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a hallmark of
Spitzweg's work, but the scholar's interest in the light streaming from the unseen window extends only so far as it allows him to see the words on the pages of his old books. The height of the library ladder can only be estimated: the globe suggests a possible floor height, but none of the floor is visible, heightening the sense of precariousness of the oblivious scholar's position. Equally the size of the library is unknown; the old man is consulting books from the section of "
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that provided a shock to the stable world embodied in the dusty solitude of the library. In the lower left corner of the painting an old faded globe can be seen; the bookworm is not interested in the outside world, but in the knowledge of the past. He is illuminated with the soft golden light that is
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is among the most obviously satirical of his works and though none of his paintings show the cruel wit of
Hogarth, there are parallels between the characters of Hogarth and those depicted by Spitzweg; the bookworm—carefully observed and knowingly detailed—would not look out of place in a scene from
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surroundings, he is totally absorbed in his researches. A handkerchief, carelessly replaced, trails from his pocket. His black knee-breeches suggest a courtly status. The intensity with which he stares at his book in the dusty old once-glorious library with its frescoed ceiling mirrors the
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period that preceded it, there was still room for subtle allusions and light satire. Spitzweg's paintings poke gentle fun at the figures he saw around him. He was almost entirely self-taught and although his techniques were developed by copying the
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While obviously political or polemical art was discouraged by the conservative attitudes that pervaded
Central Europe, and more parochial themes were chosen by the artists of the Biedermeier period than had been the vogue in the
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207:. An exemplar of the same dimensions was painted by Spitzweg a year later and sent for sale to his New York art dealer HW Schaus. This exemplar found its way into René Schleinitz's art collection and was bequeathed to the
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inward-looking attitudes and return to conservative values that affected Europe during the period. The painting was executed two years after the
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art in general. The painting is representative of the introspective and conservative mood in Europe during the period between the end of the
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Carl
Spitzweg — Beliebte und unbekannte Bilder nebst Zeichnungen und Studien ergänzt durch Gedichte und Briefe, Zeugnisse und Dokumente
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standing on top of a library ladder with several large volumes jammed under his arms and between his legs as he peers
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Carl
Spitzweg painted three variations of this piece. The first, painted ca. 1850, was listed under the title of
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and is typical of
Spitzweg's humorous, anecdotal style and it is characteristic of
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215:. In December 2014, the painting was placed on permanent loan to the
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in
Milwaukee. A final version of the piece was painted in 1884.
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at a book. Unaware of his apparently princely or abbatial
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399:"Richard E. and Lucile Krug Rare Books Room"
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500:1001 Paintings You Must See Before You Die
386:Painting and Sculpture in Europe 1780-1880
81:49.5 cm Ă— 26.8 cm (
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281:Learn how and when to remove this message
565:Biedermeier romanticist — Carl Spitzweg
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388:, p. 227, Yale University Press, 1992.
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1354:Conservation and restoration
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658:The Intercepted Love Letter
472:Bernstein, Eckhard (2004).
261:the claims made and adding
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401:. Mpl.org. Archived from
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27:Painting by Carl Spitzweg
209:Milwaukee Public Library
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435:Court uniform and dress
154:. The picture was made
18:The Bookworm (painting)
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195:and sold in Vienna to
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148:oil-on-canvas painting
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1381:Intellectual property
1007:Volume (bibliography)
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705:Das kleine Hofkonzert
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185:The Milwaukee version
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211:and housed in their
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118:Museum Georg Schäfer
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308:revolutions of 1848
171:revolutions of 1848
1418:World Book Capital
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783:The Book Collector
692:German Romanticism
554:. Edition Aktuell.
506:Ltd. p. 960.
504:Quintet Publishing
348:Marriage Ă -la-mode
246:possibly contains
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405:on 2013-08-07
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244:This section
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197:Ignaz Kuranda
194:
193:
192:The Librarian
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152:Carl Spitzweg
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73:Oil-on-canvas
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51:Carl Spitzweg
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1487:Books in art
1405:
1401:Preservation
1317:Book burning
1312:Banned books
1065:Bibliophilia
1050:Bibliography
980:advance copy
963:instant book
931:Illustration
914:dust jackets
823:solander box
813:Preservation
791:The Bookworm
790:
782:
777:Bookbreaking
760:Bibliophilia
703:
696:
672:
669:(1875, 1880)
664:
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634:The Bookworm
633:
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407:. Retrieved
403:the original
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342:The Bookworm
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135:The Bookworm
134:
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33:The Bookworm
1334:Book curses
1210:Netherlands
1080:Bookselling
1055:Bibliomania
1038:Bestsellers
1026:Consumption
1017:Book series
1002:Typesetting
765:Bibliomania
698:Biedermeier
677:(1880–1885)
666:The Warlock
361:Bibliophile
340:. Although
313:Metaphysics
295:bibliophile
205:Schweinfurt
163:Biedermeier
159: 1850
122:Schweinfurt
64: 1850
1471:Categories
1279:audiobooks
1178:By country
1131:Furniture
1122:Digitizing
1117:Collecting
1107:Censorship
1090:book towns
975:Publishing
958:incunabula
897:Production
835:conditions
808:Marginalia
793:(painting)
536:3791337475
525:. Munich:
513:1844035638
502:. London:
487:0313322031
466:References
409:2013-11-17
317:Metaphysik
271:March 2014
255:improve it
78:Dimensions
1349:Book tour
1322:incidents
1254:miniature
1249:fictional
1135:bookcases
1075:Bookmarks
990:paperback
985:hardcover
830:Used book
661:(c. 1860)
653:(c. 1860)
645:(c. 1857)
637:(c. 1850)
609:Paintings
259:verifying
109: in)
1446:Category
1359:Dog ears
1275:Formats
1271:Grimoire
1264:textbook
1215:Pakistan
1162:literacy
1140:bookends
1059:tsundoku
943:Printing
818:slipcase
770:tsundoku
642:Justitia
498:(2006).
355:See also
325:Romantic
227:Analysis
169:and the
146:) is an
114:Location
1436:Outline
1396:Outline
1305:Related
1245:Genres
1195:Germany
1169:Reviews
1157:Reading
1147:Library
1095:history
953:history
948:edition
926:Editing
904:Binding
785:journal
303:Baroque
253:Please
177:History
126:Germany
104:⁄
90:⁄
1456:Portal
1369:scroll
1284:Ebooks
1259:pop-up
1190:France
1185:Brazil
1085:blurbs
1033:Awards
921:Design
909:Covers
708:(1935)
629:(1848)
621:(1839)
533:
510:
484:
140:German
70:Medium
47:Artist
1391:Novel
1374:codex
1289:Folio
1239:Other
1220:Spain
1205:Japan
1200:Italy
1112:Clubs
890:Books
685:Other
674:Kites
372:Notes
1386:ISBN
1327:Nazi
1100:used
1043:list
997:Size
531:ISBN
508:ISBN
482:ISBN
433:See
336:and
57:Year
315:" (
257:by
219:at
203:in
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529:.
480:.
476:.
442:^
156:c.
142::
124:,
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97:10
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1061:)
1057:(
882:e
875:t
868:v
741:e
734:t
727:v
593:e
586:t
579:v
539:.
516:.
490:.
437:.
412:.
284:)
278:(
273:)
269:(
251:.
138:(
106:2
102:1
99:+
92:2
88:1
85:+
20:)
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