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383:", "Jeane" and "I Don't Owe You Anything". However, when she arrived to record with the band on 13 December 1986, Morrissey was ill. Shaw recorded her vocals, but her version was ultimately scrapped. She later said she "thought it was a horrid song", and scoffed at the notion of being a backing vocalist. Drummer
581:'Sheila Take A Bow,' one of the Smiths' singles from 1986, is built on one of Johnny Marr's most swaggering guitar riffs—and Morrissey's lyrics verge on a pep talk. ... For someone who's always been accused of wallowing in his own misery, and enabling his fans to do the same, it’s an upbeat about-face."
391:"There was no sign of Morrissey for a couple of hours. Sandie was getting a bit frantic. In the end she phoned up Morrissey and managed to get hold of him. She was saying, 'Just hum me the tune down the phone that you want me to do!' I think she took it all personally."
31:
324:" as the band's highest charting UK single, reaching number ten on the charts. It has since seen positive critical reception for Morrissey's uplifting lyricism and Marr's guitar work. The song was included on the compilation album
587:
rated the song as the band's 33rd best, writing, "Some fans were horrified at the totally unironic warmth of this single, but Moz sincerely roots for
Sheilas everywhere to rise up and boot the world in the crotch."
524:"Sheila Take a Bow" was performed live only twice by the Smiths, having the distinction of being the last song ever played by the group in front of an audience. It was performed live on the British music program
429:," commenting, "We were excited to bring that to Smiths records, whether it was 'Sheila Take A Bow,' starting off with the brass band playing, starting a pop single with that. That was a subversive act."
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598:-esque feel evidently struck a chord with the public, as it went on to become the highest-charting single of the band's lifetime. Sheila take a bow, indeed."
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would ultimately be the band's final live performance. Morrissey performed this song live for the first time as a solo artist on 14 March 2012 in
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on backing vocals, but Shaw's distaste for the song and
Morrissey's illness during her session resulted in the vocals not being used.
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444:"Sheila Take a Bow" was released as a single in April 1987, the fourth and final non-album single the band released between
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on 23 April 1987 (but the band were miming to the studio version for this performance). The performance on
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and have her as a second vocalist. Shaw had earlier collaborated with the Smiths in 1984 on versions of "
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432:"Sheila Take a Bow" was among the Smiths songs written during this period where Marr used a 12-string
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as producer. Street's version removed the sitar-esque line and used a brief audio clip of a marching
407:-sounding riff, was deemed unsatisfactory by the group and scrapped. The single was re-recorded with
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ranked the song first on their list of seven uplifting
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320:"Sheila Take a Bow" was released as a non-album single in April 1987, and tied "
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1164:"30 Years Ago: 'Louder Than Bombs' Becomes the Smiths' First U.S. Compilation"
980:"Guitar Legends: Johnny Marr – a unique guitar hero with a chameleonic talent"
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The production of the single was troublesome. Morrissey planned to bring back
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Songs That Saved Your Life (Revised
Edition): The Art of The Smiths 1982-87
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also ranked the song as the 33rd best Smiths song, writing, "The track's
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was to be filmed, but
Morrissey refused to show up for the taping at
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For an early version of the track, the band reunited with producer
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sound, but it ended up like Mott the Hoople as performed by the
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The single's cover features transgender actress and frequent
362:. Which is very Smiths." Lyrically, the song is an homage to
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A Light That Never Goes Out: The
Enduring Saga of the Smiths
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338:"Sheila Take a Bow" was co-written by Smiths lead vocalist
1005:"10 Smiths singles that didn't appear on a Smiths album"
1241:"Ranking: Every Song by The Smiths from Worst to Best"
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listed it among
Morrissey and Marr's "best material."
508:. The British 7-inch and 12-inch vinyls contained the
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372:(1958), was greatly influential to Morrissey.
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1080:Huttinger, Robert Huttinger (6 March 2012).
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1745:A Rush and a Push and the Land Is Ours
403:. This version, featuring a prominent
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1123:"The Smiths live history: Tour stats"
978:Leonard, Michael (19 November 2020).
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1657:There Is a Light That Never Goes Out
1587:The Boy with the Thorn in His Side
1095:Fletcher, Tony (3 December 2013).
952:Horlsey, Jonathan (1 April 2022).
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1738:Some Girls Are Bigger Than Others
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1214:Sheffield, Rob (1 August 2017).
1138:"Louder Than Bombs - The Smiths"
928:, Plume Books, 2010, pp. 386–387
895:Goddard, Simon (26 March 2013).
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882:. Retrieved on 29 October 2012.
491:was subsequently used instead.
1615:Shoplifters of the World Unite
1552:William, It Was Really Nothing
1545:Heaven Knows I'm Miserable Now
1188:Heller, Jason (16 July 2014).
984:Guitar.com | All Things Guitar
773:Shoplifters of the World Unite
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1580:That Joke Isn't Funny Anymore
1538:What Difference Does It Make?
1822:Songs written by Johnny Marr
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502:on the set of the 1971 film
350:influences of their single "
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293:" is a song by the English
100:Good Earth Studios (London)
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1817:Songs written by Morrissey
1136:Erlewine, Stephen Thomas.
1101:. Crown Publishing Group.
58:"Is It Really So Strange?"
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18:1987 single by the Smiths
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1573:Barbarism Begins at Home
901:. Titan Books (US, CA).
876:Sheila Take a Bow rating
470:", are also featured on
1474:The Sound of The Smiths
557:Stephen Thomas Erlewine
75:13 April 1987
1689:Suffer Little Children
1594:Bigmouth Strikes Again
1481:The Smiths Singles Box
1425:The World Won't Listen
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1703:The Headmaster Ritual
421:(1954) in the song's
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234:Professional ratings
219:Girlfriend in a Coma
1084:. Robert Huttinger.
738:"Sheila Take a Bow"
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415:band from the film
360:Salvation Army Band
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24:"Sheila Take a Bow"
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1247:. 21 February 2019
1082:"Image of etching"
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1531:This Charming Man
1506:The Peel Sessions
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1344:Craig Gannon
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1249:. Retrieved
1244:
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1197:. Retrieved
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1762:Discography
1674:Other songs
1392:Live albums
1334:Andy Rourke
1329:Johnny Marr
1168:Diffuser.fm
591:Consequence
566:Diffuser.fm
534:"), and on
496:Andy Warhol
479:music video
450:(1986) and
427:avant-garde
397:John Porter
377:Sandie Shaw
344:Johnny Marr
315:Sandie Shaw
307:Johnny Marr
175:Johnny Marr
165:Producer(s)
153:Johnny Marr
139:Rough Trade
1801:Categories
1361:The Smiths
1339:Mike Joyce
1313:The Smiths
1251:30 October
1225:31 October
958:MusicRadar
862:References
413:temperance
387:recalled:
385:Mike Joyce
334:Background
299:the Smiths
188:The Smiths
79:1987-04-13
43:the Smiths
1682:Still Ill
1324:Morrissey
836:Ireland (
831:position
717:(Germany)
348:glam rock
340:Morrissey
311:glam rock
303:Morrissey
172:Morrissey
157:Morrissey
1488:Complete
1199:28 April
1173:28 April
1147:28 April
1142:AllMusic
1065:28 April
1014:28 April
989:28 April
963:28 April
880:AllMusic
808:"London"
655:12-inch
548:, Peru.
542:The Tube
527:The Tube
516:/ none.
253:AllMusic
87:Recorded
72:Released
1516:Singles
1460:Singles
1453:Best II
1439:Stop Me
1276:Discogs
1009:Radio X
797:"Panic"
608:7-inch
512:: COOK
440:Release
223:(1987)
214:(1987)
205:(1987)
77: (
1710:Asleep
1446:Best I
1105:
1039:23 May
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826:Chart
819:Charts
730:Length
671:Length
657:RTT196
624:Length
247:Rating
244:Source
117:Length
96:Studio
51:B-side
39:Single
1767:Songs
1601:Panic
727:Title
668:Title
621:Title
610:RT196
596:Bowie
423:intro
405:sitar
352:Panic
297:band
134:Label
106:Genre
1400:Rank
1253:2020
1227:2020
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1175:2022
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1103:ISBN
1067:2022
1041:2017
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903:ISBN
838:IRMA
829:Peak
811:2:07
800:2:20
789:3:36
778:2:57
763:3:35
752:3:04
741:2:41
704:3:35
693:3:04
682:2:41
646:3:04
635:2:41
546:Lima
305:and
295:rock
1608:Ask
1274:at
1060:NME
878:".
855:10
723:No.
713:CD
664:No.
617:No.
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