176:
wry comment about the duality of the human condition, the dream in the fourth bears comparison to Klee and
Chagall, the fifth acknowledges the subtlety of nature, and the sixth associates this subtlety with a reality that evades a rationalist point of view. The sixth can also be understood as Stevens's gentle contribution to the ancient quarrel between philosophical reason and poetic imagination, recommending that philosophers trade in their square hats for sombreros. Buttel appreciates in the fourth landscape a hallucinatory effect such that "space shrinks, the imagination expands, and the illogical perspective surprises the reader into a recognition of heavenly grandeur". Apropos of the first landscape, he cites Earl Miner in support of the idea that "the objectivity, indirectness, and condensation of the haiku technique seem to have had a more beneficial and lasting effect on his style than the merely ornamental details of orientalism". Buttel reads the fifth landscape as a reaction against "Romantic softness" in favor of "hard clarity", in the spirit of
175:
Each of these six landscapes of the imagination is a poem in its own right, each conveying an image, simply sculpted and precise, contributing to a pastiche effect. The first displays the influence of haiku and orientalism on
Stevens, the second evokes the romantic mystery of night, the third is a
680:
414:
687:
575:
337:
296:
778:
827:
708:
222:
894:
547:
526:
743:
617:
554:
813:
764:
498:
421:
533:
512:
393:
211:
792:
631:
477:
442:
306:
289:
29:
505:
456:
449:
771:
757:
729:
561:
820:
344:
694:
180:. The poem's central symbol is not something beyond the poem or something merely intimated by it, but is rather
610:
596:
589:
540:
470:
463:
400:
282:
889:
386:
330:
799:
379:
624:
673:
659:
884:
855:
841:
666:
638:
568:
407:
358:
645:
428:
372:
848:
519:
219:
834:
603:
435:
189:
806:
785:
722:
484:
323:
311:
226:
215:
24:
715:
351:
878:
750:
701:
582:
491:
365:
208:
274:
862:
185:
736:
177:
681:
Frogs Eat
Butterflies. Snakes Eat Frogs. Hogs Eat Snakes. Men Eat Hogs
33:. It was first published in 1916, so it is in the public domain.
415:
Cy Est
Pourtraicte, Madame Ste Ursule, et Les Unze Mille Vierges
278:
167: As, for example, the ellipse of the half-moon --
688:Jasmine's Beautiful Thoughts Underneath The Willow
39:
576:The Curtains in the House of the Metaphysician
290:
8:
134: Not all the knives of the lamp-posts,
297:
283:
275:
136: Nor the chisels of the long streets,
338:The Paltry Nude Starts on a Spring Voyage
169: Rationalists would wear sombreros.
100: And I reach to the shore of the sea
269:Wallace Stevens: The Making of Harmonium
151: Rationalists, wearing square hats,
125: With certain blue crystallizations
779:Thirteen Ways of Looking at a Blackbird
200:
146: Shining through the grape-leaves.
165: Cones, waving lines, ellipses --
113: When my dream was near the moon,
96: For I reach right up to the sun,
60: The pine tree moves in the wind.
828:The Revolutionists Stop for Orangeade
709:The Bird with the Coppery, Keen Claws
7:
271:. Princeton University Press, 1967.
94: I find that I am much taller,
548:Anecdote of the Prince of Peacocks
527:On the Manner of Addressing Clouds
138: Nor the mallets of the domes
58: His beard moves in the wind.
46: In the shadow of a pine tree
14:
744:Two Figures in Dense Violet Night
115: The white folds of its gown
555:A High-Toned Old Christian Woman
161: To right-angled triangles.
69: The night is of the colour
54: At the edge of the shadow,
814:The Surprises of the Superhuman
765:Hymn from a Watermelon Pavilion
534:Of Heaven Considered as a Tomb
499:Anecdote of Men by the Thousand
422:Hibiscus on the Sleeping Shores
117: Filled with yellow light.
618:Disillusionment of Ten O'Clock
513:Floral Decorations for Bananas
394:Nuances of a Theme by Williams
163: If they tried rhomboids,
144: What one star can carve,
108: In and out of my shadow.
1:
793:The Man Whose Pharynx Was Bad
632:The Virgin Carrying a Lantern
443:Homunculus et la Belle Etoile
159: They confine themselves
157: Looking at the ceiling.
153: Think, in square rooms,
104: Nevertheless, I dislike
506:The Apostrophe to Vincentine
457:From the Misery of Don Joost
450:The Comedian as the Letter C
772:Peter Quince at the Clavier
758:To the One of Fictive Music
730:Colloquy with a Polish Aunt
562:The Place of the Solitaires
155: Looking at the floor,
119: The soles of its feet
911:
821:Sea Surface Full of Clouds
653:Six Significant Landscapes
478:The Worms at Heaven's Gate
345:The Plot Against the Giant
92: Against a tall tree.
77: Fragrant and supple,
37:Six Significant Landscapes
21:Six Significant Landscapes
895:Poetry by Wallace Stevens
318:
27:'s first book of poetry,
611:Tea at the Palaz of Hoon
597:The Emperor of Ice-Cream
590:Depression Before Spring
541:Of the Surface of Things
471:Last Looks at the Lilacs
464:O Florida, Venereal Soil
401:Metaphors of a Magnifico
207:Buttel, p. 66. See also
106: The way ants crawl
85: Shaken in a dance.
73: Night, the female,
387:Le Monocle de Mon Oncle
331:Invective Against Swans
79: Conceals herself.
71: Of a woman's arm:
56: Move in the wind.
50: He sees larkspur,
16:Poem by Wallace Stevens
800:The Death of a Soldier
695:Cortège for Rosenbloom
380:The Load Of Sugar-Cane
172:
140: And high towers,
90: I measure myself
62: Thus water flows
184:, in the manner that
123: Its hair filled
83: Like a bracelet
52: Blue and white,
44: An old man sits
674:Palace of the Babies
660:Bantam in Pine-Woods
220:the Poetry web site.
81: A pool shines,
842:Anatomy of Monotony
667:Anecdote of the Jar
639:Stars at Tallapoosa
569:The Weeping Burgher
408:Ploughing on Sunday
359:Domination of Black
429:Fabliau of Florida
373:The Ordinary Women
225:2008-02-03 at the
214:2010-10-13 at the
129: Not far off.
102: With my ear.
98: With my eye;
872:
871:
849:The Public Square
520:Anecdote of Canna
127: From stars,
64: Over weeds.
23:" is a poem from
902:
835:Lunar Paraphrase
604:The Cuban Doctor
436:Doctor of Geneva
299:
292:
285:
276:
267:Buttel, Robert.
256:
253:
247:
244:
238:
235:
229:
205:
910:
909:
905:
904:
903:
901:
900:
899:
875:
874:
873:
868:
786:Nomad Exquisite
723:The Wind Shifts
485:The Jack-Rabbit
324:Earthy Anecdote
314:
312:Wallace Stevens
303:
264:
259:
255:Buttel, p. 132.
254:
250:
245:
241:
237:Buttel, p. 162.
236:
232:
227:Wayback Machine
216:Wayback Machine
206:
202:
198:
173:
171:
168:
166:
164:
162:
160:
158:
156:
154:
152:
150:
148:
147:
145:
143:
142: Can carve
141:
139:
137:
135:
133:
131:
130:
128:
126:
124:
122:
121: Grew red.
120:
118:
116:
114:
112:
110:
109:
107:
105:
103:
101:
99:
97:
95:
93:
91:
89:
87:
86:
84:
82:
80:
78:
76:
74:
72:
70:
68:
66:
65:
63:
61:
59:
57:
55:
53:
51:
49:
48: In China.
47:
45:
43:
38:
25:Wallace Stevens
17:
12:
11:
5:
908:
906:
898:
897:
892:
890:American poems
887:
877:
876:
870:
869:
867:
866:
859:
852:
845:
838:
831:
824:
817:
810:
803:
796:
789:
782:
775:
768:
761:
754:
747:
740:
733:
726:
719:
716:Life Is Motion
712:
705:
698:
691:
684:
677:
670:
663:
656:
649:
642:
635:
628:
625:Sunday Morning
621:
614:
607:
600:
593:
586:
579:
572:
565:
558:
551:
544:
537:
530:
523:
516:
509:
502:
495:
488:
481:
474:
467:
460:
453:
446:
439:
432:
425:
418:
411:
404:
397:
390:
383:
376:
369:
362:
355:
352:Infanta Marina
348:
341:
334:
327:
319:
316:
315:
304:
302:
301:
294:
287:
279:
273:
272:
263:
260:
258:
257:
248:
246:Buttel, p. 67.
239:
230:
199:
197:
194:
75: Obscure,
40:
36:
35:
15:
13:
10:
9:
6:
4:
3:
2:
907:
896:
893:
891:
888:
886:
883:
882:
880:
864:
860:
857:
853:
850:
846:
843:
839:
836:
832:
829:
825:
822:
818:
815:
811:
808:
804:
801:
797:
794:
790:
787:
783:
780:
776:
773:
769:
766:
762:
759:
755:
752:
748:
745:
741:
738:
734:
731:
727:
724:
720:
717:
713:
710:
706:
703:
699:
696:
692:
689:
685:
682:
678:
675:
671:
668:
664:
661:
657:
654:
650:
647:
643:
640:
636:
633:
629:
626:
622:
619:
615:
612:
608:
605:
601:
598:
594:
591:
587:
584:
583:Banal Sojourn
580:
577:
573:
570:
566:
563:
559:
556:
552:
549:
545:
542:
538:
535:
531:
528:
524:
521:
517:
514:
510:
507:
503:
500:
496:
493:
492:Valley Candle
489:
486:
482:
479:
475:
472:
468:
465:
461:
458:
454:
451:
447:
444:
440:
437:
433:
430:
426:
423:
419:
416:
412:
409:
405:
402:
398:
395:
391:
388:
384:
381:
377:
374:
370:
367:
363:
360:
356:
353:
349:
346:
342:
339:
335:
332:
328:
325:
321:
320:
317:
313:
309:
308:
300:
295:
293:
288:
286:
281:
280:
277:
270:
266:
265:
261:
252:
249:
243:
240:
234:
231:
228:
224:
221:
217:
213:
210:
204:
201:
195:
193:
192:recommended.
191:
187:
183:
179:
170:
34:
32:
31:
26:
22:
856:Indian River
652:
366:The Snow Man
305:
268:
251:
242:
233:
203:
181:
174:
41:
28:
20:
18:
646:Explanation
182:in the star
885:1916 poems
879:Categories
262:References
190:Symbolists
186:Ezra Pound
307:Harmonium
88: III
30:Harmonium
807:Negation
737:Gubbinal
223:Archived
212:Archived
209:Librivox
188:and the
149: VI
111: IV
67: II
178:Imagism
132: V
42: I
751:Theory
702:Tattoo
196:Notes
218:and
863:Tea
310:by
881::
865:"
861:"
858:"
854:"
851:"
847:"
844:"
840:"
837:"
833:"
830:"
826:"
823:"
819:"
816:"
812:"
809:"
805:"
802:"
798:"
795:"
791:"
788:"
784:"
781:"
777:"
774:"
770:"
767:"
763:"
760:"
756:"
753:"
749:"
746:"
742:"
739:"
735:"
732:"
728:"
725:"
721:"
718:"
714:"
711:"
707:"
704:"
700:"
697:"
693:"
690:"
686:"
683:"
679:"
676:"
672:"
669:"
665:"
662:"
658:"
655:"
651:"
648:"
644:"
641:"
637:"
634:"
630:"
627:"
623:"
620:"
616:"
613:"
609:"
606:"
602:"
599:"
595:"
592:"
588:"
585:"
581:"
578:"
574:"
571:"
567:"
564:"
560:"
557:"
553:"
550:"
546:"
543:"
539:"
536:"
532:"
529:"
525:"
522:"
518:"
515:"
511:"
508:"
504:"
501:"
497:"
494:"
490:"
487:"
483:"
480:"
476:"
473:"
469:"
466:"
462:"
459:"
455:"
452:"
448:"
445:"
441:"
438:"
434:"
431:"
427:"
424:"
420:"
417:"
413:"
410:"
406:"
403:"
399:"
396:"
392:"
389:"
385:"
382:"
378:"
375:"
371:"
368:"
364:"
361:"
357:"
354:"
350:"
347:"
343:"
340:"
336:"
333:"
329:"
326:"
322:"
298:e
291:t
284:v
19:"
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.