290:, "is in the milieu it describes, and in the main character. The narrator is an entertaining figure, immersed in the transvestite scene but also understanding that aspects of it are hard to take entirely seriously." "Somer's effervescent hero sashays and shimmies around town," confirms Wiegand and, "The hero's investigations are frequently put on hold for trips to the beauty salon." "Many of the queens are ridiculously dim and/or fussy," states
233:, agreed to take on the project commencing in 2003 with this the second book in the series, and Somer credit the prestigious company's stamp of approval with, âprotecting the books from a hostile reception." Serpentâs Tail published Kenneth Dakanâs English translation of this novel in 2008 with Somer stating that, âI believe, the Nobel prize Orhan Pamuk won, opened the international door for Turkish writers, including me."
305:"Its portrayal of Istanbul's alternative scene makes one glad to feel one's life comparatively dull," states Kerridge and according to Millar, "As such it is a healthy and well-timed reminder that our stereotypes can be well wide of the mark, as well as a chilly amusing high-adrenalin romp through what seems at times like an alternative universe." "Fairly amusing, with a few uncomfortably graphic scenes,
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According to
Wiegand, "Somer also colours his crime plot with dashes of social commentary and comedy." âFairly daringly, Somer also brings the religious issues to the fore, describing a society of homosexuals repressed by the demands and precepts of the prevalent religion -- and the sometimes very
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Somer wrote âThe
Prophet Murdersâ along with two other novels in the Hop-Ciki-Yaya series back-to-back in 2001, after health problems forced him into semi-retirement, but had trouble finding a publisher as, âHis characterisation of radical Islamic groups proved a tough sell for small publishing
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The narrator sets out to investigate the mysterious death of two of the employees at the transvestite nightclub she runs, only two discover that they are part of a larger sequence of murders of transvestites named after the prophets.
260:, âfor a camp comedic thriller, especially when it is littered with references to rampant homosexual practice." "The novel promises at first to be as screamingly camp as its hero/ine's wardrobe," agrees Jake Kerridge of
294:, "making for an amusing cast of characters (though even this gets a bit monotonous)," but Wiegand concludes that, âthe novel's lively cast and punchy chapters kept me gripped."
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before concluding that, "It's no surprise that the prophet-murderer behind the crimes has issues which are grounded in the fundamentals of this society.".
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companies.â Finally
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unwinds fairly predictably: it's a paint-by-the-numbers work in that respect,â states
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originally published in
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as, "Somer says he considers plot secondary to character and atmosphere."
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series about an unnamed transvestite amateur detective in
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in 2008. It is the first published entry in the authorâs
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309:is an unusual exotic murder mystery,â summarises
390:"Mehmet Murat Somer - the Euro Crime Interview"
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298:unpleasant consequences thereof,â confirms
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452:"A scheming sexpot dismembered in a dump"
419:"Peter Millar reviews two new thrillers"
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450:Kerridge, Jake (2008-05-10).
364:Wiegand, Chris (2008-05-14).
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485:"The Prophet Murders"
269:"The mystery part of
192:Peygamber Cinayetleri
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489:The Complete Review
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300:The Complete Review
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187:The Prophet Murders
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520:2000s LGBTQ novels
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366:"Different beats"
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394:Euro Crime
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317:References
120:8 May 2008
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423:The Times
340:March 14,
257:The Times
202:novel by
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237:Synopsis
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246:Reviews
196:Turkish
128:Print (
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140:224 pp
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75:Series
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