User:Serial Number 54129/sandbox

1235:—while based "on an interesting idea"—was too clever for Christie to execute. It needed, he suggests, "greater subtlety in the handling than Christie's style or characterisation will allow (the characters here are in any case quite exceptionally pallid). In fact, for a long-cherished idea, and as an exit for Poirot, this is oddly perfunctory in execution". He later repeated his description of it being perfunctory, and that further, it was "as if she was beguiled by her own reputation for thinking the unthinkable into making Poirot the murderer, but could not come up with a satisfactory plot, set of characters, or motivation to justify the solution". In response, York suggests that Barnard, probably expecting a 1039:

Hastings himself. Other would-be victims are Colonel Luttrell, whom Norton subconsciously encourages to shoot his wife by telling him stories of weak men, albeit as if accidentally. He also works up Mrs Franklin to the state where she is willing to kill her husband. In both cases, however, he is foiled; in that of Luttrel, an inner, if abeyant, fondness for his wife resurfaces and he misfires at the last second, while Mrs Franklin—thanks to Hastings accidentally swapping the cups around—drinks the poisoned coffee she has brewed for her husband. Hastings, anticlimactically, fell asleep before Allerton returned.

730:. This, in the eyes of the other guests, makes him harmless. However, it is this very colourlessness—his "absorption in the natural world" and apparent ignorance of what people around him are doing or thinking that makes him the "spirit of evil" at Styles. Boyd-Carrington calls him a "nice fellow"; Elizabeth Cole, "ineffectual"; Hastings, "inoffensive" and "inconspicuous". Crescenti suggests that his slight disability in speechand movement—as well as his apparently accidental crass comments—make him an instinctively sympathetic character to both his fellow characters and the reader. Dubbed 971:... he deaths of Desdemona, of Cassio—indeed of Othello himself—are all lago's crimes, planned by him, carried out by him. And he remains outside the circle, untouched by suspicion—or could have done so." Poirot—discussing what light the character of the victim can cast upon the crime that kills them—suggests that "the frank and unsuspicious mind of Desdemona was the direct cause of her death. A more suspicious woman would have seen Iago's machinations and circumvented them much earlier". Her interest in Iago carries into works written under her 1165:, on 9 October 1975, wrote that the book was both "a curiosity and a triumph". He repeated the tale of the book being written some thirty years before and then stated that "through it, Dame Agatha, whose recent work has shown a decline, is seen once more at the peak of her ingenuity." Coady called Captain Hastings the "densest of Dr Watsons ... never has the stupidity of the faithful companion-chronicler been so cunningly exploited as it is here." Coady summarised the absolute basics of the plot and the questions raised within it and then said, 1525:(Sir William Boyd Carrington) were among the other cast. The programme was aired in Britain on 13 November 2013, and later on Acorn TV on 25 August 2014. The adaptation mentions only the Litchfield, Sharples, and Etherington murders. Margaret Litchfield is hanged during the opening credits, whereas in the novel she dies in an asylum. The killer is not labelled 'X' as in the novel, the purpose of the label being achieved in other ways. Otherwise, the adaptation remains extremely faithful to the novel. With the exception of 789:, the same atmosphere of anxiety against an oppressive summer backdrop. In the days following the death of Mrs Franklin an event occurs to link the atmosphere of the Iglethorpe's Styles to that of the Luttrells'. Hastings meets an "old woman with rheumy eyes and an unpleasant ghoulish manner" who remembers him from the first case and who by doing so suggests a house "unable to escape from a deathly past", argues Professor R. A. York. Unhappy characters openly populate both—if the former does offer most of them a degree of 805:-like. Much of the underlying frustrations in Styles are family-orientated. In the first case, this is due to the oppressive atmosphere that Alfred Inglethorpe conveys and his wife's closeness with her fortune. In the second, it is because of individual faults; Colonel Luttrell's timidity and his wife's bullying, Dr Franklin's sense of duty in the face of what would be better for both he and his wife, and Hastings and Judith, the former who is over-protective and the latter who reacts badly to it, for example. 1304:, redirected the guilt of Dr Sheppard onto his sister Caroline using the same clues and narrative Christie provides. Franks argues that while Norton is claimed to be a killer, Poirot later claims to have also committed a murder, and Hastings killed Barbara Franklin—if unknowingly—the only one of these that can be proven is the last. Yet, she suggests, the true killer here was not Hastings but Judith. She bases her re-interpretation on the fact that Judith had means and motive: the former, in the form of the 1013:: he changes the things around him remaining unchanged himself through the process. He does not commit murder himself, but subtly encourages and manipulates other people into killing; Poirot argues that he effectively brings out the murderer hidden inside everyone. Most of Christie's villains murder for profit, or some other form of gain; Noton does not benefit at all from his crimes except from private pleasure. Such is the random nature of the murders that Norton has committed that he is one of the few 447:. Poirot summons Hastings—whose wife has recently died—to join him there, and shows hiom a collection of newspaper reports on recent murders around the country. They have nothing obvious in common, and in each case the killer was swiftly—and correctly—apprehended. Poirot tells Hastings that, actually someone else—one Stephen Norton—orchestrated the murders, and that Norton is a fellow guest at Styles. His technique is imnassailable, says Poirot, and because he works solely through the 7089: 5892: 568:. When Hastings learns this towards the end, he half-recalls that former patients of such institutions often remained on as warders. Nonetheless, Hastings has until then considered him "trustworthy and competent" and learns from Curtiss the extent of Poirot's decline. Curtiss is physically bigger and stronger than his predecessor, as he has to carry Poirot into the garden and back every day. 1816:. Suchet said his interpretation of Iago was based on the premise that "human beings are given to finding justifications for deeds or actions to make those deeds allowable: in their own minds even though they are not always valid justifications. And so it is with lago." In other words, the human weakness that Iago shows is the same human weakness of humanity itself. Suchet's Iago, suggested 1462: 452:

hotel owner that his bullying wife would be better dead—but Poirot is able to prevent them from coming to fruition. Ultimately, a guest dies, and Poirot acts, committing the one murder that he had known would take place at Styles since he had arrived. He kills Norton, and leaves Hastings a detailed account of the case. Poirot is found dead the next morning, having had a long-expected

1438:, published 1923. Hastings himself appears to be in his fifties, since he describes a woman between 30 and 40 as "well over ten years my junior." All of this suggests a 1940s timeframe, despite this being inconsistent with Poirot's continued appearances in books taking place as late as the 1970s. A significantly later date would introduce other anachronisms, such as the mentions of 624:. She is embarrassed and annoyed at Hastings's over-zealous attempts at parenting, particularly when he attempts to put her off Allerton. Judith is only playing with Allerton though, and is actually "honourably" in love with Franklin. Hastings describes her as conveying "a sense of tragedy" about her and recalls to himself that she occasionally looked "like her namesake before she 628:". Judith is subtly encouraged by Norton to express "questionable views" on the sanctity of human life, in his attempt to get her to see Mrs Franklin as a "leech" and attend to her accordingly. She is also sympathetic to Margaret Litchfield, although she tells her father that she would not have the courage to either kill someone or subsequently confess to it. 584:. As such, he remains effectively unaware of his wife's feelings or any of the undercurrents among the guests at Styles. He has a rigid sense of duty that does not allow him to divorce his wife, even for her own sake. At the close of the novel, after her death, he reveals himself to be in love with Judith, with whom he is travelling to Africa for 665:, concerned only for his own pleasure—mostly with women and involving more than one at a time—and where it would come from next. He is a deliberately superficial and irresponsible character. Hastings takes an instant dislike to him: "I suspected him of racketing around, of gambling, of drinking hard, and of being first and last a 797:. Through their comments, an atmosphere of oppressive foreboding is built up, with a concomitant expectation—a superstition—of doom. Part of the reason Norton finds such a rich vein to practice his power in is due to the state of post-war Styles; because it became,e a guest house, it became open to people of all different 1063:, his actions are premeditated but also harder to justify to himself. In his closing statement to Hastings, he writes that "I do not know, Hastings, if what I have done is justified or not justified. No—I do not know." In his humility, he puts his medicine aside and allows god to act as it would. The critic and author 1031:

as Poirot puts it, "he wants the whole gamut of emotion, suspicion, fear, the coils of the law". As a result, in the five cases that Poirot identifies to Hastings, there were not only the five murder victims but also the suicide of one killer, the execution of another and a third who died, insane, in an institution.

531:. Hastings first met Poirot in Belgium before the war, but it is at Styles in 1916 that Hastings becomes Poirot's traditional Watson-like companion. It is a role, however, which he played not as well as the original. Critics have considered him even more foolish than his Victorian counterpart, however, with 1749:

I have known a child, annoyed by its kitten, say "Keep still or I'll hit you on the head and kill you" and actually do so—to be stunned and horrified a moment later when it realizes that the kitten's life will not return—because, you see, really the child loves that kitten dearly. So then, we are all

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Playing on his companions' "deep insecurities and fears", Norton's pleasure is a vicarious one. He has perfected the psychological art, like Iago, of provoking and goading others into killing without him ever being suspected. However, it is insufficient that Norton merely gets the innocent to murder;

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atmosphere. The relationship between Hastings and Judith, for example, is one of contempt—verging on hatred at one point—on her behalf and almost fear on his. It is difficult for the reader to empathise with any of the characters, and so little interest in the victim, whichever of them that might be.

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Norton is an Iago-like character, and York argues that "the literary analogy is made very much explicit". Christie is known to have been fascinated by the character; indeed, her biographer calls her "obsessed" by him. She uses elements of him in other books, but never to the extent of mirroring his

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companion, Captain Hastings. Hastings described Poirot as "hardly more than five feet four inches but carried himself with great dignity. His head was exactly the shape of an egg, and he always perched it a little on one side. His moustache was very stiff and military. The neatness of his attire was

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to its predecessors, argues Rachel Franks. She suggests that while in earlier novels, he has been very much in the shadow of Poirot, now he changes before the reader's eyes "from supportive sidekick to hardboiled investigator followed by a brief descent into noir". Not only is he at his most loyal,

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Not just a puzzle, but one of Christie's most psychological works in which everyone is examined, whether victim, killer, near-killer and detective. Poirot is "at his cruellest", says Franks, at one point telling Hastings to "Go away. You are obstinate and extremely stupid" and that he wishes he did

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where only God has the right to do so. On the one hand, he is sure he has saved future innocent lives whom Norton would have destroyed, but on the other, suggests Evans, his sense of moral superiority "is undercut" because he lacks the judge's certainty, telling Hastings "I am very humble and I say

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described Iago's malice as "motiveless malignancy", and the same phrase has been used regarding Norton's. This makes Norton stand out among Christie's murderers, all of whom commit their crimes for some form of material gain. Norton, though, has "no other motive than schadenfreude: malicious joy or

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describes the detective, in these circumstances, as "compelled to commit criminal acts in order to punish criminals, since the justice system can no longer reliably guarantee that this outcome will occur". Poirot himself emulates the actions of the killer to varying degrees. Even before committing

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There isn’t really much to tell. He's very nice—rather shy—just a little stupid, perhaps. He's always been rather delicate. He's lived with his mother—rather a peevish, stupid woman. She bossed him a good deal, I think. She died a few years ago. He's keen on birds and flowers and things like that.

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and Poirot's previous expositions on the theme is that in this final case, he delves into the question with much more depth and so more plausibly. Expanding his theory, he asserts that while all humans have the ability, or wish, to kill, they must possess the "will to kill"; much rarer, he says.

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has called him "a Watson of extreme stupidity" and "splendidly obtuse", while Brental—addressing the comparison with Watson itself—argues that "whereas Watson famously sees but does not observe, Hastings often fails to see". Poirot describes him as "an admirable man, but intensely English". By the

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In providing the answers, the great illusionist of crime fiction provides a model demonstration of reader manipulation. The seemingly artless, simplistic Christie prose is mined with deceits. Inside the old, absurd conventions of the Country House mystery she reworks the least likely person trick

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York notes that this is not the first time Christie's readership encounters "someone who puts to death people who have caused the death of others in ways not open to legal punishment and who then commits suicide, recording his strategy in a posthumous document." Before Poirot, Mr Justice Wargrave

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has killed several people before the action of the novel begins, as as explained by Poirot. He has several other plots on the go at various points during it also. Norton feels empowered. He implicates multiple characters in his different attempts at crime throughout the novel, up to and including

850:. Throughout his career Poirot has argued that everyone has the capability of killing—he often tells a story of a child who kills a kitten accidentally because they do not understand the consequences of their actions This York calls "the universality of murderous impulses". The difference between 451:

he can never be brought to justice. Poirot appears too sick to physically investigate—although it later transpires that he is not as immobile as he claims—so Hastings takes on the role. Over the course of the novel Norton employs his technique on several guests—for example, subtly encouraging the

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Really, Father, you’re being too idiotic. Don’t you realize that at my age I’m capable of managing my own affairs? You’ve no earthly right to control what I do or whom I choose to make a friend of. It's this senseless interfering in their children’s lives that is so infuriating about fathers and

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Boyd-Carrington, while seemingly the embodiment of success—in Hasting's words, "an Englishman of the old school, straightforward, fond of out-of-doors life, and the kind of man who can command"—is also privately depressed following the death of his wife and his inability, despite his houses and

771:. Myself, sad and lonely, the woman beside me also a bitter and disillusioned creature. Dr Franklin, eager, ambitious, curbed and thwarted, his wife a prey to ill health. Quiet little Norton limping about looking at birds. Even Poirot, the once brilliant Poirot, now a broken, crippled old man. 1047:

Such is the nature of Norton's crimes that it requires Poirot to take the law into his own hands for Norton to be punished. In doing so, Poirot becomes similar to his victim, who also had, in Poirot's words, "the keys of life". Both Poirot and Norton, argues critic J. C. Bernthal, "illustrate

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Christie wrote the novel in the early 1940s, during the Second World War. Partly fearing for her own survival, and wanting to have a fitting end to Poirot's series of novels, Christie had the novel locked away in a bank vault for over thirty years. The final Poirot novel that Christie wrote,

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Poirot goes on to explain to Hastings how, in his view, the perfection of Iago's art had made a rod for Shakespeare's own back, as, although justice needed to be done and seen to be done, this was impossible while Iago was unassailable. So Shakespeare had to create a device to implicate his

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demonstrates varying levels of evil, ranging from that of the main villain to being "alarmingly present in the actions of other characters as well, included those of the detectives". Thus Christie calls into practice the commonly accepted understanding of good and evil in detective fiction.

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X knew the exact word, the exact phrase, the intonation even to suggest and to bring cumulative pressure on a weak spot! It could be done. It was done without the victim ever suspecting. It was not hypnotism—hypnotism would not have been successful. It was something more insidious, more

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is in the capable hands of his son. Hastings has nothing to stop him from accepting Poirot's invitation and, indeed, is secretly drawn by his mention that Hasting's favourite daughter, Judith is also at Styles. Once there, Hastings spends much of the narrative not so much forestalling

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that it "felt uneasily like the funeral of an old friend" and as having "heart-rending emotional depth", he also criticised the direction for being "very creaky indeed". However, Hinckley particularly reserved praise for the show's evocation of the characters' painful pasts.

386:, which Freda Clay admitted to giving her for extra pain relief, her aunt being in more pain than usuial at the time. Police suspecteed it was deliberate but ultimately unprovable.Norton met Freda on a cruise, and Poirot has a photograph of them walking together. 1052:

argues that unsolved crime—murder in particular—is socially destabilizing. Poirot, traditionally the voice of a reasonable and law-abiding society, finds himself questioning his own position. The theme of Poirot's responsibility had previously been raised in

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by Poirot, he has perfected the method of performing the perfect murder: by persuading others to do it for him without them realising it. Poirot tells Hastings, "make no mistake, X could not be touched by the law. He was safe." Norton is not revealed to be

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makes no mention of Poirot's later cases in novels published after the Second World War. Christie could not anticipate how long she would live, nor that she would continue to write more stories about the popular detective she had come to detest (see

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with instructions not to be published until after her death. Her intention—in the knowledge that she could be killed at any time—was that her daughter would have something to inherit. In the event, it was published a few months before she died, with

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for further discussion of her views of Poirot); nor was the story rewritten to a contemporary setting at the time of its publication. Therefore it is difficult to fit the novel into a consistent chronology with her post-war stories.

1176:. For the egotistic Poirot, hero of some 40 books… it is a dazzlingly theatrical finish. 'Goodbye, cher ami', runs his final message to the hapless Hastings. 'They were good days.' For addicts, everywhere, they were among the best. 808:

What was, in 1920, "a glorious old place" and "a fine property" has become neglected and shabby. English Professor Marty S. Knepper argues that the common motif between the two is the bond between the detective and his companion:

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The exact time period of the story is not specified, beyond it being summertime, but some inferences can be drawn. References to the Second World War (Hastings describes himself as "Wounded in the war that for me would always be

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Hastings demonstrates an attempt to wield paternal power over Judith. Poirot, in turn, wields his power over Hastings. Franklin suggests that 80% of the world's population is useless and should be eradicated—at a time when, in

1531:, set in the First World War, the rest of the ITV Poirot series are set in the 1930s, regardless of when the novels were written, or the contemporary features in each of the novels; this last story sets the year as 1949. 1316:

Being their last case together, mention is made of earlier cases. Hastings became involved in the first Styles investigation in 1916, at which time he was thirty years old. He married at the end of the next Poirot novel,

1142:... apprehension and uncertainties". Death and destruction were unprecedented. was released a few months before Christie's own death. The extent to which both he and his creator, suggests J. C. Bernthal, symbolised the 1097:, although where the judge is absolutely certain of his legal justification—"I had no doubt whatever, after my long court experience, that one and all were guilty"—Poirots is conflicted by doubt. He recognises that is 957:, 1936, one of the main characters is accused of being "a kind of female Iago. She must have drama. But she doesn't want to be involved herself. She's always outside pulling strings—looking on—enjoying it." In 1939's 673:

Judith, determines to take the law into his own hands and kill him, justifying it by the fact that he would be saving other women from the same fate in future. Poirot, however, foresees Hasting's plan and foils it.

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in their final appearances in Christie's works. It is a country house novel, with all the characters and the murder set in one house. Not only does the novel return the characters to the setting of her first,

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as his Book of the Year in a column of critic's choices. He said, "No crime story of 1975 has given me more undiluted pleasure. As a critic, I welcome it, as a reminder that sheer ingenuity can still amaze."

813:"ends where the series begins", with the reunion of Poirot and Hastings at the country house after many years had passed. Academic Fredrica Crescentini suggests Hastings' opening words indicate his sense of 1700:

of four years later, in which a tyrannical father Edward Moulton-Barrett terrorised his nine daughters and forbade them from marrying the men of their choice. Christie also references him at the end of

1021:, in an essay for the RSC, comments on Iago's reasons that "almost everyone who has ever written about Iago or played Iago is in search of one thing: motivation". Poirot describes Norton's technique: 7129: 1138:

was written against a background of devastation. By this time, Christie had lived through one world war and was experiencing another. It was a time, argues author Nizar Zouidi, of "vulnerability

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Singer notes that one of the reader's basic expectations, that they should be able to take for granted prior to the story beginning, is that "the murder must be committed by the murderer". In

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character—"the clumsiest of devices—the handkerchief—not at all in keeping with Iago's central technique and a blunder of which one feels certain he would not have been guilty". Critic

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Evil is a common theme throughout Christie's works, particularly the ability of almost everyone to be a killer in the right circumstances. Never is this more openly addressed than in

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as Poirot. By the time the episode was aired—Suchet had been playing Poirot for nearly a quarter of a century—the two were "almost inseparable for many", and possessed an "inevitable

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when she wants; Hastings comments "it was a mere affectation", while also noting that "behind the veneer of her charming old lady manner, I caught a glimpse of flint-like hardness".

431:. His eldest daughter, Margaret, confessed to the police that she had killed him to release her sisters and allow them to enjoy their lives. She was deemed insane and committed to 7114: 702:

Elizabeth Cole, previously Litchfield, is the only remaining family member after her sister Margaret murdered their abusive father. Margaret was arrested, convicted and died in

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and academic Eliot A. Singer suggests that, when Poirot speaks to Hastings about the latter's lack of suspicion, she is also talking to the reader, her audience more generally:

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The reader's perception, argues J. C. Bernthal: "if the detective—the symbol of law and order—cannot be trusted to be readers' moral compass, whom or what can be trusted?"

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Taliaferro, J. W.; Ripsman, N. M.; Lobell, S. E. (2012). "Introduction: Grand Strategy Between the World Wars". In Lobell, S. E.; Taliaferro, J. W.; Ripsman, N. M. (eds.).

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Poirot has said many times that he "does not approve of murder", and usually, this disapproval results in legal justice being meted out to the criminal at the end. But in

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war—the war that was wiped out now by a second and more desperate war") place it after its end—a date as yet unknown at the time of the book's writing—and the events of

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Bernthal, J. C. (2020). "'A Dangerous World' The Hermeneutics of Agatha Christie's Later Novels". In Blyth, C.; Jack, A.; Collins, M. A.; Mein, A.; Camp, C. V. (eds.).

1251:. He is willing not only to do things traditionally repugnant to him—spying through keyholes, for example—but even to the extent of taking the law into his own hands. 1202: 7117: 1716:

Although, contributing to the difficulties in dating either the story or Poirot's age, she states that the events of 1916 took place "twenty years ago and over".

6882: 5739: 1059:, where Poirot presents two possible conclusions, one of which—and that which is eventually chosen—lets 12 killers go free without any legal process at all. In 5653: 240: 412:"Case D: Derek Bradley. Had an affair with a woman which was discovered by his wife. She found out and threatened to kill him; Bradley subseuently died of 276:

and drew in the Soviet Union, Italy and Germany. Also, Germany was becoming increasingly aggressive and had spent the previous few years rearming. In the

6599: 1697: 351:"Case A: Etherington": A drinker and drug user with a "peculiar and sadistic character". Marrried to a much younger wife. Etherington died supposedly of 371:

in courtv due to both popular sentiment and the trial judge. She was cold-shouldered by her friends, however, and eventually died two years later of a

6718: 5928: 5731: 5382: 924:, has power over almost everyone, and Poirot can only assert his power over Norton by killing him. In doing so, he "does what Judith only preached". 5661: 5615: 5565: 4944: 1443: 4630:. Yesterday's Faces: A Study of Series Characters in the Early Pulp Magazines. Vol. 4. Bowling Green: Bowling Green University Popular Press. 564:

Curtiss is Poirot's valet, whom the detective hired just before taking up residence in Styles; his previous employment had been as an orderly in a

7120: 6732: 5398: 1338:. He mentions that there was another case in which he had done the same thing: almost certainly that retold in "Triangle at Rhodes" (published in 6426: 5953: 5872: 460:

out of reach. For the only time in hs career, Poirot leaves his own account of the case, and encourages Hastings to begin living his life again.

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Hastings also mentions "the case of Evelyn Carlisle" as he speculates over a possible hidden financial motive for X's actions, referring to

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in two abridged instalments from July (Volume XCII, Number 7) to August 1975 (Volume XCII, Number 8) with an illustration by Mark English.

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Poirot mentions that once, in Egypt, he attempted to warn a murderer before the person committed the crime. That case is the one retold in

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of 5 October 1975 summed up: "One of her most highly contrived jobs, artificial as a mechanical birdcage, but an unputdownable swansong."

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Soon after the death of Barbara Franklin, Hastings realises "suddenly that Nurse Craven must know a good deal about the Franklin ménage".

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and employed a new one before arriving in Essex. He summons Hastings and tells him, "you and I, Hastings, are going hunting once again".

6987: 5747: 311:, although also continued writing. Two books she wrote in this period—"in anticipation of 'being killed in the raids' on London during 6792: 6669: 5342: 1116:"happens, Battle. It happens," in response to Battle's protest that ordinary people should never take the law into their own hands. 7108: 6942: 6697: 5588: 3942: 3923: 3546: 3464: 1883: 1623: 1606: 1585: 1575: 280:, there was a sense of political unease towards the future and an expectation of war although foreign policy remained predicated on 122: 427:, refusing them money and forbidding them from going out, although wealthy himself. Attacked outside his house one night when his 6251: 5171: 1271:

But perhaps, after all, you have suspected the truth? Perhaps when you read this, you already know. But somehow I do not think so

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along the traditional Golden Age style, therefore failed to notice "the thematic richness of this, he most ambitious work".

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s removal from the vault and its subsequent publication. It was the last of her books to be published during her lifetime.

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takes place, Poirot could be 120–130 years old and very ill. Apparently confined to a wheelchair, he has dismissed his old

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and egotism. She is worked on by Norton to try and kill her husband with the intention of then marrying Boyd-Carrington.

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mothers. I'm very fond of you—but I'm an adult woman and my life is my own. Don’t start making a Mr Barrett of yourself.

1055: 793:—although it is only by coming back to Styles years later that Hastings realises this. Curtain's characters are equally 144: 6935: 6820: 6544: 6377: 6097: 5846: 5677: 5043: 3744: 1540:

listed the adaptation and Poirot's death scene at number 2 on the list of the Best TV Drama Moments of 2013. In 2015,

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before the rest of the series, although it was still broadcast last. It was the final episode of the final series of

592:. Franklin knew the Litchfield family and is extremely sympathetic to Margaret, views which he passes on to Judith. 6921: 6565: 6125: 5530: 1832: 296: 4284:

Crescentini, F. (2021). "Wicked Speech and Evil Acts: Performativity as Discourse and Murder as Responsibility in

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notes that Christie, however, has no need of anything so clumsy, "not with Poirot's 'little grey cells at work".

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possesses a timelessness due to being set after the second war but returning to the setting of the first novel.

7092: 6995: 6973: 6634: 6489: 6237: 6029: 5914: 5487: 5479: 1725:"Who is there who has not felt a sudden startled pang at reliving an old experience, or feeling an old emotion? 1093: 483: 17: 1308:, which is central to her employer's research, and the latter, her wish to marry him as soon as she is able. 1300: 1208:

York argues that, however pervasive evil is in the story, there is still room, occasionally for "some mildness

3980:

Bernthal, J. C. (2019). "Killing Innocence: Obstructions of Justice in Late-Interwar British Crime Fiction".

3848:

Aldridge, M. A. (2023). "Film and TV Adaptions of Agatha Christie". In Evans, M. A.; Bernthal, J. C. (eds.).

6889: 6704: 6655: 6356: 6272: 6118: 6076: 5895: 5811: 5803: 5374: 5326: 5035: 4930: 1354:

says to Poirot: "Shouldn't wonder if you ended by detecting your own death;" an indication that the idea of

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the act itself, he lies and deceives (pretending to be more ill than he is, for example) and almost commits

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has argued that the "murderer and victim meet in the locked room because they are fundamentally similar",

951:, Christie, through Poirot, has the detective praise Iago because "he got others to execute" his crime. In 6799: 6627: 6606: 6496: 6482: 6300: 6216: 6090: 5275: 5147: 1388: 589: 212: 4020:

Bowen, R. (2023). "Why has Agatha Christie Endured this Long?". In Evans, M. A.; Bernthal, J. C. (eds.).

767:

A deep and spreading sadness permeated me. How true it was! Here we were, a collection of twilit people.

6834: 6725: 6613: 6461: 6412: 6335: 6188: 6132: 5974: 5425: 5390: 5243: 5115: 3482: 2085:

The named reference "FOOTNOTEChristie200629" was defined multiple times with different content (see the

1430:

in 1916 are said to have happened "Twenty years ago and over". Also, Hastings' daughter Judith is 21 in

1305: 1103: 953: 6447: 6349: 5211: 1392:, was published in 1972 and takes place in that year, followed by Christie's last novel to be written, 1257:, with Poirot on the brink of death, makes him more human than he has ever seemed, argues the novelist 985:, her protagonist understands how Iago suffered, "hat the human being who's up amongst the stars"—like 4311:

Evans, M. A. (2023). "Agatha Christie, the Law and Justice". In Evans, M. A.; Bernthal, J. C. (eds.).

1651:

In Poiot's voice, in 'A Letter to my Publisher', 15 April 1936. Christie uses the letter—published by

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as possible, in her words, he has a wholly "bourgeois attitude to murder". By the time the action of

4096:

Bernthal, J. C. (2023). "Christie and the Carnage of War". In Evans, M. A.; Bernthal, J. C. (eds.).

6928: 6806: 6750: 6648: 6592: 6475: 6440: 6405: 6391: 6174: 5771: 5704: 5318: 5302: 5267: 5235: 5099: 1818: 1631: 1556: 1494: 998: 876:

Norton is the only character at Styles who has no overt personality traits; his only absorption is

613: 491: 448: 401:. Both the lodger and Mrs Riggs were found shot with a pistol. Riggs confessed, saying he had been 398: 285: 1449:

The story clearly ends Poirot's career, for he dies in the novel. Poirot's death was announced in

6914: 6827: 6771: 6641: 6620: 6321: 6258: 6195: 6181: 6139: 5979: 5755: 5310: 5203: 5179: 5123: 5107: 5067: 4041:

The Origins of the Final Solution: The Evolution of Nazi Jewish Policy, September 1939–March 1942

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comments regarding Poirot's character and his views on his cases. Republished in 2016 as part of

1360: 1346: 1340: 1152: 1108: 947: 617: 432: 208: 76: 4776:

The Challenge of Grand Strategy: The Great Powers and the Broken Balance between the World Wars

4117:

Clues from the Couch: Psychology in Detective Fiction from Wilkie Collins to Winspear and Penny

7057: 6778: 6363: 6307: 6286: 6209: 6167: 6146: 5763: 5471: 5219: 5139: 5091: 5075: 4893: 4874: 4855: 4836: 4817: 4798: 4779: 4753: 4709: 4690: 4673: 4650: 4631: 4591: 4572: 4553: 4534: 4515: 4496: 4477: 4458: 4438: 4415: 4396: 4354: 4335: 4316: 4297: 4270: 4251: 4232: 4213: 4194: 4175: 4158: 4139: 4120: 4101: 4082: 4063: 4044: 4025: 4006: 3989: 3957: 3938: 3919: 3900: 3872: 3853: 3705: 3542: 3512: 3460: 1879: 1619: 1602: 1581: 1571: 1334: 1143: 794: 649:, which killed her less than a year after her marriage. York suggests that that his all-round 360: 269: 200: 129: 117: 4732: 4704:

Smith, E. (2016). "Charactyer in Shakespearean Tragedy". In Neill, M.; Schalkwyk, D. (eds.).

3869:

Fear and Clothing: Dress in English Detective Fiction between the First and Second World Wars

6537: 6279: 5187: 4922: 1825:

s critic John Barber, was convincing because "you would swear he was dead honest", while in

1522: 666: 621: 577: 155: 4606: 1554:. David Hinckley praised the character while criticising the plot adaption. Arguing in the 7063: 7045: 6848: 6841: 6517: 6510: 6503: 6024: 5994: 5937: 4979: 4953: 1703: 1663: 1656: 1510: 1502: 1498: 1414: 1394: 1017:

that Christie ever created; few of her other villains express Norton's contempt for life.

976: 718:. Described by Elizabeth Cole as unselfish and "very considerate for a man", he is also a 565: 532: 500: 406: 364: 352: 321: 248: 223: 204: 184: 40: 1048:

dangerous extremes in the pursuit of power" and perhaps even two sides of the same coin.

887:

Few of the characters seem to care about the others, and when they do, it emphasises the

3433:: "He was a good fifteen years my senior though he hardly looked his forty-five years." 6868: 6813: 6419: 6230: 6014: 6009: 5999: 5638: 4989: 4984: 4974: 4957: 4450: 1776: 1514: 1351: 1224: 1124: 1049: 824: 585: 545: 277: 219: 3483:"Hercule Poirot Is Dead; Famed Belgian Detective; Hercule Poirot, the Detective, Dies" 2348: 2346: 1087:, this is not possible, so he feels it necessary to take the law into his own hands. 6979: 6896: 6785: 6328: 6045: 1667: 1612: 1550: 1518: 1295: 917: 877: 740: 723: 536: 520: 289: 1497:

again returned to the role of Hastings, following a ten-year absence; stars such as

844:. Poirot states that "There has been an epidemic of that in the world of late years— 650: 7069: 7051: 6293: 6202: 5984: 5696: 5131: 4664:

Singer, E. A. (1984). "The Whodunit as Riddle: Block Elements in Agatha Christie".

3748: 1899: 1827: 1809: 1763: 1591: 1536: 1470: 1220: 1194: 1161: 1018: 913: 888: 798: 790: 719: 691: 601: 581: 524: 457: 453: 428: 292: 235: 1707:, which also involves a man desperate to prevent his sister from enjoying herself. 1076:

to a faulty conclusion), although he emphasised to Hastings that he was not under

645:

wealth, to prevent it. She was young and beautiful; she was also from a family of

1219:

is as much merely a sporting crossword puzzle as any of her previous novels. The

284:. Baldwin resigned as prime minister in May 1937 and was replaced by his deputy, 6244: 6019: 6004: 5877: 5163: 1836: 1801: 1784: 1598: 1373: 1248: 1170:

with a freshness rivalling the originality she displayed nearly 50 years ago in

1113: 727: 444: 329:, also in her last major case. These books remained unpublished and stayed in a 326: 281: 66: 4330:

Franks, R. (2016). "Captain Arthur Hastings". In Rolls, A.; Franks, R. (eds.).

1461: 6572: 6454: 6433: 6314: 5259: 5251: 5195: 4994: 3774: 1545: 1264: 1258: 1064: 1014: 495: 409:. Norton lodged "one summer" in Riggs' village and drank with him in the pub. 394: 390: 330: 300: 4677: 4442: 4358: 3993: 3971:

Bellington, M. (26 September 1985). "The Great Equal Opportunity Flaw Show".

3564:"Hercule Poirot is Back from the Dead: New Agatha Christie Book in the Works" 1652: 1506: 1236: 1006: 986: 972: 895: 820: 802: 703: 646: 413: 379: 368: 312: 253: 4429:

Knepper, M. S. (2005). "The Curtain Falls: Agatha Christie's Last Novels".

4162: 1290:

Rachel Franks has suggested that it is possible to reframe the solution to

669:". and when he is later led to believe that Allerton intends to seduce and 6265: 4757: 1212:...and it is sometimes comic", albeit often due to Hastings's clumsiness. 494:

and what he terms his "little grey cells", he is often accompanied by his

1365: 1147: 1010: 443:

Styles, the Essex mansion where his career begun, has been turned into a

383: 304: 3699: 1377:

which centred on the revelation of money as a motivation for the crime.

620:

by Dr Franklin. She holds similarly strong views as her employer on the

136: 3954:

Dining Room Detectives: Analysing Food in the Novels of Agatha Christie

2252: 2250: 1839:

practical joker, but a crafty improviser forever thinking on his feet".

1439: 1073: 1069: 909: 815: 715: 528: 423:"Case E: Matthew Litchfield": Ruled his four daughters—his only family— 417: 402: 372: 356: 4890:

Performativity of Villainy and Evil in Anglophone Literature and Media

4294:

Performativity of Villainy and Evil in Anglophone Literature and Media

2126: 2124: 2122: 801:

who would often not necessarily have mixed and among who he can hide,

519:

Arthur Hastings is a traditional English gentleman who was injured in

4750:

Bloody Murder: From the Detective Story to the Crime Novel: A History

1570:

1975, Collins Crime Club (London), September 1975, hardcover, 224 pp

1102:

like a little child, 'I do not know'". He has already, in 1936, told

881: 706:. Elizabeth considers herself "maimed" by her family and background. 662: 486:

arrived in the UK in 1916 and, following his successful solving of a

424: 233:, but it reunites Poirot and Hastings, who last appeared together in 3591:

Curtain: Poirot’s Last Case production notes, ITV Press Office, 2013

866:

He's a very kind person—and he’s the sort of person who sees a lot.

670: 556:

s next murder but as speculating on Poirot's identification of him.

1358:

had already formed in the author's mind in 1935. On 6 August 1975,

1215:

Lehman has argued that, notwithstanding "all the talk about Iago",

1159:

In a review titled "The last labour of Hercules", Matthew Coady in

5906: 4871:

Less Than Nothing: Hegel and the Shadow of Dialectical Materialism

4588:

Signs Taken for Wonders: Essays in the Sociology of Literary Forms

3897:

The Gentle Art of Murder: The Detective Fiction of Agatha Christie

1813: 1460: 1146:

was such that he has been the only fictional character to have an

580:, and is sufficiently focused on his work as to be indifferent to 508: 4685:

Suchet, D. (1988). "lago". In Smallwood, R.; Jackson, R. (eds.).

4550:

Murder She Wrote: A Study of Agatha Christie's Detective Fiction

4136:

American Grand Strategy in the Mediterranean during World War II

3719:"A Time-Lapse Detective: 25 Years of Agatha Christie's "Poirot"" 1483:

gloom". As a result of the pressure, Suchet requested they film

1077: 5910: 4926: 1900:"American Tribute to Agatha Christie: Twilight Years 1968-1976" 1323:, mentioned twice in this novel, as Hastings is now a widower. 7141:

tags on this page, but the references will not show without a

4351:

Murder for Pleasure: The Life and Times of the Detective Story

3822: 3209: 3207: 2850: 2848: 2058: 2056: 2054: 2052: 382:

by her niece Freda Clay. Miss Sharples died of an overdose of

4765:

Symons, J. (12 October 1975). "Hercule Poirot, il est Mort".

4512:

Neville Chamberlain, Appeasement, and the British Road to War

3933:

Barnard, R. (1999). "Sleight of Hand". In Herbert, R. (ed.).

3886:

Barber, J. (26 September 1985). "Othello: A Psychotic Case".

2732: 2730: 2728: 2606: 2604: 2602: 2600: 1859:

Peers, Chris; Spurrier, Ralph; Sturgeon, Jamie (March 1999).

246:

It is the last novel published by Christie before her death.

130: 1775:

And a rule it was as Christie knew well; as a member of the

1690:

Mr Barret is a reference to a character from the 1930 play,

1544:

was nominated for Outstanding Television Movie for its 67th

1465:

Shirburn Castle doubles as Styles Court in the TV adaptation

268:

was written, the broader political situation was tense. The

7130:

Category:Works originally published in Ladies' Home Journal

4724: 4689:. Cambridge: Cambridge University Press. pp. 179–199. 4367: 3167: 3165: 3067: 3065: 3063: 1580:

1975, Dodd Mead and Company (New York), hardcover, 238 pp,

375:

overdose. Norton was on "intimate terms" with Etherington.

4647:

Justice and Revenge in Contemporary American Crime Fiction

4393:

Merely Players? Actors' Accounts of Performing Shakespeare

3125: 3123: 3121: 3084: 3082: 3080: 3026: 3024: 2621: 2619: 2587: 2585: 2583: 1791:

defies: "The detective himself must not commit the crime".

1618:

1992, G.K. Hall & Co. large-print edition, hardcover,

535:

calling him "easily the stupidest of all modern Watsons".

256:

and published posthumously, is her final published novel.

156: 4852:

The Detective Novels of Agatha Christie: A Reader's Guide

3899:. Bowling Green: Bowling Green University Popular Press. 3566:. Australia: Nerdalicious online magazine. Archived from 2715: 2713: 2073: 2071: 499:

almost incredible". Intended by Christie to be as unlike

26:

1975 Poirot novel by Agatha Christie, written early 1940s

4888:

Zouidi, N. (2021). "Introduction". In Zouidi, N. (ed.).

4778:. Cambridge: Cambridge University Press. pp. 1 36. 4412:

Shakespearean Allusion in Crime Fiction: DCI Shakespeare

3683: 3681: 3194: 3192: 2780: 2778: 2776: 2153: 2151: 682:

Reduced to a permanent timidity by his wife's bullying.

588:. An unsentimental scientist, he holds extreme views on 3916:

A Talent to Deceive: An Appreciation of Agatha Christie

3771:"5 Emmy-Nominated Shows Going Through Their Swan Songs" 3152: 3150: 3011: 3009: 2865: 2863: 2763: 2761: 2759: 2757: 2688: 2686: 2684: 2682: 2385: 2383: 2381: 2003: 2001: 1920: 416:

in his beer. She was arrested, tried and convicted and

4493:

Holocaust: The Nazi Persecution and Murder of the Jews

4060:

The Complete Christie: An Agatha Christie Encyclopedia

2912: 2910: 2823: 2821: 2819: 2817: 2815: 2813: 2811: 2809: 2807: 2805: 2450: 2448: 2446: 2379: 2377: 2375: 2373: 2371: 2369: 2367: 2365: 2363: 2361: 2297: 2295: 2293: 2291: 2289: 781:

York has argued that many themes first encountered in

7115:

Category:British novels adapted into television shows

4079:

The Bible in Crime Fiction and Drama: Murderous Texts

3513:"Books: Tapes Offer New Clues to a Master of Mystery" 871:

Elizabeth Cole to Hastings, describing Stephen Norton

776:

Elizabeth Cole to Hastings, describing Stephen Norton

5670:

Agatha Christie's Great Detectives Poirot and Marple

4708:. Oxford: Oxford University Press. pp. 89–103. 4455:

British Political Leaders: A Biographical Dictionary

2271:, "A Letter to My Publisher" (omnibus contribution). 1005:

with a lust for revenge on ordinary people. He is a

288:. Due to the threat of war, Christie's husband, the 272:, which had broken out the previous year, upset the 7038: 6966: 6906: 6858: 6742: 6582: 6527: 6054: 6038: 5967: 5865: 5830: 5723: 5688: 5630: 5599: 5557: 5498: 5463: 5456: 5409: 5294: 5019: 5010: 4964: 4003:

Agatha Christie: A Companion to the Mystery Fiction

3937:. Oxford: Oxford University Press. p. 417418. 1878:(second ed.). Scholar Press. pp. 82, 87. 1242:The character of Hastings is slightly different in 179: 166: 154: 142: 128: 116: 108: 100: 92: 82: 72: 62: 54: 46: 36: 7143:{{reflist|group=net}} 4892:. London: Palgrave Macmillan. pp. xiii–xxxv. 3481: 3429:Hastings writes of John Cavendish in Chapter 1 of 1861:Collins Crime Club – A checklist of First Editions 1733:Why do those words always move one so profoundly?" 1493:, and the first of the final series to be filmed. 1009:{{sfn| and a "murder addict". He is effectively a 378:"Case B: Miss Sharples": An invalid in much pain, 6663:The Witness for the Prosecution and Other Stories 5812:Agatha Christie: Hercule Poirot - The London Case 5804:Agatha Christie: Hercule Poirot - The First Cases 5335:The Witness for the Prosecution and Other Stories 4315:. London: Bloomsbury Academic. pp. 247–268. 4100:. London: Bloomsbury Academic. pp. 175–196. 4081:. London: Bloomsbury Academic. pp. 167–182. 4024:. London: Bloomsbury Academic. pp. 386–389. 3935:The Oxford Companion to Crime and Mystery Writing 3852:. London: Bloomsbury Academic. pp. 357–374. 600:She attempts to dominate her husband with a faux 4552:. Bowling Green State University Popular Press. 4296:. London: Palgrave Macmillan. pp. 391–410. 6712:Miss Marple's Final Cases and Two Other Stories 4353:(1st ed.). New York: D. Appleton-Century. 1747: 1684: 1368:of Poirot with a photograph to mark his death. 1269: 1023: 863: 765: 714:Stephen Norton is grey-haired, limps and has a 690:A theatrical character who uses an exaggerated 7118:Category:Novels first published in serial form 5820:Agatha Christie - Murder on the Orient Express 1863:(Second ed.). Dragonby Press. p. 15. 1835:praised the portrayal as "not the calculating 456:. He did not commit suicide, but he moved his 5922: 5740:Agatha Christie: Murder on the Orient Express 4938: 3819:"Emmy Awards 2015: The complete winners list" 2205: 2169: 1672:Styles: Hercule Poirot’s First and Last Cases 967:, and describes Iago as "the perfect murderer 916:, the government of which believed something 8: 4706:The Oxford Handbook of Shakespearean Tragedy 4334:. Chicago: Intellect Books. pp. 22–31. 1478: 1287:, though, Christie even breaks this rule. 845: 215:later in the same year, selling for $ 7.95. 31: 4533:. Cambridge, MA: Harvard University Press. 4514:. Manchester: Manchester University Press. 3956:. Newcastle upon Tyne: Cambridge Scholars. 3213: 2976: 2928: 2736: 2661: 2610: 2502: 2413: 1453:, a rare honour for a fictional character. 653:might be a shield for his inner heartache. 5929: 5915: 5907: 5460: 5016: 4945: 4931: 4923: 4368:"'Curtain: Poirot's Last Case': TV review" 4313:The Bloomsbury Handbook to Agatha Christie 4212:(repr. ed.). London: Harper Collins. 4098:The Bloomsbury Handbook to Agatha Christie 4022:The Bloomsbury Handbook to Agatha Christie 3850:The Bloomsbury Handbook to Agatha Christie 3648: 540:time Hastings is reunited with Poirot for 467: 30: 6719:Problem at Pollensa Bay and Other Stories 5732:Agatha Christie: And Then There Were None 5383:Problem at Pollensa Bay and Other Stories 4476:. Chicago: University of Michigan Press. 4269:(repr. ed.). London: HarperCollins. 4250:(repr. ed.). London: HarperCollins. 4231:(repr. ed.). London: HarperCollins. 4193:(repr. ed.). London: HarperCollins. 4138:. Cambridge: Cambridge University Press. 3071: 3042: 2988: 2893: 2031: 1956: 1876:Detective Fiction – the collector's guide 989:—while he—like Iago—languished on earth. 490:, became a private detective. Reliant on 4531:Racial Hygiene: Medicine under the Nazis 4474:The Perfect Murder: A Study in Detection 3918:(rev. ed.). London: Fontana Books. 3687: 3672: 3660: 3442: 3309: 3249: 3237: 3171: 3129: 3088: 3054: 3030: 2964: 2952: 2940: 2897: 2854: 2839: 2796: 2748: 2719: 2704: 2673: 2649: 2637: 2591: 2574: 2562: 2550: 2538: 2526: 2514: 2490: 2466: 2437: 2401: 2352: 2325: 2313: 2280: 2268: 2256: 2229: 2181: 2142: 2130: 2113: 2101: 2077: 2062: 2043: 1980: 1968: 1944: 1932: 1408:Due to its earlier date of composition, 1381:Sequence of publication in Poirot novels 7121:Category:Novels set in the 20th century 6733:While the Light Lasts and Other Stories 5399:While the Light Lasts and Other Stories 4918:at the official Agatha Christie website 3381: 3369: 3273: 3183: 3000: 2901: 2784: 2217: 1992: 1851: 1644: 1534:On 19 December 2013, Barnaby Walter of 1469:The novel was adapted in 2013 starring 1201:It was one of the bestselling books of 299:cancelled from 1938, and they both did 6684:The Adventure of the Christmas Pudding 5359:The Adventure of the Christmas Pudding 4548:Maida, P. D.; Spornick, N. B. (1982). 3636: 3612: 3417: 3405: 3357: 3285: 3156: 3112: 3015: 2881: 2869: 2767: 2692: 2478: 2337: 2241: 2157: 2019: 2007: 1629:In the US the novel was serialised in 523:, following which he retired from the 5788:Agatha Christie: 4.50 from Paddington 4332:Crime Uncovered: Private Investigator 3624: 3393: 3261: 3198: 3141: 2193: 1921:Taliaferro, Ripsman & Lobell 2012 1800:Suchet had previously played Iago in 482:Poirot, a retired detective from the 420:. Norton was an aquaintance of hers. 7: 6427:The Mirror Crack'd from Side to Side 5873:Agatha Christie's fictional universe 3743:Walter, Barnaby (19 December 2013). 3539:Agatha Christie: Murder in Four Acts 3457:Agatha Christie: Murder in Four Acts 3345: 3100: 2916: 2827: 2625: 2454: 2425: 2389: 2301: 1279:... you have too beautiful a nature" 1156:, and "on the front page, no less". 769:Grey heads, grey hearts, grey dreams 355:, but the doctor was suspicious. An 7133: 6988:Agatha Christie: A Life in Pictures 5756:Agatha Christie: Peril at End House 5748:Agatha Christie: Evil Under the Sun 4833:Agatha Christie: Power and Illusion 4495:. Oxford: Oxford University Press. 3797:"2015 Emmys: Full List of Nominees" 3745:"The Best TV Drama Moments of 2013" 3717:McArdle, Molly (25 November 2013). 3600: 3511:Bosman, Julie (14 September 2008). 3225: 2081: 1131:Literary significance and reception 211:in September 1975 and in the US by 207:, first published in the UK by the 6957:Agatha Christie's Secret Notebooks 6670:Three Blind Mice and Other Stories 5764:Agatha Christie: Death on the Nile 5343:Three Blind Mice and Other Stories 4795:Agatha Christie: A Mysterious Life 4725:"Curtain: Poirot's Last Case, ITV" 2355:, Franklin, Barbara, and Dr. John. 1444:abolished in Great Britain in 1965 1184:Two months later, Coady nominated 751:Georges, Poirot's long-time valet 24: 7109:Category:Collins Crime Club books 6698:The Golden Ball and Other Stories 5772:Agatha Christie: Dead Man's Folly 4814:Agatha Christie: An Elusive Woman 4723:Sweeting, A. (14 November 2013). 4590:(repr. ed.). London: Verso. 3871:. London: Bloomsbury Publishing. 3795:TV Insider staff (16 July 2015). 3562:Hughes, Olga (6 September 2013). 1808:production of the play, opposite 7088: 7087: 5891: 5890: 5796:Agatha Christie: The ABC Murders 5780:Agatha Christie: The ABC Murders 4062:. New York: Simon and Schuster. 1874:Cooper, John; Pyke, B A (1994). 1660:Hercule Poirot: Master Detective 1611:1977, Fontana Books (Imprint of 488:murder at an Essex country house 393:, believed his wife to be in an 338:being published posthumously. 104:Print (hardback & paperback) 7020:Agatha and the Midnight Murders 6677:The Under Dog and Other Stories 6063:The Mysterious Affair at Styles 5442:The Killings at Kingfisher Hill 5351:The Under Dog and Other Stories 5028:The Mysterious Affair at Styles 4366:Hinckley, D. (25 August 2014). 4267:The Mysterious Affair at Styles 3431:The Mysterious Affair at Styles 1528:The Mysterious Affair at Styles 1428:The Mysterious Affair at Styles 1398:. Finally, Christie authorised 760:The Mysterious Affair at Styles 363:. Mrs Etherington arrested and 230:The Mysterious Affair at Styles 7139:<ref group=net> 7112:Category:Hercule Poirot novels 7012:Agatha and the Curse of Ishtar 7004:Agatha and the Truth of Murder 4292:(1929)". In Zouidi, N. (ed.). 3769:Serrao, Nivea (17 July 2015). 3480:Lask, Thomas (6 August 1975). 1693:The Barretts of Wimpole Street 1415:Hercule Poirot and Miss Marple 912:, the UK was in a war against 880:and a concomitant interest in 626:cut off the head of Holofernes 112:224 (first edition, hardcover) 1: 7127:Category:Novels set in hotels 7075:Agatha Christie Award (Japan) 6950:The Mousetrap and Other Plays 6112:The Mystery of the Blue Train 5434:The Mystery of Three Quarters 5060:The Mystery of the Blue Train 4752:. London: Faber & Faber. 4431:Clues: A Journal of Detection 3982:Clues: A Journal of Detection 1594:(New York), paperback, 280 pp 997:Norton suffers from a severe 405:. Convicted and sentenced to 7124:Category:Novels set in Essex 7106:Category:1975 British novels 6691:Double Sin and Other Stories 6469:By the Pricking of My Thumbs 6154:Murder on the Orient Express 5980:Tommy and Tuppence Beresford 5662:Murder on the Orient Express 5616:Murder on the Orient Express 5566:Murder on the Orient Express 5367:Double Sin and Other Stories 5084:Murder on the Orient Express 3580:Image of Front Page Obituary 3541:. Virgin Books. p. 17. 3459:. Virgin Books. p. 17. 1601:edition, hardcover, 325 pp, 1275:... No, you are too trusting 1056:Murder on the Orient Express 847:L’appe´tit vient en mangeant 641:Sir William Boyd Carrington 616:degree and is employed as a 32:Curtain: Poirot's Last Case 6793:Witness for the Prosecution 6098:The Murder of Roger Ackroyd 5044:The Murder of Roger Ackroyd 4797:. New York: Pegasus Books. 4613:. Royal Shakespeare Company 4210:Curtain: Poirot's Last Case 3895:Bargainnier, E. F. (1980). 3723:Los Angeles Review of Books 3701:Curtain: Poirot's Last Case 3491:The New York Times Archives 3324:. 11 December 1975 (p. 14). 2640:, pp. 89, 106, 23, 57. 1247:but he is also at his most 1173:The Murder of Roger Ackroyd 941:very nature as she does in 319:, with Hercule Poirot, and 309:University College Hospital 196:Curtain: Poirot's Last Case 7166: 6922:Come, Tell Me How You Live 6224:Hercule Poirot's Christmas 6161:Why Didn't They Ask Evans? 6126:The Murder at the Vicarage 6000:Chief Inspector James Japp 5985:Lady Eileen "Bundle" Brent 5156:Hercule Poirot's Christmas 4569:A History of Modern Europe 4286:Curtain—Poirot's Last Case 4248:Hercule Poirot's Christmas 4157:. New York: Pocket Books. 1001:as well as being a mental 960:Hercule Poirot's Christmas 739:until Poirot's posthumous 544:his wife has died and his 7083: 6559:The Rose and the Yew Tree 6084:The Man in the Brown Suit 5944: 5886: 4571:. New York: W.W. Norton. 4115:Blackwell, L. R. (2022). 3300:. 9 October 1975 (p. 13). 2206:Maida & Spornick 1982 2170:Maida & Spornick 1982 1806:Royal Shakespeare Company 1683:To which Judith retorts: 1548:, but eventually lost to 1457:Adaptation for television 1181:not need to rely on him. 1072:(deliberately leading an 982:The Rose and the Yew Tree 945:. For example, in 1931's 474:Background and biography 473: 470: 303:. Christie worked in the 6996:The Unicorn and the Wasp 6974:Agatha Christie Memorial 6758:And Then There Were None 6635:Parker Pyne Investigates 6252:One, Two, Buckle My Shoe 6238:And Then There Were None 5172:One, Two, Buckle My Shoe 4854:. Jefferson: McFarland. 4567:Merriman, J. M. (1996). 4155:And Then There Were None 4119:. Jefferson: McFarland. 4005:. Jefferson: McFarland. 4001:Bernthal, J. C. (2022). 3336:, 5 October 1975 (p. 23) 1727:'I have done this before 1490:Agatha Christie's Poirot 1301:Who Killed Roger Ackroyd 1094:And Then There Were None 582:social stimuli and norms 407:penal servitude for life 389:"Case C: Edward Riggs": 18:User:Serial Number 54129 6890:Butter in a Lordly Dish 6656:The Labours of Hercules 6566:A Daughter's a Daughter 6357:They Do It with Mirrors 6273:The Body in the Library 6119:The Seven Dials Mystery 6077:The Murder on the Links 5995:Captain Arthur Hastings 5327:The Labours of Hercules 5036:The Murder on the Links 4873:. London: Verso Books. 4529:Proctor, R. N. (1988). 4246:Christie, A. (2007b) . 4227:Christie, A. (2007a) . 3537:Haining, Peter (1990). 3455:Haining, Peter (1990). 1787:, the seventh of which 1779:, she was party to the 1746:Poirot tells Hastings: 1436:The Murder on the Links 1434:; he met her mother in 1364:published a front-page 1320:The Murder on the Links 1312:References or allusions 1091:plays the same role in 162:PZ3.C4637 Cu PR6005.H66 6765:Appointment with Death 6628:The Listerdale Mystery 6607:The Mysterious Mr Quin 6497:Elephants Can Remember 6483:Passenger to Frankfurt 6301:Death Comes as the End 6217:Appointment with Death 6091:The Secret of Chimneys 5547:Appointment with Death 5276:Elephants Can Remember 5148:Appointment with Death 4687:Players of Shakespeare 4649:. New York: Springer. 4510:McDonough, F. (1998). 4491:Longerich, P. (2010). 4457:. New York: ABC-CLIO. 4265:Christie, A. (2013) . 4208:Christie, A. (2006) . 4189:Christie, A. (2001) . 4170:Christie, A. (1990) . 4153:Christie, A. (1977) . 3952:Baučeková, S. (2015). 1752: 1689: 1479: 1466: 1389:Elephants Can Remember 1281: 1227:was more critical. In 1192:Maurice Richardson in 1178: 1034:The reader knows that 1028: 868: 846: 773: 679:Colonel Toby Luttrell 622:sanctity of human life 590:involuntary euthanasia 241:adapted for television 213:Dodd, Mead and Company 6726:The Harlequin Tea Set 6614:The Thirteen Problems 6413:Cat Among the Pigeons 6336:A Murder Is Announced 6189:Murder in Mesopotamia 6133:The Sittaford Mystery 5975:Superintendent Battle 5391:The Harlequin Tea Set 5244:Cat Among the Pigeons 5116:Murder in Mesopotamia 4816:. en: Pegasus Books. 4793:Thompson, L. (2018). 4395:. London: Routledge. 4349:Haycraft, H. (1941). 4229:Murder in Mesopotamia 4134:Buchanan, A. (2014). 4039:Browning, C. (2005). 3867:Baker, J. C. (2023). 1750:potential murderers'. 1521:(Stephen Norton) and 1464: 1167: 1104:Superintendent Battle 954:Murder in Mesopotamia 429:brains were bashed in 6821:The Unexpected Guest 6705:Poirot's Early Cases 6552:Absent in the Spring 6399:4.50 from Paddington 6385:Hickory Dickory Dock 6371:A Pocket Full of Rye 6343:They Came to Baghdad 6070:The Secret Adversary 5990:Sir Henry Clithering 5608:The Alphabet Murders 5582:A Haunting in Venice 5539:Murder in Three Acts 5418:The Monogram Murders 5375:Poirot's Early Cases 5228:Hickory Dickory Dock 4835:. London: Springer. 4831:York, R. A. (2007). 4812:Worsley, L. (2022). 4626:Sampson, R. (1987). 4586:Moretti, F. (1997). 4414:. London: Springer. 4410:Hopkins, L. (2016). 4378:on 15 September 2014 3914:Barnard, R. (1990). 3348:, pp. 158, 159. 2428:, pp. 159, 160. 1995:, Beneath the Bombs. 1615:), paperback, 188 pp 930: 484:Belgian Police Force 172:Poirot's Early Cases 6929:Star Over Bethlehem 6649:The Regatta Mystery 6593:Poirot Investigates 6545:Unfinished Portrait 6441:A Caribbean Mystery 6406:Ordeal by Innocence 6378:Destination Unknown 6175:Death in the Clouds 5319:The Regatta Mystery 5303:Poirot Investigates 5100:Death in the Clouds 4850:Zemboy, J. (2008). 4748:Symons, J. (1972). 4735:on 6 September 2023 4472:Lehman, D. (2000). 4391:Holmes, J. (2004). 4372:New York Daily News 4174:. London: Fontana. 4058:Bunson, M. (2000). 3888:The Daily Telegraph 3825:. 20 September 2015 3408:, pp. 163–164. 3103:, pp. 158–159. 2857:, pp. 260–261. 2652:, pp. 117–118. 2628:, pp. 157–158. 2517:, pp. 230–231. 2259:, Hastings, Arthur. 2065:, pp. 29, 264. 1819:The Daily Telegraph 1632:Ladies Home Journal 1565:Publication history 1557:New York Daily News 1501:(Judith Hastings), 1229:A Talent to Deceive 1144:Golden Age of Crime 999:inferiority complex 614:Bachelor of Science 576:John Franklin is a 492:Criminal psychology 458:ampoules of nitrate 449:power of suggestion 414:potassium poisoning 286:Neville Chamberlain 218:The novel features 203:by British writer 33: 7145:template (see the 6915:The Road of Dreams 6828:Go Back for Murder 6772:Murder on the Nile 6642:Murder in the Mews 6621:The Hound of Death 6448:At Bertram's Hotel 6350:Mrs McGinty's Dead 6322:Taken at the Flood 6259:Evil Under the Sun 6196:Cards on the Table 6182:The A.B.C. Murders 6140:Peril at End House 5858:(1985–2007, radio) 5850:(1985, board game) 5713:Peril at End House 5523:Thirteen at Dinner 5515:Evil Under the Sun 5311:Murder in the Mews 5212:Mrs McGinty's Dead 5204:Taken at the Flood 5180:Evil Under the Sun 5124:Cards on the Table 5108:The A.B.C. Murders 5068:Peril at End House 4869:Zizek, S. (2012). 4767:The New York Times 4191:Cards on the Table 4172:Peril at End House 3517:The New York Times 3445:, p. 178 n.2. 3396:, p. 388–389. 2133:, Poirot, Hercule. 1833:Michael Billington 1597:1976, Ulverscroft 1513:(Major Allerton), 1509:(Daisy Luttrell), 1505:(Elizabeth Cole), 1467: 1451:The New York Times 1361:The New York Times 1347:The A.B.C. Murders 1341:Murder in the Mews 1153:The New York Times 1109:Cards on the Table 1080:at other time. 948:Peril at End House 931:Shakespeare's Iago 823:, that represents 722:, always carrying 618:research assistant 573:Dr. John Franklin 359:revealed death by 209:Collins Crime Club 77:Collins Crime Club 7101: 7100: 7058:Ashfield, Torquay 6999:(2008 TV episode) 6600:Partners in Crime 6364:After the Funeral 6308:Sparkling Cyanide 6287:The Moving Finger 6210:Death on the Nile 6168:Three Act Tragedy 6147:Lord Edgware Dies 5904: 5903: 5831:Other adaptations 5626: 5625: 5574:Death on the Nile 5507:Death on the Nile 5488:Lord Edgware Dies 5452: 5451: 5220:After the Funeral 5140:Death on the Nile 5092:Three Act Tragedy 5076:Lord Edgware Dies 4899:978-3-03076-055-7 4880:978-1-78168-402-3 4861:978-1-47666-595-5 4842:978-0-23052-501-6 4823:978-1-63936-252-3 4804:978-1-47226-955-3 4785:978-1-13953-677-6 4715:978-0-19872-419-3 4696:978-0-52138-903-7 4656:978-1-13746-966-3 4637:978-0-87972-415-3 4597:978-1-85981-271-6 4578:978-0-39396-888-0 4559:978-0-87972-215-9 4540:978-0-67474-578-0 4521:978-0-71904-832-6 4502:978-0-19280-436-5 4483:978-0-47208-585-9 4464:978-1-57607-043-7 4421:978-1-13753-875-8 4402:978-0-41531-958-4 4341:978-1-78320-633-9 4322:978-1-35021-247-3 4303:978-3-03076-055-7 4276:978-0-00752-749-6 4257:978-0-00723-450-9 4238:978-0-00723-444-8 4219:978-0-06174-100-5 4200:978-0-00711-934-9 4181:978-0-00616-613-9 4145:978-1-10704-414-2 4126:978-1-47668-837-4 4107:978-1-35021-247-3 4088:978-0-56769-553-6 4069:978-0-67102-831-2 4050:978-0-80325-979-9 4043:. London: Arrow. 4031:978-1-35021-247-3 4012:978-1-47667-620-3 3963:978-1-44387-762-6 3906:978-0-87972-159-6 3878:978-1-35024-033-9 3859:978-1-35021-247-3 3186:, pp. 41–42. 2884:, pp. 26–27. 2577:, pp. 26–27. 2493:, pp. 48–50. 2440:, pp. 77–78. 1983:, pp. 69–70. 1335:Death on the Nile 1294:similarly to how 1150:published in the 1043:Poirot and murder 936:Christie and Iago 755: 754: 597:Barbara Franklin 527:with the rank of 395:adulterous affair 361:arsenic poisoning 325:, which featured 270:Spanish Civil War 252:, written during 201:detective fiction 192: 191: 93:Publication place 47:Cover artist 7157: 7152: 7151: 7150: 7144: 7140: 7091: 7090: 7054:(second husband) 7028:See How They Run 6991:(2004 docudrama) 6943:An Autobiography 6883:Three Blind Mice 6861:television plays 6476:Hallowe'en Party 6392:Dead Man's Folly 6280:Five Little Pigs 6005:Miss Jane Marple 5931: 5924: 5917: 5908: 5894: 5893: 5531:Dead Man's Folly 5461: 5268:Hallowe'en Party 5236:Dead Man's Folly 5188:Five Little Pigs 5017: 4947: 4940: 4933: 4924: 4903: 4884: 4865: 4846: 4827: 4808: 4789: 4770: 4761: 4744: 4742: 4740: 4731:. 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It was 180:Followed by 167:Preceded by 158: 132: 84:Publication date 34: 7165: 7164: 7160: 7159: 7158: 7156: 7155: 7154: 7142: 7138: 7136: 7134: 7132: 7104: 7102: 7097: 7079: 7064:Greenway Estate 7048:(first husband) 7046:Archie Christie 7034: 6962: 6902: 6876:The Yellow Iris 6860: 6854: 6738: 6584: 6578: 6529: 6523: 6518:Sleeping Murder 6504:Postern of Fate 6050: 6034: 6025:Mr. Harley Quin 5963: 5940: 5938:Agatha Christie 5935: 5905: 5900: 5882: 5861: 5839:The Yellow Iris 5826: 5719: 5684: 5678:The ABC Murders 5622: 5595: 5558:Kenneth Branagh 5553: 5494: 5448: 5405: 5290: 5006: 4980:Arthur Hastings 4960: 4954:Agatha Christie 4951: 4911: 4906: 4900: 4887: 4881: 4868: 4862: 4849: 4843: 4830: 4824: 4811: 4805: 4792: 4786: 4773: 4764: 4747: 4738: 4736: 4722: 4716: 4703: 4697: 4684: 4663: 4657: 4644: 4638: 4625: 4616: 4614: 4604: 4598: 4585: 4579: 4566: 4560: 4547: 4541: 4528: 4522: 4509: 4503: 4490: 4484: 4471: 4465: 4449: 4428: 4422: 4409: 4403: 4390: 4381: 4379: 4365: 4348: 4342: 4329: 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2096: 2084: 2082: 2080:, pp. 29. 2076: 2069: 2061: 2050: 2042: 2038: 2030: 2026: 2018: 2014: 2006: 1999: 1991: 1987: 1979: 1975: 1967: 1963: 1959:, pp. 1–4. 1955: 1951: 1947:, p. 1202. 1943: 1939: 1931: 1927: 1919: 1915: 1905: 1903: 1898: 1897: 1893: 1886: 1873: 1872: 1868: 1858: 1857: 1853: 1849: 1844: 1843: 1822: 1799: 1795: 1774: 1770: 1760: 1756: 1741: 1737: 1732: 1728: 1726: 1724: 1720: 1715: 1711: 1704:Sleeping Murder 1682: 1678: 1664:tongue-in-cheek 1657:omnibus edition 1650: 1646: 1641: 1567: 1517:(Dr Franklin), 1511:Matthew McNulty 1503:Helen Baxendale 1499:Alice Orr-Ewing 1474: 1459: 1402: 1395:Postern of Fate 1383: 1314: 1276: 1272: 1209: 1139: 1133: 1045: 995: 993:Norton and Iago 977:Mary Westmacott 968: 938: 933: 905: 874: 870: 861: 838: 833: 779: 775: 763: 711:Stephen Norton 699:Elizabeth Cole 687:Daisy Luttrell 661:Allerton is an 658:Major Allerton 553: 546:Argentine ranch 533:Howard Haycraft 501:Sherlock Holmes 479:Hercule Poirot 466: 441: 353:food poisioning 349: 344: 336:Sleeping Murder 322:Sleeping Murder 262: 249:Sleeping Murder 224:Arthur Hastings 205:Agatha Christie 185:Sleeping Murder 147: 101:Media type 85: 41:Agatha Christie 27: 22: 21: 20: 12: 11: 5: 7163: 7161: 7099: 7098: 7096: 7095: 7084: 7081: 7080: 7078: 7077: 7072: 7067: 7061: 7055: 7049: 7042: 7040: 7036: 7035: 7033: 7032: 7024: 7016: 7008: 7000: 6992: 6984: 6976: 6970: 6968: 6964: 6963: 6961: 6960: 6953: 6946: 6939: 6932: 6925: 6918: 6910: 6908: 6904: 6903: 6901: 6900: 6893: 6886: 6879: 6872: 6864: 6862: 6856: 6855: 6853: 6852: 6845: 6838: 6835:Fiddlers Three 6831: 6824: 6817: 6810: 6803: 6796: 6789: 6782: 6775: 6768: 6761: 6754: 6746: 6744: 6740: 6739: 6737: 6736: 6729: 6722: 6715: 6708: 6701: 6694: 6687: 6680: 6673: 6666: 6659: 6652: 6645: 6638: 6631: 6624: 6617: 6610: 6603: 6596: 6588: 6586: 6580: 6579: 6577: 6576: 6569: 6562: 6555: 6548: 6541: 6533: 6531: 6525: 6524: 6522: 6521: 6514: 6507: 6500: 6493: 6486: 6479: 6472: 6465: 6458: 6451: 6444: 6437: 6430: 6423: 6420:The Pale Horse 6416: 6409: 6402: 6395: 6388: 6381: 6374: 6367: 6360: 6353: 6346: 6339: 6332: 6325: 6318: 6311: 6304: 6297: 6290: 6283: 6276: 6269: 6262: 6255: 6248: 6241: 6234: 6231:Murder Is Easy 6227: 6220: 6213: 6206: 6199: 6192: 6185: 6178: 6171: 6164: 6157: 6150: 6143: 6136: 6129: 6122: 6115: 6108: 6101: 6094: 6087: 6080: 6073: 6066: 6058: 6056: 6052: 6051: 6049: 6048: 6042: 6040: 6036: 6035: 6033: 6032: 6027: 6022: 6017: 6015:Hercule Poirot 6012: 6010:Ariadne Oliver 6007: 6002: 5997: 5992: 5987: 5982: 5977: 5971: 5969: 5965: 5964: 5962: 5961: 5956: 5951: 5945: 5942: 5941: 5936: 5934: 5933: 5926: 5919: 5911: 5902: 5901: 5899: 5898: 5887: 5884: 5883: 5881: 5880: 5875: 5869: 5867: 5863: 5862: 5860: 5859: 5855:Hercule Poirot 5851: 5847:Orient Express 5843: 5834: 5832: 5828: 5827: 5825: 5824: 5816: 5808: 5800: 5792: 5784: 5776: 5768: 5760: 5752: 5744: 5736: 5727: 5725: 5721: 5720: 5718: 5717: 5709: 5701: 5692: 5690: 5686: 5685: 5683: 5682: 5674: 5666: 5658: 5657: 5656: 5643: 5634: 5632: 5628: 5627: 5624: 5623: 5621: 5620: 5612: 5603: 5601: 5597: 5596: 5594: 5593: 5592: 5591: 5578: 5570: 5561: 5559: 5555: 5554: 5552: 5551: 5543: 5535: 5527: 5519: 5511: 5502: 5500: 5496: 5495: 5493: 5492: 5484: 5476: 5467: 5465: 5458: 5454: 5453: 5450: 5449: 5447: 5446: 5438: 5430: 5422: 5413: 5411: 5407: 5406: 5404: 5403: 5395: 5387: 5379: 5371: 5363: 5355: 5347: 5339: 5331: 5323: 5315: 5307: 5298: 5296: 5292: 5291: 5289: 5288: 5280: 5272: 5264: 5256: 5248: 5240: 5232: 5224: 5216: 5208: 5200: 5192: 5184: 5176: 5168: 5160: 5152: 5144: 5136: 5128: 5120: 5112: 5104: 5096: 5088: 5080: 5072: 5064: 5056: 5048: 5040: 5032: 5023: 5021: 5014: 5008: 5007: 5005: 5004: 4999: 4998: 4997: 4992: 4990:Ariadne Oliver 4987: 4985:Inspector Japp 4982: 4977: 4975:Hercule Poirot 4968: 4966: 4962: 4961: 4958:Hercule Poirot 4952: 4950: 4949: 4942: 4935: 4927: 4921: 4920: 4910: 4909:External links 4907: 4905: 4904: 4898: 4885: 4879: 4866: 4860: 4847: 4841: 4828: 4822: 4809: 4803: 4790: 4784: 4771: 4762: 4745: 4720: 4714: 4701: 4695: 4682: 4661: 4655: 4642: 4636: 4623: 4611:www.rsc.org.uk 4602: 4596: 4583: 4577: 4564: 4558: 4545: 4539: 4526: 4520: 4507: 4501: 4488: 4482: 4469: 4463: 4447: 4426: 4420: 4407: 4401: 4388: 4363: 4346: 4340: 4327: 4321: 4308: 4302: 4281: 4275: 4262: 4256: 4243: 4237: 4224: 4218: 4205: 4199: 4186: 4180: 4167: 4150: 4144: 4131: 4125: 4112: 4106: 4093: 4087: 4074: 4068: 4055: 4049: 4036: 4030: 4017: 4011: 3998: 3977: 3968: 3962: 3949: 3943: 3930: 3924: 3911: 3905: 3892: 3883: 3877: 3864: 3858: 3844: 3842: 3839: 3837: 3836: 3810: 3787: 3761: 3735: 3709: 3692: 3677: 3665: 3663:, p. 370. 3653: 3641: 3629: 3617: 3615:, p. 182. 3605: 3593: 3584: 3554: 3547: 3529: 3503: 3472: 3465: 3447: 3435: 3422: 3420:, p. 169. 3410: 3398: 3386: 3384:, p. 417. 3374: 3372:, p. 191. 3362: 3350: 3338: 3326: 3314: 3302: 3290: 3278: 3276:, p. 136. 3266: 3264:, p. 261. 3254: 3252:, p. 260. 3242: 3240:, p. 169. 3230: 3218: 3216:, p. 397. 3203: 3201:, p. 253. 3188: 3176: 3174:, p. 172. 3161: 3146: 3144:, The Non-All. 3134: 3132:, p. 277. 3117: 3105: 3093: 3091:, p. 171. 3076: 3074:, p. 182. 3072:Blackwell 2022 3059: 3057:, p. 323. 3047: 3043:Christie 2007b 3035: 3033:, p. 260. 3020: 3005: 2993: 2991:, p. 157. 2989:Christie 2007a 2981: 2969: 2957: 2945: 2933: 2931:, p. 399. 2921: 2919:, p. 161. 2906: 2904:, p. 191. 2894:Longerich 2010 2886: 2874: 2859: 2844: 2842:, p. 264. 2832: 2830:, p. 158. 2801: 2789: 2772: 2753: 2741: 2739:, p. 392. 2724: 2709: 2707:, p. 207. 2697: 2678: 2676:, p. 262. 2666: 2664:, p. 394. 2654: 2642: 2630: 2615: 2613:, p. 393. 2596: 2594:, p. 106. 2579: 2567: 2555: 2543: 2531: 2519: 2507: 2505:, p. 398. 2495: 2483: 2471: 2459: 2457:, p. 159. 2442: 2430: 2418: 2416:, p. 498. 2406: 2394: 2392:, p. 157. 2357: 2342: 2340:, p. 208. 2330: 2318: 2306: 2304:, p. 160. 2285: 2273: 2261: 2246: 2244:, p. 100. 2234: 2232:, p. 132. 2222: 2220:, p. 131. 2210: 2198: 2186: 2174: 2172:, p. 101. 2162: 2160:, p. 289. 2147: 2135: 2118: 2106: 2094: 2067: 2048: 2036: 2032:Baučeková 2015 2024: 2012: 1997: 1985: 1973: 1961: 1957:McDonough 1998 1949: 1937: 1925: 1913: 1891: 1884: 1866: 1850: 1848: 1845: 1842: 1841: 1793: 1777:Detection Club 1768: 1754: 1735: 1718: 1709: 1676: 1643: 1642: 1640: 1637: 1627: 1626: 1616: 1609: 1595: 1588: 1578: 1566: 1563: 1515:Shaun Dingwall 1458: 1455: 1382: 1379: 1352:Inspector Japp 1313: 1310: 1225:Robert Barnard 1132: 1129: 1125:Franco Moretti 1050:Robert Barnard 1044: 1041: 994: 991: 937: 934: 932: 929: 918:not dissimilar 904: 901: 862: 860: 857: 837: 834: 832: 829: 825:eternal return 799:social classes 764: 762: 756: 753: 752: 749: 745: 744: 726:, who is also 712: 708: 707: 700: 696: 695: 688: 684: 683: 680: 676: 675: 659: 655: 654: 642: 638: 637: 634: 630: 629: 610: 606: 605: 598: 594: 593: 586:field research 574: 570: 569: 562: 558: 557: 517: 513: 512: 480: 476: 475: 472: 465: 462: 440: 437: 348: 347:Recent murders 345: 343: 340: 278:United Kingdom 261: 258: 220:Hercule Poirot 190: 189: 181: 177: 176: 168: 164: 163: 160: 152: 151: 148: 143: 140: 139: 134: 126: 125: 120: 114: 113: 110: 106: 105: 102: 98: 97: 96:United Kingdom 94: 90: 89: 88:September 1975 86: 83: 80: 79: 74: 70: 69: 64: 60: 59: 56: 52: 51: 48: 44: 43: 38: 25: 23: 15: 14: 13: 10: 9: 6: 4: 3: 2: 7162: 7153: 7148: 7131: 7128: 7125: 7122: 7119: 7116: 7113: 7110: 7107: 7094: 7086: 7085: 7082: 7076: 7073: 7071: 7068: 7065: 7062: 7059: 7056: 7053: 7050: 7047: 7044: 7043: 7041: 7037: 7030: 7029: 7025: 7022: 7021: 7017: 7014: 7013: 7009: 7006: 7005: 7001: 6998: 6997: 6993: 6990: 6989: 6985: 6982: 6981: 6977: 6975: 6972: 6971: 6969: 6965: 6959: 6958: 6954: 6952: 6951: 6947: 6945: 6944: 6940: 6938: 6937: 6933: 6931: 6930: 6926: 6924: 6923: 6919: 6917: 6916: 6912: 6911: 6909: 6905: 6899: 6898: 6897:Personal Call 6894: 6892: 6891: 6887: 6885: 6884: 6880: 6878: 6877: 6873: 6871: 6870: 6866: 6865: 6863: 6857: 6851: 6850: 6846: 6844: 6843: 6839: 6837: 6836: 6832: 6830: 6829: 6825: 6823: 6822: 6818: 6816: 6815: 6811: 6809: 6808: 6804: 6802: 6801: 6797: 6795: 6794: 6790: 6788: 6787: 6786:The Mousetrap 6783: 6781: 6780: 6776: 6774: 6773: 6769: 6767: 6766: 6762: 6760: 6759: 6755: 6753: 6752: 6748: 6747: 6745: 6741: 6735: 6734: 6730: 6728: 6727: 6723: 6721: 6720: 6716: 6714: 6713: 6709: 6707: 6706: 6702: 6700: 6699: 6695: 6693: 6692: 6688: 6686: 6685: 6681: 6679: 6678: 6674: 6672: 6671: 6667: 6665: 6664: 6660: 6658: 6657: 6653: 6651: 6650: 6646: 6644: 6643: 6639: 6637: 6636: 6632: 6630: 6629: 6625: 6623: 6622: 6618: 6616: 6615: 6611: 6609: 6608: 6604: 6602: 6601: 6597: 6595: 6594: 6590: 6589: 6587: 6581: 6575: 6574: 6570: 6568: 6567: 6563: 6561: 6560: 6556: 6554: 6553: 6549: 6547: 6546: 6542: 6540: 6539: 6538:Giant's Bread 6535: 6534: 6532: 6526: 6520: 6519: 6515: 6513: 6512: 6508: 6506: 6505: 6501: 6499: 6498: 6494: 6492: 6491: 6487: 6485: 6484: 6480: 6478: 6477: 6473: 6471: 6470: 6466: 6464: 6463: 6462:Endless Night 6459: 6457: 6456: 6452: 6450: 6449: 6445: 6443: 6442: 6438: 6436: 6435: 6431: 6429: 6428: 6424: 6422: 6421: 6417: 6415: 6414: 6410: 6408: 6407: 6403: 6401: 6400: 6396: 6394: 6393: 6389: 6387: 6386: 6382: 6380: 6379: 6375: 6373: 6372: 6368: 6366: 6365: 6361: 6359: 6358: 6354: 6352: 6351: 6347: 6345: 6344: 6340: 6338: 6337: 6333: 6331: 6330: 6329:Crooked House 6326: 6324: 6323: 6319: 6317: 6316: 6312: 6310: 6309: 6305: 6303: 6302: 6298: 6296: 6295: 6291: 6289: 6288: 6284: 6282: 6281: 6277: 6275: 6274: 6270: 6268: 6267: 6263: 6261: 6260: 6256: 6254: 6253: 6249: 6247: 6246: 6242: 6240: 6239: 6235: 6233: 6232: 6228: 6226: 6225: 6221: 6219: 6218: 6214: 6212: 6211: 6207: 6205: 6204: 6200: 6198: 6197: 6193: 6191: 6190: 6186: 6184: 6183: 6179: 6177: 6176: 6172: 6170: 6169: 6165: 6163: 6162: 6158: 6156: 6155: 6151: 6149: 6148: 6144: 6142: 6141: 6137: 6135: 6134: 6130: 6128: 6127: 6123: 6121: 6120: 6116: 6114: 6113: 6109: 6107: 6106: 6102: 6100: 6099: 6095: 6093: 6092: 6088: 6086: 6085: 6081: 6079: 6078: 6074: 6072: 6071: 6067: 6065: 6064: 6060: 6059: 6057: 6053: 6047: 6046:St. Mary Mead 6044: 6043: 6041: 6037: 6031: 6028: 6026: 6023: 6021: 6018: 6016: 6013: 6011: 6008: 6006: 6003: 6001: 5998: 5996: 5993: 5991: 5988: 5986: 5983: 5981: 5978: 5976: 5973: 5972: 5970: 5966: 5960: 5957: 5955: 5952: 5950: 5947: 5946: 5943: 5939: 5932: 5927: 5925: 5920: 5918: 5913: 5912: 5909: 5897: 5889: 5888: 5885: 5879: 5876: 5874: 5871: 5870: 5868: 5864: 5857: 5856: 5852: 5849: 5848: 5844: 5842:(1937, radio) 5841: 5840: 5836: 5835: 5833: 5829: 5822: 5821: 5817: 5814: 5813: 5809: 5806: 5805: 5801: 5798: 5797: 5793: 5790: 5789: 5785: 5782: 5781: 5777: 5774: 5773: 5769: 5766: 5765: 5761: 5758: 5757: 5753: 5750: 5749: 5745: 5742: 5741: 5737: 5734: 5733: 5729: 5728: 5726: 5722: 5715: 5714: 5710: 5707: 5706: 5702: 5699: 5698: 5694: 5693: 5691: 5687: 5680: 5679: 5675: 5672: 5671: 5667: 5664: 5663: 5659: 5655: 5652: 5651: 5649: 5648: 5644: 5641: 5640: 5636: 5635: 5633: 5629: 5618: 5617: 5613: 5610: 5609: 5605: 5604: 5602: 5598: 5590: 5587: 5586: 5584: 5583: 5579: 5576: 5575: 5571: 5568: 5567: 5563: 5562: 5560: 5556: 5549: 5548: 5544: 5541: 5540: 5536: 5533: 5532: 5528: 5525: 5524: 5520: 5517: 5516: 5512: 5509: 5508: 5504: 5503: 5501: 5499:Peter Ustinov 5497: 5490: 5489: 5485: 5482: 5481: 5477: 5474: 5473: 5469: 5468: 5466: 5464:Austin Trevor 5462: 5459: 5455: 5444: 5443: 5439: 5436: 5435: 5431: 5428: 5427: 5426:Closed Casket 5423: 5420: 5419: 5415: 5414: 5412: 5410:Continuations 5408: 5401: 5400: 5396: 5393: 5392: 5388: 5385: 5384: 5380: 5377: 5376: 5372: 5369: 5368: 5364: 5361: 5360: 5356: 5353: 5352: 5348: 5345: 5344: 5340: 5337: 5336: 5332: 5329: 5328: 5324: 5321: 5320: 5316: 5313: 5312: 5308: 5305: 5304: 5300: 5299: 5297: 5295:Short stories 5293: 5286: 5285: 5281: 5278: 5277: 5273: 5270: 5269: 5265: 5262: 5261: 5257: 5254: 5253: 5249: 5246: 5245: 5241: 5238: 5237: 5233: 5230: 5229: 5225: 5222: 5221: 5217: 5214: 5213: 5209: 5206: 5205: 5201: 5198: 5197: 5193: 5190: 5189: 5185: 5182: 5181: 5177: 5174: 5173: 5169: 5166: 5165: 5161: 5158: 5157: 5153: 5150: 5149: 5145: 5142: 5141: 5137: 5134: 5133: 5129: 5126: 5125: 5121: 5118: 5117: 5113: 5110: 5109: 5105: 5102: 5101: 5097: 5094: 5093: 5089: 5086: 5085: 5081: 5078: 5077: 5073: 5070: 5069: 5065: 5062: 5061: 5057: 5054: 5053: 5049: 5046: 5045: 5041: 5038: 5037: 5033: 5030: 5029: 5025: 5024: 5022: 5018: 5015: 5013: 5009: 5003: 5000: 4996: 4993: 4991: 4988: 4986: 4983: 4981: 4978: 4976: 4973: 4972: 4970: 4969: 4967: 4963: 4959: 4955: 4948: 4943: 4941: 4936: 4934: 4929: 4928: 4925: 4919: 4917: 4913: 4912: 4908: 4901: 4895: 4891: 4886: 4882: 4876: 4872: 4867: 4863: 4857: 4853: 4848: 4844: 4838: 4834: 4829: 4825: 4819: 4815: 4810: 4806: 4800: 4796: 4791: 4787: 4781: 4777: 4772: 4768: 4763: 4759: 4755: 4751: 4746: 4734: 4730: 4729:The Arts Desk 4726: 4721: 4717: 4711: 4707: 4702: 4698: 4692: 4688: 4683: 4679: 4675: 4671: 4667: 4662: 4658: 4652: 4648: 4643: 4639: 4633: 4629: 4624: 4612: 4608: 4607:"Terry Hands" 4603: 4599: 4593: 4589: 4584: 4580: 4574: 4570: 4565: 4561: 4555: 4551: 4546: 4542: 4536: 4532: 4527: 4523: 4517: 4513: 4508: 4504: 4498: 4494: 4489: 4485: 4479: 4475: 4470: 4466: 4460: 4456: 4452: 4448: 4444: 4440: 4436: 4432: 4427: 4423: 4417: 4413: 4408: 4404: 4398: 4394: 4389: 4377: 4373: 4369: 4364: 4360: 4356: 4352: 4347: 4343: 4337: 4333: 4328: 4324: 4318: 4314: 4309: 4305: 4299: 4295: 4291: 4287: 4282: 4278: 4272: 4268: 4263: 4259: 4253: 4249: 4244: 4240: 4234: 4230: 4225: 4221: 4215: 4211: 4206: 4202: 4196: 4192: 4187: 4183: 4177: 4173: 4168: 4164: 4160: 4156: 4151: 4147: 4141: 4137: 4132: 4128: 4122: 4118: 4113: 4109: 4103: 4099: 4094: 4090: 4084: 4080: 4075: 4071: 4065: 4061: 4056: 4052: 4046: 4042: 4037: 4033: 4027: 4023: 4018: 4014: 4008: 4004: 3999: 3995: 3991: 3987: 3983: 3978: 3974: 3969: 3965: 3959: 3955: 3950: 3946: 3944:0-19-507239-1 3940: 3936: 3931: 3927: 3925:0-00-637474-3 3921: 3917: 3912: 3908: 3902: 3898: 3893: 3889: 3884: 3880: 3874: 3870: 3865: 3861: 3855: 3851: 3846: 3845: 3840: 3824: 3820: 3814: 3811: 3798: 3791: 3788: 3776: 3772: 3765: 3762: 3750: 3746: 3739: 3736: 3724: 3720: 3713: 3710: 3707: 3703: 3702: 3696: 3693: 3689: 3688:Hinckley 2014 3684: 3682: 3678: 3674: 3673:Sweeting 2013 3669: 3666: 3662: 3661:Aldridge 2023 3657: 3654: 3651:, p. 12. 3650: 3645: 3642: 3639:, p. 13. 3638: 3633: 3630: 3627:, p. 94. 3626: 3621: 3618: 3614: 3609: 3606: 3602: 3597: 3594: 3588: 3585: 3581: 3569: 3565: 3558: 3555: 3550: 3548:1-85227-273-2 3544: 3540: 3533: 3530: 3518: 3514: 3507: 3504: 3492: 3484: 3476: 3473: 3468: 3466:1-85227-273-2 3462: 3458: 3451: 3448: 3444: 3443:Bernthal 2023 3439: 3436: 3432: 3426: 3423: 3419: 3414: 3411: 3407: 3402: 3399: 3395: 3390: 3387: 3383: 3378: 3375: 3371: 3366: 3363: 3360:, p. 42. 3359: 3354: 3351: 3347: 3342: 3339: 3335: 3330: 3327: 3323: 3318: 3315: 3312:, p. 96. 3311: 3310:Christie 2006 3306: 3303: 3299: 3294: 3291: 3287: 3282: 3279: 3275: 3270: 3267: 3263: 3258: 3255: 3251: 3250:Christie 2001 3246: 3243: 3239: 3238:Christie 1977 3234: 3231: 3227: 3222: 3219: 3215: 3210: 3208: 3204: 3200: 3195: 3193: 3189: 3185: 3180: 3177: 3173: 3172:Bernthal 2020 3168: 3166: 3162: 3159:, p. 28. 3158: 3153: 3151: 3147: 3143: 3138: 3135: 3131: 3130:Christie 2006 3126: 3124: 3122: 3118: 3115:, p. 40. 3114: 3109: 3106: 3102: 3097: 3094: 3090: 3089:Bernthal 2020 3085: 3083: 3081: 3077: 3073: 3068: 3066: 3064: 3060: 3056: 3055:Thompson 2018 3051: 3048: 3045:, p. 88. 3044: 3039: 3036: 3032: 3031:Christie 2006 3027: 3025: 3021: 3018:, p. 38. 3017: 3012: 3010: 3006: 3003:, p. 10. 3002: 2997: 2994: 2990: 2985: 2982: 2979:, p. 66. 2978: 2973: 2970: 2967:, p. 98. 2966: 2965:Christie 1990 2961: 2958: 2954: 2953:Thompson 2018 2949: 2946: 2943:, p. 33. 2942: 2941:Bernthal 2019 2937: 2934: 2930: 2925: 2922: 2918: 2913: 2911: 2907: 2903: 2899: 2898:Browning 2005 2895: 2890: 2887: 2883: 2878: 2875: 2872:, p. 27. 2871: 2866: 2864: 2860: 2856: 2855:Christie 2006 2851: 2849: 2845: 2841: 2840:Christie 2006 2836: 2833: 2829: 2824: 2822: 2820: 2818: 2816: 2814: 2812: 2810: 2808: 2806: 2802: 2798: 2797:Christie 2006 2793: 2790: 2787:, p. 75. 2786: 2781: 2779: 2777: 2773: 2770:, p. 26. 2769: 2764: 2762: 2760: 2758: 2754: 2751:, p. 16. 2750: 2749:Christie 2013 2745: 2742: 2738: 2733: 2731: 2729: 2725: 2722:, p. 46. 2721: 2720:Christie 2006 2716: 2714: 2710: 2706: 2705:Christie 2006 2701: 2698: 2695:, p. 37. 2694: 2689: 2687: 2685: 2683: 2679: 2675: 2674:Christie 2006 2670: 2667: 2663: 2658: 2655: 2651: 2650:Christie 2006 2646: 2643: 2639: 2638:Christie 2006 2634: 2631: 2627: 2622: 2620: 2616: 2612: 2607: 2605: 2603: 2601: 2597: 2593: 2592:Christie 2006 2588: 2586: 2584: 2580: 2576: 2575:Christie 2006 2571: 2568: 2565:, p. 11. 2564: 2563:Christie 2006 2559: 2556: 2553:, p. 43. 2552: 2551:Christie 2006 2547: 2544: 2541:, p. 86. 2540: 2539:Christie 2006 2535: 2532: 2529:, p. 14. 2528: 2527:Christie 2006 2523: 2520: 2516: 2515:Christie 2006 2511: 2508: 2504: 2499: 2496: 2492: 2491:Christie 2006 2487: 2484: 2481:, p. 29. 2480: 2475: 2472: 2469:, p. 35. 2468: 2467:Christie 2006 2463: 2460: 2456: 2451: 2449: 2447: 2443: 2439: 2438:Christie 2006 2434: 2431: 2427: 2422: 2419: 2415: 2410: 2407: 2404:, p. 48. 2403: 2402:Christie 2006 2398: 2395: 2391: 2386: 2384: 2382: 2380: 2378: 2376: 2374: 2372: 2370: 2368: 2366: 2364: 2362: 2358: 2354: 2353:Bernthal 2022 2349: 2347: 2343: 2339: 2334: 2331: 2328:, p. 63. 2327: 2326:Christie 2006 2322: 2319: 2315: 2314:Bernthal 2022 2310: 2307: 2303: 2298: 2296: 2294: 2292: 2290: 2286: 2282: 2281:Christie 2006 2277: 2274: 2270: 2269:Bernthal 2022 2265: 2262: 2258: 2257:Bernthal 2022 2253: 2251: 2247: 2243: 2238: 2235: 2231: 2230:Haycraft 1941 2226: 2223: 2219: 2214: 2211: 2208:, p. 91. 2207: 2202: 2199: 2196:, p. 76. 2195: 2190: 2187: 2184:, p. 23. 2183: 2182:Christie 2006 2178: 2175: 2171: 2166: 2163: 2159: 2154: 2152: 2148: 2145:, p. 14. 2144: 2143:Christie 2001 2139: 2136: 2132: 2131:Bernthal 2022 2127: 2125: 2123: 2119: 2116:, p. 23. 2115: 2114:Christie 2013 2110: 2107: 2104:, p. 27. 2103: 2102:Christie 2006 2098: 2095: 2088: 2079: 2078:Christie 2006 2074: 2072: 2068: 2064: 2063:Christie 2006 2059: 2057: 2055: 2053: 2049: 2046:, p. 24. 2045: 2044:Christie 2006 2040: 2037: 2033: 2028: 2025: 2021: 2016: 2013: 2010:, p. 25. 2009: 2004: 2002: 1998: 1994: 1989: 1986: 1982: 1981:Laybourn 2001 1977: 1974: 1971:, p. 23. 1970: 1969:Laybourn 2001 1965: 1962: 1958: 1953: 1950: 1946: 1945:Merriman 1996 1941: 1938: 1935:, p. 55. 1934: 1933:Buchanan 2014 1929: 1926: 1922: 1917: 1914: 1901: 1895: 1892: 1887: 1885:0-85967-991-8 1881: 1877: 1870: 1867: 1862: 1855: 1852: 1846: 1838: 1834: 1830: 1829: 1821: 1820: 1815: 1811: 1807: 1803: 1797: 1794: 1790: 1786: 1783:laid down by 1782: 1778: 1772: 1769: 1765: 1758: 1755: 1751: 1745: 1739: 1736: 1722: 1719: 1713: 1710: 1706: 1705: 1699: 1695: 1694: 1688: 1680: 1677: 1673: 1669: 1668:HarperCollins 1665: 1661: 1658: 1654: 1648: 1645: 1638: 1636: 1634: 1633: 1625: 1624:0-8161-4539-3 1621: 1617: 1614: 1613:HarperCollins 1610: 1608: 1607:0-85456-498-5 1604: 1600: 1596: 1593: 1589: 1587: 1586:0-396-07191-0 1583: 1579: 1577: 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In 1343: 1342: 1337: 1336: 1330: 1328: 1324: 1322: 1321: 1311: 1309: 1307: 1303: 1302: 1297: 1296:Pierre Bayard 1293: 1288: 1286: 1280: 1268: 1266: 1262: 1260: 1256: 1252: 1250: 1245: 1240: 1238: 1234: 1230: 1226: 1222: 1218: 1213: 1206: 1204: 1199: 1197: 1196: 1190: 1187: 1182: 1177: 1175: 1174: 1166: 1164: 1163: 1157: 1155: 1154: 1149: 1145: 1137: 1130: 1128: 1126: 1121: 1117: 1115: 1111: 1110: 1105: 1100: 1096: 1095: 1088: 1086: 1081: 1079: 1075: 1071: 1066: 1062: 1058: 1057: 1051: 1042: 1040: 1037: 1032: 1027: 1022: 1020: 1016: 1012: 1008: 1004: 1000: 992: 990: 988: 984: 983: 978: 974: 966: 962: 961: 956: 955: 950: 949: 944: 935: 928: 925: 923: 920:. 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May 2007 1847:References 1837:Audenesque 1265:Folklorist 1259:Rhys Bowen 1231:, he said 1065:Stuart Sim 741:dénouement 671:throw over 647:alcoholics 566:sanatorium 464:Characters 391:Farmworker 331:bank vault 260:Background 7147:help page 6039:Locations 5002:Recurring 4678:645329911 4443:774405917 4437:: 69–84. 4359:475195282 3994:774405917 3988:: 31–40. 3754:1 October 3346:York 2007 3101:York 2007 2917:York 2007 2828:York 2007 2626:York 2007 2455:York 2007 2426:York 2007 2390:York 2007 2302:York 2007 2087:help page 1653:Dodd Mead 1507:Anne Reid 1298:, in his 1237:whodunnit 1007:sociopath 987:Desdemona 973:pseudonym 896:Coleridge 821:nostalgia 803:chameleon 795:alienated 704:Broadmoor 667:womanizer 496:Watsonian 433:Broadmoor 380:cared for 369:Acquitted 313:the Blitz 254:the Blitz 243:in 2013. 150:823/.9/12 73:Publisher 50:Not known 7093:Category 6849:Chimneys 6842:Akhnaton 6528:As Mary 5954:Universe 5896:Category 5866:See also 5654:episodes 4453:(2001). 4382:17 March 3749:The Edge 3728:17 March 3601:RSC 2023 3574:17 March 3522:17 March 3496:17 March 3226:Sim 2015 1804:'s 1985 1698:the film 1537:The Edge 1366:obituary 1148:obituary 1011:catalyst 748:Georges 651:bonhomie 561:Curtiss 403:amnesiac 305:pharmacy 301:war work 295:had his 55:Language 7039:Related 6814:Verdict 6511:Curtain 6490:Nemesis 6266:N or M? 5585:(2023) 5284:Curtain 4916:Curtain 4163:3485887 1906:7 March 1789:Curtain 1744:Curtain 1542:Curtain 1485:Curtain 1440:hanging 1432:Curtain 1410:Curtain 1400:Curtain 1356:Curtain 1327:Curtain 1292:Curtain 1285:Curtain 1255:Curtain 1244:Curtain 1233:Curtain 1217:Curtain 1186:Curtain 1136:Curtain 1120:Curtain 1085:Curtain 1074:inquest 1070:perjury 1061:Curtain 1026:deadly. 965:Othello 943:Curtain 910:reality 889:noirist 852:Curtain 842:Curtain 816:deja vu 811:Curtain 787:Curtain 716:stammer 542:Curtain 529:captain 505:Curtain 397:with a 384:morphia 373:veronal 365:charged 357:autopsy 317:Curtain 315:"—were 266:Curtain 137:1945891 58:English 7066:(home) 7060:(home) 6980:Agatha 6055:Novels 5823:(2023) 5815:(2023) 5807:(2021) 5799:(2016) 5791:(2010) 5783:(2009) 5775:(2009) 5767:(2008) 5759:(2007) 5751:(2007) 5743:(2006) 5735:(2005) 5716:(1940) 5708:(1930) 5700:(1928) 5681:(2018) 5665:(2001) 5647:Poirot 5642:(1937) 5619:(1974) 5611:(1965) 5577:(2022) 5569:(2017) 5550:(1988) 5542:(1986) 5534:(1986) 5526:(1985) 5518:(1982) 5510:(1978) 5491:(1934) 5483:(1931) 5475:(1931) 5445:(2020) 5437:(2018) 5429:(2016) 5421:(2014) 5402:(1997) 5394:(1997) 5386:(1991) 5378:(1974) 5370:(1961) 5362:(1960) 5354:(1951) 5346:(1950) 5338:(1948) 5330:(1947) 5322:(1939) 5314:(1937) 5306:(1924) 5287:(1975) 5279:(1972) 5271:(1969) 5263:(1966) 5255:(1963) 5247:(1959) 5239:(1956) 5231:(1955) 5223:(1953) 5215:(1952) 5207:(1948) 5199:(1946) 5191:(1942) 5183:(1941) 5175:(1940) 5167:(1940) 5159:(1938) 5151:(1938) 5143:(1937) 5135:(1937) 5127:(1936) 5119:(1936) 5111:(1936) 5103:(1935) 5095:(1934) 5087:(1934) 5079:(1933) 5071:(1932) 5063:(1928) 5055:(1927) 5047:(1926) 5039:(1923) 5031:(1920) 5020:Novels 4896: 4877: 4858: 4839: 4820: 4801: 4782: 4758:375748 4756: 4712: 4693: 4676: 4653: 4634: 4594: 4575: 4556: 4537: 4518: 4499: 4480: 4461: 4441: 4418: 4399: 4357: 4338: 4319: 4300: 4273: 4254: 4235: 4216: 4197: 4178: 4161: 4142: 4123: 4104: 4085: 4066: 4047: 4028: 4009: 3992: 3960: 3941: 3922: 3903: 3875: 3856: 3545: 3463: 2955:, War. 1882: 1729: 1622: 1605: 1590:1976, 1584: 1574: 1551:Bessie 1475: 1277: 1273: 1210: 1140: 1003:sadist 969: 882:nature 831:Themes 783:Styles 663:egoist 418:hanged 399:lodger 187: 174: 37:Author 6936:Poems 6743:Plays 5697:Alibi 5689:Plays 5600:Other 5472:Alibi 5457:Films 5012:Books 4971:Main 3487:(PDF) 1823:' 1696:, or 1639:Notes 1403:' 1112:that 1106:, in 979:. 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