334:
abuse. There is also the theme of globalization and its effects as seen in scenes, such as the one where Hebba and Karim are having lunch and are constantly distracted by the loud horn of the cruise ship behind them. In addition, we see glimpses of the female-on-female gaze. As Hebba is on the train with Selma, she receives many critical stares from the women in traditional dress. Hebba eventually feels so uncomfortable and takes the scarf she is offered to cover herself. Similarly, Karim experiences the male-on-male gaze. He is often seen flattering other men, who are his seniors as he wants to be the next editor-in-chief. He feels the pressure of his colleagues expecting him to attain this promotion. However, when he is told he did not receive it, his embarrassment becomes rage and leads to his abuse of Hebba.
342:
construct of marriage beneficial for both parties, diminishes marriage into an exploitative tool for men to control their wives. This loss of support for only exploitation can be understood as a commentary on the modern
Egyptian government in which patriarchal protection typically expected from government is no longer provided and instead only operates to control and capitalize on its citizens.
321:. Karim, her husband, is the deputy director of a newspaper that backs the Government; he dreams of soon being the director. However, it is made clear to him that his wife's political opinion's, that lean towards the opposition, are poorly received and could cost him his promotion. Using his charm and sex as tools, he convinces Hebba to choose social themes that will not affect the Government.
22:
345:
Another notable theme, is the challenge for women standing at the crossroads of tradition and modernity. One of these challenges described above is the devaluation of marriage in modern society along with establishment of female presence in the political world. Echoes of these ideas of tradition are
341:
in
Egyptian society. Throughout the many stories within the film, gendered expectations are placed upon the women while men only draw benefits and offer no support or protection as expected in the social contract of the patriarchal bargain. This loss of traditional values that would usually make the
333:
The most notable theme in the film is female support and community. As Hebba is able to reach out to more women to be interviewed on her show, Hebba develops a connection with the female community. Hebba ends the movie surrounded by women, and ready to stand up for herself against her husband's
324:
Unbeknownst to Karim, the collection of female stories Hebba decides to broadcast coincidentally prove political in nature. Tension between the two ensues and reveals the corruption of Karim's male-dominated world as Hebba becomes increasingly sympathetic to women very different from her.
131:
350:
in which
Scheherazade must tell series of stories to win the trust of a man sparing her life. This traditional narrative form still proves effective in modern society and similarly wins Hebba the trust of her husband for some time.
39:
499:
416:
Orlando, Valérie K. (2014-07-24). "Scheherazade Tell Me A Story(Yousry
Nasrallah, 2009): Talking Women's Rights, Feminism and the 'Arab Spring'".
86:
401:
58:
65:
105:
72:
462:
43:
54:
504:
494:
347:
32:
384:
Hossain, Naomi (2017-02-23), "The
Breaking of the Patriarchal Bargain and the Emergence of the 'Woman Issue'",
292:
79:
177:
360:
489:
338:
393:
441:
474:
433:
397:
309:) is a 2009 Egyptian film. The film Was Showing on 60 cinemas on Egypt at last of June 2009
425:
389:
318:
151:
141:
130:
300:
270:
187:
182:
483:
445:
429:
192:
21:
437:
172:
468:
317:
In modern Cairo, Hebba hosts an evening political talk show on
337:
Other worthy themes for analysis include the breakdown of the
15:
366:
Festival de los Tres
Continentes (Nantes), Francia 2009
276:
266:
258:
248:
225:
217:
209:
201:
165:
157:
147:
137:
123:
46:. Unsourced material may be challenged and removed.
346:emphasized by the trope this film aims to mimic,
8:
388:, Oxford University Press, pp. 75–90,
129:
120:
394:10.1093/acprof:oso/9780198785507.003.0004
106:Learn how and when to remove this message
376:
463:African Film Festival of Cordoba-FCAT
7:
296:
44:adding citations to reliable sources
500:Films directed by Yousry Nasrallah
418:Quarterly Review of Film and Video
14:
20:
55:"Scheherazade, Tell Me a Story"
31:needs additional citations for
1:
288:Scheherazade, Tell Me a Story
124:Scheherazade, Tell Me a Story
430:10.1080/10509208.2012.710521
348:One Thousand and One Nights
521:
128:
465:(license CC BY-SA-3.0)
234:24 June 2009
505:2000s Egyptian films
495:Egyptian drama films
40:improve this article
339:patriarchal bargain
161:Misr Cinema Company
470:Ehki ya shahrazade
306:Ehki ya shahrazade
118:2009 Egyptian film
403:978-0-19-878550-7
284:
283:
116:
115:
108:
90:
512:
450:
449:
413:
407:
406:
381:
298:
241:
239:
178:Hassan El Raddad
152:Yousry Nasrallah
142:Yousry Nasrallah
133:
121:
111:
104:
100:
97:
91:
89:
48:
24:
16:
520:
519:
515:
514:
513:
511:
510:
509:
480:
479:
459:
454:
453:
415:
414:
410:
404:
383:
382:
378:
373:
361:Venice Festival
357:
331:
315:
293:Egyptian Arabic
271:Egyptian Arabic
251:
244:
237:
235:
228:
197:
119:
112:
101:
95:
92:
49:
47:
37:
25:
12:
11:
5:
518:
516:
508:
507:
502:
497:
492:
482:
481:
478:
477:
466:
458:
457:External links
455:
452:
451:
424:(7): 679–691.
408:
402:
375:
374:
372:
369:
368:
367:
364:
356:
353:
330:
327:
314:
311:
297:إحكي يا شهرزاد
282:
281:
278:
274:
273:
268:
264:
263:
260:
256:
255:
252:
249:
246:
245:
243:
242:
231:
229:
226:
223:
222:
219:
215:
214:
211:
207:
206:
203:
202:Cinematography
199:
198:
196:
195:
190:
188:Hassan el-Imam
185:
183:Mahmoud Hemida
180:
175:
169:
167:
163:
162:
159:
155:
154:
149:
145:
144:
139:
135:
134:
126:
125:
117:
114:
113:
28:
26:
19:
13:
10:
9:
6:
4:
3:
2:
517:
506:
503:
501:
498:
496:
493:
491:
488:
487:
485:
476:
472:
471:
467:
464:
461:
460:
456:
447:
443:
439:
435:
431:
427:
423:
419:
412:
409:
405:
399:
395:
391:
387:
380:
377:
370:
365:
362:
359:
358:
354:
352:
349:
343:
340:
335:
328:
326:
322:
320:
312:
310:
308:
307:
302:
294:
290:
289:
279:
275:
272:
269:
265:
261:
257:
253:
247:
233:
232:
230:
224:
221:Tamer Karawan
220:
216:
212:
208:
204:
200:
194:
191:
189:
186:
184:
181:
179:
176:
174:
171:
170:
168:
164:
160:
156:
153:
150:
148:Screenplay by
146:
143:
140:
136:
132:
127:
122:
110:
107:
99:
88:
85:
81:
78:
74:
71:
67:
64:
60:
57: –
56:
52:
51:Find sources:
45:
41:
35:
34:
29:This article
27:
23:
18:
17:
469:
421:
417:
411:
385:
379:
344:
336:
332:
323:
316:
305:
304:
287:
286:
285:
250:Running time
227:Release date
205:Samir Bahsan
102:
93:
83:
76:
69:
62:
50:
38:Please help
33:verification
30:
386:The Aid Lab
254:135 minutes
193:Sawsan Badr
158:Produced by
138:Directed by
490:2009 films
484:Categories
371:References
280:12,200,000
277:Box office
238:2009-06-24
66:newspapers
446:191653024
438:1050-9208
301:translit.
213:Mona Rabi
210:Edited by
173:Mona Zaki
96:June 2019
313:Synopsis
267:Language
218:Music by
166:Starring
259:Country
236: (
80:scholar
444:
436:
400:
355:Awards
329:Themes
319:Sun TV
303:
82:
75:
68:
61:
53:
442:S2CID
262:Egypt
87:JSTOR
73:books
475:IMDb
434:ISSN
398:ISBN
363:2009
59:news
473:at
426:doi
390:doi
42:by
486::
440:.
432:.
422:31
420:.
396:,
299:,
295::
448:.
428::
392::
291:(
240:)
109:)
103:(
98:)
94:(
84:·
77:·
70:·
63:·
36:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
