Knowledge (XXG)

The Bookworm (Spitzweg)

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a hallmark of Spitzweg's work, but the scholar's interest in the light streaming from the unseen window extends only so far as it allows him to see the words on the pages of his old books. The height of the library ladder can only be estimated: the globe suggests a possible floor height, but none of the floor is visible, heightening the sense of precariousness of the oblivious scholar's position. Equally the size of the library is unknown; the old man is consulting books from the section of "
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that provided a shock to the stable world embodied in the dusty solitude of the library. In the lower left corner of the painting an old faded globe can be seen; the bookworm is not interested in the outside world, but in the knowledge of the past. He is illuminated with the soft golden light that is
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is among the most obviously satirical of his works and though none of his paintings show the cruel wit of Hogarth, there are parallels between the characters of Hogarth and those depicted by Spitzweg; the bookworm—carefully observed and knowingly detailed—would not look out of place in a scene from
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surroundings, he is totally absorbed in his researches. A handkerchief, carelessly replaced, trails from his pocket. His black knee-breeches suggest a courtly status. The intensity with which he stares at his book in the dusty old once-glorious library with its frescoed ceiling mirrors the
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period that preceded it, there was still room for subtle allusions and light satire. Spitzweg's paintings poke gentle fun at the figures he saw around him. He was almost entirely self-taught and although his techniques were developed by copying the
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While obviously political or polemical art was discouraged by the conservative attitudes that pervaded Central Europe, and more parochial themes were chosen by the artists of the Biedermeier period than had been the vogue in the
1342: 196:. An exemplar of the same dimensions was painted by Spitzweg a year later and sent for sale to his New York art dealer HW Schaus. This exemplar found its way into René Schleinitz's art collection and was bequeathed to the 423: 801: 728: 308:)—indicated by the plaque on the highly ornamented bookcase—which both suggests a vast library and underlines the otherworldliness of the book lover. 580: 162:, but at the same time pokes fun at those attitudes by embodying them in the fusty old scholar unconcerned with the affairs of the mundane world. 295:
inward-looking attitudes and return to conservative values that affected Europe during the period. The painting was executed two years after the
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art in general. The painting is representative of the introspective and conservative mood in Europe during the period between the end of the
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Carl Spitzweg — Beliebte und unbekannte Bilder nebst Zeichnungen und Studien ergänzt durch Gedichte und Briefe, Zeugnisse und Dokumente
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standing on top of a library ladder with several large volumes jammed under his arms and between his legs as he peers
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Carl Spitzweg painted three variations of this piece. The first, painted ca. 1850, was listed under the title of
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and is typical of Spitzweg's humorous, anecdotal style and it is characteristic of
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in Milwaukee. A final version of the piece was painted in 1884.
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at a book. Unaware of his apparently princely or abbatial
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Mpl.org. Archived from 26: 16:Painting by Carl Spitzweg 198:Milwaukee Public Library 1001:Collection (publishing) 925:Illuminated manuscripts 424:Court uniform and dress 143:. The picture was made 839: 184:and sold in Vienna to 175: 137:oil-on-canvas painting 132: 1370:Intellectual property 996:Volume (bibliography) 838: 694:Das kleine Hofkonzert 412:Jens Christian Jensen 174:The Milwaukee version 173: 200:and housed in their 190:Museum Georg Schäfer 107:Museum Georg Schäfer 84: in Ă—  297:revolutions of 1848 160:revolutions of 1848 1407:World Book Capital 840: 772:The Book Collector 681:German Romanticism 543:. Edition Aktuell. 495:Ltd. p. 960. 493:Quintet Publishing 337:Marriage Ă -la-mode 235:possibly contains 176: 1453: 1452: 1285:Coffee table book 1116:Bookworm (insect) 845: 844: 704: 703: 485:Farthing, Stephen 355:Bookworm (insect) 280: 279: 272: 237:original research 120: 119: 1483: 1443: 1433: 1432: 1423: 1422: 1353:History of books 872: 865: 858: 849: 731: 724: 717: 708: 583: 576: 569: 560: 529: 506: 480: 448: 445: 439: 438:Flockhart p. 406 436: 427: 420: 414: 409: 403: 402: 400: 399: 384: 378: 371: 275: 268: 264: 261: 255: 252:inline citations 228: 227: 220: 149: 146: 97: 96: 92: 89: 83: 82: 78: 75: 54: 51: 31: 19: 1491: 1490: 1486: 1485: 1484: 1482: 1481: 1480: 1456: 1455: 1454: 1449: 1411: 1396:The Philobiblon 1289: 1223: 1162: 1010: 957:limited edition 881: 876: 846: 841: 830: 792:Limited edition 740: 738:Book collecting 735: 705: 700: 669: 592: 587: 550: 536: 534:Further reading 526: 509: 503: 483: 477: 467:Greenwood Press 460: 457: 452: 451: 446: 442: 437: 430: 421: 417: 410: 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Retrieved 392:the original 382: 369: 335: 331:The Bookworm 330: 310: 305: 281: 266: 257: 234: 180: 179: 177: 124:The Bookworm 123: 122: 121: 22:The Bookworm 1323:Book curses 1199:Netherlands 1069:Bookselling 1044:Bibliomania 1027:Bestsellers 1015:Consumption 1006:Book series 991:Typesetting 754:Bibliomania 687:Biedermeier 666:(1880–1885) 655:The Warlock 350:Bibliophile 329:. Although 302:Metaphysics 284:bibliophile 194:Schweinfurt 152:Biedermeier 148: 1850 111:Schweinfurt 53: 1850 1460:Categories 1268:audiobooks 1167:By country 1120:Furniture 1111:Digitizing 1106:Collecting 1096:Censorship 1079:book towns 964:Publishing 947:incunabula 886:Production 824:conditions 797:Marginalia 782:(painting) 525:3791337475 514:. Munich: 502:1844035638 491:. 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Index


Carl Spitzweg
Museum Georg Schäfer
Schweinfurt
Germany
German
oil-on-canvas painting
Carl Spitzweg
Biedermeier
Napoleonic Wars
revolutions of 1848

Ignaz Kuranda
Museum Georg Schäfer
Schweinfurt
Milwaukee Public Library
Central Library (Milwaukee, Wisconsin)
Grohmann Museum
Milwaukee School of Engineering
original research
improve it
verifying
inline citations
Learn how and when to remove this message
bibliophile
short-sightedly
Baroque
revolutions of 1848
Metaphysics
Romantic

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