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152:, along with their daughter Sixteen, appear in powdery white makeup. Yolandi and Ninja wear black contact lenses, and Ninja also wears ram horns on his head. The artist's lawyer, Martin Heller, stated: "Ms. Alexander is concerned that Die Antwoord's use of her work and its context might be publicly perceived as reflecting her own artistic intention. In creating the work, Ms. Alexander referred to the dehumanizing forces of apartheid. Ms. Alexander does not intend to limit her work's interpretation, and she does not seek to interfere with other artists' work." The video has since been removed from distribution. 342: 111:
beasts with powdery skin, black eyes, broken horns, and no mouths sitting on a bench. The beasts are devoid of their outside senses - their ears are nothing more than deep gorges in their heads and their mouths are missing, appearing to be covered with thick roughened skin.
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Warnes, Christopher (2004). "'Amaze and Confuse! Daze and Amuse!': Plays of Miracle and Wonder: Ipi Zombie?, iMumbo Jumbo and The Prophet, Brett Bailey: review".
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of three, life-size, oil-painted plaster figures with animal horn and bone details, seated on a bench. The work formed part of her MAFA submission (
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The Plays of Miracle & Wonder: Bewitching Visions and Primal High-jinx from the South African Stage
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in 1991. The work was a response to the state of emergency in South Africa at the time.
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which referenced the sculpture without Alexander's consent. In the video, band members
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was published with a cover photograph showing three men posed after Jane Alexander's
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Mercer, K. (2014). "Postcolonial Grotesque: Jane Alexander's Poetic Monsters".
327: 275: 267: 227: 108: 140: 341: 88:(1985/1986) is a sculpture made by South African artist 353: 73: 59: 51: 36: 26: 21: 138:released an online teaser trailer for their album 100:in Johannesburg in 1986. It was acquired by the 373: 323:Jane Alexander biography on SA History Online 8: 380: 366: 236:"Die Antwoord video pulled over copyright" 18: 201: 256:Nka: Journal of Contemporary African Art 161: 189: 177: 168:Information supplied by Jane Alexander 134:In February 2012, South African band 107:The work consists of three life-size 7: 338: 336: 352:. You can help Knowledge (XXG) by 14: 96:) and was first exhibited at the 340: 328:culturebase.net - Jane Alexander 16:Sculpture made by Jane Alexander 94:University of the Witwatersrand 102:South African National Gallery 64:South African National Gallery 1: 216:South African Theatre Journal 348:This sculpture article is a 120:Plays of Miracle and Wonder 435: 409:Sculptures in South Africa 335: 300:. Juta and Company Ltd. 268:10.1215/10757163-2352830 68:Cape Town, South Africa 404:Allegorical sculptures 98:Market Theatre Gallery 130:Copyright controversy 414:Plaster sculptures 242:. 14 February 2012 361: 360: 307:978-1-919930-20-6 81: 80: 426: 382: 375: 368: 344: 337: 311: 287: 250: 248: 247: 231: 205: 199: 193: 187: 181: 175: 169: 166: 47: 45: 22:The Butcher Boys 19: 434: 433: 429: 428: 427: 425: 424: 423: 419:Sculpture stubs 399:1986 sculptures 389: 388: 387: 386: 333: 319: 314: 308: 290: 253: 245: 243: 234: 213: 209: 208: 200: 196: 188: 184: 176: 172: 167: 163: 158: 132: 43: 41: 17: 12: 11: 5: 432: 430: 422: 421: 416: 411: 406: 401: 391: 390: 385: 384: 377: 370: 362: 359: 358: 345: 331: 330: 325: 318: 317:External links 315: 313: 312: 306: 288: 251: 232: 210: 207: 206: 202:channel24 2012 194: 182: 170: 160: 159: 157: 154: 146:Yolandi Visser 131: 128: 90:Jane Alexander 79: 78: 75: 71: 70: 61: 57: 56: 53: 49: 48: 38: 34: 33: 31:Jane Alexander 28: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 431: 420: 417: 415: 412: 410: 407: 405: 402: 400: 397: 396: 394: 383: 378: 376: 371: 369: 364: 363: 357: 355: 351: 346: 343: 339: 334: 329: 326: 324: 321: 320: 316: 309: 303: 299: 298: 293: 292:Bailey, Brett 289: 285: 281: 277: 273: 269: 265: 262:(33): 80–91. 261: 257: 252: 241: 240:channel24.com 237: 233: 229: 225: 221: 217: 212: 211: 203: 198: 195: 191: 186: 183: 179: 174: 171: 165: 162: 155: 153: 151: 147: 143: 142: 137: 129: 127: 125: 121: 117: 113: 110: 105: 103: 99: 95: 91: 87: 86: 76: 72: 69: 65: 62: 58: 54: 50: 39: 35: 32: 29: 25: 20: 354:expanding it 347: 332: 296: 259: 255: 244:. Retrieved 239: 219: 215: 197: 185: 173: 164: 139: 136:Die Antwoord 133: 124:Butcher Boys 123: 119: 116:Brett Bailey 114: 106: 85:Butcher Boys 84: 83: 82: 222:: 287–291. 190:Warnes 2004 178:Bailey 2003 126:sculpture. 55:mixed media 393:Categories 246:2013-09-17 156:References 284:193174088 276:1075-7163 228:1013-7548 77:no. 90/73 74:Accession 294:(2003). 141:Ten$ Ion 109:humanoid 60:Location 42: ( 304:  282:  274:  226:  52:Medium 27:Artist 280:S2CID 150:Ninja 350:stub 302:ISBN 272:ISSN 260:2013 224:ISSN 148:and 44:1986 40:1986 37:Year 264:doi 118:'s 395:: 278:. 270:. 258:. 238:. 220:18 218:. 66:, 381:e 374:t 367:v 356:. 310:. 286:. 266:: 249:. 230:. 204:. 192:. 180:. 46:)

Index

Jane Alexander
South African National Gallery
Cape Town, South Africa
Jane Alexander
University of the Witwatersrand
Market Theatre Gallery
South African National Gallery
humanoid
Brett Bailey
Die Antwoord
Ten$ Ion
Yolandi Visser
Ninja
Bailey 2003
Warnes 2004
channel24 2012
ISSN
1013-7548
"Die Antwoord video pulled over copyright"
doi
10.1215/10757163-2352830
ISSN
1075-7163
S2CID
193174088
Bailey, Brett
The Plays of Miracle & Wonder: Bewitching Visions and Primal High-jinx from the South African Stage
ISBN
978-1-919930-20-6
Jane Alexander biography on SA History Online

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