1541:
guitar pedals that aren't really effects (i.e. volume pedals, tuners), boutique pedals and FX modding trends. The other advantage of this would be that the effects themselves can be talked about in the context of their application to guitar/bass (which is often pretty unique compared to how effects are utilized in other applications). Once all of that is addressed in its own article, this article may be far more manageable for cleanup and possible re-naming. Just a suggestion - I welcome debate.
286:
265:
203:
391:
370:
234:
296:
1420:
applies to Effect unit and Audio effect. The other half of the article applies mostly to Effect unit. In sum, we have a whole article relevent to Effect unit and half an article relevant to Audio effect. If it were reversed, I would agree that "The scope of this article goes far beyond just effects
1286:
The thing is, leads are supposed to summarise the article. We're not beholden to the lead when we determine the article title and scope - that's putting the cart before the horse. And effects are probably more used as software these days than in physical devices, so our article should reflect that.
527:
there's a reference to a GuitarPlayer article by Bruce
Egnater. I fixed the broken weblink, but I don't agree with its relevance: While the 'Pedia article seems to try to explain how and why stompboxes are daisy-chained in general, the Egnater article is very specifically about the types of effects
663:
article is ostensibly about "electronic devices that alter the sound of a musical instrument or other audio source", but also covers software, ie "audio plug-ins in such common formats as VST, AAX, and AU", and thereby extends itself to covering pretty much any type of audio effect (at least those
505:
I have reviewed use of these terms and find that the article is reasonably self-consistent. When we say, for instance, an amp has built-in vibrato effect, we could be pedantic and add a note that it is really tremolo but it says "vibrato" right on the front of the amp and so that's what musicians
1540:
I agree with previous discussions that this article is too broad. I also think that it is far too guitar-centric. I wonder whether a possible solution is to split the guitar and bass effect-specific information out to its own article (Guitar pedal?), which could cover stompboxes and pedalboards,
582:
I'm still unpleased with the sloppy usage of "effect unit" here. Clearly, it's not limited to stand-alone devices, as a lone knob (or even switch!) in an amplifier can apparently be considered "an effect" and thereby "an effect unit." A preamplifier used to boost a piezo pickup isn't really an
583:
effect, yet the same circuit can be used to overdrive an amp's preamp stage. (Is an A/B box an effect?) And if an EQ stompbox is "an effect," then certainly any amplifier with Tone controls (especially with, say, a notch-filter knob) is just as much "an effect."
1398:
The article, by the way, is garbage, another sprawling mass of uncited original research typical to articles about musical equipment. We shouldn't be precious about it, or be terrified of making changes that don't sit well with its current state.
1421:
units". I don't think I've set or moved goalposts. I've just asked a question and you answered by proposing to rewrite the lead. So I've tried to answer my own question. You're not furthering your cause by calling the article garbage. ~
754:
contains stuff that wouldn't fit into the page I propose above, then we could keep that as a separate page, and add a summary of the new page (with effect pedal details etc) to that one, with a "Main page" link in that section.
153:
1613:
441:
431:
1618:
1035:
is focused on the physical electronic devices. Plugins are mentioned in one sentence but there is nothing much in the body from which to grow that. The new name will produce unnecessary
407:
1608:
1001:- filters, distortion, delay, reverb and so on - which can be applied with both physical units and software. This article can cover all that under the umbrella term "audio effect".
1603:
352:
342:
834:, the merge proposal is fine. Do you intend to do this promptly or should I put up some merge banners to remind us. I think we should get input from others before renaming. ~
398:
375:
147:
485:, and this stuck. It would be helpful to spell this confusion out early (earlier?) in the article, and moreso to NOT continue confusing the two as is done throughout
1467:. I then proposed rewriting the lead because you seemed to be concerned that we could not rename the article because of what the lead says. Is any of this unclear?
318:
1459:
Am I losing my mind? You asked: "How do you come by your assessment that, "The scope of this article goes far beyond just effects units?" The answer I provided,
1598:
1354:, which can include lots of coverage of effects units, one of the main means of applying audio effects along with software. No one will be astonished by this.
667:
Most of the effect unit article is spent documenting various kinds of audio effect, such as distortion, delay etc - the same subject covered in detail at
79:
309:
270:
579:
Since modeling lacks an article, clearly some effort somewhere needs to happen to explain (for instance) the significance of DSP and COSM, at least.
1438:
of the audio effects described in this article can be achieved by software. The article is about audio effects, not effect units, which are merely
882:
In that case I'll handle the merge at some point in the next day or two. Do what you gotta do about the renaming, happy with however we proceed.
776:
so your proposal is not going to be clearly simpler than mine. If we're looking for simple, we should leave articles as they are and just merge
1567:. Effects units are only one means of creating audio effects (they can also be created through software). The article title is therefore wrong.
85:
44:
772:, there would minimally be a problem with the content in the Audio broadcasting, Active noise control and Audio synthesis sections in
194:
403:
997:– The scope of this article goes far beyond just effects units (the physical electronic devices). Most of the coverage is about
1258:
and record producers use effects units during live performances or in the studio, typically with electric guitar, bass guitar,
1161:
506:
call it in that context. If this were a magazine article, we could add a sidebar explaining the terminology. Any other ideas? ~
99:
30:
674:
I think there is some heavy lifting to be done here to delineate the focuses of these articles and possibly do some merging.
104:
20:
168:
1271:
74:
557:
first appears with no explanation, as though most everyone encountering this article will know exactly what's being said.
135:
245:
1529:
Subsequent comments should be made in a new section on this talk page. No further edits should be made to this section.
947:
Subsequent comments should be made in a new section on the talk page. No further edits should be made to this section.
817:(as this is a broader term that covers types of effect - delay, distortion etc - in the abstract and not just units).
190:
65:
1226:
202:
185:
1234:
1238:
213:
1194:
129:
1347:
1325:
1190:
1092:
1043:, how do you come by your assessment that, "The scope of this article goes far beyond just effects units"? ~
1018:
897:
802:
781:
773:
751:
720:
702:
668:
650:
109:
1370:
The answer to that question is: most (or half?) of the article is about audio effects, not effects units.
851:, I'm fine to go ahead and do it but if you want to get some other opinions first I'm fine with that too.
896:
I've done the merge, although all it amounted to was replacing the long uncited list of audio effects at
125:
1368:
how do you come by your assessment that, "The scope of this article goes far beyond just effects units"?
616:
593:
495:
251:
1209:. Effects are often placed on the floor and controlled with footswitches. They may also be built into
1579:
1546:
1472:
1447:
1404:
1375:
1292:
1169:
1065:
1006:
905:
887:
856:
822:
760:
679:
561:
233:
175:
1267:
1259:
161:
55:
406:
on
Knowledge. If you would like to participate, please visit the project page, where you can join
317:
on
Knowledge. If you would like to participate, please visit the project page, where you can join
1321:
1105:
1088:
1036:
627:
603:
565:
314:
218:
70:
1492:
of the article. We are going in circles, frustrating each other. Let's stop. I'll do that now. ~
1559:
I stand by everything I said in the 2021 discussion. Much of the current article covers audio
1137:
51:
1210:
1125:
1117:
965:
612:
589:
491:
215:
1575:
1542:
1481:
1468:
1443:
1413:
1400:
1371:
1301:
1288:
1153:
1061:
1040:
1002:
955:. After much-extended time for discussion, there is no consensus for a move at this time.
901:
883:
868:, AFAIC, no need to wait on doing the merge. I am suggesting more input before renaming. ~
865:
852:
831:
818:
769:
756:
675:
141:
1497:
1426:
1333:
1275:
1263:
1255:
1198:
1109:
1077:, here is a proposal for an alternative version of the lead to suit a potential rename.
1048:
873:
839:
789:
710:
635:
533:
511:
1592:
1571:
1230:
1202:
1157:
1145:
1133:
1129:
814:
690:
1520:
1417:
1351:
1343:
1317:
1305:
1121:
1032:
985:
980:
976:
938:
810:
806:
777:
728:
698:
694:
607:
606:
exists. That does, though, beg the question of why it's not spelled out clearly in
486:
301:
24:
1242:
1214:
1206:
956:
724:
660:
646:
528:
loop topologies used in amplifier construction, and how to use them properly. --
1141:
1113:
572:
where it's mentioned briefly — and again as though it's a common term — under
474:
291:
285:
264:
1457:
I've just asked a question and you answered by proposing to rewrite the lead.
656:
We seem to have some confusion and overlap going on between these articles.
1493:
1422:
1329:
1074:
1044:
869:
848:
835:
798:
785:
706:
631:
529:
507:
1308:
is about Audio signal processing. In terms of character count, this about
1574:(in the general sense) and a separate article for units/pedals/hardware.
1465:
Most of the article is spent describing audio effects, not effects units.
1172:, which create echoing sounds and emulate the sound of different spaces.
390:
369:
217:
1316:. Also to be considered here are the incoming links. Readers following
1149:
470:
466:
1360:
Interms of character count, this about half of the article, not most.
1165:
569:
1583:
1550:
1501:
1476:
1451:
1430:
1408:
1379:
1337:
1296:
1069:
1052:
1021:
970:
909:
891:
877:
860:
843:
826:
793:
764:
714:
683:
639:
620:
597:
537:
515:
499:
473:
generally means a rhythmic change in volume. For reasons unclear,
1442:
of creating audio effects, and today not even the primary means.
719:
I think there's a simpler solution. What do you think of merging
1556:
I agree. The article scope is wrong, and it needs major cleanup.
1057:
227:
219:
15:
1274:
instruments, they can be used with any audio source, such as
526:
At "Format"/"Stompboxes"/<stuff about "signal chains": -->
1181:
Effects may be applied through electronic devices, such as
937:
The following discussion is an archived discussion of a
900:
with a summary and a main-article link to this article.
990:
1060:
is spent describing audio effects, not effects units.
160:
1614:
1519:
The above discussion is preserved as an archive of a
1218:
477:
chose to call his guitar-mounted mechanical vibratos
402:, a collaborative effort to improve the coverage of
313:, a collaborative effort to improve the coverage of
416:
1619:WikiProject Professional sound production articles
419:Template:WikiProject Professional sound production
1366:You're moving the goalposts. Your question was:
743:these effects (pedals, rack units, plug-ins etc)
736:the various types of effects (delay, chorus etc)
689:What do you think about creating a new article,
481:, and his amplifiers' electronic tremolo units
33:for general discussion of the article's subject.
1536:Alternate solution to better focus this article
602:Hey, cool: I searched properly, and found that
1609:B-Class Professional sound production articles
1266:. While effects are most frequently used with
1189:, or through software. Most modern units use
174:
8:
1604:Low-importance musical instruments articles
1221:designed for DJs and record producers, and
469:signifies rhythmic change of pitch, while
364:
259:
1197:. Some, particularly older units such as
399:WikiProject Professional sound production
327:Knowledge:WikiProject Musical Instruments
330:Template:WikiProject Musical Instruments
1225:. In software, they are widely used in
801:, that makes sense. I propose we merge
366:
261:
231:
1570:We should have a separate article for
1464:
1456:
1367:
1359:
1253:
1180:
1103:
1082:
568:; now, a deeper search dumps you onto
564:would route right back to the head of
422:Professional sound production articles
1108:, often used with electric guitar in
898:Audio signal processing#Audio effects
803:Audio signal processing#Audio effects
782:Audio signal processing#Audio effects
703:Audio_signal_processing#Audio_effects
669:Audio_signal_processing#Audio_effects
7:
1599:B-Class musical instruments articles
664:used mostly in a musical context).
396:This article is within the scope of
307:This article is within the scope of
250:It is of interest to the following
23:for discussing improvements to the
14:
1140:, which modify frequency ranges;
697:disambiguation page) and merging
404:sound recording and reproduction
389:
368:
294:
284:
263:
232:
201:
45:Click here to start a new topic.
1484:, OK but I then disagreed that
1278:instruments, drums, and vocals.
1222:
1205:, use mechanical components or
436:This article has been rated as
347:This article has been rated as
310:WikiProject Musical Instruments
1350:. I am saying it should go to
1091:or other audio source through
587:Anyone got a bright idea here?
543:explain terms, like "modeling"
1:
991:Audio effect (disambiguation)
621:19:40, 29 November 2019 (UTC)
598:19:29, 29 November 2019 (UTC)
538:10:22, 30 November 2018 (UTC)
413:Professional sound production
410:and see a list of open tasks.
376:Professional sound production
321:and see a list of open tasks.
42:Put new text under old text.
1584:14:22, 7 February 2024 (UTC)
1551:20:04, 1 November 2021 (UTC)
1463:beneath your question, was:
1164:; and time effects, such as
333:musical instruments articles
1488:the article is the same as
1213:, instruments (such as the
1087:is an effect that alters a
1009:) 09:28, 18 June 2021 (UTC)
930:Requested move 18 June 2021
50:New to Knowledge? Welcome!
1635:
1233:in such common formats as
1227:digital audio workstations
640:14:41, 18 April 2020 (UTC)
516:14:58, 18 April 2020 (UTC)
442:project's importance scale
353:project's importance scale
1502:14:01, 26 June 2021 (UTC)
1477:22:57, 25 June 2021 (UTC)
1452:22:53, 25 June 2021 (UTC)
1431:18:03, 25 June 2021 (UTC)
1409:14:24, 21 June 2021 (UTC)
1380:14:18, 21 June 2021 (UTC)
1338:14:14, 21 June 2021 (UTC)
1297:13:39, 21 June 2021 (UTC)
1195:digital signal processors
1128:, which affect loudness;
1070:20:32, 18 June 2021 (UTC)
1053:15:18, 18 June 2021 (UTC)
1022:21:15, 29 June 2021 (UTC)
910:09:23, 18 June 2021 (UTC)
892:14:28, 17 June 2021 (UTC)
878:14:17, 17 June 2021 (UTC)
861:14:10, 17 June 2021 (UTC)
844:14:08, 17 June 2021 (UTC)
827:14:00, 17 June 2021 (UTC)
794:13:49, 16 June 2021 (UTC)
765:14:47, 15 June 2021 (UTC)
715:13:13, 15 June 2021 (UTC)
684:11:46, 12 June 2021 (UTC)
461:the vibrato/tremolo thing
435:
384:
346:
279:
258:
80:Be welcoming to newcomers
1526:Please do not modify it.
1106:distortion and overdrive
971:01:42, 8 July 2021 (UTC)
944:Please do not modify it.
739:the various things that
731:? This page would cover:
693:(currently redirects to
500:17:21, 13 May 2018 (UTC)
465:In musical performance,
1563:generally, not effects
1348:Audio signal processing
1326:Audio signal processing
1191:solid-state electronics
1104:Common effects include
1093:audio signal processing
774:Audio signal processing
752:audio signal processing
721:Audio signal processing
651:Audio signal processing
574:Pickups and electronics
240:This article is rated
75:avoid personal attacks
195:Auto-archiving period
100:Neutral point of view
1320:links may face some
1312:of the article, not
953:No consensus to move
727:into a single page,
105:No original research
1324:MENT landing at an
1260:electronic keyboard
1058:Most of the article
324:Musical Instruments
315:musical instruments
271:Musical Instruments
1418:Effects unit#Types
1306:Effects unit#Types
1138:graphic equalizers
1089:musical instrument
778:Effects unit#Types
699:Effects_unit#Types
628:Amplifier modeling
604:Amplifier modeling
566:Guitar synthesizer
560:A few years back,
246:content assessment
86:dispute resolution
47:
1211:guitar amplifiers
1144:effects, such as
1024:
630:in the article. ~
626:I have linked to
547:Problems abound:
522:Egnater Reference
456:
455:
452:
451:
448:
447:
363:
362:
359:
358:
226:
225:
66:Assume good faith
43:
1626:
1528:
1342:I am not saying
1160:effects such as
1120:effects such as
1010:
993:
963:
946:
784:or vise-versa. ~
424:
423:
420:
417:
414:
393:
386:
385:
380:
372:
365:
335:
334:
331:
328:
325:
304:
299:
298:
297:
288:
281:
280:
275:
267:
260:
243:
237:
236:
228:
220:
206:
205:
196:
179:
178:
164:
95:Article policies
16:
1634:
1633:
1629:
1628:
1627:
1625:
1624:
1623:
1589:
1588:
1538:
1533:
1524:
1256:audio engineers
1199:Leslie speakers
1017:—usernamekiran
989:
957:
942:
932:
654:
562:Guitar modeling
545:
524:
463:
421:
418:
415:
412:
411:
378:
332:
329:
326:
323:
322:
300:
295:
293:
273:
244:on Knowledge's
241:
222:
221:
216:
193:
121:
116:
115:
114:
91:
61:
12:
11:
5:
1632:
1630:
1622:
1621:
1616:
1611:
1606:
1601:
1591:
1590:
1587:
1586:
1568:
1557:
1537:
1534:
1532:
1531:
1521:requested move
1516:
1515:
1514:
1513:
1512:
1511:
1510:
1509:
1508:
1507:
1506:
1505:
1504:
1454:
1389:
1388:
1387:
1386:
1385:
1384:
1383:
1382:
1364:
1362:
1357:
1355:
1284:
1282:
1281:
1280:
1264:electric piano
1249:
1248:
1247:
1231:audio plug-ins
1219:tabletop units
1203:spring reverbs
1187:effects pedals
1176:
1175:
1174:
1162:pitch shifters
1134:wah-wah pedals
1110:electric blues
1099:
1098:
1097:
1078:
1072:
1031:- The lead of
995:
994:
983:
950:
949:
939:requested move
933:
931:
928:
927:
926:
925:
924:
923:
922:
921:
920:
919:
918:
917:
916:
915:
914:
913:
912:
894:
748:
746:
745:
744:
737:
732:
653:
644:
643:
642:
611:
588:
585:
584:
580:
577:
558:
544:
541:
523:
520:
519:
518:
490:
462:
459:
454:
453:
450:
449:
446:
445:
438:Mid-importance
434:
428:
427:
425:
408:the discussion
394:
382:
381:
379:Mid‑importance
373:
361:
360:
357:
356:
349:Low-importance
345:
339:
338:
336:
319:the discussion
306:
305:
289:
277:
276:
274:Low‑importance
268:
256:
255:
249:
238:
224:
223:
214:
212:
211:
208:
207:
181:
180:
118:
117:
113:
112:
107:
102:
93:
92:
90:
89:
82:
77:
68:
62:
60:
59:
48:
39:
38:
35:
34:
28:
13:
10:
9:
6:
4:
3:
2:
1631:
1620:
1617:
1615:
1612:
1610:
1607:
1605:
1602:
1600:
1597:
1596:
1594:
1585:
1581:
1577:
1573:
1572:audio effects
1569:
1566:
1562:
1558:
1555:
1554:
1553:
1552:
1548:
1544:
1535:
1530:
1527:
1522:
1517:
1503:
1499:
1495:
1491:
1487:
1483:
1480:
1479:
1478:
1474:
1470:
1466:
1462:
1458:
1455:
1453:
1449:
1445:
1441:
1437:
1434:
1433:
1432:
1428:
1424:
1419:
1415:
1412:
1411:
1410:
1406:
1402:
1397:
1396:
1395:
1394:
1393:
1392:
1391:
1390:
1381:
1377:
1373:
1369:
1365:
1363:
1361:
1358:
1356:
1353:
1349:
1346:should go to
1345:
1341:
1340:
1339:
1335:
1331:
1327:
1323:
1319:
1315:
1311:
1307:
1303:
1300:
1299:
1298:
1294:
1290:
1285:
1283:
1279:
1277:
1273:
1269:
1265:
1261:
1257:
1252:
1251:
1250:
1246:
1244:
1240:
1236:
1232:
1228:
1224:
1220:
1216:
1212:
1208:
1204:
1200:
1196:
1192:
1188:
1184:
1183:effects units
1179:
1178:
1177:
1173:
1171:
1167:
1163:
1159:
1155:
1151:
1147:
1143:
1139:
1135:
1131:
1127:
1123:
1122:volume pedals
1119:
1115:
1111:
1107:
1102:
1101:
1100:
1096:
1094:
1090:
1086:
1081:
1080:
1079:
1076:
1073:
1071:
1067:
1063:
1059:
1056:
1055:
1054:
1050:
1046:
1042:
1038:
1034:
1030:
1027:
1026:
1025:
1023:
1020:
1016:
1015:
1008:
1004:
1000:
999:audio effects
992:
987:
984:
982:
978:
975:
974:
973:
972:
969:
968:
964:
962:
961:
954:
948:
945:
940:
935:
934:
929:
911:
907:
903:
899:
895:
893:
889:
885:
881:
880:
879:
875:
871:
867:
864:
863:
862:
858:
854:
850:
847:
846:
845:
841:
837:
833:
830:
829:
828:
824:
820:
816:
815:Audio effects
812:
809:, and rename
808:
804:
800:
797:
796:
795:
791:
787:
783:
779:
775:
771:
768:
767:
766:
762:
758:
753:
749:
747:
742:
738:
735:
734:
733:
730:
726:
722:
718:
717:
716:
712:
708:
704:
700:
696:
692:
691:Audio effects
688:
687:
686:
685:
681:
677:
672:
670:
665:
662:
657:
652:
648:
645:
641:
637:
633:
629:
625:
624:
623:
622:
618:
614:
609:
605:
600:
599:
595:
591:
581:
578:
575:
571:
567:
563:
559:
556:
555:
550:
549:
548:
542:
540:
539:
535:
531:
521:
517:
513:
509:
504:
503:
502:
501:
497:
493:
488:
484:
480:
476:
472:
468:
460:
458:
443:
439:
433:
430:
429:
426:
409:
405:
401:
400:
395:
392:
388:
387:
383:
377:
374:
371:
367:
354:
350:
344:
341:
340:
337:
320:
316:
312:
311:
303:
292:
290:
287:
283:
282:
278:
272:
269:
266:
262:
257:
253:
247:
239:
235:
230:
229:
210:
209:
204:
200:
192:
189:
187:
183:
182:
177:
173:
170:
167:
163:
159:
155:
152:
149:
146:
143:
140:
137:
134:
131:
127:
124:
123:Find sources:
120:
119:
111:
110:Verifiability
108:
106:
103:
101:
98:
97:
96:
87:
83:
81:
78:
76:
72:
69:
67:
64:
63:
57:
53:
52:Learn to edit
49:
46:
41:
40:
37:
36:
32:
26:
22:
18:
17:
1564:
1560:
1539:
1525:
1518:
1489:
1485:
1460:
1439:
1435:
1352:audio effect
1344:effects unit
1318:Effects unit
1313:
1309:
1207:vacuum tubes
1186:
1182:
1085:audio effect
1084:
1033:Effects unit
1028:
1013:
1012:
998:
996:
986:Audio effect
981:Audio effect
977:Effects unit
966:
959:
958:
952:
951:
943:
936:
811:Effects unit
807:Effects unit
740:
729:Audio effect
695:Audio effect
673:
666:
658:
655:
608:Effects unit
601:
586:
573:
553:
552:
546:
525:
487:Effects unit
482:
478:
464:
457:
437:
397:
348:
308:
302:Music portal
252:WikiProjects
198:
184:
171:
165:
157:
150:
144:
138:
132:
122:
94:
25:Effects unit
19:This is the
1322:WP:ASTONISH
1254:Musicians,
1215:Hammond B-3
1126:compressors
1037:WP:ASTONISH
725:Effect unit
661:effect unit
647:Effect unit
613:Weeb Dingle
590:Weeb Dingle
492:Weeb Dingle
148:free images
31:not a forum
1593:Categories
1576:Popcornfud
1543:synthfiend
1482:Popcornfud
1469:Popcornfud
1444:Popcornfud
1414:Popcornfud
1401:Popcornfud
1372:Popcornfud
1328:article. ~
1302:Popcornfud
1289:Popcornfud
1272:electronic
1223:rackmounts
1142:modulation
1114:rock music
1062:Popcornfud
1041:Popcornfud
1014:Relisting.
1003:Popcornfud
902:Popcornfud
884:Popcornfud
866:Popcornfud
853:Popcornfud
832:Popcornfud
819:Popcornfud
770:Popcornfud
757:Popcornfud
705:into it? ~
676:Popcornfud
475:Leo Fender
1440:one means
551:The term
88:if needed
71:Be polite
21:talk page
1461:directly
1276:acoustic
1268:electric
1217:organ),
1150:flangers
1132:such as
554:modeling
483:vibratos
479:tremolos
199:365Â days
186:Archives
56:get help
29:This is
27:article.
1561:effects
1304:, Yes,
1154:phasers
1130:filters
1118:dynamic
471:tremolo
467:vibrato
440:on the
351:on the
242:B-class
154:WPÂ refs
142:scholar
1241:, and
1166:reverb
1146:chorus
1039:MENT.
1029:Oppose
1019:(talk)
960:BD2412
741:create
570:Guitar
248:scale.
126:Google
1565:units
1170:delay
1158:pitch
805:into
780:into
169:JSTOR
130:books
84:Seek
1580:talk
1547:talk
1498:talk
1494:Kvng
1490:most
1486:half
1473:talk
1448:talk
1427:talk
1423:Kvng
1405:talk
1376:talk
1334:talk
1330:Kvng
1314:most
1310:half
1293:talk
1201:and
1168:and
1152:and
1136:and
1124:and
1112:and
1075:Kvng
1066:talk
1049:talk
1045:Kvng
1007:talk
906:talk
888:talk
874:talk
870:Kvng
857:talk
849:Kvng
840:talk
836:Kvng
823:talk
799:Kvng
790:talk
786:Kvng
761:talk
723:and
711:talk
707:Kvng
701:and
680:talk
659:The
636:talk
632:Kvng
617:talk
594:talk
534:talk
530:BjKa
512:talk
508:Kvng
496:talk
162:FENS
136:news
73:and
1523:.
1436:All
1270:or
1262:or
1239:AAX
1235:VST
1229:as
1193:or
1185:or
1083:An
813:to
750:If
649:vs
432:Mid
343:Low
176:TWL
1595::
1582:)
1549:)
1500:)
1475:)
1450:)
1429:)
1416:,
1407:)
1378:)
1336:)
1295:)
1243:AU
1237:,
1156:;
1148:,
1116:;
1068:)
1051:)
988:→
979:→
941:.
908:)
890:)
876:)
859:)
842:)
825:)
792:)
763:)
713:)
682:)
671:.
638:)
619:)
596:)
536:)
514:)
498:)
197::
156:)
54:;
1578:(
1545:(
1496:(
1471:(
1446:(
1425:(
1403:(
1374:(
1332:(
1291:(
1245:.
1095:.
1064:(
1047:(
1011:—
1005:(
967:T
904:(
886:(
872:(
855:(
838:(
821:(
788:(
759:(
709:(
678:(
634:(
615:(
610:.
592:(
576:.
532:(
510:(
494:(
489:.
444:.
355:.
254::
191:1
188::
172:·
166:·
158:·
151:·
145:·
139:·
133:·
128:(
58:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
