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to them) ... as you might have realised if you'd looked at the edit history. I replaced these several times, only to have them taken out again, so in the end I submitted to the will of Wiki. (3) I have added some material on Van Halen, whose importance is obvious, but hey, if you want to add more yourself, don't let me stop you! (4) Since I've evidently been the main contributor in recent months, it would seem obvious that the scope of the material I've added is necessarily limited by my access to sources, which is probably compounded by the fact that I don't live in the USA. I don't yet have the book on the history of WBR but hope to get it soon. There isn't a huge amount of easily available material on the company's internal workings -- although I've recently uncovered some great stuff in the
Billboard and NY Times online archives -- but I hardly think that focussing on the actual items that the company produced -- i.e. the records -- is a major flaw. It's what they did and for much of its history, at least in the Ostin era, the company seems to have run remarkably smoothly. (5) I would have thought that Prince's significance to WBR would be self evident -- he was one of the biggest-selling WBR artists of all time, and arguably their most important African-American artist, so he's hardly "tangential". As always, all comments contributions are welcome (even if I don't necessarily agree with them). Thanks
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soon as is convenient for me. However, I would argue very strongly that there has to be some mention of other divisions of the company. A prime example is the case of
Reprise Records -- after its purchase it became (and still is) technically a subsidiary label of Warner Bros. Also, as I mention in the text, Reprise proved crucial to the history of Warner Bros Records in particular and the Warner group as a whole, especially because of the hiring of Mo Ostin, who became a central figure in the Warner music group's history and development. Please bear with me -- I'm trying to get this done 'on the fly' and my time is very limited, but I do appreciate any suggestions or criticisms and will do my best to edit the article to be as specific and relevant to the subject as possible. Thanks. -
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Yes, it is somewhat convoluted at the moment, but so is the history of the company, unfortunately. I'm still researching and editing at the moment, so please just be patient. I'll continue editing and will move any material not directly relevant to Warner Bros
Records into the Warner Music article as
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Re the above comments (1) your concern is noted, as is your failure to sign your edit (2) I wrote quite a bit about the corporate aspects, including the Ostin/Waronker departure and other stoushes, but much of this was edited out and/or transferred to related WB articles by other editors (so complain
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This article is bordering on ridiculous. It is basically a running year-by-year commentary on particular albums with way too many Prince tangents. Very little mention of the internal workings of WBR, it's status as the "artist's label", The acrimony over the Ostin family and
Waronker's ouster, and
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Tagging WB's distributor as 'WEA Corp.' seems a bit erroneous. Yes, WEA is the retail distributor of all WMG labels, but WB is self-managed and is its own distribution label; overseeing everything *before* it ultimately gets sent to WEA for hard shipments. Distribution label should be credited to
1456:). Streaming results globally show that streaming services are losing popularity mainly under artitst for them being rewarded badly. For that matter Snoopdogg removed all Death Row Records songs from streaming services and joined Gala Music.
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Warner
Records is world´s first record label to join a web3 based music project. Together with Death Row Records(owner Snoopdogg) and Gala Music a whole new concept of the music industry is in development
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One of the sources says the record label was originally based above the Warner Bros. film studio's machine shop on 3701 Warner Boulevard in Burbank. Why would that fact be removed? -
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Many thanks to the people who have recently been helping out with editing etc in this article! Much appreciated -- would love to get some direct feedback. Cheers!
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overall. The WBR article has always focused too much on WMG, but since the expansion it's gotten worse. —The Real One Returns 17:20, 28 November 2009 (UTC)
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most egregious of all: only a passing mention of Warner's 25 year relationship with Van Halen and their effect on the label. Heavy editing is needed.
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Where do you see the difference? "In February 2015, Warner Music Sweden announced that it would reactivate the Giant label."
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30:This is the
1213:Distributor
1141:Steelbeard1
1088:—Preceding
159:free images
42:not a forum
1482:Categories
1391:Report bug
1200:MarkMc1990
519:Markthemac
292:Rock music
283:Rock music
239:Rock music
1374:this tool
1367:this tool
99:if needed
82:Be polite
32:talk page
1434:Ridwan97
1411:Ridwan97
1380:Cheers.—
1265:warpozio
1090:unsigned
1035:fair use
1019:fair use
955:fair use
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650:fair use
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559:fair use
67:get help
40:This is
38:article.
1294:my edit
1248:WikiMax
476:on the
319:on the
210:C-class
165:WPÂ refs
153:scholar
505:Dtowng
216:scale.
137:Google
1175:Dunks
1157:Dunks
1111:Dunks
503:? --
378:Metal
344:Metal
180:JSTOR
141:books
95:Seek
1470:talk
1438:talk
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1269:talk
1252:talk
1241:and
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1027:this
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468:High
311:High
173:FENS
147:news
84:and
1348:RfC
1318:to
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