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The film represents a distinct popular pastoral vision of Kazakh national identity through its culmination of visual motifs during a time of heightened national awareness within the Soviet Union. It also offers an allegorical interpretation in the dying three-headed dragon king as a stand-in for the
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The artistic style of the film also received praise. In the words of
Professor Baurzhan Nugerbekov: "The drawings and colours of the film are clear continuations of the smooth, flat designs of the Kazakh ornamental arts; of the clear and colourful compositions on artistic felts".
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The film is based upon the traditional Kazakh fairy tale of the same name but with the notable addition of the villain being a dying three-headed dragon searching to regain his youth instead of a snake.
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The film was warmly received both by audiences and by professional masters of Soviet animation. It was accepted to a number of domestic and international film festivals, winning a prize at the 1968
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417:"The Allegorical Aĭdaḣar: An Animated Look at Kazakh National Identity"
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and the bronze medal in the children's films category at the 1974
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661:Mass media in Kazakhstan stubs
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121:Қарлығаштың құйрығы неге айыр?
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393:Нарисованная жизнь
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258:С. Артемов
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209:V. Shchukin
27:Directed by
601:1967 films
595:Categories
361:References
245:Ф. Муканов
232:F. Mukanov
221:Animators
144:Kazakh SSR
96:10 minutes
58:S. Artemov
37:Written by
443:1920-0242
427:: 43–76.
376:Жас Өркен
313:Reception
263:Composer
180:Director
378:: 10–11.
349:See also
214:В. Щукин
206:Artists
175:Russian
163:Creators
47:Starring
252:Camera
172:English
124:Russian
101:Country
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439:ISSN
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75:1967
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