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is a tipped-in page consisting of a sheet of thin, often semi-transparent paper that is inserted facing an illustration or plate image, primarily to prevent its ink from transferring onto the opposite page. It is usually added after the book is bound.
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along with the other pages. It is often printed on a different kind of paper, using a different printing process, and of a different format than a regular page. Tipped-in pages that are glued to a bound page on its inner side may be called
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A tipped-in page or, if it is an illustration, tipped-in plate, is a page that is printed separately from the main text of the book, but attached to the book. A tipped-in page may be glued onto a regular page, or even
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that employed a greasy ink that could transfer onto a facing page over time. Illustrations made with modern inks seldom require tissue guards and so they are not commonly found in modern books.
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featuring high quality tipped-in color plates were popular starting in the late 1940s and into the 1980s. Examples include several large series of books on painting published by
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Tissue guards were once important because early book illustrations were commonly printed separately from the text, often by a different process such as
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along with the other pages. There are various reasons for tipped-in-pages, including photographic prints and reviews.
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published 1959β1985 with each book having ca. 48 "tipped-on colorplates" or "hand-tipped plates in full color".
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Some authors include loose pages inserted into a book as tipped-in, but in this case, it is usually called an
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478:. New York, N.Y., USA: Harry N. Abrams, Inc., Publishers. p. 168.
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color illustrations, generally printed using a different process (e.g.
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a replacement for a missing, damaged, or incorrectly printed page
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Typical uses of tipped-in pages added by the publisher include:
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maps, often larger than the book format and folded to fit
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Tissue guards were commonly used in conjunction with a
457:. Harry N. Abrams, Inc., Publishers. New York, 160 pp.
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that is printed separately from the main text of the
264:. Princeton University Press. 2018. pp. 72β86.
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165:Owners of books may also tip in such items as:
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444:. Editions d'Art Albert Skira, Geneva. 143 pp
260:"Turning the Page: Illustrated Frontmatter".
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388:Albert Skira et ses livres d'art (1948-1973)
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408:"Harry N. Abrams, Inc. | Encyclopedia.com"
473:intoretto, The Library of Great Painters
262:What the Victorians Made of Romanticism
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146:coupons, advertisements, or reply cards
418:from the original on 27 September 2019
241:from the original on February 15, 2023
152:, only produced after the printing run
16:In the book trade, pages printed apart
467:Valcanover, F.; Pignatti, T. (1985).
455:Seurat, The Library of Great Painters
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397:. Histoire. 2015. ffdumas-01256888
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368:from the original on 2019-08-19
197:The Great Centuries of Painting
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211:The Library of Great Painters
326:"tomfolio / Glossary Page T"
76:An example of a tissue guard
586:Canons of page construction
189:Editions d'Art Albert Skira
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714:Anthropodermic bibliopegy
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306:www.peterharrington.co.uk
270:10.1515/9781400887897-009
195:(23 volumes 1949β1972);
1054:Intentionally blank page
231:"Glossary of book terms"
199:(14 volumes 1950β1959);
193:Painting, Color, History
169:a letter from the author
127:) and on different paper
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185:Coffee table art books
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453:Courthion, P. (1968)
442:The Taste of Our Time
436:Courthion, P. (1956)
207:Harry N. Abrams, Inc.
201:The Taste of Our Time
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19:In the book trade, a
412:www.encyclopedia.com
350:"Art: Perfectionist"
330:tomfolio.pbworks.com
386:Corisande Evesque.
139:photographic prints
1049:Fore-edge painting
1044:Extra-illustration
393:2019-05-14 at the
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956:Addendum/Appendix
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356:. 1950-05-29.
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860:Introduction
820:Nihil obstat
800:Frontispiece
782:Front matter
616:Illumination
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422:27 September
420:. Retrieved
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372:27 September
370:. Retrieved
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309:. Retrieved
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302:"Glossary T"
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243:. Retrieved
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1035:Die-cutting
996:Author page
921:Back matter
880:Body matter
729:Dust jacket
719:Bookbinding
706:back covers
673:Rubrication
626:Historiated
546:Page layout
538:Book design
125:lithography
90:lithography
43:Description
1031:Book rhyme
1012:Book curse
951:Postscript
934:Conclusion
830:Dedication
825:Imprimatur
805:Title page
790:Half-title
704:Front and
658:Pull quote
559:Annotation
551:typography
438:Montmartre
335:2024-02-19
311:2024-02-19
217:References
1023:ex-librΔ«s
1017:Bookplate
929:Afterword
888:Body text
764:Endpapers
744:Paperback
734:Hardcover
643:Miniature
631:Inhabited
611:Headpiece
591:Catchword
502:tipped-in
362:0040-781X
288:227626782
137:original
132:signature
105:onionskin
64:instead.
55:paste ins
1084:Category
1064:Slipcase
991:Postface
986:Colophon
966:Glossary
961:Endnotes
939:Epilogue
906:Sections
893:Chapters
865:Prologue
845:Foreword
835:Epigraph
678:Typeface
648:Ornament
564:Footnote
416:Archived
391:Archived
366:Archived
239:Archived
235:AbeBooks
180:Examples
157:addendum
155:a short
121:intaglio
101:glassine
1059:Pop-ups
1039:Endband
850:Preface
772:Marbled
739:Leather
724:Buckram
621:Initial
579:Scholia
981:Errata
668:Rubric
638:Margin
606:Header
601:Footer
596:Column
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174:review
62:insert
976:Index
944:Outro
902:Parts
569:Gloss
284:S2CID
50:bound
37:bound
27:is a
683:Font
548:and
500:s.v.
480:ISBN
424:2019
374:2019
358:ISSN
354:Time
274:ISBN
247:2023
33:book
29:page
266:doi
123:or
111:Use
103:or
23:or
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