94:, saved his life by betraying his fellow Jacobites then lived out his life in Edinburgh as a haunted and hated figure. Walter Scott's father as a lawyer had professional dealings with the old man, but on one occasion after his wife brought tea, he afterwards threw the cup out the window saying, "Neither lip of me nor of mine comes after Murray of Broughton's." This incident may have later contributed to Scott's antiquarian interest in the family and friendship with William Henry Murray. 10 June 1818 saw the first performance of Murray's operatic adaption of Walter Scott's novel
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in 1822 he was quick to draw on Murray's expertise for the management of events. Murray created the settings at various venues, contrived the "revived ancient dresses" and arranged the "traditional" pageants. He was particularly acclaimed for his success in transforming the
Assembly Rooms in George
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in 1809 and worked there for over forty years as an actor, manager and dramatist. Around that time (1809), he married Anne Dyke, the sister of tragedienne
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of the whole of
Scotland. The King's last and least formal public appearance during the visit to Edinburgh was at a theatre performance of Scott's
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which had been thought of as the primitive dress of mountain thieves into the
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and at the end of his 21 year lease he retired to St
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The King's Jaunt, John
Prebble, Birlinn Limited, Edinburgh 2000,
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and particularly associated with dramatisations of Scott's
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on 5 May 1852 and is buried against the eastern wall of
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For
William Henry Davis Murray, aka "Alfalfa Bill", see
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Playing to the crowd London popular theater, 1780-1830
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108:Street into a theatrical palace for the Peers'
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112:, an event that was pivotal in making the
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103:When Scott was preparing for the
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127:adapted and produced by Murray.
67:on 26 August 1790, he moved to
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