35:
316:
637:
674:
366:
34:
720:
336:
162:, include the sacrifice in their works devoting all their attention to the sadness expressed by the four men and Agamemnon in particular. In Spain
211:
184:
303:
228:
744:
667:
359:
331:
759:
713:
194:
68:, in which he finely depicted the emotions of those who took part in the sacrifice; however, despairing of rendering the grief of
754:
131:
is veiled since his sadness was so great that it could not be portrayed in paint. Iphigenia's suffering seems to be left out.
769:
739:
660:
352:
186:
A History of Art for
Beginners and Students: Painting, Sculpture, Architecture Painting: An Artistic Journey Through Time
749:
706:
80:
were painters who belonged to the Ionian School of painting. The Ionian School flourished during the 4th-century BCE.
764:
300:
SerenĂsima palabra: Actas del X Congreso de la
AsociaciĂłn Internacional Siglo de Oro (Venecia, 14-18 de Julio 2014)
298:, “Un pintor clásico en la poesĂa del Siglo de Oro: Timantes en Boscán, Garcilaso, Lope de Vega y Argensola,”
475:
304:
https://edizionicafoscari.unive.it/libri/978-88-6969-164-5/un-pintor-clasico-en-la-poesia-del-siglo-de-oro/
302:, eds. Ana Bognolo et al., Biblioteca de Rassegna Iberistica 5. Venezia: Edizione Ca’Foscari, 2017: 49-67.
565:
425:
295:
147:
64:
of the fourth century BC. The most celebrated of his works was a picture representing the sacrifice of
550:
535:
525:
510:
470:
460:
395:
77:
20:
600:
540:
440:
159:
155:
24:
269:. New York: Peter Lang, 2006; and Elizabeth McGrath, "The Painted Decoration of Rubens’ House"
465:
455:
190:
143:
690:
644:
615:
585:
490:
480:
151:
73:
28:
127:
used it to describe the affects of the four men who witnessed or partook of the sacrifice.
570:
116:
112:
590:
163:
139:
58:
50:
733:
327:
322:
445:
485:
385:
135:
124:
610:
580:
575:
515:
450:
435:
400:
560:
495:
415:
410:
405:
390:
227:
Gilman, Daniel Coit; Peck, Harry
Thurston; Colby, Frank Moore, eds. (1906).
128:
69:
65:
605:
545:
500:
344:
213:
On
Imitative Art, with Preliminary Remarks on Beauty, Sublimity and Taste
95:, has been regarded as a copy or echo of this painting (Wolfgang Helbig,
61:
340:. Vol. 26 (11th ed.). Cambridge University Press. p. 978.
555:
530:
505:
420:
88:
46:
430:
120:
92:
84:
520:
321:
This article incorporates text from a publication now in the
33:
235:. Vol. 10. New York, NY: Dood, Mead and Company. p. 734
636:
348:
216:. London, England: George Bell and Sons. p. 280-281.
694:
648:
146:
attempted to replicate the lost painting. Writers from
38:
Sacrifice of
Iphigenia. Antique fresco from Pompeii
189:. New Delhi, India: Namasakr Books. p. 14.
271:Journal of the Warburg and Courtauld Institutes
714:
668:
643:This Ancient Greek biographical article is a
360:
8:
72:, he represented him as veiling his face.
721:
707:
675:
661:
367:
353:
345:
689:This article about a Greek painter is a
253:
134:The painting had a strong impact in the
175:
166:redirects the suffering to Iphigenia
7:
686:
684:
633:
631:
233:The New International Encyclopaedia
693:. You can help Knowledge (XXG) by
647:. You can help Knowledge (XXG) by
282:Michel de Montaigne, "On Sadness"
14:
115:'s description in Book 35 of his
635:
314:
183:Clement, Clara Erskine (2024).
119:. Even before his description,
111:was well-known in Rome through
1:
745:5th-century BC Greek people
267:The Homes of Giorgio Vasari
210:Dyer, Thomas Henry (1882).
91:, and now in the Museum at
786:
760:Ancient Greek people stubs
683:
630:
265:Liana de Girolami Cheney,
18:
380:
273:, 41 (1978), pp. 245-277.
54:
755:4th-century BC painters
337:Encyclopædia Britannica
770:European painter stubs
740:Ancient Greek painters
375:Ancient Greek painters
109:Sacrifice of Iphigenia
97:Wandgemälde Campaniens
39:
19:For other people, see
566:Philoxenus of Eretria
296:Frederick A. de Armas
148:Leon Battista Alberti
37:
16:Ancient Greek painter
536:Nicomachus of Thebes
526:Mnasitheus of Sicyon
471:Athenion of Maroneia
27:. For the play, see
21:Timanthes of Cleonae
750:People from Kythnos
601:Timanthes of Sicyon
441:Aristides of Thebes
160:Gianbattista Marino
156:Michel de Montaigne
765:Greek artist stubs
138:. Artists such as
40:
25:Timanthes of Pella
702:
701:
656:
655:
625:
624:
144:Peter Paul Rubens
777:
723:
716:
709:
685:
677:
670:
663:
639:
632:
481:Cimon of Cleonae
369:
362:
355:
346:
341:
320:
318:
317:
306:
293:
287:
280:
274:
263:
257:
251:
245:
244:
242:
240:
224:
218:
217:
207:
201:
200:
180:
152:Jacopo Sannazaro
56:
29:Timanthes (play)
785:
784:
780:
779:
778:
776:
775:
774:
730:
729:
728:
727:
682:
681:
628:
626:
621:
620:
376:
373:
330:, ed. (1911). "
326:
315:
313:
310:
309:
294:
290:
281:
277:
264:
260:
252:
248:
238:
236:
226:
225:
221:
209:
208:
204:
197:
182:
181:
177:
172:
117:Natural History
113:Pliny the Elder
105:
32:
17:
12:
11:
5:
783:
781:
773:
772:
767:
762:
757:
752:
747:
742:
732:
731:
726:
725:
718:
711:
703:
700:
699:
680:
679:
672:
665:
657:
654:
653:
640:
623:
622:
619:
618:
613:
608:
603:
598:
593:
591:Theon of Samos
588:
583:
578:
573:
568:
563:
558:
553:
548:
543:
538:
533:
528:
523:
518:
513:
508:
503:
498:
493:
488:
483:
478:
473:
468:
463:
458:
453:
448:
443:
438:
433:
428:
423:
418:
413:
408:
403:
398:
393:
388:
382:
381:
378:
377:
374:
372:
371:
364:
357:
349:
343:
342:
328:Chisholm, Hugh
308:
307:
288:
275:
258:
246:
219:
202:
195:
174:
173:
171:
168:
140:Giorgio Vasari
104:
101:
87:discovered at
76:Timanthes and
15:
13:
10:
9:
6:
4:
3:
2:
782:
771:
768:
766:
763:
761:
758:
756:
753:
751:
748:
746:
743:
741:
738:
737:
735:
724:
719:
717:
712:
710:
705:
704:
698:
696:
692:
687:
678:
673:
671:
666:
664:
659:
658:
652:
650:
646:
641:
638:
634:
629:
617:
614:
612:
609:
607:
604:
602:
599:
597:
594:
592:
589:
587:
584:
582:
579:
577:
574:
572:
569:
567:
564:
562:
559:
557:
554:
552:
549:
547:
544:
542:
539:
537:
534:
532:
529:
527:
524:
522:
519:
517:
514:
512:
509:
507:
504:
502:
499:
497:
494:
492:
489:
487:
484:
482:
479:
477:
476:Asclepiodorus
474:
472:
469:
467:
464:
462:
459:
457:
454:
452:
449:
447:
444:
442:
439:
437:
434:
432:
429:
427:
424:
422:
419:
417:
414:
412:
409:
407:
404:
402:
399:
397:
394:
392:
389:
387:
384:
383:
379:
370:
365:
363:
358:
356:
351:
350:
347:
339:
338:
333:
329:
324:
323:public domain
312:
311:
305:
301:
297:
292:
289:
285:
279:
276:
272:
268:
262:
259:
255:
254:Chisholm 1911
250:
247:
239:September 10,
234:
230:
223:
220:
215:
214:
206:
203:
198:
196:9782023122518
192:
188:
187:
179:
176:
169:
167:
165:
161:
157:
153:
149:
145:
141:
137:
132:
130:
126:
122:
118:
114:
110:
102:
100:
99:, No. 1304).
98:
94:
90:
86:
81:
79:
75:
71:
67:
63:
60:
59:ancient Greek
52:
48:
44:
36:
30:
26:
22:
695:expanding it
688:
649:expanding it
642:
627:
595:
446:Aristoclides
335:
299:
291:
283:
278:
270:
266:
261:
249:
237:. Retrieved
232:
222:
212:
205:
185:
178:
133:
108:
106:
96:
82:
42:
41:
486:Ctesilochus
426:Apollodorus
386:Agatharchus
164:Juan Boscán
154:, and from
136:Renaissance
125:Quintillian
107:Timanthes'
734:Categories
611:Timomachus
581:Protogenes
576:Polygnotus
551:Parrhasius
516:Melanthius
511:Heraclides
461:Aristophon
451:Aristolaos
436:Aristarete
401:Antiphilus
396:Androcydes
284:The Essays
170:References
78:Parrhasius
596:Timanthes
561:Peiraikos
541:Pamphilus
496:Euphranor
416:Antorides
411:Antidotus
406:Aglaophon
391:Anaxandra
332:Timanthes
129:Agamemnon
103:Influence
70:Agamemnon
66:Iphigenia
57:) was an
43:Timanthes
606:Timarete
571:Polyidus
546:Panaenus
501:Eupompus
229:"Ionian"
55:Τιμάνϑης
556:Pausias
531:Nealkes
506:Galaton
466:Artemon
456:Ariston
421:Apelles
325::
89:Pompeii
62:painter
47:Cythnus
616:Zeuxis
586:Thales
491:Echion
431:Aregon
319:
193:
121:Cicero
93:Naples
85:fresco
74:Zeuxis
521:Micon
286:, 1.2
51:Greek
691:stub
645:stub
241:2023
191:ISBN
142:and
123:and
23:and
334:".
158:to
150:to
45:of
736::
231:.
83:A
53::
722:e
715:t
708:v
697:.
676:e
669:t
662:v
651:.
368:e
361:t
354:v
256:.
243:.
199:.
49:(
31:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.