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entertainers; this is unlike scops, who were more static. Gleemen were also less likely to compose or perform their own poetry and relied on the work of others for their material.
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working to elicit laughter with their acts. There are those suggested as geniuses such as
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and performers of the harp who were credited with composing and preserving "many fine old songs".
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Prior to the emergence of medieval itinerant poets, there were already strolling minstrels in
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The
Invention of the Oral: Print Commerce and Fugitive Voices in Eighteenth-Century Britain
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The
Invention of 'Folk Music' and 'Art Music': Emerging Categories from Ossian to Wagner
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147:'s time. These were more than entertainers, with an account describing them as men who
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Europe but extinct today. Itinerant poets were from a lower class than jesters or
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A source cited that the number of itinerant poets were augmented by disgraced
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had his own bard, who not only entertained but also served as an ambassador.
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In
Medieval England, a gleeman was a reciter of poetry. Like a
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Brack, O. M.; Chilton, Leslie; Keithley, Walter H. (2016).
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Fumerton, Patricia; Guerrini, Anita; McAbee, Kris (2010).
139:. An account also identified these strolling songsters as
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Bahn, Eugene; Bahn, Margaret (1970). "Medieval Period".
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215:. Manchester: Manchester University Press. p. 38.
84:, a gleeman performed poetry to the accompaniment of a
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240:. Cambridge: Cambridge University Press. p. 83.
197:. Minneapolis: Burgess Publishing Co. pp. 56–57.
317:. Surrey, UK: Ashgate Publishing, Ltd. p. 46.
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115:. An example of a notable itinerant poet was
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195:A History of Oral Interpretation
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465:. You can help Knowledge by
408:. You can help Knowledge by
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261:MacPherson, James (2010).
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461:-related article is a
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35:An Itinerant Musician
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