309:
22:
194:
A way to improve breathing from the diaphragm is to lie on your back on a flat surface. Your goal will be to fill your lungs from the bottom causing your stomach (and diaphragm) to rise and fall. To increase resistance put a small amount of weight (such as a book) on your diaphragm and repeat this
210:, the concentrated pressure through which one produces a focused sound. True resonance will produce the greatest amount of projection available to a voice by utilizing all the key resonators found in the vocal cavity. As the sound being produced and these resonators find the same
198:
Stance is also important. Actors are taught to stand erect with the feet shoulder width apart and the upstage foot (foot farther from the audience, when not facing the audience) slightly forward. This improves balance and breathing.
222:
at about 2800 Hz. The size, shape, and hardness of the resonators all factor into the production of these overtones and ultimately determine the projective capacities of the voice.
175:, well-balanced respiration is especially important to maintaining vocal projection. The goal is to isolate and relax the muscles controlling the
289:
293:
350:
105:
39:
86:
58:
43:
389:
65:
72:
32:
384:
369:
54:
343:
160:
374:
253:
336:
207:
184:
168:
285:
258:
188:
79:
320:
379:
265:
231:
187:
are used only to enlarge the chest cavity, whilst the counterplay between the diaphragm and
308:
172:
195:
exercise. Try standing up and seeing if you can continue to breathe from your diaphragm.
150:
269:
363:
316:
167:, a properly projected voice uses air properly flowing from the expansion of the
180:
176:
130:
21:
137:. It is a technique employed to command respect and attention, such as when a
134:
262:
211:
219:
203:
146:
138:
126:
159:
technique is essential for proper voice projection. Whereas in normal
156:
122:
234:, where speech is "amplified" by the audience, repeating the speaker
142:
164:
141:
talks to a class, or simply to be heard clearly, as used by an
15:
324:
251:
Titze, Ingo R. (January 2008). "The Human
Instrument".
46:. Unsourced material may be challenged and removed.
284:, Englewoods Cliffs, New Jersey, Prentice Hall,
344:
8:
351:
337:
206:, voice projection is often equated with
106:Learn how and when to remove this message
244:
7:
305:
303:
294:National Center for Voice and Speech
163:one may use air from the top of the
44:adding citations to reliable sources
323:. You can help Knowledge (XXG) by
14:
270:10.1038/scientificamerican0108-94
218:as it reaches the ideal singer's
179:, so that they are unimpaired by
307:
20:
191:is trained to control airflow.
31:needs additional citations for
282:Principles of Voice Production
1:
406:
302:
214:, the sound will begin to
315:This article relating to
280:Titze, Ingo R. (1994).
133:is used powerfully and
292:. Republished 2000 by
40:improve this article
390:Communication stubs
254:Scientific American
185:intercostal muscles
121:is the strength of
208:acoustic resonance
55:"Voice projection"
332:
331:
290:978-0-13-717893-3
189:abdominal muscles
116:
115:
108:
90:
397:
353:
346:
339:
311:
304:
297:
278:
272:
257:298 (1):94–101.
249:
232:Human microphone
119:Voice projection
111:
104:
100:
97:
91:
89:
48:
24:
16:
405:
404:
400:
399:
398:
396:
395:
394:
385:Music education
370:Public speaking
360:
359:
358:
357:
301:
300:
279:
275:
250:
246:
241:
228:
183:. The external
173:vocal technique
112:
101:
95:
92:
49:
47:
37:
25:
12:
11:
5:
403:
401:
393:
392:
387:
382:
377:
372:
362:
361:
356:
355:
348:
341:
333:
330:
329:
312:
299:
298:
273:
243:
242:
240:
237:
236:
235:
227:
224:
114:
113:
28:
26:
19:
13:
10:
9:
6:
4:
3:
2:
402:
391:
388:
386:
383:
381:
378:
376:
373:
371:
368:
367:
365:
354:
349:
347:
342:
340:
335:
334:
328:
326:
322:
318:
317:communication
313:
310:
306:
295:
291:
287:
283:
277:
274:
271:
267:
264:
260:
256:
255:
248:
245:
238:
233:
230:
229:
225:
223:
221:
217:
213:
209:
205:
200:
196:
192:
190:
186:
182:
178:
174:
170:
166:
162:
158:
154:
152:
148:
144:
140:
136:
132:
128:
124:
120:
110:
107:
99:
96:February 2008
88:
85:
81:
78:
74:
71:
67:
64:
60:
57: –
56:
52:
51:Find sources:
45:
41:
35:
34:
29:This article
27:
23:
18:
17:
375:Vocal skills
325:expanding it
314:
281:
276:
252:
247:
215:
201:
197:
193:
155:
129:whereby the
118:
117:
102:
93:
83:
76:
69:
62:
50:
38:Please help
33:verification
30:
177:vocal folds
131:human voice
364:Categories
239:References
171:. In good
149:or during
66:newspapers
212:overtones
169:diaphragm
263:18225701
226:See also
123:speaking
380:Singing
220:formant
204:singing
181:tension
161:talking
147:theatre
139:teacher
135:clearly
127:singing
80:scholar
288:
261:
157:Breath
82:
75:
68:
61:
53:
319:is a
165:lungs
151:drill
145:in a
143:actor
87:JSTOR
73:books
321:stub
286:ISBN
259:PMID
216:spin
59:news
266:doi
202:In
125:or
42:by
366::
153:.
352:e
345:t
338:v
327:.
296:.
268::
109:)
103:(
98:)
94:(
84:·
77:·
70:·
63:·
36:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
