Talk:Quilla Constance

848:

please identify any section of this article that you believe doesn't comply with Knowledge guidelines? As for the original statement being from Allen's university bio, can you please send me a link to support this, as I've not found evidence of this statement on Oxford University website or Goldsmiths when looking just now. Are you referring to her teaching profile at UAL? I think the statement may originate from a description of Allen's exhibition at 198 Contemporary Arts in 2015, which would have been written by the curator for Allen's show, or it could have been written as a result of a curator interviewing Allen? - and this is why I stated that 'it has been proposed' rather than 'this is what Allen is doing' - I've written this in neutral language so, please explain how this is a breach of Knowledge codes of practice, or please reword as you see fit. I'm not sure what you mean by 'cites first need to be live' - as far as I can see all citations are live for this article. I'm happy to refrain from editing if by consensus it's believed I am not doing this correctly. I've merely been using information that is available online for this artist. Should I remove the COI tag myself? or perhaps it will be best if you do it? Let me know how you think I should proceed. Thanks, P

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links if I'm still permitted to edit this page? but all the other links I checked were functioning. As for the source of the opening statement, on closer inspection I now think that UAL admin might actually have taken the statement from Knowledge, rather than the other way around? I still think the source statement has come from 198 Contemporary Arts in 2015 or the ICA, through a curator, an interview with Allen or a combination of both? However, if Allen did propose this, I don't really see how that is a breach of Knowledge rules as the article is merely claiming what has been proposed and isn't stating fact. I think it's clear that a number of organisations are in agreement that this has been proposed? Yes, we could add 'according to 198 Contemporary Arts and ICA' and then insert links to ICA, 198 and perhaps UAL and The Oxford Times, and any other gallery websites if you think this will be clearer? But am I permitted to make this edit whilst the COI tag is still active? If not, can you make the edit? Thanks, P

1446:. I know a bit about art, and I should also point out that artists don't work permanently with galleries unless they are commercial, i.e- selling the artists work. Bedford Creative Arts is a community organisation, not a commercial gallery. Furthermore, even if Bedford Creative Arts were a commercial gallery, the artists could still live anywhere (even overseas) and sell work through the gallery. I'm not sure what else to say on this matter - and feel reluctant to proceed with this discussion, which appears to be going nowhere. I also just did a search for artist who is also listed as an artist on Bedford Creative Arts website. From what I can see, Stubbs is primarily working in Doncaster and Liverpool, and is much more likely to live there than in Bedford 1113:

There are other editors who've worked on this page so hopefully they can step in too. Since all editors are invited to contribute, this should be a collective effort to improve the page, especially since many of the cites are available online. I also just did a search for artist requirement guidelines, and can see Allen's work is in two major permanent art collections, namely Anita Zabludowicz and David Roberts. It also looks like there have been academic journals/texts written about her work through conferences, for example at Van Abbemuseum, which would suggest there are significant conversations being had about this. I will continue to search for citations in conference archives/books. Thanks, P

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reliable sources (The Guardian, BBC, British Comedy Guide and Van Abbemuseum) and added them to this page in order to improve and expand it. I also believe I'm being unfairly targeted because I'm an anonymous user, but I don't agree that a hierarchy should exist between anonymous and registered users on Knowledge. I am disappointed that Knowledge user (Acousmana) appears to be enforcing this type of control, which ultimately discourages and prevents certain users from contributing on equal terms. It's the quality and relevance of the user contributions which should count, and users should be judged solely on this, nothing else. However, for some reason, a conflict tag has been applied.

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Knowledge than actually improving the quality of the text content and research. Have I not provided valuable reliable sources for this artists page? Would you have added them if I had not done so? Also, please tell me which sections aren't written from a neutral point of view. I have assured you many times that I am not related directly to this artist, and you should take my words in good faith. I believe the work of Constance is valuable for many feminists and BAME activists and her work should be written about as accurately as possible on Knowledge. The page might require contributions from an expert in conceptual art.

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anywhere unless there are problematic edits made to the article, and I don't think this applies here. I agree, the main tag should be removed because otherwise I am constantly being made to feel like I've done something wrong when I am just making an effort to develop the page so from my perspective this is unfair, but I also understand that you have a right to question editors. Let's just remove the tag, and try to work together to improve the page in future through talk page discussion where necessary

1388: 2434:] I presume this is because she creates paintings, costumes and videos which form an integral part of her performances, so she does work across a very broad area. This is also discussed quite extensively in academic book chapters about her work. I do feel it's more accurate to refer to her as an artist, given that reliable sources refer to her in this way. Failing that, perhaps she could be listed as 'performance artist', 'Painter' and 'Costumier'? 2246:

better spent working together to make improvements to the article than continuing to discuss COI, given that I’ve assured you this doesn't apply, the article is neutral in tone, and I’m happy to discuss all future edits with you and other editors to arrive at the best result for the page. I also think the QC article has improved after opening a dialogue, combining our knowledge and working together. How do you want to proceed?

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information about her latest projects. Also, if I notice something relevant in the news, I add it to Knowledge. I actually made the most recent edit because I saw her on Rob & Romesh Vs Art (Sky One, 4th February ) performing with Rob Beckett and Romesh Ranganathan. Further to this, I also recall the narrater of the show stating that Constance has an art studio in east London. I presume that is where she is based

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since most of the work referred to on the page was delivered under this name. I also believe this is the only professional name she operates under, akin to an actor using a stage name. I'm confused about what's happening with the COI discussion though. Can the tag be removed? I feel reluctant to do any further work trying to improve this article if I'm going to be accused of COI

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Asking 'by whom' the statement was made is requesting information that is either unknown or not verifiable, and therefore cannot be stated on Knowledge but there is verifiable evidence that the statement has been proposed. Knowledge is not a comprehensive academic resource, and if you wish to know the name of the person who proposed the statement, why not contact the ICA?

233: 876:. The statement "proposed" appeared to be verbatim taken from the UAL page, I assumed that was the point of origination, if so, we can assume that Allen created that text, you can bet the admin staff at UAL didn't come up with it. If it's attributable to the curator, reference the person responsible ("according to"), as well as the show, so there is not confusion. 1303:

and some additional cites. These working links are listed on the talk page, and again below - These are a mixture of primary sources and secondary sources. Trusted primary sources have been used previously to support factual statements, and secondary sources from Oxford Mail, Oxford Culture Review, Van Abbemuseum, The Stage and Londonist are reviews.

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and then created her QC persona/name which she now operates under, but I agree, for sections that refer to her work before she became Quilla Constance it's probably more accurate to refer to her as 'Allen' - but we could include a sentence to make clear that she made that work before she became known as Quilla Constance?

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are not necessarily less reliable than secondary and vice versa. Can you take a look and let me know what you think, and upload these to Quilla Constance page to replace broken links while I look for other links? You can also search for replacement links as I've just found many of these online. Thanks, P

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Yes I believe it is properly sourced but if you notice any errors let me know. For Persona and Style section I have included quotes from academic texts published through Wiley-Blackwell and Bloomsbury, linking to online excerpts available to read on Google books, and updated the career section taking

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Okay I see your logic and 'interdisciplinary' is mentioned in the style section as well, so it works. I have just removed some dead links and added some citations to the 'Persona and Style' section. Macrakis suggested that the sentence in the 'Television' section about her biracial heritage should be

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Thanks for feedback – I thought we agreed there is evidence she uses her QC name when lecturing, but I now see that including that in the article could be interpreted as original research. I also agree the quote from her interview with Passi is adequate on its own and avoids potential WP:OR concerns

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Hi Acousmana & Sinebot- I've also been trying to edit this page but what's with the protection until 18th? I can't access to edit either Anyway, here's an academic review of her work published through Van Abbemuseum for 'Black Artists and Modernism' It's a significant conference about artists of

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Regarding broken links - actually I have now found a few more broken links on this page, not so much the recent citations, but some of the older ones aren't working. I can do some work to fix these and relocate links if I'm permitted to edit this page? As I mentioned earlier, this is the new link for

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Okay, I will wait two days to see if I receive a reply from Acousmana explaining why the tag has been applied. In the meantime, it would be great if someone else can step in and take a look at the Quilla Constance page. As mentioned I have used reliable citations from official organisations and press

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I've just added two citations (from ICA and UAL websites) to support the opening statement in the style section, so I am going to request that the 'major contributor' conflict tag is removed or remove it myself. There has been no breach of Knowledge guidelines, and I can't see any reason why this tag

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I do not know Quilla Constance, but I am interested by her work and I have visited a few of her exhibitions. This knowledge of her work informs my Knowledge contributions and should not be used against me! All contributions I've made to Knowledge have been factual, accurate, objective and verifiable.

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Hello - I feel reluctant to continue making Knowledge edits due to repeatedly being accused of operating with bias (even though the sources I've referenced for this page are acceptable). None of the contributions I've made are informed by my own opinion. I've merely collected available citations from

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brought up the question on my Talk page of whether QC is best characterized as an "artist" or as a "performance artist" in the lead. I am no expert, but I'd say that although "artist" is very broad, it generally suggests a visual artist, and might not clearly suggest that most of her work centers on

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Not convinced Mash is necessarily RS, but, probably useful with regard the artist's statement re:QCs beginnings. We could place a line that notes when the QC project began. In terms of RS, same with DRAF, and similar orgnaisations, need to clear they are neutral with respect to their coverage and do

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Acousmana - why does my location matter here? Would I not be allowed to edit the page of an artist who lives in London, if I also live in London? I'm disappointed that your suspicion of my contributions actually disrupts the development of this page. You seem far more interested in enforcing laws on

1867:

Yes, I see, but it appears she is always referred to as Quilla Constance in reliable sources and interviews (BBC, Guardian, Tate, New York Times, Sky One etc) so I presume this is/ has become her primary artistic name/stage name? It's probably enough just to state that she was born 'Jennifer Allen'

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Yes, I can create an account, but I won't be able to do this today unfortunately. I've been editing without an account for convenience and I was enjoying making contributions to various Wiki pages in this way. Suddenly there's a lot more work to do, so I'd appreciate some extra help where possible.

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well, the pattern and nature of IP editing leads me to suspect this may have been created, and is maintained by, the actual subject of the article, I've seen this a lot over the years, people do it to aid with Google SEO, self-promotion is of course natural, especially if the individual is notable,

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please note, at the bottom of this page, that a rationale was provided for the COI, there is no issue with being anonymous, but we have guidelines that we follow in creating content, and as an IP-editor you are expected to follow those too - this applies equally to talk pages. Acknowledge also that

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please try and observe talk page conventions, note the requirements in the header at the top of the page, might i suggest you cut and paste your recent responses and place them in the most recent subsection concerning the COI at the bottom of this page, any dispute resolution that might follow will

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Correction - from what I've seen, she primarily operates as Quilla Constance, but in her earlier work her birth name'Jennifer Allen' was also sometimes mentioned. But increasingly it looks like she now only uses Quilla Constance? I attended this talk she gave at Jerwood Arts in 2020 where the host

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Hi, as per the talk section - I've been trying to explain that I don't think the issues with this page are to do with vandalism or poorly sourced links, but rather some of the links that have moved or broken over time. A simple google search allowed me to find new locations for many of the sources

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can i suggest that rather than using a dynamic IP to contribute you instead create an account and begin improving the article with the content you have highlighted above. I've flagged what i believe are valid concerns, as the primary contributor to this article it would be good if you could update

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Hi Acousmana, okay, I've found these links below. They are a combination of primary and secondary sources which seems to be standard on Knowledge. I also did a search of wiki guidelines which says primary sources are still usable in conjunction with secondary sources, and also that primary sources

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nothing personal, but I stand by my original assessment above, we simply can't be sure, have dealt with similar situation in past, sorry! I propose that for now we remove the tag from the article but leave the talk page instance intact. If this isn't satisfactory we can seek further input via COI

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might be more appropriate, but outside of this we should also keep in mind that she is known primarily as Quilla Constance regardless of whether it's a persona or a stage name? I also just did a search for her other teaching work and noticed she is listed only as Quilla Constance on page 5 of The

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Thanks for the feedback, it's very useful. Hopefully other editors will also find cached pages for any dead links. I noticed The Stage magazine piece is now dead, but haven't checked any others recently. I also think this artist should be referred to as 'Constance' for the majority of the article

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Each time I make a valid contribution to the Quilla Constance page, backed up by reliable sources such as the BBC, The Guardian and The British Comedy Guide, plus academic texts from Van Abbemuseum, I'm accused of having a close connection with the subject of this article. Frustratingly, the user

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Hello Acousmana, I just registered for an account which was easy and quick enough, only I can't make edits on the Quilla Constance page for 4 days and I'm required to make 10 other edits to other articles before I can fix the issues on Quilla Constance page. This appears to be because someone has

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Thanks for the feedback. I've looked at the Quilla Constance article again and can only find two broken links - unfortunately I think this happens quite often with Knowledge pages where information is re-archived or taken down from websites. I can remove broken links and possibly replace with new

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Hi Acousmana – Have you decided what you want to do about the COI dispute you raised? Did you notice the discussion has been rejected by Third Option in COI section (Above)? they said we can discuss COI on the COI noticeboard. Although, I'm not sure what this will achieve and I think our time is

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Also, on closer inspection - the Bedford Creative Arts link you sent does not state that Constance is a 'resident artist'! - and I feel very disappointed that you claim this to be the case. I find your choice of words to be misleading, and unfair. On these grounds I think I will need to end this

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Hello, thanks for your feedback. I'm not sure how to proceed here. I've already stated that I am not related to the subject, so perhaps the next point of conversation should be whether this article is written using a biased or promotional tone or whether any information has been omitted? Can you

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Hi Acousmana I agree with your change to the arts council section but I just added 'Quilla Constance' later in the sentence because it appears the artistic content of these projects were created under her Quilla Constance name? Also I did a search for articles which confirm the year of when she

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I don't know how to request input from an impartial editor but would appreciate it if you'd ask someone to take a look and consider removing the tag. Regarding editing patterns - I am really interested by Constance's work and I've followed her on Facebook/Twitter for many years where she posts

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Hi Acousmana, okay, that's fine to keep the talk page in place, and like I said I'm happy to discuss future edits with you and other editors. I think the COI section actually prefers that we approach it in this way rather than an endless conversation on the noticeboard which probably won't go

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Allen exists, QC is an alter-ego, a vehicle, that she uses to express particular ideas in an artistic context. When she delivers lectures is she employed as Allen or QC? Similarly, in other professional contexts (non-artistic), Allen or QC? Allen, could invent another character, adopt another

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Yes, if someone could explain why this tag has been applied, that would be great. As mentioned, all statements I've added to this page are verifiable through reliable sources and written in neutral tone/. Furthermore the contributions from other editors also appear to work within Knowledge

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making this accusation doesn't contribute anything of value to this page. Okay, I will refrain from editing this page even though I am knowledgable about art, and a keen observer of the work of Quilla Constance. The accusation does not make any sense. I am not breaking any Wiki rules.

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call her. On the other hand, I removed the description "curator" because although she has curated group shows, she is not a professional curator. Along the same lines, we typically don't call an academic who has edited a volume of writings by multiple authors an "editor".

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The request for a Third Opinion has been removed (i.e. declined). Issues involving conflicts of interest (including tags) are conduct issues, not content issues, and Third Opinion does not issue opinions on conduct matters. Your best resource for this is probably the

2175:] Do these appear to be reliable sources for confirming dates of change from Jennifer Allen to Quilla Constance? and I am thinking it could be beneficial to quote from one or both of these in her article towards the top of the career section. Do you agree? 1437:

Hi Acousmana, I just followed the Bedford Creative Arts link and I believe it most probably means Constance is an associate artist of this organisation, and as such could live anywhere. For example, Constance is also an associate lecturer at UAL in London

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discussion with you. You've clearly already decided that I'm guilty of COI, even though I've repeatedly assured you this isn't the case. I've also asked if you can please tell me which sections of Constance's article are biased, but you refuse to answer

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Hello Acousmana I have just added some clarification to the career section based on what we discussed about her use of the Quilla Constance name. I think this helps to disambiguate the career section which refers to Jennifer Allen as well. Do you agree?

767:, which may well be the case with the "it has been proposed" statement (appears to be attributable to Allen's university bio originally), it's not immediately clear if this is extracted from an artist statement or if a secondary source that stated this. 1044:(the 6th, 7th and 8th listing down says Jennifer Allen was awarded £14,500 and £14,550 three times from Arts Council England. I expect there will be other official records of this available in public funding records and via Arts Council website. 1679:

Okay, I can raise this on the COI noticeboard if Acousmana still feels there is an issue. I do not feel comfortable spending time fixing broken links and improving text for this page if I will keep being accused of COI. How should we proceed?

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Link 7: I currently can't find a new link for Quilla Constance Freud Museum online, but I did find this large article about Quilla Constance which discusses her work and the Electra Complex. Perhaps this could be cited elsewhere on the page?

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on board what we discussed about this artists name. It might also be worth trying to source an article or interview which identifies the year she started to use the name Quilla Constance. Currently I don't know for sure when this began

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P.S - I've already asked Acousmana to explain why this tag has been applied, but he/she hasn't given me an answer. If nobody else thinks the tag is applicable to Quilla Constance page I will request its removal or remove it myself.

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Just added a citation for 'lecturer' in the lead sentence as this statement isn't supported elsewhere in the article, okay? And regarding COI tag I don't think I know how to remove it so probably easier for you to do it?

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Apparently her identification as "biracial, working class female identity" is significant to her, in which case it should be mentioned nearer the top of the article instead of just being a report on an interview on the

1996:] and the same with her recent BBC interview where she isn't really performing, but she is only referred to only as Quilla Constance: Artist. See transcript:] - but I do find her page tricky to edit for this reason 153: 1708:

The "Career" section reads too much like a CV. We don't need an exhaustive list of her performances here. We should focus on the most significant or controversial performances, and leave the rest for a list (if at

872:'live' as in the urls that are serving as references need to be actually functioning, a number of the ones I checked were either broken or the page was gone, so they simply cannot be used as cites, that's all, per 731:

articles to support statements I've added to the Quilla Constance article. If I've done anything incorrectly it would be very helpful to know what this is and be given some advice on how to fix it. Thanks, Phil

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A 'major contributor' conflict tag has been incorrectly attached to this page. The source of the statement in question in the opening of the 'style' section is verifiable through trusted websites such as ICA:

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to support "costumier" should maybe be avoided, and "painter," does it really need stating? "interdisciplinary artist" covers all bases meaning specificity in lead not required, can elaborate in main body.

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also works since she is referred to an artist in reliable sources and if she also self identifies as an artist perhaps we should go with that and clarify disciplines in the style and persona section below

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OK, thank you for your perspective on this, I feel the COI is reasonable based on the editing patterns seen over the last few years. You can request input from an impartial editor, or administrator, see

2108:] I think this is a strong indication of how she is known in the art world. Also, I notice that Goldsmiths only refers to her as Quilla Constance in their 2006 'selection of alumni' list (scroll down) 1950:] - from what I have seen she only operates as Quilla Constance. I think that is one of the reasons why her work is seen as interesting and unusual. It appears she has become the persona in real life 1712:

The article should be consistent about its use of Constance/Quilla Constance/Allen. Instead of repeating "Allen (as Quilla Constance)", we could just say "Allen" or "Constance" (I have no preference).

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guidelines. The tone of the biography is factual and neutral throughout. If you disagree, please explain which section is problematic and let me know how I should fix it - or please remove the tag.

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applied semi protection to this article. I'm not sure what the logic of doing this is - but just letting you know I can't do anything on it for a while unless semi protection is lifted. Thanks, P.

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Link 12: If you scroll down and click on 'Artists' you will see what looks to be the official list of artists with work in David Roberts Collection. Jennifer Allen is listed towards the top.

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Link 6: If you scroll down and click on 'Artists' you will see what looks to be the official list of artists with work in David Roberts Collection. Jennifer Allen is listed towards the top.

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but generally it's better for such editors to identify themselves rather than edit anonymously. If there is an error, please remove the tag, just wanted to flag it in case the policies on

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has been applied. If you disagree with me, please explain why you have applied the tag and identify specifically what needs to be changed on this biography. Thanks, Phil.

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Tagged this article again, second time, contributor claimed above to have no connection with artist, but the IP then, as now, is located in Bedford. Constance is a

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2008 'Jennifer Allen presents Sexual Visionaries.... Love, Hate, Narcissism, Mortality, Fetish and Taboo' (curated project) 176 London Zabludowicz Collection

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Instead of the long list of performances, it would be more useful to have a summary and analysis of these works in Knowledge's voice -- not just quotations.

200:) policy, even if it is not a biography, because it contains material about living persons. Contentious material about living persons that is unsourced or 1365: 1162: 1031:- a full page article about Quilla Constance exhibition, as reviewed in The Oxford Times, and her involvement in celebrating female students at St Johns. 79: 2358:

concerns, you have made an editorial inference, none of the sources cited supported the statement made, you have to be careful about details like this.

920:- this link appears to be broken earlier in the article. I expect it will mainly be a case of searching for new versions of the links that are broken. 1051:- there's quite a large article on Quilla Constance winning a case. I also found this article in Londonist which supports the statement about Equity - 1364:

And another editor found these links to reviews from Van Abbemuseum which could be inserted after link 43? There's a piece on Allen/Quilla on page 15

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at the bottom of this talk page, also please place new comments at the bottom of talk threads, not the top - it runs old to new. Have a good look at

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also to enure that the requirements for this article's existence are met. Please take the time to improve the referencing using the updated links.

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and looks like there's a more extensive piece available through a journal/ research depository. I thought it was here but can't access it atm -

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take place there. It's very difficult for other editors to follow what's happening here if you do not adhere to talk page formatting standards.

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As I said, I think it's clearer to the reader if we mention the different kinds of art she produces in the lead. But that's just my opinion. --

1341:- Link 36: An article on Quilla Constance winning a case. I also found this article in Londonist which supports the statement about Equity - 2715:

2003 'SKINS Revisited' (solo exhibition and artists' residency) BizArt Center, Shanghai, Chinä: ARTLINKART International Residency Programme

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the editing pattern we are seeing - single purpose dynamic IP usage from a location associated with the subject - is suspicious. Please view

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https://www.oxfordmail.co.uk/leisure/art/14394631.Performance_artist_Quilla_Constance_challenges_taboo_at_St_John___s_College__Oxford/

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http://archive.westendextra.com/news/2011/jun/equity-called-over-punk-double-booking-quilla-constance-stage-street-protest-over-gig-

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http://archive.westendextra.com/news/2011/jun/equity-called-over-punk-double-booking-quilla-constance-stage-street-protest-over-gig-

435: 2432:] and 198 Contemporary arts refer to her as an 'artist'. Plus I just checked UAL website where she's also referred to as an artist 1442:. Also, if you look on the Old Fire Station Gallery website, Oxford (scroll down) you will see she's an associate artist here too: 309:, a collaborative effort to create, develop and organize Knowledge's articles about people. All interested editors are invited to 2396: 1342: 1052: 1072:- The Freud Museum piece might be archived in print, off line. I will search for this at some point when I have time. Thanks, P 990:, that's why I flagged the issues above. A lot of the cites are weak in terms of simply not being quality secondary sources, see 383: 305: 269: 168: 99: 30: 2687: 375: 367: 135: 104: 20: 2191:

not have a vested interest in promoting one or other artist (I'm guessing you can appreciate why this might be an issue?).

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Would seem to support the use of Allen as the artist name, except when article text discusses performances where Allen has

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conventions should be followed - Allen throughout except where the text refers specifically to an in-character activity.

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https://mediabank.vanabbemuseum.nl/vam/files/alexandria/publiciteit/folders/2017/brochure_conferentie_conceptualism.pdf

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https://mediabank.vanabbemuseum.nl/vam/files/alexandria/publiciteit/folders/2017/brochure_conferentie_conceptualism.pdf

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her own persona, as I understand it. So "performance artist" is worth mentioning somehow, perhaps as part of a list: "

2110:] even though it appears she began performing as Constance after she graduated from Goldsmiths. I will take a look at 65: 1439: 974: 970: 522: 2547:

interdisciplinary practice of live and recorded performances, costumes, lectures, paintings and video installations

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guidelines later this week, but if you have any suggested edits for the 'Career' section that will be very useful

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I came here from the Third Opinion page. I'm afraid I can't contribute anything useful to the COI discussion.

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Many web links are dead; it would be useful to have pointers to cached copies at archive.org if they exist.

1146: 1994:] Plus, I notice in the credits for Rob & Romesh Vs Art she is listed as 'Quilla Constance: herself' 2801: 1443: 798: 701: 617: 580: 250: 175: 1142: 1211: 1175: 1138: 1116: 1077: 948: 923: 897: 851: 734: 670: 648: 555: 532: 475: 427: 412: 211:. If such material is repeatedly inserted, or if you have other concerns, please report the issue to 824:

thanks for you opinion on this, i guess we should take the editor on their word and remove the tag?

232: 2737: 2729: 2615: 2559: 2550: 2488: 2363: 2267: 2196: 2111: 2102: 2060: 2040: 1913: 1842: 1788: 1780: 1728:"Farty paintings and getting sozzled on gin: a seriously silly history of art and comedy colliding" 1654: 1583: 1521: 1427: 1403: 1253: 1194: 1102: 1007: 991: 976: 881: 829: 772: 575: 503: 449: 161: 55: 1948:] and it also appears she uses the name 'Quilla Constance' when she talks at academic conferences 1516:

for further information. If the consensus is that the tag is unwarranted, no problem removing it.

1352: 1338: 1048: 1041: 942: 2719: 2712:

2006 'Goods To Declare MFA International' (group exhibition) Airport Terminal 1, Tel-Aviv, Israel

2458: 2418: 1767: 1394:

The page's protection level has changed since this request was placed. You should now be able to

1316:- article about Quilla Constance exhibition, and her involvement in celebrating female students 1307: 1198: 1022: 917: 764: 518: 215:.If you are a subject of this article, or acting on behalf of one, and you need help, please see 70: 1193:

Just fixed a bunch of broken cites on this page but can't figure out how to correctly link video

1343:

https://londonist.com/2011/06/in-pictures-quilla-contance-protest-performance-outside-punk-soho

1053:

https://londonist.com/2011/06/in-pictures-quilla-contance-protest-performance-outside-punk-soho

984: 968: 1419: 763:

as for the cites, they first need to be live, so they can be verified, and they should not be

141: 51: 2697: 1614:

https://en.wikipedia.org/search/?title=Knowledge:Third_opinion&action=edit&section=4

999: 793: 297: 24: 1359: 1069: 2780: 2401: 2052: 1905: 208: 2923: 2966:"Bezalel Academy of Arts and Design Jerusalem presents Goods to Declare – MFA Internat" 2802:"Transcending the Signified: Quilla Constance Solo Exhibition Old Fire Station Gallery" 2733: 2725: 2611: 2555: 2484: 2359: 2263: 2192: 2056: 1909: 1838: 1784: 1650: 1579: 1517: 1423: 1399: 1355:-the 6th, 7th and 8th listing says Allen was awarded funding from Arts Council England 1249: 1245: 1098: 1003: 877: 825: 787: 768: 757: 695: 610: 499: 445: 3009: 2664:

but am preserving them here in case anyone would like to use it for future research.

2454: 2414: 2165: 1763: 1398:. If you still seem to be unable to, please reopen the request with further details. 987: 873: 2760:"Teasing Out Contingencies: Quilla Constance Open Studio Tate Exchange, Tate Modern" 1704:

On the other hand, I think the page can be improved in various ways. In particular:

2607: 2509:

I just added painter and costumier as suggested to offer clarification but I agree

2409: 2355: 1643: 1513: 1395: 1326: 1062: 995: 980: 1440:

https://www.arts.ac.uk/colleges/camberwell-college-of-arts/people/quilla-constance

523:

https://www.arts.ac.uk/colleges/camberwell-college-of-arts/people/quilla-constance

2476: 1904:

persona, her QC phase might end, we don't know, best to stick with Allen, unless

1750:

Other footnotes cite multi-page publications, where page numbers would be useful.

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and a few other sites I've also just found online, including The Oxford Times.

2696:

2014 'Performance Art: Love, Lust and Longing' (lecture and group exhibition),

945:- Perhaps you or another editor can update the broken link with this version? 355: 281: 263: 1369: 1332: 1166: 1035: 287: 2709:

2007 'The Dream of Putrefaction' (group exhibition) Fieldgate Gallery, London

2822: 2686:

2015 '(Dis) identifications: Gender as Material' (symposium and screening),

1575: 994:, a compilation of primary sources brought together using prose is actually 2043:

conventions. Per artist's website statement, there is acknowledgement that

1719:

Footnotes need to be more complete and correct. For example, this footnote:

2781:"Transcending the Signified: Quilla Constance Solo Exhibition MOCA London" 2741: 2649: 2619: 2600: 2563: 2523: 2492: 2462: 2443: 2422: 2385: 2367: 2341: 2325: 2309: 2271: 2255: 2200: 2184: 2123: 2064: 2005: 1959: 1917: 1877: 1846: 1815: 1792: 1771: 1689: 1668: 1624: 1587: 1552: 1525: 1497: 1475: 1455: 1431: 1407: 1380: 1257: 1223: 1202: 1187: 1154: 1128: 1106: 1089: 1011: 986:

and they did not support the cites, so they did not meet the standards of

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for whatever is stated about the artist, then there won't be any issues.

1314:

https://www.sjc.ox.ac.uk/documents/388/1413-St_Johns-TW_mag-2016_10W1.pdf

1029:

https://www.sjc.ox.ac.uk/documents/388/1413-St_Johns-TW_mag-2016_10W1.pdf

1822: 1358:

I also found this review which could be inserted after links 41 and 42?

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became Quilla. Firstly this interview with an Asian arts patron called

2039:

there are precedents, similar cases in other articles, where we follow

1946:

Yes, when she lectures it appears she is employed as Quilla Constance

972: 2706:

2007 'Dark Glasses' (group exhibition) The Standpoint Gallery, London

1444:

https://oldfirestation.org.uk/working-with-artists/associate-artists/

2693:

2015 'PUKIJAM' (solo exhibition) 198 Contemporary Arts and Learning

2045:"Quilla Constance, 'QC', is the creation of artist Jennifer Allen," 941:

And here's the new link for the Arts Council England award records

317:. For instructions on how to use this banner, please refer to the 1827:"Quilla Constance, 'QC', is the creation of artist Jennifer Allen" 1170: 2823:"Pukijam: Quilla Constance Solo Exhibition 198 Contemporary Arts" 2169:] see answer to first question. Also see this review written by 1353:

http://gotlottery.uk/eastern/bedford/bedford/?s=name&page=5

1339:

https://issuu.com/martinebrown/docs/equity_magazine_spring_2012

1049:

https://issuu.com/martinebrown/docs/equity_magazine_spring_2012

1042:

http://gotlottery.uk/eastern/bedford/bedford/?s=name&page=5

978: 943:

http://gotlottery.uk/eastern/bedford/bedford/?s=name&page=5

1308:

https://archive.ica.art/whats-on/symposium-dis-identifications

1269: 1023:

https://archive.ica.art/whats-on/symposium-dis-identifications

918:

https://archive.ica.art/whats-on/symposium-dis-identifications

519:

https://archive.ica.art/whats-on/symposium-dis-identifications

350: 226: 207:

from the article and its talk page, especially if potentially

184: 15: 2668:

2019 'Teasing out Contingencies' Open Studio, Tate Exchange,

382:

here on the Talk page for independent editors to review, or

354: 2677:

2017 'Transcending the Signified', Old Fire Station Theatre

2606:

if it's properly sourced, all good, we just need to uses

1747:

article which has an author and a date, not just a title.

1368:

Van Abbemuseum also produced a video examining her work:

1360:

https://theoxfordculturereview.com/2016/04/15/review-qc/

1070:

https://theoxfordculturereview.com/2016/04/15/review-qc/

694:

Do not remove the tag, until you have discussed it with

578:. Your references have nothing to do with that tag. - 2718:

2001 'Bloomberg New Contemporaries' (group exhibition)

2351: 1613: 1241: 1237: 1233: 1165:

Van Abbemuseum also posted a video examining her work:

379: 2945:"The Dream of Putrefaction – curated by Dereck Harris" 160: 1161:

colour. There's a piece on Allen/Quilla on page 15

1578:and follow the steps, it's very straight forward. 574:Do not remove the close relationship tag, without 1908:applies, and I don't see evidence that it does. 1327:http://davidrobertsartfoundation.com/collecting/ 1063:http://davidrobertsartfoundation.com/collecting/ 33:for general discussion of the article's subject. 2674:2017 'Transcending the Signified', MOCA London 2055:would alter or approach, but it doesn't apply. 1266:Semi-protected edit request on 16 November 2018 1240:, in the appropriate location, re:COI see the 1837:QC and is describing actions of the persona. 174: 8: 2397:User:2A00:23C5:E705:8200:54AE:D783:8FD1:2544 1779:agree with above points, personally I think 699:It might take a few days to get a reply. - 2591:included in this section too. Do you agree? 2479:Allen self-identifies as a fine artist, so 1370:https://www.youtube.com/watch?v=j9OUgICSLlI 1333:https://wearefierce.org/?s=Eva+meyer-Keller 1319:Link 10: Review article about Allen's work 1167:https://www.youtube.com/watch?v=j9OUgICSLlI 1036:https://wearefierce.org/?s=Eva+meyer-Keller 1209: 1173: 1136: 1114: 1075: 946: 921: 895: 849: 732: 668: 646: 553: 530: 473: 425: 410: 258: 2888:"Performance Art: Love, Lust and Longing" 2660:I've removed the list of exhibitions per 1992:introduced her only as Quilla Constance 1420:resident artist at Bedford Creative Arts 496:Knowledge:PR_Professionals_&_Editing 2992:was invoked but never defined (see the 2907:was invoked but never defined (see the 2871:was invoked but never defined (see the 2849:was invoked but never defined (see the 2751: 2436:2A00:23C5:E705:8200:54AE:D783:8FD1:2544 2334:2A00:23C5:E705:8200:5009:1082:386E:8981 2318:2A00:23C5:E705:8200:817A:A881:C392:A27B 2302:2A00:23C5:E705:8200:817A:A881:C392:A27B 2248:2A00:23C5:E705:8200:8C17:2915:B7F5:499D 2177:2A00:23C5:E705:8200:8C17:2915:B7F5:499D 1808:2A00:23C5:E705:8200:54AE:D783:8FD1:2544 1682:2A00:23C5:E705:8200:54AE:D783:8FD1:2544 1617:2A00:23C5:E705:8200:54AE:D783:8FD1:2544 1612:Okay, I've posted this in third option 1545:2A00:23C5:E705:8200:54AE:D783:8FD1:2544 967:I had looked through a number of links 953:2A00:23C5:E70E:7E00:9CC0:1A06:9992:D746 928:2A00:23C5:E70E:7E00:9CC0:1A06:9992:D746 902:2A00:23C5:E70E:7E00:8004:D17C:A086:AAD4 856:2A00:23C5:E70E:7E00:1C93:404F:EAB6:E84A 739:2A00:23C5:E70E:7E00:2096:52E4:4865:C481 675:2A00:23C5:E70E:7E00:2096:52E4:4865:C481 653:2A00:23C5:E70E:7E00:2096:52E4:4865:C481 560:2A00:23C5:E70E:7E00:2096:52E4:4865:C481 537:2A00:23C5:E70E:7E00:2096:52E4:4865:C481 463:2A00:23C5:E70E:7E00:2096:52E4:4865:C481 400:2A00:23C5:E70E:7E00:2096:52E4:4865:C481 364:Individuals with a conflict of interest 260: 230: 2593:2A00:23C5:E705:8200:1D31:710E:CBA:2147 2516:2A00:23C5:E705:8200:1D31:710E:CBA:2147 2116:2A00:23C5:E705:8200:1D31:710E:CBA:2147 1998:2A00:23C5:E705:8200:1D31:710E:CBA:2147 1952:2A00:23C5:E705:8200:1D31:710E:CBA:2147 1870:2A00:23C5:E705:8200:1D31:710E:CBA:2147 1490:2A00:23C5:E705:8200:450:9BFD:BB0A:4AEE 1468:2A00:23C5:E705:8200:450:9BFD:BB0A:4AEE 1448:2A00:23C5:E705:8200:450:9BFD:BB0A:4AEE 1373:2A00:23C5:E70E:7E00:94C5:E3A:7F52:962D 1216:2A00:23C5:E705:8200:D82D:D81F:111:7644 1121:2A00:23C5:E70E:7E00:89DC:D1C:FC7F:B43B 1082:2A00:23C5:E70E:7E00:89DC:D1C:FC7F:B43B 480:2A00:23C5:E705:8200:D82D:D81F:111:7644 417:2A00:23C5:E705:8200:D82D:D81F:111:7644 380:request corrections or suggest content 374:not to directly edit the article. See 1422:, seems clear there is overlap here. 7: 432:2A00:23C5:E705:8200:74BA:BC5:7D4:F45 303:This article is within the scope of 3016:Biography articles of living people 2984: 2899: 2863: 2841: 2428:Most reliable sources such as BBC, 2051:so this is our point of reference. 249:It is of interest to the following 23:for discussing improvements to the 2682:198 Contemporary Arts and Learning 14: 2106:Royal Academy of Arts prospectus 1097:the cites where required. Thanks. 2732:) 21:00, 28 February 2024 (UTC) 1651:Conflict of Interest Noticeboard 1386: 1337:Link 35:Equity Magazine Page 6: 1273: 393:Incorrectly applied conflict tag 370:the subject of the article, are 290: 280: 262: 231: 190:This article must adhere to the 45:Click here to start a new topic. 2408:". We should be guided by what 1831:"QC is deployed by Allen to..." 1762:Those are my quick thoughts. -- 1312:Link 2: Page 4 of TW Magazine: 1171:http://eprints.mdx.ac.uk/23244/ 1047:Link 5:Equity Magazine Page 6: 1027:Link 2: Page 4 of TW Magazine: 327:Knowledge:WikiProject Biography 3026:WikiProject Biography articles 2688:Institute of Contemporary Arts 376:Knowledge:Conflict of interest 330:Template:WikiProject Biography 1: 2742:21:00, 28 February 2024 (UTC) 2650:13:37, 18 February 2021 (UTC) 2620:14:01, 17 February 2021 (UTC) 2601:13:45, 17 February 2021 (UTC) 2564:13:33, 17 February 2021 (UTC) 2524:12:54, 17 February 2021 (UTC) 2493:09:32, 17 February 2021 (UTC) 2463:00:03, 17 February 2021 (UTC) 2444:22:49, 16 February 2021 (UTC) 2423:22:14, 16 February 2021 (UTC) 2386:14:25, 22 February 2021 (UTC) 2368:12:25, 22 February 2021 (UTC) 2342:16:12, 21 February 2021 (UTC) 2326:13:51, 19 February 2021 (UTC) 2310:13:21, 19 February 2021 (UTC) 2272:11:47, 19 February 2021 (UTC) 2256:20:46, 18 February 2021 (UTC) 2201:11:47, 19 February 2021 (UTC) 2185:17:10, 18 February 2021 (UTC) 2124:16:21, 17 February 2021 (UTC) 2065:16:01, 17 February 2021 (UTC) 2006:15:11, 17 February 2021 (UTC) 1960:14:42, 17 February 2021 (UTC) 1918:14:33, 17 February 2021 (UTC) 1878:14:19, 17 February 2021 (UTC) 1847:09:28, 17 February 2021 (UTC) 1816:18:07, 16 February 2021 (UTC) 1793:16:49, 16 February 2021 (UTC) 1772:16:38, 16 February 2021 (UTC) 1690:20:33, 16 February 2021 (UTC) 1669:18:41, 16 February 2021 (UTC) 1625:15:38, 16 February 2021 (UTC) 1588:14:30, 16 February 2021 (UTC) 1553:14:14, 16 February 2021 (UTC) 1526:12:47, 16 February 2021 (UTC) 1498:23:26, 15 February 2021 (UTC) 1476:22:50, 15 February 2021 (UTC) 1456:22:42, 15 February 2021 (UTC) 1432:15:07, 11 February 2021 (UTC) 1408:10:25, 18 November 2018 (UTC) 1381:14:43, 16 November 2018 (UTC) 1258:15:48, 11 February 2021 (UTC) 1234:edit histories and rationales 1224:15:11, 11 February 2021 (UTC) 1203:16:53, 18 November 2018 (UTC) 1188:13:11, 14 November 2018 (UTC) 1155:20:05, 11 November 2018 (UTC) 1129:14:09, 11 November 2018 (UTC) 1107:13:52, 11 November 2018 (UTC) 1090:12:59, 11 November 2018 (UTC) 1012:01:56, 11 November 2018 (UTC) 961:01:50, 11 November 2018 (UTC) 936:01:37, 11 November 2018 (UTC) 910:00:25, 11 November 2018 (UTC) 886:22:21, 10 November 2018 (UTC) 864:19:44, 10 November 2018 (UTC) 834:22:27, 10 November 2018 (UTC) 818:19:00, 10 November 2018 (UTC) 777:18:37, 10 November 2018 (UTC) 508:12:09, 12 February 2021 (UTC) 471:22:50, 11 February 2021 (UTC) 454:15:50, 12 February 2021 (UTC) 408:22:50, 11 February 2021 (UTC) 193:biographies of living persons 42:Put new text under old text. 2171:David Roberts Art Foundation 1232:please look more closely at 747:23:08, 9 November 2018 (UTC) 721:22:54, 9 November 2018 (UTC) 683:22:50, 9 November 2018 (UTC) 661:22:34, 9 November 2018 (UTC) 637:22:25, 9 November 2018 (UTC) 600:22:22, 9 November 2018 (UTC) 568:22:17, 9 November 2018 (UTC) 545:21:53, 9 November 2018 (UTC) 315:contribute to the discussion 2354:recent addition because of 1296:to reactivate your request. 1284:has been answered. Set the 205:must be removed immediately 50:New to Knowledge? Welcome! 3042: 3021:B-Class biography articles 2173:click on review number 18 615:Care to chime in here? - 275: 257: 80:Be welcoming to newcomers 2545:Allen's description is " 1673:(Not watching this page) 1236:, the content you added 1331:Link 18: (scroll down) 386:if the issue is urgent. 2905:zabludowiczcollection1 2101:Yes, I see, and think 1396:edit the page yourself 1034:Link 3: (scroll down) 359: 239:This article is rated 75:avoid personal attacks 2549:", unless there is a 1743:is actually citing a 794:have the same feeling 366:, particularly those 358: 306:WikiProject Biography 100:Neutral point of view 2988:The named reference 2903:The named reference 2867:The named reference 2845:The named reference 105:No original research 2662:MOS:ART#Exhibitions 2483:probably suffices? 2049:"deployed by Allen" 2047:a creation that is 2720:Camden Arts Centre 2402:performance artist 360: 333:biography articles 245:content assessment 86:dispute resolution 47: 1675: 1300: 1299: 1238:is in the article 1226: 1214:comment added by 1190: 1178:comment added by 1157: 1141:comment added by 1131: 1119:comment added by 1092: 1080:comment added by 963: 951:comment added by 938: 926:comment added by 912: 900:comment added by 866: 854:comment added by 815: 749: 737:comment added by 718: 685: 673:comment added by 663: 651:comment added by 634: 597: 570: 558:comment added by 547: 535:comment added by 487: 478:comment added by 439: 430:comment added by 424: 415:comment added by 390: 389: 349: 348: 345: 344: 341: 340: 225: 224: 183: 182: 66:Assume good faith 43: 3033: 2999: 2998: 2997: 2991: 2983: 2977: 2976: 2974: 2972: 2962: 2956: 2955: 2953: 2951: 2941: 2935: 2934: 2932: 2930: 2920: 2914: 2913: 2912: 2906: 2898: 2892: 2891: 2884: 2878: 2877: 2876: 2870: 2862: 2856: 2855: 2854: 2848: 2840: 2834: 2833: 2831: 2829: 2819: 2813: 2812: 2810: 2808: 2798: 2792: 2791: 2789: 2787: 2777: 2771: 2770: 2768: 2766: 2756: 2698:The Freud Museum 2680:2015 'Pukijam', 2656:Exhibitions list 2410:reliable sources 1738: 1736: 1734: 1674: 1671: 1665: 1659: 1390: 1389: 1291: 1287: 1277: 1276: 1270: 816: 812: 805: 803: 801:FlightTime Phone 791: 719: 715: 708: 706: 704:FlightTime Phone 635: 631: 624: 622: 620:FlightTime Phone 614: 598: 594: 587: 585: 583:FlightTime Phone 372:strongly advised 351: 335: 334: 331: 328: 325: 311:join the project 300: 298:Biography portal 295: 294: 293: 284: 277: 276: 266: 259: 242: 236: 235: 227: 213:this noticeboard 185: 179: 178: 164: 95:Article policies 25:Quilla Constance 16: 3041: 3040: 3036: 3035: 3034: 3032: 3031: 3030: 3006: 3005: 3004: 3003: 3002: 2989: 2987: 2985: 2980: 2970: 2968: 2964: 2963: 2959: 2949: 2947: 2943: 2942: 2938: 2928: 2926: 2922: 2921: 2917: 2904: 2902: 2900: 2895: 2886: 2885: 2881: 2868: 2866: 2864: 2859: 2846: 2844: 2842: 2837: 2827: 2825: 2821: 2820: 2816: 2806: 2804: 2800: 2799: 2795: 2785: 2783: 2779: 2778: 2774: 2764: 2762: 2758: 2757: 2753: 2658: 2404:, painter, and 2394: 2053:MOS:CHANGEDNAME 1906:MOS:CHANGEDNAME 1732: 1730: 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