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In 1695, she married Jacob Bicker, Hendricksz (1642-1713), eighteen-years older, without community of property and separated from bed. In 1749 she died at the age of almost 89, but blind. The house, her stocks and bonds, her paintings and her books, including the cash money (ƒ 2,50), was divided into
209:
The canal mansion 'Geelvinck
Hinlopen Huis' is now closed for the public, because the museum (including the rosarium) has moved to new premises. In Spring 2017 the museum opened its new premises in the historic mansion 'De Wildeman' in Zutphen, but had to close down already by the end of 2019. Today,
553:
By the end of 2015, Museum
Geelvinck had to move to new premises. Since Spring 2017, the Geelvinck Muziek Museum opened for the public at the historic house 'De Wildeman' in Zutphen (till end of 2016 this was the Museum Henriëtte Polak, which had moved to the 'Hof van Heeckeren'). Museum Geelvinck
558:. Since 2012, Museum Geelvinck also has a modest venue in the 'Posthoornkerk' in Amsterdam (the collection of historic pianos is on view by appointment only). Museum Geelvinck collaborates in the partnership 'Geelvinck Muziek Musea with the Pianola Museum and Huis Midwoud (
272:, their uncle, in 1672. Keen on leaving the house, she married in 1680 the fifteen-year-older lawyer Albert Geelvinck. A few months before the girls came by lot in the possession of the paintings by
542:; this program continues now in other historic houses and castles, such as the Posthoornkerk and Castle Heeswijk (near Den Bosch), where the museum has located some of its historic pianos.
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with a large pond and a fountain. Most of the time there is an exhibition of statues. Going up the stairs to the main floor of the museum, there are four rooms open to the public.
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style. The high ceiling and the fixed mirrors are impressive. There are six 17th-century paintings in this room: a
Flamish fantasy landscape with tree, game and birds by
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Museum
Geelvinck is located at the country estate 'Kolthoorn House' in Heerde and also has a modest venue at the 'Posthoornkerk' in Amsterdam.
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came from a family of originally
Flemish cloth merchants, private investors and in an early stage involved in the governing the city and the
202:. In the year 1687 the couple moved into this double wide house, with storage rooms in the cellar, under the attic and in the warehouse on
857:
735:
Donders, P. (2007) Les cuirs dorés de l’église Saint-Berthuin de
Malonne et la fabrique du bruxellois Cornelius T’Kint, p. 90-96.
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349:. On all the panels nature is idealized, the horizon is on eyeheight. Originally the panels were designed for a house on the
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was forced out of its
Zutphen venue already by the end of 2019 and since moved to the country estate 'Kolthoorn House' in
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630:. As a burgomaster and an uncle he kept an interesting diary with some details about the girls and their marriage.
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was situated from its opening 1991 till the end of 2015 in a canal-side mansion, the
Geelvinck Hinlopen Huis in
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353:, then decorating a room in New York and Miami, but since 1990 they are back. On the chimney are two
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Sara became an orphan at the age of six. Then she and her sister
Johanna were raised by a stepmother
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Goudbeek, R. (z.j.) Geelvinck
Hinlopen Huis. Geschiedenis van het Huis en zijn Bewoners (1687-1998)
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Between the entrance and the mansion is a spacious and quiet garden. The back of the garden is a
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W.V.J. Freling (1996) Stucwerk in het Nederlandse woonhuis, uit de 17e en 18e eeuw, p. 52, 272.
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and, since the closure of this venue, starting in Autumn 2018 in the Luther Museum Amsterdam.
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Boschma, C. & J. Perot (1991) Antoine-Ignace Melling (1763-1831) reizend kunstenaar.
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198:(1660-1749), then in an attractive and new laid-out section of the city towards the
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family, who had acquired their wealth through merchant shipping to Spain, Africa,
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The museum programs concerts, sometimes on historic fortepianos, such as the
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style, resembling the work of the Scottish architect and interior decorator
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healing the blind. Further there is still life with flowers but without a
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Bottenburg, D. & K. Loeff (2001) Tussen Weelde en Woningwet, p. 49-51.
489:, made somewhere between the years 1765–1775. The artist, working in the
341:. Van Drielst was a romantic painter, who in his style was influenced by
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605:(1903-1905, herdruk 1963) De vroedschap van Amsterdam 1578-1795, 2 delen.
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Temporary exhibition on Art from China, Mongolia and the Himalaya
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249:(mayors) in the 17th and 18th century. They too served in the
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Catalogo de tapices del Patrimonio Nacional (1986), p. 285.
670:"Bureau Monumenten & Archeologie - Geelvinck Hinlopen"
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545:The first exhibitions in the museum was in 1991 on
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296:Garden and rooms at the Geelvinck Hinlopen House
485:with fantasy flowers and birds, vegetables and
593:Vier eeuwen Herengracht, Stadsdrukkerij, 1975.
528:In June the museum used to participate in the
307:, while the front is a formal and symmetrical
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868:20th-century architecture in the Netherlands
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318:Detail of the wallpaper in the Chinese room
449:, made in Brussels around 1600, depicting
415:. On the table is an interesting piece of
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848:Historic house museums in the Netherlands
828:Bureau Monumentenzorg on Herengracht 518
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186:. This patrician mansion, close to the
863:1991 establishments in the Netherlands
481:has eight Rococo wallpaper panels on
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27:Art museum in Amsterdam, Netherlands
422:The ceiling in the library is in a
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712:nextroom - architektur im netz.
522:Frederick William III of Prussia
237:. Both families belonged to the
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337:panels, painted around 1788 by
760:"7 Grachtenmusea in Amsterdam"
640:Het dagboek van J. Bicker Raye
333:style has an ensemble of five
176:Museum Geelvinck Hinlopen Huis
31:Museum Geelvinck Hinlopen Huis
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746:"Home - Flavours of the Farm"
430:. Adam, was inspired by the
241:of Amsterdam. The republican
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280:, collected by their father
168:www.geelvinckhinlopenhuis.nl
858:Rijksmonuments in Amsterdam
42:The museum viewed from the
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504:in Brussels, perhaps used
445:In the hall one can see a
434:in Rome and the palace of
221:came from the upper class
367:is decorated in either a
357:jars from the factory of
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255:Dutch West India Company
235:Dutch East India Company
819:Geelvinck-Hinlopen Huis
520:, and once belonged to
510:Jean-Baptiste Pillement
395:from Antwerp, a flashy
292:and his three sisters.
206:633, now the entrance.
159:Tram line 16, 24, or 25
547:Antoine Ignace Melling
512:, then famous for his
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251:Admiralty of Amsterdam
576:List of music museums
461:, (book I: 155). The
411:and a winterscape by
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229:and the West Indies.
156:Public transit access
71:Location in Amsterdam
853:Museums in Amsterdam
653:"Robert-broekema.nl"
377:Gillis d'Hondecoeter
130:52.36417°N 4.89111°E
624:Joan Huydecoper jr.
516:. The table is in
413:Antonie van Stralen
126: /
32:
821:(official website)
518:scagliolatechnique
347:Jacob van Ruisdael
339:Egbert van Drielst
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290:Nicolaes Geelvinck
259:Society of Surinam
83:c. 1687 (building)
495:Cornelis 't Kindt
379:; also depicting
288:lots and went to
270:Jacob J. Hinlopen
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135:52.36417; 4.89111
16:(Redirected from
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479:The Chinese Room
467:was designed by
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194:(1647-1693) and
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451:Cyrus the Great
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282:Jan J. Hinlopen
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768:. Retrieved
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540:square piano
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365:The Red Room
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247:burgomasters
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175:
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514:Chinoiserie
498: [
487:chinoiserie
432:Domus Aurea
428:Robert Adam
302:Renaissance
133: /
108:Coordinates
101:Netherlands
80:Established
44:Herengracht
842:Categories
825:(in Dutch)
816:(in Dutch)
770:2008-08-20
680:2008-08-20
603:J.E. Elias
582:References
506:engravings
436:Diocletian
397:still life
243:Geelvincks
150:Art museum
118:52°21′51″N
537:Broadwood
459:Herodotus
371:or a neo-
355:porcelain
335:wallpaper
327:Louis XVI
274:Rembrandt
223:Geelvinck
180:Amsterdam
121:4°53′28″E
97:Amsterdam
570:See also
447:tapestry
405:seascape
369:Louis XV
227:Suriname
88:Location
560:Midwoud
455:Croesus
257:or the
239:regents
214:History
164:Website
803:Dutch
556:Heerde
483:canvas
471:, the
464:carton
393:Jesuit
381:Christ
373:Rococo
305:garden
276:, and
200:Amstel
502:]
440:Split
385:saint
325:in a
808:1879
403:, a
391:, a
345:and
146:Type
508:by
438:in
407:by
399:by
387:by
329:or
94:633
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661:^
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500:nl
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20:)
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