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indefinitely defer discussion about alternative socioeconomic futures. The only real "other" to global capitalism is a renewed form of socialism, because the "others" of capitalism (those excluded from capitalism's benefits) are almost everyone, even though they are all formally extended the promise of liberal rights.
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If once we were able to view the Borges fable in which the cartographers of the Empire draw up a map so detailed that it ends up covering the territory exactly this fable has now come full circle for us, and possesses nothing but the discrete charm of second-order simulacrum It is the real, and not
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The same displacement of socio-economic conflict that occurred under fascism is mirrored in the Israel-Palestinian conflict, the "symptomal knot" of all the economic and cultural logics of the contemporary world. In his rejection of binary ethical choices and predictive certainty, Žižek is certainly
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as a desolate, war-torn, yet spectacular geography. For Žižek, this represents a prime example of the 20th century's "passion for the Real," for which the terrorist attacks of 9/11 were the ultimate artistic expression. His argument is that because this passion was sublimated into the postmodern
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these same rights at home and legitimized torture in order to fight the war on terror. Rather than seeing these as real exceptions, Žižek identifies them as central tendencies in liberal democracy, a system inherently susceptible to corruption and unable to universalize its own rights. Changing
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invested by a series of
Hollywood catastrophe films, showing that it was exactly what Americans secretly wanted, i.e., their ultimate spectacular experience. The false perception of a purely external threat allowed the system of global capitalism to go essentially unchallenged, functioning to
412:) because it is "cautiously optimistic" about the possibility for ethical action, whereas other critics have remained pessimistic. In his view, "a larger political programme, a sort of geopolitical act of refusal," at least presents a practical possibility for 21st century activists.
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Glass, Oren (2008). "The Spirit of
Terrorism Ground Zero Welcome to the Desert of the Real America's Culture of Terrorism: Violence, Capitalism, and the Written Word Afflicted Powers: Capital and Spectacle in a New Age of War Portents of the Real: A Primer for Post-9/11 America".
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Glass, Oren (2008). "The Spirit of
Terrorism Ground Zero Welcome to the Desert of the Real America's Culture of Terrorism: Violence, Capitalism, and the Written Word Afflicted Powers: Capital and Spectacle in a New Age of War Portents of the Real: A Primer for Post-9/11 America".
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However, Glass criticizes Žižek for (like
Baudrillard and Virillo) mirroring Rightist apocalyptic rhetoric by focusing on "glitzy" events rather than slow-building historical processes. And furthermore, he argues against Žižek's use of the "placeholder" concept of
328:, the excluded "other" whose alien presence legitimizes measures of internal discipline. Although Americans were victims, so were the attacking terrorists, and therefore neither side was justified in their violent actions. In fact, the attacks were already
360:). As ethical acts such as Israeli "peacenik" soldiers' solidarity with their Palestinian neighbors show, there are other alternatives to capitalism than fundamentalism or fascism; however, the current paradigm of the "
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because it represents a retreat "from an earlier materialist confidence in the methodological accessibility of historical experience," and against the appropriation of elements of
Christianity (e.g. the injunction to
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in both the
Marxian and psychoanalytic senses. This is just a continuation of the prior cultural logic in which fascism served as the "obscene superego supplement" or fantasy to liberal democracy's Reality.
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conditions of war further erode any distinctions that could be made between a state of war or exception and a state of peace, central distinctions in democratic ideology.
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to justify the negation of its ethical principles, the future of emancipatory politics cannot be contained within a liberal democratic framework (including notions of
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to hide an illegal data disc which appeared in an early scene of the film. Later in the film, Morpheus utters these words after the main character
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the map, whose vestiges persist here and there in the deserts that are no longer those of the Empire, but ours. The desert of the real itself.
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Baudrillard, Jean. Simulacrum and
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perspective that Žižek's critique is stronger than other critical theoretical responses (such as those of
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wakes up from his computer-generated virtual reality, experiencing
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1999. Directed by Lana and Lilly
Wachowski. USA: Warner Brothers.
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1999. Directed by Lana and Lilly
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Welcome to the Desert of the Real: Five Essays on
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analysis of the ideological and political responses to the
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Revolution at the Gates: Žižek on Lenin, the 1917 Writings
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495:(English).
402:autonomist
294:April 2017
278:improve it
206:The Matrix
201:The Matrix
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338:suspended
326:Holocaust
282:verifying
227:Early in
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433:See also
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250:Overview
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196:Morpheus
160:Lacanian
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