-932-2
394:978-1-86940-439-0
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207:(1): 32–36.
127:, known as
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118:Post Black
106:Sol Lewitt
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240:852491908
110:Pae White
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527:14 April
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300:. 1992.
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36:Artists
24:History
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129:Fault.
460:(39).
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116:1992
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479:ISBN
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399:OCLC
389:ISBN
368:link
350:OCLC
340:ISBN
319:2023
254:link
236:OCLC
226:ISBN
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