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classical portrait, the characters in her images play the roles of people other than themselves. They are cast like actors in a play. Her style is expressive and her palette brims over with strong colours, a fact that is apparent in the flesh tones of her protagonists. In addition to the dominance of female figures, fiction and invention are her central themes. The lie that evokes the truth is her specialty and is painted, preserved and composed in images. Hausner paints invented stories the viewer can identify with his or her own life. Staging is also the main component of her retrospective exhibition, “True Lies” at the
Albertina Museum Vienna. Hausner works on paper and mixed-media as well. She transforms large-formatted photos into paintings, incorporating various materials depending on the specific medium she is working in. In this way, painting and photography merge, are transported to the limits of current artistic awareness. Using a variety of techniques, she concentrates images and constructs a new reality. Producing special edition art works on hand-made paper has become a new field of experimentation for Hausner. These unique limited editions deal with subjects known from her paintings, but the images are reinvented through technique and the medium and evolve into an independent artistic form. While preparing for her exhibition, "Damage", at the Shanghai Art Museum in 2011, she became intensively interested in Asiatic, especially Chinese motifs and began incorporating them into her personal artistic DNA: clear evidence of the global networking in contemporary art.
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Hausner stages photos as a basis for painting. She produces and directs her photographic scenarios in her studio, using one or more characters. The choice of a cut, the sense of the fragmentary, the actual montage and the drastic staging of light according to color ultimately contributes to the intense individual atmospheric character of the image.
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Her first stage sets were collages built from material collected from condemned houses, junk yards and garbage dumps. She used this raw material to assemble a theatrical space that sprung to life in the clash between naturalistic clarity and abstract interpretation. Her favorite configuration was the
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in Vienna, Salzburg
Festival, Royal Opera House Covent Garden in London, Theâtre Royal de la Monnaie in Brussels etc., as well as a stage design for a new production of Richard Strauss's opera “Der Rosenkavalier” in 2020 staged by André Heller at the Staatsoper Unter den Linden, Berlin. Since 1992,
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In addition to painting, photography is a major component in her work. Hausner interlaces the history and potential inherent in both these image media in a multi-faceted manner, implicitly bringing into her painting not only the principles of photography but consolidating elements of film as well.
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As of 1990, she began concentrating on painting. People are at the center of her focus. Her images are enigmatic, the situations she depicts ambiguous. Hausner's large-formatted works are societal descriptions, the situations purposely fragmentary, snapshots from daily life. In contrast to the
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Hausner is active in the "Women without
Borders" movement and documents through her camera women, active in the struggle against terrorism. She is strongly interested in architectural projects, for example the mantling of the
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Hausner has been working exclusively as a painter. Her works have been shown at numerous galleries, art fairs and museums. She lives and works in Berlin and Vienna.
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in Vienna in 2011, or in designing church windows (Kilian Church in
Heilbronn, St. Johannis Church in Gehrden, St. Johannes and St. Laurentius Cathedral in Merseburg).
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Arte, Metropolis: Stories of
Loneliness and Closeness – Visiting Xenia Hausner in her studio in Vienna, broadcast 26 January 2013 at 4:45 P.M.
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3sat, Culture Time: Harald Wilde, Grand Dame of portrait painting – Xenia
Hausner at the Essl-Museum in Kosterneuburg, 24 October 2012.1
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und Peter
Weiermair, deutsch/englisch, Übersetzung von P. J. Blumenthal und Allison Brown, Wienand Verlag, Köln 2003.
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2019: "Xenia
Hausner – Displaced – Storie in Movimento" Palazzo Ducale di Mantova, Museo Archeologico Nazionale, Italy
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Global Art
Affairs Foundation: "Personal Structures – Crossing Borders". European Cultural Centre, Venice 2015,
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2020: "Schiele – Rainer – Kokoschka / Der Welt (m)eine
Ordnung geben", Landesgalerie Niederösterreich, Krems
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oxymoron, a correlation of opposites, a concentrated unification of elements caught in centrifugal chaos.
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2000: "Xenia Hausner – Heart Matters", Käthe-Kollwitz-Museum, and Russian State Museum, St. Petersburg
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2017: "Monet to Picasso. The Batliner Collection", Permanent Collection, Albertina, Wien, Ă–sterrreich
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1997: "Xenia Hausner – Love Fragments", Kunsthalle Vienna und Museum der bildenden Künste, Leipzig
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2014: Xenia Hausner "Look Left – Look Right", The Pao Galleries, Hong Kong Arts Center, Hong Kong
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2020: "A.E.I.O.U. – Österreichische Aspekte in der Sammlung Würth", Galleri Würth, Hagan, Norway
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2017: "Xenia Hausner – Exiles" in Personal Structures: Crossing Borders, Palazzo Bembo, Venice
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1999: "Figuration", Rupertinum Salzburg, Museion Bozen und Ursula Blickle Stiftung, Kraichtal
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2006: "Back to the Figure – Contemporary Painting", Kunsthalle der Hypokulturstiftung, Munich
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2018: "Objects of Desire" Xenia Hausner & Dorothee Golz, Galerie 422, Gmunden, Ă–sterreich
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2020: "Xenia Hausner – This will have been another happy day!", Palais Populaire, Berlin
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2006: "Austria: 1900 – 2000 Confrontations and Continuities", Sammlung Essl, Klosterneuburg
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2013: "A.E.I.O.U. – Österreichische Aspekte in der Sammlung Würth", Museum Würth, Künzelsau
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2014: "Glanzlichter. Meisterwerke zeitgenössischer Glasmalerei im Naumburger Dom", Naumburg
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2015: "From Hockney to Holbein. The WĂĽrth Collection in Berlin", Martin-Gropius-Bau, Berlin
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1032:. Publikationen des Elfriede Jelinek-Forschungszentrums. Pia Janke (Hg.) 2014, 2 Teilbände
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2020: 8th Moscow International Biennale of Contemporary Art, State Tretyakov Gallery
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From 1972 to 1976, she studied stage design at the Academy of Arts in Vienna and at the
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2016: “Frau im Bild – Female Portraits from the Würth Collection”, Gallery Würth, Oslo
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2017: „Menagerie. An Animal Show from the Würth Collection“, Forum Würth Rorschach, CH
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1997: "Contemporary Art in Austria", Europäisches Währungsinstitut, Frankfurt am Main
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2009: "Sehnsucht nach dem Abbild. Das Portrait im Wandel der Zeit", Kunsthalle Krems
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2016: “Rendezvous, Meisterwerke aus der Sammlung Essl”, Essl Museum, Klosterneuburg
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2022: "Xenia Hausner. True Lies", Museum Franz Gertsch, Burgdorf, Switzerland
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in London. From 1977 to 1992, she designed sets for theatre, opera and film at the
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Sie. Selbst. Nackt. Paula Modersohn-Becker und andere KĂĽnstlerinnen im Selbstakt
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1996: "Masterpieces of Austrian ContemporaryArt", Galerie Heike Curtze, Salzburg
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2019: "Juntos Aparte", Bienalsur – South America's Art Biennale, Cucuta Colombia
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213:. Contentious material about living persons that is unsourced or poorly sourced
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1998: "Xenia Hausner – Love Fragments", Jesuitenkirche Galerie in Aschaffenburg
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2018: "Xenia Hausner – Shaky Times" Danubiana Meulensteen Art Museum Bratislava
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Hausner was born into a family of artists. Her father was the Austrian painter
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2009: "Yearning for an Image: the Portrait through the Ages", Kunsthalle Krems
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Arte, Metropolis: The artist Xenia Hausner, first broadcast, 11 October 2003.
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2012: "Glasmalerei des 21. Jahrhunderts", Centre intern. du Vitrail, Chartres
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2001: "Xenia Hausner – New Works", Rupertinum, Museum der Moderne, Salzburg
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2005: "Physiognomy of the 2nd Republic", Austrian Galerie Belvedere, Vienna
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2010: "Trailblazer", Gabriele MĂĽnter Prize 2010, Martin-Gropius-Bau, Berlin
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2019: "Blickwechsel: Neue Frauenbilder" Galerie von Braunbehrens, Stuttgart
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2004: "Strange. Reports of a Far Nearness", Kunstfest Weimar "PĂ©lerinages"
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2019: "Xenia Hausner. Behind The Scenes", Austrian Cultural Forum New York
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2023: "Xenia Hausner. Female Measure", Galleri WĂĽrth, Hagan, Norway
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2018: "Mit Haut und Haar. Frisieren, Rasieren, Verschönern", Wien Museum
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2014: Xenia Hausner "Look Left – Look Right", Today Art Museum, Beijing
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2000: "Xenia Hausner – Paintings", Ernst Barlach Museum, Hamburg Wedel
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2017: „Entfesselt. Malerinnen der Gegenwart“, Schloss Achberg, Germany
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2020: "Freunde. Hunde und Menschen", Bayrisches Nationalmuseum, Munich
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2022: "Xenia Hausner. Unintended Beauty", KĂ–NIG Galerie, Berlin
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2012: "Xenia Hausner – Flagrant délit", Musée Würth France, Erstein
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2015: "Personal Structures: Crossing Borders", Palazzo Mora, Venice
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Was die Bilder erzählen. Ein Rundgang durch mein imaginäres Museum
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2011: "Glasmalerei der Moderne", Badisches Landesmuseum, Karlsruhe
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2013: "Sie. Selbst. Nackt." Paula Modersohn-Becker Museum, Bremen
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2018: "Die Geste" Ludwiggalerie, Schloss Oberhausen, Deutschland
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2019: "The Still Life in Contemporary Art" Galleri WĂĽrth, Norway
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2021: "Xenia Hausner. True Lies", Albertina Museum, Vienna
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2003: "Xenia Hauser – Lady's Choice", Galerie Deschler, Berlin
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2004: "Upper Class – Working Girl", Galerie der Stadt Salzburg
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2017: „10 – Alive and Kicking“, Dominik Mersch Gallery, Sydney
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2017: „Modern & Contemporary Art“, Forum Gallery, New York
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2017: "Seeing with our own eyes", Forum Gallery, New York, USA
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from the article and its talk page, especially if potentially
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2008: Montijo International Biennal ON EUROPE 2008, Portugal
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2012: 5th Beijing International Art Biennial, Beijing (China)
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2019: "Warhol bis Richter", Albertina Contemporary Art, Wien
1395:"Xenia Hausner. Some Hope. Silvia Eiblmayr zur Ausstellung"
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2002: "Xenia Hausner – Paintings", Galerie Hohmann, Hamburg
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2019: "Body extended", Shepherd W&K Galleries, New York
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Sehnsucht nach dem Abbild. Das Portrait im Wandel der Zeit
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2004: "Xenia Hausner – 2nd Nature", Charim Galerie, Vienna
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2010: "Intimacy. Bathing in Art", Kunstmuseum Ahlen, Ahlen
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2001: "Xenia Hausner – New Works", Galerie Thomas, Munich
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2013: "Painting Water", Berlin Art Week, Galerie Deschler
1136:Österreich: 1900 – 2000. Konfrontation und Kontinuitäten
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1996: "Die Kraft der Bilder", Martin-Gropius-Bau, Berlin
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2005: "Round Leather Worlds", Martin-Gropius-Bau, Berlin
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1996: "The Power of Images", Martin-Gropius-Bau, Berlin
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2002: "Xenia Hausner – Paintings", Galerie Kämpf, Basel
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2018: "Guernica – Ikone des Friedens" Hofburg Innsbruck
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1998: "Xenia Hausner – Paintings", Kunsthalle, Koblenz
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2011: "Sense of Family", Installation Ringturm, Vienna
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2014: "Die Andere Sicht", Essl Museum, Klosterneuburg
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2015: "Girl, Girls, Girls", Galerie Deschler, Berlin
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2015: Xenia Hausner "Some Hope", FO.KU.S, Innsbruck
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2018: "Black & White", Galerie Deschler, Berlin
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2019: "Frauen ĂĽber Frauen" Galerie Deschler, Berlin
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1090:. Centre International du Vitrail, Chartres 2012,
766:Museum WĂĽrth, KĂĽnzselsau und WĂĽrth Collection Oslo
697:1998: "Reality and Dream", Berlin Galerie, Berlin
667:2003: "New Paintings", Forum Gallery, Los Angeles
1030:Werk und Rezeption. Diskurse. Kontexte. Impulse
639:2006: "Works on Paper", Forum Gallery, New York
584:2012: "ĂśberLeben" Sammlung Essl, Klosterneuburg
530:2017: „Fleischeslust“, Galerie Deschler, Berlin
1064:Ă–sterreichische Aspekte in der Sammlung WĂĽrth.
718:1996: "Human Pictures", Galerie Thomas, Munich
691:2000: "Heart Matters", Forum Gallery, New York
521:2017: "Glasstress", Palazzo Franchetti, Venice
1100:Burkhard Leismann und Martina Padberg (Hg.):
630:2007: "Two", Galerie von Braunbehrens, Munich
627:2007: "Back to the Figure", Kunsthaus, Vienna
470:2019: "Xenia Hausner", Forum Gallery New York
354:) is an Austrian painter and stage designer.
8:
1488:Alumni of the Royal Academy of Dramatic Art
1076:Museum Angerlehner. Hirmer Verlag, Munich,
1016:Die andere Sicht. Sammlerin und KĂĽnstlerin.
53:Learn how and when to remove these messages
1313:: CS1 maint: location missing publisher (
1088:Zeitgenössische Glasmalerei in Deutschland
881:. Galerie von Braunbehrens, MĂĽnchen 2007.
793:Steven Bennett Collection, San Antonio, US
624:2008: "You and I", Forum Gallery, New York
312:
97:about living persons that is unsourced or
1052:. Kiepenheuer & Witsch Verlag, 2013,
929:. 2. Auflage, Wienand Verlag, Köln 2003.
554:2015: "Soft Power", Leo Gallery, Shanghai
299:Learn how and when to remove this message
281:Learn how and when to remove this message
168:Learn how and when to remove this message
1130:ZurĂĽck zur Figur. Malerei der Gegenwart,
1128:Christiane Lange/Florian Matzner (Hg.):
796:Serendipity Arts Trust, New Delhi, India
1372:(Brandstätter ed.). Brandstätter.
1155:
642:2006: "GlĂĽcksfall", KunstHausWien, Wien
1306:
1276:PERSONAL STRUCTURES – Crossing Borders
1453:Literature by and about Xenia Hausner
7:
1278:. Venice: European Cultural Centre.
1214:"Review of Xenia Hausner: Kampfzone"
651:2005: "Xenia Hausner – Glücksfall",
1368:Hausner, Xenia (8 September 2023).
16:Austrian painter and stage designer
829:. Brandstätter Verlag, Wien 2012.
14:
1263:(Braus ed.). pp. 16–18.
995:. Braus Verlag, Heidelberg 1990,
905:Damenwahl- Berichte aus dem Labor
34:This article has multiple issues.
894:. Prestel Verlag, MĂĽnchen 2005.
868:. Prestel Verlag, MĂĽnchen 2008.
184:
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1195:New York: Forum Gallery, 2000.
42:or discuss these issues on the
1498:21st-century Austrian painters
1493:20th-century Austrian painters
1330:True Lies, Interview Catalogue
1138:. Edition Sammlung Essl, 2005
772:The George Economou Collection
1:
1508:Austrian contemporary artists
1102:Intimacy! Baden in der Kunst.
1018:Edition Sammlung Essl, 2014,
981:. Wienand Verlag, Köln 1997.
955:. Wienand Verlag, Köln 2000.
816:. Brandstätter Verlag, 2014,
371:Royal Academy of Dramatic Art
211:secondary or tertiary sources
1191:Xenia Hausner: Heart Matters
1038:. Hatje Cantz Verlag, 2013,
790:Seven Bridges Foundation, US
217:, especially if potentially
195:biography of a living person
75:biography of a living person
1347:(Hirmer ed.). Hirmer.
1212:Hertel, Christiane (2002).
1132:Prestel Verlag Munich, 2006
326:1951 (age 72–73)
215:must be removed immediately
102:must be removed immediately
1524:
1404:(in German). pp. 3–4.
1303:(Prestl ed.). London.
1118:. Kunsthalle Krems, 2009,
748:Essl Museum Klosterneuburg
432:2000 – Ernst Barlach Prize
1503:Austrian scenic designers
1393:Eiblmayr, Silvia (2015).
1104:Kunstmuseum Ahlen, 2010,
925:Wieland Schmied (Hrsg.):
842:. Swiridoff Verlag 2012.
927:Xenia Hausner. Kampfzone
784:Seven Bridges Foundation
781:Today Art Museum, Peking
769:Droege Group, DĂĽsseldorf
1457:German National Library
1343:Hausner, Xenia (2011).
1328:Hausner, Xenia (2020).
1299:Hausner, Xenia (2008).
1259:Hausner, Xenia (1990).
1114:Hans-Peter Wipplinger:
1066:Swirdoff Verlag, 2013,
341:Painter, stage designer
1370:Look Left – Look Right
1274:Xenia Hausner (2015).
1261:Rätselraum fremde Frau
1188:Schmied, Wieland, Ed.
993:Rätselraum Fremde Frau
855:. Hirmer Verlag 2011.
814:Look Left – Look Right
209:Please help by adding
89:Please help by adding
802:Paul Allen Collection
778:Hong Kong Arts Centre
760:European Central Bank
1048:Dieter Wellershoff:
907:, mit Beiträgen von
775:First Art Foundation
95:Contentious material
1483:Artists from Vienna
1218:Woman's Art Journal
787:Shanghai Art Museum
754:Batliner Foundation
598:Shanghai Art Museum
437:Notable exhibitions
198:relies too much on
1332:(Hirmer ed.).
1028:Elfriede Jelinek:
763:Museum Angerlehner
743:Public collections
1379:978-3-85033-841-7
1354:978-3-7774-4281-5
1285:978-94-90784-18-8
1124:978-3-901261-43-5
1110:978-3-86832-020-6
1096:978-2-908077-06-3
1082:978-3-7774-2130-8
1072:978-3-89929-272-5
1058:978-3-462-04555-0
1044:978-3-7757-3664-0
1024:978-3-902001-81-8
1011:978-94-90784-18-8
942:. New York 2003.
874:978-3-7913-4106-4
861:978-3-7774-4281-5
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1170:(in German)
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405:Photography
375:Burgtheater
221:or harmful.
1467:Categories
1150:References
966:Figuration
892:GlĂĽcksFall
807:Literature
600:, Shanghai
387:Stage sets
271:April 2021
241:newspapers
200:references
158:April 2021
128:newspapers
39:improve it
1459:catalogue
1420:artnet.de
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1301:You and I
1238:0270-7993
953:Kampfzone
866:You and I
827:ĂśberLeben
751:Albertina
655:, Koblenz
332:, Austria
80:citations
45:talk page
1174:25 April
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414:Projects
396:Painting
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