250:. Jenny, an artist, says the most dangerous and happiest moment in her life was when she was swimming alone in the Gulf of Mexico, confronted with a school of dolphins. And at the end of the novel, one of the ship's musicians, a gangly starving boy, feels overjoyed to finally be off the ship and back in his home country, as if Germany were a "human being, a good and dear trusted friend who had come a long way to welcome him". Thus Porter manages to convey that salvation is reality, and evil can be overcome.
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would announce the forthcoming novel, but she remained unable to complete it for 22 years. As a result, it became eagerly expected by the literary world. In response to critics who complained about the long wait, Porter said, "Look here, this is my life and my work and you keep out of it. When I have
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for Best Art
Direction-Set Decoration, Black-and-White (Robert Clatworthy, Joseph Kish) and Best Cinematography, Black-and-White. Porter's first reaction to the film adaptation was that Mann had omitted too much from the book, distorting its message. It was also noteworthy for being the last film to
124:, mostly written between 1922 and 1940. She began work on the novel in 1940, intending it initially to be a novella (or "short novel", as Porter would put it, as she famously wrote about how she detested the word "novella"). The story was based on a journal she kept in 1931 during a sea voyage from
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The theme of the novel is the passengers' unavailing withdrawal from a life of disappointment, seeking a kind of utopia, and, "without knowing what to do next", setting out for a long voyage to pre–World War II Europe, a world of prejudice, racism and evil. Mrs. Treadwell, a nostalgic
American
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to Europe aboard a German passenger ship. The large cast of characters includes
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divorcee, hopes to find happiness in Paris, where she once spent her youth. Elsa Lutz, the plain daughter of a Swiss hotelkeeper, thinks heaven might be in the
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Johnston, Laurie (September 19, 1980). "Katherine Anne Porter Dies at 90; Won a
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were disappointed. Porter herself was never satisfied with the novel, calling it "unwieldy" and "enormous".
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The
Collected Essays and Occasional Writings of Katherine Anne Porter
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outsold every other
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