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Talk:Sérgio Mendes

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787:"Hollywood" to finally became a star". Mambo isn't brazilian music, they say Mambo exactly for that, intending to show mendes a guy who made a easy and fake version of the bossa nova to north american market. I have no intention to bully mendes or something like that, i just waste my time writing with my poor english because i believe an encyclopedia has a comitment with truth, and mendes isn't such "star" in Brazil. This don't change how important he is. This is just a comment about a wrong fact in his "wiki" biography. I'm sure that many brazilians musicians dedicate songs to his "stature", only Os Mutantes definitly aren't one of those. 686: 665: 783:"By the time Mendes released his Grammy-winning Elektra album Brasileiro in 1992, he was the undisputed master of pop-inflected Brazilian jazz. The late-1990s lounge music revival brought retrospection and respect to Mendes' oeuvre, particularly the classic Brasil '66 albums. His stature in his native Brazil is reflected by "Cantor de Mambo," a song by fellow Brazilians Os Mutantes, which they regularly dedicate to Mendes in concert." 581: 308: 560: 246: 222: 367: 340: 500: 479: 377: 191: 447: 591: 696: 256: 786:
This is wrong. "Cantor de Mambo" is an irony. In thruth, Os Mutantes make funny of Mendes. Search: In 2006 album "Ao Vivo - Barbican Theatre" Sérgio Dias (Os Mutantes' guitar player) starts saying that the song is dedicate to Mendes, who "after trying to be a sucess in brazil, never achiveing, go to
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I would agree with most of the above. Sergio Mendes may have been the driving force behind these projects and have benefited most from the record sales and performances but that is about it. He mostly arranged and played keyboard. He did not write the succesful material nor did he have important
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The writing style of this article is apalling. It may be appropriate to the back of an album cover (which I suspect is where it came from), but is not appropriate to an encyclopedia. I have removed some of the more sexist comments, but much needs to be done to bring it up to Knowledge (XXG)'s
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singing parts. The rest of the personnel changed continuously, this may have had to do with the way Mendes treated his musicians. Brasil, 66, 77 and 88 all changed considerably but the music remained the same.
1178: 1010:. Thus, the primary impetus for the group is its leader. The condition would likely best be met with a disambiguation page and/or automatic references to Sergio Mendes, and not to any group name. 456: 350: 1133: 322: 1100:
The mention of the article that Sergio is known in the US but not in Brazil is very true. I studied Portuguese in São Paulo and was astonished that no one knew who is Sergio Mendes.
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are much greater artists, although they have not enjoyed the huge commercial success mendes has enjoyed. But that is of course personal and why it is on the talk page.
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text or images borrowed from other web sites or published material; such additions will be deleted. Contributors may use copyrighted publications as a source of
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Mendes, Sergio (pno); Hall, Lani (voc); Philipp, Karen (voc); Neto, Sebastiao (bass); Bassini, Rubens (perc); Slon, Claudio (drums); Castro-Neves, Oscar (guit).
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Mendes, Sergio (pno); unknown (voc); Philipp, Karen (voc); Neto, Sebastiao (bass); Bassini, Rubens (perc); Slon, Claudio (drums); Castro-Neves, Oscar (guit).
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for how to properly implement limited quotations of copyrighted text. Knowledge (XXG) takes copyright violations very seriously, and persistent violators
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Mendes, Sergio (pno); Hall, Lani (voc); Philipp, Karen (voc); Matthews, Bob (bass); Bassini, Rubens (perc); Um Romão, Dom (drums); Pisano, John (guit).
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Mendes, Sergio (pno); Hall, Lani (voc); Hansen, Janis (voc); Matthews, Bob (bass); Soares, José (perc); Palma, João (drums); Pisano, John (guit).
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Mendes, Sergio (pno); Hall, Lani (voc); Vogel, Bibi (voc); Matthews, Bob (bass); Soares, José (perc); Palma, João (drums); Pisano, John (guit).
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from editing. While we appreciate contributions, we must require all contributors to understand and comply with these policies. Thank you.
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brasil 66 definately needs to have its own article. it is a vast portion of sergio mendes career, and possibly the most popular section.
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Obviously, Mendes's group had his name in its because he was its leader. I don't know why you think he needed to compose or sing.
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Also I do not agree that Mendes was a great Brazilian musician (maybe an arranger or keyboard player). In my opinion people like
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Note that the article presently does not identify the vocalist who replaced Lani Hall, upon her marriage to Herb Alpert.
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Now confirmed as a copyright violation. Large parts have been lifted word for word from one of the sources listed,
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I don't agree here. I believe the name did change several times, but not annually. In each case, the name has been
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The article could be clearer about whether and how Mendes's group's name my have changed. I've always assumed the
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Prior content in this article duplicated one or more previously published sources. The material was copied from:
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http://jazzstation-oblogdearnaldodesouteiros.blogspot.com/2011/11/herb-alpert-presents-sergio-mendes.html
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on Knowledge (XXG). If you would like to participate, please visit the project page, where you can join
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on Knowledge (XXG). If you would like to participate, please visit the project page, where you can join
833:. This needs to be rewritten using original language, or it will have to be removed in its entirety. 70: 515:
is the place to talk about technical and editorial issues and exchange ideas. New members are welcome!
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From the article as written at this point, I gather the following personnel in the group's history:
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From the mid-1970s into the present day, little evidence is provided for any personnel changes.
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it is duly released under a compatible license. (For more information, please see
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be rewritten, but only if it does not infringe on the copyright of the original
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referred to the year (1966), which would make it quickly obsolete. Was there a
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two albums between 1966–1968 (including the best-selling Look Around LP):
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standards. As it stands, it is probably also a copyright violation!
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major personnel change for their 1968 album Fool on the Hill:
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in the banner shell. Please resolve this conflict if possible.
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This article has been given a rating which conflicts with the
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if you are not the copyright holder of this material, or
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