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Local chapters such as Boston and
Chicago published their own WEB newsletters, sponsored conferences, and organized monthly meetings. By April 1972, Chicago's WEB chapter had sponsored a series of conferences that led to the formation of feminist arts organizations across the Midwest. WEB members in
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Enemies of women's liberation in the art world must be met with a more coherent front. A group that is locally effective can be doubly powerful if it synchronizes its actions with those of other groups across the country. We can gain from each other's experiences and make more headway together if we
71:
during a lecture trip. Lippard recalls mentioning East Coast Bag while talking to
Chicago, who replied "ah ha, if you're going to say East Coast Bag then we're going to call it West East Bag instead of East West Bag, because the west coast came first."
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to link efforts in their home cities. The inaugural issue made mention of tactics used against museums to protest the lack of women artists in their collections and exhibitions. Schapiro (Los
Angeles), Lippard (New York), and
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in 1972. West-East Bag grew to include representatives from 52 cities and eight countries. By 1973, WEB ceased being active on a national level.
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267:"'The Enemies of Women's Liberation in the Arts Will be Crushed': A.I.R. Gallery's Role in the American Feminist Art Movement"
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before them, the group encouraged chapters to set up slide registries, creating an archive of the work of women artists on
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111:. WEB slide registries were created in New York, Los Angeles, San Francisco, Chicago, and Seattle. WEB members also held
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Hardenburgh, Linn; Duchon, Susan (Summer 1976). "In
Retrospect – The Midwest Women Artists' Conference".
139:
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Moravec, Michelle (2012). "Toward A History Of
Feminism, Art, And Social Movements In The United States".
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West-East Bag laid the foundation for a series of cooperatively run women's galleries, starting with
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Alternative Art, New York, 1965–1985: A Cultural
Politics Book for the Social Text Collective
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37:. Sources differ as to the exact origin of WEB. In one account, artists
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at the formation and a third has
Chicago and Schapiro meeting Lippard,
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are aware of each other's activities in time to echo or support them.
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In 1971, West-East Bag published the first issue of their newsletter
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sessions and organized protests of their local art institutions.
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282:"Biting the Hand: Artists and Museums in New York since 1969"
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Chicago organized the first women artists' conference there,
100:(Chicago) took turns producing the then-monthly newsletter.
288:. Minneapolis: University of Minnesota Press. p. 96.
218:. Video Data Bank, School/Art Institute Chicago. 1981.
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33:West-East Bag formed towards the beginning of the
237:. Urbana, Ill.: Univ. of Illinois Press. p.
855:Feminist art organizations in the United States
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8:
443:Elizabeth A. Sackler Center for Feminist Art
49:in April 1971 after visiting the exhibition
621:Why Have There Been No Great Women Artists?
421:New York School of Applied Design for Women
372:Feminist art movement in the United States
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35:feminist art movement in the United States
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409:American Association of University Women
233:Feminists who Changed America, 1963-1975
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850:Arts organizations established in 1971
568:WACK! Art and the Feminist Revolution
415:National Association of Women Artists
265:Brown, Meredith A. (8 January 2012).
169:Frontiers: A Journal of Women Studies
7:
509:The Women's Building (San Francisco)
468:National Museum of Women in the Arts
499:Women's Art Resources of Minnesota
30:network active from 1971 to 1973.
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831:Feminist movements and ideologies
45:formed the idea with art critic
473:New York Feminist Art Institute
189:10.5250/fronjwomestud.33.2.0022
181:10.5250/fronjwomestud.33.2.0022
105:Ad Hoc Women Artists' Committee
820:Women in the art history field
504:Woman's Building (Los Angeles)
323:10.1080/00043249.1976.10793312
229:Love, Barbara J., ed. (2006).
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488:Washington Women's Art Center
528:Exhibitions or installations
653:Women Artists in Revolution
493:Women Artists in Revolution
269:. Archives of American Art.
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53:. A second account places
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280:Lippard, Lucy R. (2002).
815:List of feminist artists
613:The Feminist Art Journal
284:. In Ault, Julie (ed.).
142:, an Australian movement
16:Network of women artists
519:Women's Studio Workshop
514:Women's Interart Center
431:Venues or organizations
26:) was an international
658:Women's Caucus for Art
579:Films or documentaries
453:Feminist Art Coalition
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587:!Women Art Revolution
388:Feminist art movement
113:consciousness raising
140:Women's Art Movement
719:Helen Frankenthaler
463:Lesbian Art Project
109:photographic slides
784:Carolee Schneemann
544:Three Weeks in May
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709:Mary Beth Edelson
704:Elaine de Kooning
552:The Sister Chapel
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779:Rachel Rosenthal
754:Georgia O'Keeffe
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560:The Dinner Party
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123:in Spring 1973.
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51:26 Women Artists
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43:Miriam Schapiro
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20:West-East Bag
744:Jane Kaufman
729:Nancy Graves
724:Mary Garrard
699:Judy Chicago
694:Norma Broude
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597:Publications
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458:Hera Gallery
383:Feminist art
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175:(2): 22–54.
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121:Artists Meet
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98:Ellen Lanyon
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69:Ellen Lanyon
61:Grace Glueck
54:
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39:Judy Chicago
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860:Newsletters
794:Alma Thomas
749:Lee Krasner
739:Lila Katzen
714:Suzi Ferrer
663:Where We At
616:(1972–1977)
608:(1977–1992)
555:(1974–1978)
311:Art Journal
59:art writer
844:Categories
799:June Wayne
536:Womanhouse
402:Precursors
317:(4): 386.
147:References
734:Eva Hesse
197:141537252
103:Like the
769:Yoko Ono
623:" (1971)
134:See also
638:subRosa
212:Profile
631:Groups
571:(2007)
563:(1979)
547:(1977)
539:(1972)
423:(1892)
417:(1889)
411:(1881)
331:776233
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93:W.E.B.
85:W.E.B.
808:Lists
495:(WAR)
327:JSTOR
193:S2CID
185:JSTOR
290:ISBN
243:ISBN
67:and
41:and
319:doi
239:269
216:1–2
177:doi
24:WEB
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