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telephone on stage begins to ring incessantly until Moon cannot stand it any more. He walks up on stage to answer it only to discover that
Birdboot's wife, Myrtle, is on the line. Birdboot speaks to her and as he hangs up, the play suddenly starts again and he gets trapped in it, mistaken for Simon, leading to his inevitable demise as he executes the role to its end, just after recognising the dead body onstage as Higgs, the first string critic who was unavailable that night. Moon ascends the stage to unravel Birdboot's death, taking on the role of Inspector Hound. The actors playing Hound and Simon appear in the critics booth, having now taken the place of the critics and begin to comment on the onstage action, mockingly echoing the pompous manner the critics displayed previously. Major Magnus accuses Moon of being the madman after finding that he is not the real inspector Hound and revealing Moon's murderous thoughts towards Higgs; Major Magnus subsequently shoots Moon. As Moon lies dying on the floor, Magnus reveals himself to not only be the real Inspector Hound but also Cynthia's lost husband, Albert, who had disappeared ten years earlier. Moon, however, also recognises him as third-string critic Puckeridge, who will now become the first-string as both Higgs and Moon are out of the way.
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explaining that police are searching for an escaped madman in the swamps surrounding the manor. Simon, a mysterious young man new in the neighbourhood, enters the house, and it is revealed that he has dumped
Felicity Cunningham for her friend Cynthia Muldoon, lady of the house. In the audience, Birdboot has mentally done the same. Major Magnus Muldoon, Cynthia's brother-in-law, is also in love with Cynthia. Eventually Inspector Hound from the police force arrives on the scene, apparently searching for the madman, and the company finally notices the body. The company splits up to look for a man of suspicion, when Simon is left alone on stage with the body, he bends over it and seems to recognise the victim, at which point he is shot by an unknown assailant.
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694:"is little more than a mannered cuckoo clock of a comedy". Deriding the script as "overdone", Herman argued, "What humor still have depends less on recognition of the particular details he has borrowed from Christie’s play than on a more general idea of the traditional conventions of the well-made thriller." Jess M. Bravin of
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During the play the two theatre critics discuss things they may write about this typical whodunit, but they are often sidetracked by their soliloquies, Moon's concerning his professional jealousy of Higgs and
Birdboot's concerning his newly found "love", the actress playing Cynthia. As they talk, the
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While the story is set in a theatre, the play within the play is set in
Muldoon Manor, a lavish manor surrounded by "desolate marshes" and "treacherous swamps" and paradoxically also located near a cliff. It is a direct parody of Agatha Christie's "closed" settings in which no one can enter or leave,
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The play within the play is set in "Lady
Muldoon's country residence one morning in early spring" and opens with a body lying on an otherwise empty stage. The help, Mrs. Drudge, gravitates to the radio, oblivious to the corpse, and turns it on just in time for an overly expository police message
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opens with two theatre critics, Moon and
Birdboot. Since Moon's superior, Higgs, is unavailable, Moon is called upon to review the production. The other critic, Birdboot, seems to have an interest in the young actress playing Felicity Cunningham. Birdboot states that he is a "respectable married
377:– a theatre critic and a womaniser, who catapults young actresses to stardom by delivering dazzling reviews in return, we assume, for sexual favours. While married to Myrtle, he is having an affair with the actress who plays Felicity in the play within the play.
585:'s Michael Billington wrote that "Stoppard pins down perfectly the critical tendency towards lofty pronouncements Stoppard also plays brilliantly on the spectator's secret desire to enter the house of illusion", praising the scene when Birdboot crosses the
371:– a second-string theatre critic, called to the production to review it in the absence of Higgs, another critic. Moon's jealousy of Higgs' superior reputation seems to make him question his own purpose, with Moon's ultimate thoughts being of Higgs' death.
422:– Apparent widow of Lord Albert Muldoon who disappeared ten years ago. She claims to be very upset about her husband's disappearance, but the audience is led to think otherwise. Sophisticated and beautiful. She has had an affair with Simon.
410:– New to the neighbourhood, Simon has had affairs with both Felicity and Cynthia. He takes an instant dislike to Magnus, as they are both in love with Cynthia. Later in the play, Birdboot assumes the role of Simon Gascoyne, and vice versa.
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The manor itself is described as having French windows and a large settee. The play is set, as announced by Mrs. Drudge when answering the telephone, in the "drawing room of Lady
Muldoon’s country residence one morning in early spring".
613:"an intricate pleasure Myriad elements of the job are fantastically satirised: the bombast, the pretentiousness, the over-intellectual analyses". Robson argued that it "escalates into chaotic brilliance when the critics
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of the reviewer's craft and the bitter jealousies of this grubby profession". Spencer said the play " up hackneyed thrillers and terrible acting with a winning mixture of sly humour and palpable affection."
428:– Lord Albert Muldoon's crippled half-brother who just arrived from Canada. Has a desire for his late brother's widow, Cynthia. Takes an instant dislike to Simon, as they are both in love with Cynthia.
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judged the character development and story to be less impressive than the dialogue, and criticized the way that a 1987 Dunster House production "ponderously every twist in the script." Kay
Kipling of
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said that the work "has all the wit and originality that we expect from Tom
Stoppard’s plays. it subverts the familiarity of the murder mystery into a satisfyingly complex metatheatrical comedy."
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staff wrote, "A classic of the
English comic tradition, this play weaves together parody, pastiche and punning to create a wonderfully entertaining and ingenious one-act comedy." Zoe Paskett of
302:, as well as of the critics watching the play, with their personal desires and obsessions interwoven into their bombastic and pompous reviews. The title is a direct reference to the ending of
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804:"THEATER REVIEWS / 'INSPECTOR HOUND' AND 'AFTER MAGRITTE' : Stoppard Watch : Two farces by the English playwright are running on Cal Lutheran's stage. One works; the other doesn't"
552:"a perfect joy. Intellectually stimulating and civilized to just short of a fault, The results are hilarious enough, but the froth leaves an oddly provocative aftertaste." Todd Everett of
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reviewer wrote in 2010 that Stoppard's script " out beyond satire to express the strange elation, identification, and even erotic fascination any audience member can feel in the dark."
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589:. The critic joked, "If I weren't so scared of sounding like the pretentious Moon, I'd say Stoppard's play is a minor comic masterpiece about the theatrical process." Celia Wren of
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416:– A beautiful, innocent, young friend of Cynthia's who has had an affair with Simon and Birdboot. She is seemingly sweet and charming, but soon seeks ruthless revenge.
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wearing out its welcome just about five minutes before it actually came to an end. Maybe there’s only so much laughter one can take before tiring."
629:'s Nancy Grossman wrote that "even in this genre, Stoppard finds ways to be clever, inventive, and, at times confounding." Dominic P. Papatola of
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Booth, Alison, Hunter, J P., and Mays, Kelly J, eds. The Real Inspector Hound. By Tom Stoppard. New York: W.W. Norton & Company, Inc, 2006.
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the unstoppable progress of the play-within-the-play to its twist-filled ending is as hilarious as it is magnetic." In 2016, Kate Wingfield of
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dubbed it "very fun to be with", writing that "it is Moon’s bafflement that carries the humor and the tenor of Stoppard’s grand design."
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310:, although the producers of Agatha Christie's play could not publicly object without drawing even more attention to the fact.
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273:. By chance, they become involved in the action causing a series of events that parallel the play they are watching.
265:. The plot follows two theatre critics named Moon and Birdboot who are watching a ludicrous setup of a country house
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called it "a brilliant parody" with a "delectably language-drunk, hall-of-mirrors world." In 2012, Anna Lively of
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called it a "comedic tour de force", praising "Stoppard’s erudite writing and clever plot". In the
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1020:"BWW Review: THE REAL INSPECTOR HOUND Rings Down the Curtain on Bad Habit Productions"
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The play was written between 1961 and 1962, drawing on Stoppard's experiences as a
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1046:"'The Critic' and 'The Real Inspector Hound' at the Guthrie Theater don't add up"
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described Stoppard's story as "toothsome and involved". In 2018, Jonah Dunch of
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1203:"After Magritte and The Real Inspector Hound | Opinion | The Harvard Crimson"
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1098:"Theater review: Steel Beam ably revives Stoppard's 'Real Inspector Hound'"
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856:"The Real Inspector Hound/The Critic, Minerva Theatre, Chichester, review"
916:"Theater review: Tom Stoppard's 'The Real Inspector Hound' at MetroStage"
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man", yet Moon's comments direct the audience to doubt this statement.
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http://www.theatredatabase.com/20th_century/real_inspector_hound.html
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94:. Statements consisting only of original research should be removed.
1177:"STAGE REVIEW : 'Inspector Hound': Old Dog With No New Tricks"
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listed it as one of Stoppard's five finest works (the others being
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770:"Theater: A 2d Look at Tom Stoppard Double Bill (Published 1972)"
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so the characters know that the murderer must be one of them.
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http://inkpot.com/theatre/05reviews/0721,realinsphoun,fl.html
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The plays of Tom Stoppard: for stage, radio, TV and film
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and free will, as well as exploring the themes of the '
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890:"The Real Inspector Hound/The Critic | Theatre review"
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of the stereotypical parlour mystery in the style of
1150:"The five Tom Stoppard plays everyone needs to know"
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in London on 17 June 1968 with the cast as follows:
306:, a play well known for guarding the secrecy of its
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994:"Review: The Critic & The Real Inspector Hound"
684:Conversely, Jan Herman stated in a 1991 review for
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707:called the play "clever" but stated that "I found
1229:"The Actor's Nightmare/The Real Inspector Hound"
1072:"2018 Fringe Review: The Real Inspector Hound"
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558:billed it as "a timeless farce" in 1992. A
383:– the senior critic; Moon is his stand-in.
53:Learn how and when to remove these messages
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1044:Papatola, Dominic P. (27 February 2016).
190:Learn how and when to remove this message
172:Learn how and when to remove this message
110:Learn how and when to remove this message
1123:"Ribera Arts Review – November 30, 2019"
135:This article includes a list of general
1606:Rosencrantz & Guildenstern Are Dead
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404:adds to the humour of Stoppard's play.
319:Rosencrantz & Guildenstern Are Dead
280:theatre critic. It was initially named
1332:Rosencrantz and Guildenstern Are Dead
660:Rosencrantz and Guildenstern Are Dead
7:
966:Robson, Jamie P. (29 October 2015).
888:Billington, Michael (11 July 2010).
527:, while the design was completed by
330:'. Stoppard's play is an example of
316:, much like Stoppard's earlier play
16:One-act play written by Tom Stoppard
992:Wingfield, Kate (14 January 2016).
1096:Vitello, Barbara (10 April 2019).
968:"REVIEW: The Real Inspector Hound"
942:"Review: The Real Inspector Hound"
802:Everett, Todd (19 November 1992).
141:it lacks sufficient corresponding
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1201:Bravin, Jess M. (23 April 1987).
1070:Dunch, Jonah (1 September 2018).
1018:Grossman, Nancy (25 March 2017).
940:Lively, Anna (24 November 2012).
854:Spencer, Charles (12 July 2010).
768:Barnes, Clive (16 October 1972).
34:This article has multiple issues.
1227:Kipling, Kay (5 November 2015).
1148:Paskett, Zoe (7 February 2020).
126:
64:
23:
1406:Dogg's Hamlet, Cahoot's Macbeth
1175:Herman, Jan (16 October 1991).
42:or discuss these issues on the
1392:Every Good Boy Deserves Favour
1317:List of awards and nominations
1:
1522:Artist Descending a Staircase
914:Wren, Celia (26 April 2011).
757:. Cambridge University Press.
568:'s Charles Spencer said that
393:Play-within-a-play characters
615:step through the fourth wall
261:is a short, one-act play by
755:The theatre of Tom Stoppard
90:the claims made and adding
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829:"The Real Inspector Hound"
609:'s Jamie P. Robson dubbed
1561:The Romantic Englishwoman
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753:Jenkins, Anthony (1989).
523:The play was directed by
462:The first performance of
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1529:The Dog It Was That Died
1346:The Real Inspector Hound
1127:The Guadalajara Reporter
692:The Real Inspector Hound
649:The Guadalajara Reporter
611:The Real Inspector Hound
570:The Real Inspector Hound
550:The Real Inspector Hound
464:The Real Inspector Hound
443:The Real Inspector Hound
322:, examines the ideas of
314:The Real Inspector Hound
258:The Real Inspector Hound
207:The Real Inspector Hound
972:University of Cambridge
728:Hodgson, Terry (2001).
572:"brilliantly nails the
510:Major Magnus Muldoon –
346:Setting: Place and time
156:more precise citations.
1050:St. Paul Pioneer Press
732:. Palgrave Macmillan.
632:St. Paul Pioneer Press
498:Felicity Cunningham –
1690:Plays by Tom Stoppard
1476:The Invention of Love
946:The Cambridge Student
598:The Cambridge Student
1420:Undiscovered Country
426:Major Magnus Muldoon
269:, in the style of a
1635:Shakespeare in Love
1586:Squaring the Circle
1568:Three Men in a Boat
1536:In the Native State
1483:The Coast of Utopia
1251:External references
1207:The Harvard Crimson
920:The Washington Post
697:The Harvard Crimson
592:The Washington Post
566:The Daily Telegraph
414:Felicity Cunningham
1129:. 28 November 2019
774:The New York Times
545:The New York Times
516:Inspector Hound –
506:Caroline Blakiston
504:Cynthia Muldoon –
466:took place at the
328:play within a play
75:possibly contains
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1599:Empire of the Sun
1385:Professional Foul
1233:Sarasota Magazine
1181:Los Angeles Times
1024:BroadwayWorld.com
808:Los Angeles Times
687:Los Angeles Times
555:Los Angeles Times
500:Patricia Shakesby
492:Simon Gascoyne –
468:Criterion Theatre
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1308:Tom Stoppard
1236:. Retrieved
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234:17 June 1968
225:Tom Stoppard
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100:January 2008
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36:Please help
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1663:Tulip Fever
1553:Screenplays
1514:Radio plays
1374:Dirty Linen
1324:Stage plays
1076:The Gateway
638:The Gateway
512:Antony Webb
494:Robin Ellis
480:Birdboot –
334:as well as
286:The Critics
284:and later,
162:August 2010
154:introducing
1685:1968 plays
1679:Categories
1469:Indian Ink
1367:Travesties
1212:19 October
1160:19 October
1133:12 October
813:19 October
787:17 October
666:Travesties
587:footlights
398:Mrs Drudge
387:Puckeridge
359:Characters
288:. It is a
221:Written by
137:references
84:improve it
39:improve it
1448:Dalliance
868:0307-1235
782:0362-4331
535:Reception
332:absurdism
88:verifying
45:talk page
1543:Darkside
1238:3 August
1186:5 August
1156:. London
1107:5 August
1081:4 August
1055:3 August
1029:5 August
1003:3 August
977:5 August
951:4 August
925:5 August
899:3 August
873:5 August
839:4 August
705:Magazine
703:Sarasota
458:Premiere
375:Birdboot
271:whodunit
1580:Despair
1462:Arcadia
1455:Hapgood
1360:Jumpers
678:Arcadia
606:The Tab
574:clichés
548:dubbed
474:Moon –
364:Critics
278:Bristol
250:English
150:improve
82:Please
1642:Enigma
1592:Brazil
866:
835:. 2010
780:
736:
675:, and
340:parody
290:parody
139:, but
715:Notes
709:Hound
690:that
381:Higgs
336:farce
1376:and
1240:2020
1214:2020
1188:2020
1162:2020
1135:2020
1109:2020
1083:2020
1057:2020
1031:2020
1005:2020
979:2020
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875:2020
864:ISSN
841:2020
815:2020
789:2020
778:ISSN
734:ISBN
369:Moon
324:fate
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