330:, despite having no knowledge of filmmaking whatsoever. On-set relationships are a disaster: the story itself is nonsensical and full of plot threads that are never addressed or resolved (a matter complicated by Wiseau refusing to give anyone a full copy of the script); Wiseau's camera set-up requires two crews to operate, actors and crew storm off the set, dialogue and blocking are constantly tweaked, sets are dismantled only to be rebuilt and re-shot the following day, and, at the last possible moment, Wiseau convinces Sestero to play Mark despite the role already having been cast. By the end of the shooting, Sestero, along with the rest of the cast and crew, become convinced that the film is merely a
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project for Wiseau that will never actually be seen by anyone and lose their enthusiasm, resulting in lackluster performances and technical and storytelling blunders that prove impossible to correct in post-production. The production also takes its toll on
Sestero's relationship with his girlfriend,
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filming in San
Francisco, which runs considerably smoother, to everyone's surprise. These recollections are occasionally interspersed with "fantastical, sad, self-contradictory stories" about Wiseau's conflicted past, which apparently includes such experiences as being ridiculed for his interest in
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for the first time, Sestero is struck by how similar Wiseau is to the title character. However, when Wiseau also sees the film, instead of recognizing his own behavior, he is deeply impressed by it and becomes obsessed with creating something just as emotionally powerful. He subsequently disappears
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Shortly after filming ends, Wiseau gives
Sestero a rough cut of the film as a parting gift. Sestero screens it for his family, who are enthralled by its bizarre ineptitude. Their reaction turns out to be prophetic when, eight months later, Wiseau secures a release for the film, beginning its cult
281:
and a refusal to discuss his past. At the same time, Sestero admires Wiseau's boldness and genuine enthusiasm for both life and acting. The two form an odd but affectionate bond as
Sestero learns of the many contradictions of Wiseau's personality.
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country, being threatened with death by sadistic French policemen, and quietly progressing from a yo-yo and toy bird salesman to a retail and real estate tycoon, which serve to highlight his motivations for attempting to enter the film industry.
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by producing and starring in a commercial for a company he himself owned), and threatens to evict
Sestero from the Los Angeles apartment he is loaning to him, leading Sestero to become uncomfortable with their relationship. After viewing
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who breaks up with him after the Los
Angeles portion of the shoot ends. To lift Sestero's morale, Wiseau writes additional scenes for them to perform during
289:; as he slowly accrues more acting credits and makes other friends, Wiseau grows jealous and schemes to earn similar acknowledgment (such as earning a
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won for Best Non-Fiction at the
National Arts & Entertainment Journalism Awards ceremony in Los Angeles. The judges praised the book, stating "
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In 1997, Greg
Sestero, an aspiring actor struggling with confidence, first encounters Tommy Wiseau in an acting class held by
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Backed by a mysterious, seemingly endless supply of money, Wiseau develops, produces, directs, and stars as the lead role in
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from
Sestero's life for nine months—during which their occasional phone calls frequently indicate that Wiseau had become
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is not only a hell of a good read, it will make a great film if ever adapted. It's equal parts
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569:"Listen To Greg Sestero's Awesome Tommy Wiseau Impression In This 'Disaster Artist' Audioclip"
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s creation demonstrates the power (and danger) of unshakeable belief in one's dreams.
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on March 12, 2017, and was released in the United States on
December 1, 2017. It won
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The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made
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309:. He eventually returns to Los Angeles with a finished script for his film:
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661:"2014 Winners - 7th National Arts & Entertainment Journalism Awards"
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522:. The awards ceremony was held May 28, 2015 in New York City.
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his own struggles as a young actor, and his relationship with
541:"Worst movie ever? 'The Disaster Artist' explores 'The Room'"
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599:"20th Annual Audie finalists announced in thirty categories"
514:(Audiobook) was nominated for Best Humor Audiobook at the
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636:"Oscar-Style Nominations For Our Favorite Books of 2013"
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323:(whose name Wiseau had misremembered).
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608:. February 11, 2015. Archived from
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251:A film adaptation of the same name
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634:Gallucci, Kelly (March 3, 2014).
468:Favorite Non-Fiction Book of 2013
567:Hartsell, Carol (May 27, 2014).
285:Sestero signs with talent agent
38:Front cover of the first edition
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859:Films directed and written
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454:for Best Humor Audiobook.
376:The Disaster Artist (film)
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257:as Wiseau and his brother
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392:as Sestero, premiered at
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400:for James Franco at the
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65:Audio read by
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510:On February 11, 2015,
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1024:Works by Tommy Wiseau
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466:(Audiobook) won for
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27:The Disaster Artist
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51:Greg Sestero
707:"Audiobook"
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619:October 12,
580:December 6,
552:October 12,
424:version of
390:Dave Franco
337:second unit
287:Iris Burton
259:Dave Franco
230:Tom Bissell
222:non-fiction
85:Non-fiction
56:Tom Bissell
993:Categories
886:Television
526:References
357:bad movies
321:Matt Damon
220:is a 2013
188:2013008798
160:1451661193
934:2017 film
929:2013 book
875:Big Shark
422:audiobook
416:Audiobook
303:depressed
243:director
175:830352130
140:audiobook
132:paperback
128:hardcover
95:Publisher
907:The Room
867:The Room
804:The Room
574:HuffPost
361:The Room
328:The Room
312:The Room
307:suicidal
291:SAG card
265:Synopsis
241:The Room
235:The Room
73:Language
961:Related
796:Related
640:Bookish
488:Ed Wood
472:Bookish
193:Website
126:Print (
89:memoirs
76:English
897:(2015)
878:(2023)
870:(2003)
788:(2013)
769:(2022)
761:(2017)
670:. 2014
458:Awards
332:vanity
319:actor
317:Ripley
149:268 pp
136:e-book
44:Author
664:(PDF)
613:(PDF)
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364:'
146:Pages
81:Genre
676:2017
647:2017
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582:2015
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438:and
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202:.com
169:OCLC
155:ISBN
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273:in
198:www
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