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Now the
Philistines fought against Israel; and the men of Israel fled from before the Philistines, and fell slain on Mount Gilboa. Then the Philistines followed hard after Saul and his sons. And the Philistines killed Jonathan, Abinadab, and Malchishua, Saul's sons. The battle became fierce against
201:
in this way, and in many other respects, too, Bruegel is in
Altdorfer's debt, particularly in the representation of the tiny, massed figures of the soldiers and their forests of lances. Bruegel may also have looked at the battle-scenes of another German painter,
251:. However, the distant landscape is seen through a shimmering haze, which seems to have the effect of emphasizing the foreground detail, and this does represent a new stage in the evolution of Bruegel's depiction of
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But his armorbearer would not, for he was greatly afraid. Therefore Saul took a sword and fell on it. And when his armorbearer saw that Saul was dead, he also fell on his sword, and died with him.
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As with most of his subjects taken from the Bible, Bruegel treats Saul's suicide as a contemporary event, showing the armies in 16th century armour. In 1529, the German painter
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Then Saul said to his armorbearer, "Draw your sword, and thrust me through with it, lest these uncircumcised men come and thrust me through and abuse me."
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of 1568, its weaknesses are apparent: the foreground and background are not yet reconciled and the jutting outcrop of rock in the centre is a
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O Saul, transfixed by your own sword, how dead / you seemed to lie on Mount Gilboa's plain, / which since that time has known no rain or dew.
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is an early attempt by
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Bruegel has chosen the highly dramatic moment of the death of the armourbearer, just as the
Philistines are approaching.
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An inscription on the painting identifies the subject as the rarely represented scene of the suicide of
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316:(transl. M. Musa, Penguin Books, 1985). Saul was placed in the 2nd Terrace of
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33.5 cm × 55 cm (13.2 in × 22 in)
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182:- and this may account for Bruegel's choice of such an unusual subject.
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Saul. The archers hit him, and he was severely wounded by the archers.
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Masters of the ninth art: bandes dessinées and Franco-Belgian identity
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are strongly reminiscent of this composition's battle deployment.
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Creative
Bruegel laid the foundation of the Netherlands School
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101:, painted in 1562. It is in the collection of the
164:Saul's death was interpreted as a punishment of
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265:List of paintings by Pieter Bruegel the Elder
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638:Adoration of the Magi in a Winter Landscape
614:Adoration of the Magi in a Winter Landscape
423:Kunsthistorisches Museum's Official Website
324:, the subject of another Bruegel painting,
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362:. Liverpool University Press. p. 85.
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989:Paintings in the Kunsthistorisches Museum
206:, and at a now lost battle-scene by the
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670:Christ and the Woman Taken in Adultery
984:Paintings by Pieter Bruegel the Elder
189:had shown the clash of the forces of
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764:The Sermon of Saint John the Baptist
630:Landscape with the Flight into Egypt
433:99 works by Pieter Bruegel the Elder
285:SAUL XXXI CAPIT BRVEGEL M.CCCCC.LXII
16:Painting by Pieter Bruegel the Elder
536:The Fight Between Carnival and Lent
339:Some of the great battle scenes of
528:Naval Battle in the Gulf of Naples
245:device which one may see again in
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560:Landscape with the Fall of Icarus
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125:. These events are described in
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710:The Wine of Saint Martin's Day
168:- it was among the proud that
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843:The Magpie on the Gallows
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356:Screech, Matthew (2005).
248:The Procession to Calvary
238:The Magpie on the Gallows
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924:Jan Brueghel the Younger
498:Pieter Bruegel the Elder
283:signed at bottom left: "
121:after his defeat by the
103:Kunsthistorisches Museum
99:Pieter Bruegel the Elder
77:Kunsthistorisches Museum
40:Pieter Bruegel the Elder
994:Paintings about suicide
756:The Census at Bethlehem
725:The Hunters in the Snow
654:The Death of the Virgin
382:Cf. Pietro Allegretti,
95:the Flemish Renaissance
941:The Mill and the Cross
918:Jan Brueghel the Elder
702:The Return of the Herd
646:Adoration of the Kings
544:Netherlandish Proverbs
456:Encyclopedia Americana
386:, Skira, Milano 2003.
253:naturalistic landscape
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214:which is mentioned by
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93:is an oil-on-panel by
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342:The Lord of the Rings
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204:Jörg Breu the Younger
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930:Breugel, Netherlands
567:The Triumph of Death
520:Parable of the Sower
796:The Peasant Wedding
590:The Suicide of Saul
411:The Suicide of Saul
233:The Suicide of Saul
199:Battle of the Issus
191:Alexander the Great
90:The Suicide of Saul
22:The Suicide of Saul
780:Conversion of Paul
622:The Tower of Babel
327:The Tower of Babel
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210:landscape painter
187:Albrecht Altdorfer
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772:The Wedding Dance
514:List of paintings
298:NKJV, 1 Samuel 31
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944:(2011 film)
867: 1569
819:The Beggars
812: 1567
749: 1565
718: 1565
598:Two Monkeys
575: 1562
531:(1558–1562)
123:Philistines
113:Description
973:Categories
926:(grandson)
413:at the KHM
271:References
216:biographer
179:Purgatorio
65:Dimensions
606:Dull Gret
506:Paintings
318:Purgatory
243:mannerist
886:Drawings
384:Brueghel
259:See also
228:Detail 2
157:Detail 1
143:—
73:Location
60:on panel
905:Related
459:. 1920.
442:Russian
208:Antwerp
197:at the
176:in the
97:artist
897:(1565)
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846:(1568)
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799:(1567)
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783:(1567)
775:(1566)
767:(1566)
759:(1566)
751:–1567)
736:(1565)
728:(1565)
720:–1568)
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539:(1559)
523:(1557)
417:German
390:
366:
322:Nimrod
195:Darius
107:Vienna
81:Vienna
36:Artist
920:(son)
914:(son)
310:Canto
170:Dante
166:pride
1014:Saul
388:ISBN
364:ISBN
193:and
174:Saul
172:met
147:NKJV
119:Saul
54:Type
49:1562
46:Year
105:in
58:Oil
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