81:
168:. Negative responses to the test previews led to the modifications resulting in the US theatrical version, while positive response to the showings in 1990 and 1991 pushed the studio to approve work on an official director's cut. This version was re-released as part of the five-disc Ultimate Edition in 2007 with a new transfer of the last known print in existence, with the picture and sound quality restored as much as possible. However, the result was still rough.
1522:
24:
351:) and to the film's resurgent cult popularity in the early '90s, Warner Bros. decided to assemble a definitive director's cut of the film—with direction from Scott—for an official theatrical re-release in 1992. In addition to fleshing out several scenes, three major changes were made to the original theatrical cut:
276:
The Ridley Scott-approved
Director's Cut (1992, 116 minutes) was prompted by the unauthorized 1990 and 1991 theatrical release of the workprint version of the movie. The Director's Cut contained significant changes from the theatrical workprint version. Scott provided extensive notes and consultation
211:
The "Happy Ending" refers to the scene after
Deckard and Rachael leave the apartment. Gaff spares Rachael's life, allowing her and Deckard to escape the nauseating confines of Los Angeles. They drive away into a natural landscape, and Deckard's voice-over narrative explains that Gaff's words ("It's
176:
A San Diego sneak preview shown only once in May 1982. This version is nearly identical to the 1982 US theatrical version, except that it included three additional scenes not shown before or since. These scenes were not part of the Final Cut version (2007) and include a scene introducing Batty in a
313:
When the
Cineplex Odeon Fairfax Theater in Los Angeles learned of this discovery, the theater management got permission from Warner Bros. to screen the print for a film festival set for May 1990. Until the screening, no one had been aware that this print was the workprint version. Owing to this
201:
for the version released to cinemas. Ford said in 1999, "I contested it mightily at the time. It was not an organic part of the film." It has been suggested that Ford intentionally performed the voice-over badly, in the hope it would not be used. But in a 2002 interview with
192:
Although several different versions of the script had included a narration of some sort to clarify the narrative, Harrison Ford and Ridley Scott had decided to add filmed scenes to provide the information. But financiers rewrote and reinserted narration during
435:
A digitally remastered single-disc re-release of the 1992 director's cut was released on
September 5, 2006 in the United States, on October 9, 2006 in Ireland and the UK, and in the following months in continental Europe. It contained a trailer for the final
366:
In 2000, Harrison Ford gave his view on the director's cut of the film, where he said that, although he thought it was "spectacular", it did not "move him at all". He gave a brief reason: "They haven't put anything in, so it's still an exercise in design."
239:
The
International Cut (1982, 117 minutes)—also known as the "Criterion Edition" or unrated version—included three more violent action scenes than the US theatrical version. It was distributed in Europe, Australia, and Asia via theatrical and local
510:
contains the original full-length version of the unicorn dream, which had never been in any version, and has been restored. Additionally, all of the additional violence and alternative edits from the international cut have been inserted.
361:
The removal of the studio-imposed "happy ending", including some associated visuals which had originally run under the film's end-credits. In this version the film ends when the elevator doors close as
Deckard and Rachael
321:
Ridley Scott publicly disowned this workprint version of the film as a "director's cut," citing that it was roughly edited and lacked a key scene, and the climax did not feature the score composed for the film by
470:
The five-disc set was released in Europe on
December 3, 2007 and in the US on December 18, 2007. Two-disc and four-disc sets were also released, containing some of the features of the five-disc set.
431:
After several years of legal disputes, Warner Bros. announced in 2006 that it had finally secured full distribution rights to the film, and that there would be a three-stage release of the film:
1275:
304:
vaults while searching for soundtrack masters for other films. Some time later, the print was rediscovered by two film collectors at the same vault while searching for footage from
336:.) In response to Scott's dissatisfaction, Warner Bros. pulled theatrical screenings of the workprint in some cities, though it played at the NuArt Theater in Los Angeles and the
208:, he said, "I delivered it to the best of my ability, given that I had no input. I never thought they'd use it. But I didn't try and sandbag it. It was simply bad narration."
1454:
160:
version (1982, 113 minutes) was shown to test audiences in Denver and Dallas in March 1982. It was also seen in 1990 and 1991 in Los
Angeles and San Francisco as an
1270:
143:
presenting an eighth version, a nearly four-hour-long "early cut", that was shown only to studio personnel. The following is a timeline of these various versions.
1447:
220:
212:
too bad she won't live. But then again who does?") do not ring true, since
Rachael does not have the four-year lifespan limit of the other replicants.
704:
988:
960:
417:, documentary and other materials were produced for the home video releases, culminating in a five-disc "Ultimate Collector's Edition" release by
124:. These five versions are included in both the 2007 five-disc Ultimate Collectors Edition and 2012 30th-Anniversary Collector's Edition releases.
1546:
1191:
626:
177:
VidPhon booth, a shot of
Deckard reloading his gun after Batty broke his fingers, and a scene where Deckard and Rachael ride into the sunset.
1213:
1100:
931:
504:
documentary, and footage of her making this suggestion is inter-cut with footage of her attending the later digital recording session.
1525:
1297:
888:
868:
566:
444:
80:
67:
409:
in December 2007 (UK December 3; US December 18) is the only version over which Ridley Scott had complete artistic control, as the
34:
1126:
1387:
1305:
1070:
1420:
1412:
332:
185:
The 1982 US theatrical version released by the studio included the "happy ending" as well as the addition of Harrison Ford's
1163:
1313:
880:
443:
of the film began a limited theatrical release in New York and Los Angeles on October 5, 2007; in Washington, D.C. at the
652:
1505:
1428:
447:
on October 26, 2007; Chicago on November 2, 2007; in Toronto on November 9, 2007 at Theatre D Digital's Regent Theatre;
424:
Scott found time in mid-2000 to help put together a final and definitive version of the film with restoration producer
1348:
492:
version, including behind-the-scenes footage of Harrison Ford's son, Ben Ford, and the filming of new scenes for the
49:
760:
1184:
45:
1367:
1250:
855:
Turan, Kenneth (2006). "Now in Theaters Everywhere: A Celebration of a Certain Kind of Blockbuster" (pp. 15-17).
1201:
456:
249:
428:, which was only partially completed in mid-2001 before legal and financial issues forced a halt to the work.
712:
1255:
224:
1488:
1240:
1551:
1177:
996:
966:
306:
260:
The US broadcast version (1986, 114 minutes) was the US theatrical version edited by television company
459:; Brookline at the Coolidge Corner Theater on November 16, 2007 and Austin, Texas on November 18, 2007.
378:
that the main incentive to alter the film was an idea for the sequel, which would reframe protagonist
1461:
1340:
813:
425:
418:
96:
358:
The insertion of a dream sequence of a unicorn running through a forest at about the 42-minute mark.
343:
In response to the sold-out screenings of the workprint (and to screenings of the theatrical cut in
1478:
375:
198:
1027:
216:
531:
along with the US theatrical cut, the international cut, and the Director's Cut, as well as the
1375:
1263:
1104:
937:
884:
864:
562:
523:
282:
241:
1332:
518:
348:
286:
197:
after test audience members indicated difficulty understanding the film. Scott did not have
1130:
104:
have been shown, either to test audiences or theatrically. The best known versions are the
327:
194:
1155:
1022:
583:
314:
surprise, Warner Bros. booked more screenings of the now-advertised "Director's Cut" of
1218:
677:
497:
337:
1540:
860:
856:
228:
1078:
264:
to tone down the violence, profanity, and nudity to meet broadcasting restrictions.
252:
laserdisc in North America and re-released in 1992 as a "10th-Anniversary Edition".
1395:
1233:
500:
made the suggestion to re-film Zhora's death scene while being interviewed for the
402:
379:
278:
165:
140:
100:
92:
734:
1287:
1049:
765:
557:
Sammon, Paul M. (1996). "XIII. Voice-Overs, San Diego, and a New Happy Ending".
405:
theatrically on October 5, 2007, and subsequently released on DVD, HD DVD, and
915:
371:
293:
653:"Like Ridley Scott, the director of 'Blade Runner 2' does not have final cut"
244:
releases. Although initially unavailable in the US, it was later released on
1483:
452:
186:
157:
413:
production did not place Scott directly in charge. In conjunction with the
1050:""Blade Runner Special Edition News and Views", brmovie.com, Feb. 2, 2006"
323:
406:
344:
301:
204:
85:
463:
448:
135:, which was edited for television broadcast. In the 2007 documentary
761:"Blade Runner's Forgotten Adaptation Fixes Its Most Hated 'Mistake'"
52:. Statements consisting only of original research should be removed.
521:
on September 5, 2017 (one month prior to the theatrical release of
627:"7. US San Diego Sneak Preview (115 min) (Blade Runner Verainm)"
478:
289:
Michael Arick was put in charge of creating the Director's Cut.
1173:
1169:
900:
Kennedy, Colin (November 2000). "And beneath lies, the truth".
879:
Kolb, William W. (1997). "Retrofitting Blade Runner" (p. 294).
84:
The briefcase of the Five-Disc Ultimate Collector's Edition on
920:(podcast). YouTube. November 23, 2021. Event occurs at 17:30.
261:
245:
17:
989:"'Blade Runner' Countdown, By Kurt Loder - Movie News Story"
131:, which was only shown once at a preview screening and the
355:
The removal of Deckard's thirteen explanatory voice-overs.
1166:
SciFi.com article detailing the various cuts of the film.
1023:"Blade Runner: The Final Cut - Movies - New York Times"
835:
833:
451:, Australia at the Hayden Orpheum on November 8, 2007;
41:
527:). This release includes standard Blu-ray editions of
1497:
1471:
1439:
1404:
1386:
1359:
1324:
1286:
1225:
1127:"My Two Cents - Archived Posts (7/25/07 - 6/28/07)"
552:
550:
548:
462:A multi-disc box set was released on the DVD,
1185:
8:
1016:
1014:
1192:
1178:
1170:
962:Blade Runner: The Final Cut – All Versions
851:
849:
847:
845:
807:
805:
803:
801:
735:"Blade Runner: What's Up With the Ending?"
137:Dangerous Days: The Making of Blade Runner
1075:Final Cut Due", SciFi Wire, May 26, 2006"
340:in San Francisco beginning in late 1991.
215:The film's narration was captioned as an
68:Learn how and when to remove this message
1164:"Do Filmgoers Dream of Director's Cuts?"
496:. According to the documentary, actress
455:, Australia on November 15, 2007 at the
79:
965:. The Digital Bits, Inc. Archived from
936:. The Digital Bits, Inc. Archived from
559:Future Noir: the Making of Blade Runner
544:
382:as a replicant capable of reproducing.
326:. (It featured a temporary track using
235:International theatrical release (1982)
7:
1455:Do Androids Dream of Electric Sheep?
1214:Do Androids Dream of Electric Sheep?
995:. September 28, 2007. Archived from
678:"Harrison Ford's Blade Runner Gripe"
561:. London: Orion Media. p. 370.
292:In October 1989, Arick discovered a
1021:Kaplan, Fred (September 30, 2007).
812:Ebert, Roger (September 12, 1992),
651:Levine, Nick (September 13, 2016).
582:Kaplan, Fred (September 30, 2007).
502:Dangerous Days: Making Blade Runner
139:, there is a reference to director
14:
1298:Blade Runner 2: The Edge of Human
759:Connolly, Spencer (May 8, 2022).
164:without the approval of director
1521:
1520:
959:Hunt, Bill (December 12, 2007).
584:"A Cult Classic, Restored Again"
22:
1306:Blade Runner 3: Replicant Night
814:"Blade Runner: Director's Cut"
703:Fleming, Michael (July 2002).
370:In 2021, Ridley Scott said on
172:San Diego sneak preview (1982)
1:
1547:Alternative versions of films
1448:A Marvel Comics Super Special
1314:Blade Runner 4: Eye and Talon
1101:"BLADE RUNNER: THE FINAL CUT"
881:University of Wisconsin Press
1429:Blade Runner 2033: Labyrinth
397:(2007, 117 minutes), or the
181:US theatrical release (1982)
91:Seven different versions of
1349:Blade Runner Black Out 2022
933:Blade Runner: The Final Cut
795:Sammon, pp. 407–408 and 432
616:Sammon, pp. 306 and 309–311
488:profiled the making of the
256:US broadcast version (1986)
129:San Diego Sneak Preview Cut
48:the claims made and adding
1568:
917:WTF Podcast - Ridley Scott
267:
152:Workprint prototype (1982)
1516:
1368:Blade Runner: Black Lotus
1209:
466:and Blu-ray Disc formats.
221:the 1982 comic adaptation
1156:Alternative versions of
484:A DVD featurette titled
399:25th-Anniversary Edition
250:The Criterion Collection
1256:Tears in rain monologue
705:"The Playboy Interview"
486:All Our Variant Futures
162:Original Director's Cut
473:On November 10, 2008,
401:, briefly released by
127:There also exists the
88:
83:
1341:2048: Nowhere to Run
999:on December 16, 2014
969:on December 10, 2007
940:on November 16, 2007
839:Sammon, pp. 353, 365
535:documentary on DVD.
426:Charles de Lauzirika
419:Charles de Lauzirika
283:film preservationist
97:science fiction film
1479:Penfield mood organ
1107:on October 12, 2007
786:Sammon, pp. 326–329
715:on October 12, 2007
684:. September 7, 1999
517:was re-released on
199:final cut privilege
1133:on October 2, 2007
1028:The New York Times
333:Planet of the Apes
217:internal monologue
89:
33:possibly contains
1534:
1533:
1376:Blade Runner 2099
1360:Television series
1264:Blade Runner 2049
524:Blade Runner 2049
318:in 15 US cities.
242:Warner Home Video
227:and published by
114:International Cut
110:US Theatrical Cut
78:
77:
70:
35:original research
1559:
1524:
1523:
1333:2036: Nexus Dawn
1194:
1187:
1180:
1171:
1143:
1142:
1140:
1138:
1129:. Archived from
1123:
1117:
1116:
1114:
1112:
1103:. Archived from
1097:
1091:
1090:
1088:
1086:
1081:on June 26, 2007
1077:. Archived from
1067:
1061:
1060:
1058:
1056:
1046:
1040:
1039:
1037:
1035:
1018:
1009:
1008:
1006:
1004:
985:
979:
978:
976:
974:
956:
950:
949:
947:
945:
928:
922:
921:
912:
906:
905:
897:
891:
877:
871:
853:
840:
837:
828:
827:
826:
824:
809:
796:
793:
787:
784:
778:
777:
775:
773:
756:
750:
749:
747:
745:
731:
725:
724:
722:
720:
711:. Archived from
709:Playboy Magazine
700:
694:
693:
691:
689:
674:
668:
667:
665:
663:
648:
642:
641:
639:
637:
623:
617:
614:
608:
605:
599:
598:
596:
594:
579:
573:
572:
554:
519:Ultra HD Blu-ray
349:Washington, D.C.
133:US Broadcast Cut
73:
66:
62:
59:
53:
50:inline citations
26:
25:
18:
1567:
1566:
1562:
1561:
1560:
1558:
1557:
1556:
1537:
1536:
1535:
1530:
1512:
1493:
1467:
1435:
1400:
1382:
1355:
1320:
1282:
1221:
1205:
1198:
1152:
1147:
1146:
1136:
1134:
1125:
1124:
1120:
1110:
1108:
1099:
1098:
1094:
1084:
1082:
1069:
1068:
1064:
1054:
1052:
1048:
1047:
1043:
1033:
1031:
1020:
1019:
1012:
1002:
1000:
987:
986:
982:
972:
970:
958:
957:
953:
943:
941:
930:
929:
925:
914:
913:
909:
899:
898:
894:
878:
874:
854:
843:
838:
831:
822:
820:
811:
810:
799:
794:
790:
785:
781:
771:
769:
758:
757:
753:
743:
741:
733:
732:
728:
718:
716:
702:
701:
697:
687:
685:
676:
675:
671:
661:
659:
650:
649:
645:
635:
633:
625:
624:
620:
615:
611:
607:Bukatman, p. 37
606:
602:
592:
590:
581:
580:
576:
569:
556:
555:
546:
541:
439:Ridley Scott's
393:Ridley Scott's
391:
328:Jerry Goldsmith
274:
258:
237:
195:post-production
183:
174:
154:
149:
74:
63:
57:
54:
39:
27:
23:
12:
11:
5:
1565:
1563:
1555:
1554:
1549:
1539:
1538:
1532:
1531:
1529:
1528:
1517:
1514:
1513:
1511:
1510:
1501:
1499:
1495:
1494:
1492:
1491:
1486:
1481:
1475:
1473:
1469:
1468:
1466:
1465:
1458:
1451:
1443:
1441:
1437:
1436:
1434:
1433:
1425:
1417:
1408:
1406:
1402:
1401:
1399:
1398:
1392:
1390:
1384:
1383:
1381:
1380:
1372:
1363:
1361:
1357:
1356:
1354:
1353:
1345:
1337:
1328:
1326:
1322:
1321:
1319:
1318:
1310:
1302:
1293:
1291:
1284:
1283:
1281:
1280:
1279:
1278:
1273:
1260:
1259:
1258:
1253:
1248:
1243:
1229:
1227:
1223:
1222:
1219:Philip K. Dick
1210:
1207:
1206:
1199:
1197:
1196:
1189:
1182:
1174:
1168:
1167:
1161:
1151:
1150:External links
1148:
1145:
1144:
1118:
1092:
1062:
1041:
1010:
993:MTV Movie News
980:
951:
923:
907:
892:
872:
841:
829:
818:rogerebert.com
797:
788:
779:
751:
739:www.shmoop.com
726:
695:
669:
643:
618:
609:
600:
588:New York Times
574:
567:
543:
542:
540:
537:
533:Dangerous Days
498:Joanna Cassidy
468:
467:
460:
445:Uptown Theatre
437:
411:Director's Cut
390:
384:
364:
363:
359:
356:
338:Castro Theatre
330:'s score from
273:
270:Director's Cut
266:
257:
254:
236:
233:
225:Archie Goodwin
182:
179:
173:
170:
153:
150:
148:
145:
118:Director's Cut
76:
75:
58:September 2019
30:
28:
21:
13:
10:
9:
6:
4:
3:
2:
1564:
1553:
1550:
1548:
1545:
1544:
1542:
1527:
1519:
1518:
1515:
1508:
1507:
1503:
1502:
1500:
1496:
1490:
1487:
1485:
1482:
1480:
1477:
1476:
1474:
1470:
1464:
1463:
1459:
1457:
1456:
1452:
1450:
1449:
1445:
1444:
1442:
1438:
1431:
1430:
1426:
1423:
1422:
1418:
1415:
1414:
1410:
1409:
1407:
1403:
1397:
1394:
1393:
1391:
1389:
1385:
1378:
1377:
1373:
1370:
1369:
1365:
1364:
1362:
1358:
1351:
1350:
1346:
1343:
1342:
1338:
1335:
1334:
1330:
1329:
1327:
1323:
1316:
1315:
1311:
1308:
1307:
1303:
1300:
1299:
1295:
1294:
1292:
1289:
1285:
1277:
1274:
1272:
1269:
1268:
1266:
1265:
1261:
1257:
1254:
1252:
1249:
1247:
1244:
1242:
1239:
1238:
1236:
1235:
1231:
1230:
1228:
1224:
1220:
1216:
1215:
1208:
1204:
1203:
1195:
1190:
1188:
1183:
1181:
1176:
1175:
1172:
1165:
1162:
1160:
1159:
1154:
1153:
1149:
1132:
1128:
1122:
1119:
1106:
1102:
1096:
1093:
1080:
1076:
1074:
1066:
1063:
1051:
1045:
1042:
1030:
1029:
1024:
1017:
1015:
1011:
998:
994:
990:
984:
981:
968:
964:
963:
955:
952:
939:
935:
934:
927:
924:
919:
918:
911:
908:
903:
896:
893:
890:
889:0-87972-509-5
886:
882:
876:
873:
870:
869:1-58648-395-1
866:
862:
861:PublicAffairs
858:
857:New York City
852:
850:
848:
846:
842:
836:
834:
830:
819:
815:
808:
806:
804:
802:
798:
792:
789:
783:
780:
768:
767:
762:
755:
752:
740:
736:
730:
727:
714:
710:
706:
699:
696:
683:
679:
673:
670:
658:
654:
647:
644:
632:
628:
622:
619:
613:
610:
604:
601:
589:
585:
578:
575:
570:
568:0-06-105314-7
564:
560:
553:
551:
549:
545:
538:
536:
534:
530:
529:The Final Cut
526:
525:
520:
516:
515:The Final Cut
512:
509:
508:The Final Cut
505:
503:
499:
495:
491:
487:
482:
480:
477:premiered on
476:
475:The Final Cut
471:
465:
461:
458:
457:Astor Theatre
454:
450:
446:
442:
438:
434:
433:
432:
429:
427:
422:
420:
416:
412:
408:
404:
400:
396:
388:
387:The Final Cut
385:
383:
381:
377:
373:
368:
360:
357:
354:
353:
352:
350:
346:
341:
339:
335:
334:
329:
325:
319:
317:
311:
309:
308:
303:
299:
295:
290:
288:
284:
280:
271:
265:
263:
255:
253:
251:
247:
243:
234:
232:
230:
229:Marvel Comics
226:
222:
218:
213:
209:
207:
206:
200:
196:
190:
188:
180:
178:
171:
169:
167:
163:
159:
151:
146:
144:
142:
138:
134:
130:
125:
123:
119:
115:
111:
107:
103:
102:
98:
94:
87:
82:
72:
69:
61:
51:
47:
43:
37:
36:
31:This article
29:
20:
19:
16:
1552:Blade Runner
1504:
1462:Dust to Dust
1460:
1453:
1446:
1427:
1421:Blade Runner
1419:
1413:Blade Runner
1411:
1396:Rick Deckard
1374:
1366:
1347:
1339:
1331:
1312:
1304:
1296:
1262:
1245:
1234:Blade Runner
1232:
1212:
1202:Blade Runner
1200:
1158:Blade Runner
1157:
1135:. Retrieved
1131:the original
1121:
1109:. Retrieved
1105:the original
1095:
1083:. Retrieved
1079:the original
1073:Blade Runner
1072:
1065:
1053:. Retrieved
1044:
1034:November 24,
1032:. Retrieved
1026:
1001:. Retrieved
997:the original
992:
983:
971:. Retrieved
967:the original
961:
954:
944:November 24,
942:. Retrieved
938:the original
932:
926:
916:
910:
901:
895:
875:
821:, retrieved
817:
791:
782:
770:. Retrieved
764:
754:
742:. Retrieved
738:
729:
719:February 22,
717:. Retrieved
713:the original
708:
698:
688:February 22,
686:. Retrieved
681:
672:
660:. Retrieved
656:
646:
634:. Retrieved
630:
621:
612:
603:
591:. Retrieved
587:
577:
558:
532:
528:
522:
514:
513:
507:
506:
501:
493:
489:
485:
483:
474:
472:
469:
440:
430:
423:
414:
410:
403:Warner Bros.
398:
394:
392:
386:
380:Rick Deckard
369:
365:
342:
331:
320:
316:Blade Runner
315:
312:
305:
298:Blade Runner
297:
291:
279:Warner Bros.
275:
269:
259:
238:
214:
210:
203:
191:
184:
175:
166:Ridley Scott
161:
155:
141:Ridley Scott
136:
132:
128:
126:
121:
117:
113:
109:
105:
101:Blade Runner
99:
93:Ridley Scott
90:
64:
55:
32:
15:
1405:Video games
1325:Short films
1288:K. W. Jeter
1003:November 7,
973:December 9,
823:December 7,
766:Screen Rant
662:October 22,
593:January 21,
281:, although
223:written by
1541:Categories
1432:(upcoming)
1388:Characters
1276:soundtrack
1251:soundtrack
1217:(1968) by
1137:October 4,
1111:October 4,
904:(137): 76.
631:stason.org
539:References
372:Marc Maron
120:, and the
42:improve it
1484:Replicant
1371:(2021–22)
1271:accolades
1211:Based on
494:Final Cut
490:Final Cut
453:Melbourne
441:Final Cut
415:Final Cut
395:Final Cut
307:The Alamo
296:print of
187:voiceover
158:workprint
122:Final Cut
106:Workprint
46:verifying
1526:Category
1472:Universe
1246:versions
1085:July 27,
1055:July 27,
324:Vangelis
287:restorer
147:Versions
95:'s 1982
1506:Soldier
1498:Related
1489:Spinner
1267:(2017)
1237:(1982)
744:May 21,
636:July 5,
407:Blu-ray
376:podcast
345:Houston
302:Todd-AO
300:at the
205:Playboy
86:Blu-ray
40:Please
1509:(1998)
1440:Comics
1424:(1997)
1416:(1985)
1352:(2017)
1344:(2017)
1336:(2017)
1317:(2000)
1309:(1996)
1301:(1995)
1290:novels
1241:themes
902:Empire
887:
867:
772:May 9,
682:Empire
565:
464:HD DVD
449:Sydney
389:(2007)
362:leave.
272:(1992)
116:, the
112:, the
108:, the
1379:(TBA)
1226:Films
1139:2007
1113:2007
1087:2007
1057:2007
1036:2007
1005:2018
975:2007
946:2007
885:ISBN
883:: .
865:ISBN
825:2018
774:2022
746:2017
721:2007
690:2007
664:2017
638:2018
595:2008
563:ISBN
479:Syfy
436:cut.
347:and
294:70mm
268:The
248:and
156:The
657:NME
374:'s
277:to
262:CBS
246:VHS
219:in
44:by
1543::
1071:""
1025:.
1013:^
991:.
863:.
859::
844:^
832:^
816:,
800:^
763:.
737:.
707:.
680:.
655:.
629:.
586:.
547:^
481:.
421:.
310:.
231:.
189:.
1193:e
1186:t
1179:v
1141:.
1115:.
1089:.
1059:.
1038:.
1007:.
977:.
948:.
776:.
748:.
723:.
692:.
666:.
640:.
597:.
571:.
285:/
71:)
65:(
60:)
56:(
38:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
