Knowledge (XXG)

Zero-waste fashion

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195: 183: 174:, advocating for thoughtful manufacturing which is respectful of people, animals and the environment. Slow fashion encourages consumers to look at purchasing timeless garments and styles, believing that such items can last for years, rather than weeks, as well as only buying items which are needed. This reduction in demand can also lead to a reduction in transport costs, both financial and environmental. 25: 245:
While zero-waste fashion design methods offer sustainability benefits, they also face limitations. Variations in aesthetic appearances between sizes, increased production time, and challenges in documentation are some of the notable concerns. Informing customers about size variations, exploring ways
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However, less than one-third of discarded garments are resold as post-consumer recycled (PCR) clothing. In 2018 1.5 million tons of discarded clothing was sold by the EU to Asian and African countries, competing with local garment producers in those countries. Over two-thirds of discarded garments
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During textile production, many pollutants are emitted into the environment. The textile and apparel industries are some of the most polluting, and both have a low recycling rate of about 15%. Zero-waste fashion design could significantly reduce gaseous emissions during the production process and
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The Carrico Zero-waste Banded Grading technique is one proposed solution that utilizes bands to cut patterns without wasting textiles. In this technique, carefully planned seam placements grow or shrink, allowing sizing of the clothing item up or down to create three different sizes of a garment.
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Pre-consumer waste is created primarily by the fashion industry during the fibre, yarn, fabric, and garment manufacturing processes and includes unsuitable fibres, remnants, trimmings, cutoffs, and scraps of unsuitable quality. This waste consists of fibres, chemicals, dyes, and finishes that are
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In an open loop, other types of discarded consumer goods are recycled to create zero-waste fashion. One example is rPET bottles, which are processed to extract polyester fibre used in the production of garments. Other examples of recycled consumer products not related to fashion that are used to
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A standard garment production process may begin with a drawing of the desired garment. A pattern is then generated to achieve this design, a marker is made to most efficiently use the fabric, and the pattern pieces are then cut from the cloth, sewn, packed, and distributed to retailers. Standard
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is a system of seasons and microseasons, created by and at the retail stage, where certain clothes, designs and materials are advertised as being desirable for a short amount of time, at the end of which consumers are encouraged to abandon these and move on to buy other, more suitable clothes.
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process, working only within the space allotted by the fabric width. This approach directly influences the design of the final garment, as the pattern-cutting process is a primary design step. Alternatively, zero-waste manufacturing is an approach that aims to eliminate textile waste without
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consists of the three 'R's' - Reduce, Reuse, Recycle - in order of impact. Zero-waste fashion design reduces or even eliminates pre-consumer textile waste. However, it does not necessarily address waste created during the use life and disposal phase of the garment's life cycle.
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that are not incinerated are either torn and used as wiping rags or stripped down to extract yarn or fibres The fibres, post-consumer recycled (PCR) textiles, remain in a closed loop where the recycling results in the manufacture of the same type of product: garments.
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Zero-waste fashion significantly impacts the industry by promoting sustainable practices, reducing environmental damage, and encouraging innovation in design and production. It challenges traditional methods and leads to more eco-friendly, ethical fashion choices.
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After conducting the study, they found that the technique was successful at creating one-piece or two-piece items. Some issues with this practice include the proportion of the differently sized garments and inconsistencies in seam allowances.
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ABERNATHY, F. H., DUNLOP, J. T., HAMMOND, J. H. & WEIL, D. (1999) A stitch in time. Lean retailing and the transformation of manufacturing - Lessons from the apparel and textile industries, New York & Oxford, Oxford University
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to lower costs, and improving documentation practices can address these limitations. Continued research and innovation, are important to overcome these limitations and advance sustainability practices in the fashion industry.
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zero-waste fashion, which generates clothing from existing materials such as second-hand clothing and elements or textiles made from other discarded consumer products. Historically, zero-waste designs have been utilised in
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Fashion and Wellness shows a "Model showcasing a dress made out bulletin newspapers, this is an attempt towards clearing the environment and keeping it clean". This is from the theme "Health and wellness in
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during the production process, particularly focusing on the pattern making and cutting stages. It is a reaction to the high amount of discarded clothing items going into landfills around the world.
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Post-consumer zero-waste fashion can also include used and discarded garments. Unwanted clothing can be sold on through donations to charity shops or through online sales.
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Hethorn, Janet, and Connie Ulasewicz. 2008. Sustainable Fashion: Why Now?: A Conversation Exploring Issues, Practices, and Possibilities. 1st ed. Fairchild Publications
434:"Recycling technologies for enabling sustainability transitions of the fashion industry: status quo and avenues for increasing post-consumer waste recycling" 121:
ideal for recycling. Secondary pre-consumer waste consists of unsold finished stock of garments and other fabric items like curtains and bedding.
262:(1973) was a seminal text that summarized decades of Burnham's research into cuts of traditional dress and the influence of weave on costume cut. 1077: 653: 347: 308:
Gwilt, Alison, and Timo Rissanen. Shaping Sustainable Fashion: Changing the Way We Make and Use Clothes. Earthscan Publications Ltd., 2011.
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Carrico, Melanie; Dragoo, Sheri L.; McKinney, Ellen; Stannard, Casey; Moretz, Colleen; Rougeaux-Burnes, Ashley (1 January 2022).
701:"A framework of circular business models for fashion and textiles: the role of business-model, technical, and social innovation" 78: 1006:
Carrico, Melanie; Dragoo, Sheri L.; McKinney, Ellen; Stannard, Casey; Moretz, Colleen; Rougeaux-Burnes, Ashley (2022-01-01).
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Stanescu, Michaela (2021). "State of the art of post-consumer textile waste upcycling to reach the zero waste milestone".
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modifying garment patterns. This approach allows garments and fabric to be fully used with no fabric wasted.
750:"Unravelling the Relationships between Used-Clothing Imports and the Decline of African Clothing Industries" 625: 171: 88: 699:
Coscieme, Luca; Manshoven, Saskia; Gillabel, Jeroen; Grossi, Francesca; Mortensen, Lars F. (2022-06-15).
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Depop Sale: fashion retailers must move faster on sustainability or they will be replaced by Gen Z apps
788: 268:'s design approach aligns well with zero-waste fashion design; many of her garments had minimal waste. 949: 800: 712: 445: 328:"Using design practice to negotiate the awkward space between sustainability and fashion consumption" 92: 973: 1039: 965: 922: 863: 824: 816: 769: 730: 463: 265: 787:
Shirvanimoghaddam, Kamyar; Motamed, Bahareh; Ramakrishna, Seeram; Naebe, Minoo (2020-05-20).
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fashion, this 'Storybook gown' is constructed of recycled and discarded children's books.
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create zero-waste fashion are old books, newspapers, plastics, and shopping bags.
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Recycling of cotton textiles: Characterization, pretreatment, and purification
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How a charity shop can save more waste from landfill than you might imagine
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For a true war on waste, the fashion industry must spend more on research
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In zero-waste pattern design, the designer creates a garment through the
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fashion strategies can be categorized under two general approaches:
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Discover how you can reduce textile waste for Second Hand September
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zero-waste fashion, which eliminates waste during manufacture, and
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The Fascinating World of Zero Waste Fashion: What You Need to Know
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Young, Carol; Jirousek, Charlotte; Ashdown, Susan (January 2004).
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Is it time to break up with fast fashion to help save the planet?
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refers to a fashion design strategy, that generates little or no
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is seen as an antidote to fast fashion, and part of the larger
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garment production generates an average of 15% textile waste.
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Environmental Science and Pollution Research International
1008:"An Inquiry into Gradable Zero-Waste Apparel Design" 516:"An inquiry into Gradable Zero-Waste Apparel Design" 304: 302: 481:Gupta, Lotika; Kaur Saini, Harminder (2020-06-22). 601:, article by Madeleine Hill dated July 3, 2023 673:, article by Lucy Hooker dated April 29, 2024 8: 899:Park, Sang Ho; Kim, Seong Hun (2014-07-01). 705:Sustainability: Science, Practice and Policy 438:Sustainability: Science, Practice and Policy 147:Differences from standard fashion production 748:Brooks, Andrew; Simon, David (2012-09-17). 352:, article by Mark Liu dated August 15, 2017 1033: 1023: 916: 724: 671:Vinted makes first profit on used fashion 586:, article by Jenny Bell, October 13, 2023 541: 531: 498: 457: 62:Learn how and when to remove this message 654:Brighton and Hove City Council website, 285:Rosenbloom, Stephanie (13 August 2010). 193: 277: 848:Clothing and Textiles Research Journal 888:. Sweden: Chalmers Tekniska Hogskola. 879: 877: 7: 561:, article by Ramesh De Silva (2022) 559:Waste isn’t waste until we waste it 432:Eppinger, Elisabeth (2022-12-09). 138:Gradable zero-waste apparel design 34:tone or style may not reflect the 14: 658:, article dated September 8, 2023 557:Circular Economy Europe website, 1061:. Ontario: Royal Ontario Museum. 793:Science of the Total Environment 766:10.1111/j.1467-7660.2012.01797.x 178:Post-consumer zero-waste fashion 44:guide to writing better articles 23: 991:Michael Ludwig studio website, 813:10.1016/j.scitotenv.2020.137317 116:Pre-consumer zero-waste fashion 367:, article dated March 13, 2023 228:help to reuse material waste. 1: 726:10.1080/15487733.2022.2083792 612:Sustainable Jungle website, 459:10.1080/15487733.2022.2027122 380:Let’s Talk about Fast Fashion 363:Zero Waste Scotland website, 1078:Clothing and the environment 1057:Burnham, Dorothy K. (1973). 688:, article by Elaine L. Ritch 582:Sustainable Jungle website, 414:. BUGIstudio. Archived from 684:Business Reporter website, 215:Waste elimination hierarchy 16:Sustainable clothing design 1099: 962:10.1007/s11356-021-12416-9 860:10.1177/0887302x0402200108 348:The Conversation website, 918:10.1186/s40691-014-0001-x 640:Zero Waste Week website, 584:Zero Waste Fashion Brands 487:Current World Environment 378:Zero Waste Week website, 125:Zero-waste pattern design 188:post-consumer zero-waste 392:Wang, Youjiang (2006). 38:used on Knowledge (XXG) 754:Development and Change 396:. Woodhead publishing. 200: 191: 42:See Knowledge (XXG)'s 628:What is Slow Fashion? 614:What is Slow Fashion? 599:What is Slow Fashion? 597:Good On You website, 421:on February 21, 2006. 394:Recycling in textiles 250:Notable contributions 197: 185: 172:slow movement culture 905:Fashion and Textiles 884:Palme, Anna (2016). 500:10.12944/CWE.15.2.02 287:"The New York Times" 954:2021ESPR...2814253S 948:(12): 14253–14270. 805:2020ScTEn.71837317S 717:2022SSPP...18..451C 450:2022SSPP...18..114E 1083:Waste minimisation 1025:10.3390/su14010452 995:, February 9, 2024 533:10.3390/su14010452 330:. mro.massey.ac.nz 256:Dorothy K. Burnham 201: 192: 75:Zero-waste fashion 266:Madeleine Vionnet 72: 71: 64: 36:encyclopedic tone 1090: 1063: 1062: 1054: 1048: 1047: 1037: 1027: 1003: 997: 988: 982: 981: 937: 931: 930: 920: 896: 890: 889: 881: 872: 871: 839: 833: 832: 784: 778: 777: 760:(6): 1265–1290. 745: 739: 738: 728: 696: 690: 681: 675: 666: 660: 651: 645: 637: 631: 623: 617: 609: 603: 594: 588: 579: 573: 569: 563: 554: 548: 547: 545: 535: 511: 505: 504: 502: 478: 472: 471: 461: 429: 423: 422: 420: 413: 407:Rissanen, Timo. 404: 398: 397: 389: 383: 375: 369: 360: 354: 345: 339: 338: 336: 335: 324: 318: 315: 309: 306: 297: 296: 294: 293: 282: 112:, among others. 100:, including the 67: 60: 56: 53: 47: 46:for suggestions. 27: 26: 19: 1098: 1097: 1093: 1092: 1091: 1089: 1088: 1087: 1068: 1067: 1066: 1056: 1055: 1051: 1005: 1004: 1000: 989: 985: 939: 938: 934: 898: 897: 893: 883: 882: 875: 841: 840: 836: 786: 785: 781: 747: 746: 742: 698: 697: 693: 682: 678: 667: 663: 652: 648: 638: 634: 626:Oxfam website, 624: 620: 610: 606: 595: 591: 580: 576: 570: 566: 555: 551: 513: 512: 508: 480: 479: 475: 431: 430: 426: 418: 411: 406: 405: 401: 391: 390: 386: 376: 372: 361: 357: 346: 342: 333: 331: 326: 325: 321: 316: 312: 307: 300: 291: 289: 284: 283: 279: 275: 252: 243: 234: 221:waste hierarchy 217: 180: 158: 149: 140: 131:pattern-cutting 127: 118: 68: 57: 51: 48: 41: 32:This article's 28: 24: 17: 12: 11: 5: 1096: 1094: 1086: 1085: 1080: 1070: 1069: 1065: 1064: 1049: 1012:Sustainability 998: 983: 932: 891: 873: 854:(1–2): 61–68. 834: 779: 740: 711:(1): 451–462. 691: 676: 661: 646: 632: 618: 604: 589: 574: 564: 549: 520:Sustainability 506: 493:(2): 154–162. 473: 444:(1): 114–128. 424: 399: 384: 370: 355: 340: 319: 310: 298: 276: 274: 271: 270: 269: 263: 251: 248: 242: 239: 233: 230: 216: 213: 186:An example of 179: 176: 157: 154: 148: 145: 139: 136: 126: 123: 117: 114: 70: 69: 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 1095: 1084: 1081: 1079: 1076: 1075: 1073: 1060: 1053: 1050: 1045: 1041: 1036: 1031: 1026: 1021: 1017: 1013: 1009: 1002: 999: 996: 994: 987: 984: 979: 975: 971: 967: 963: 959: 955: 951: 947: 943: 936: 933: 928: 924: 919: 914: 910: 906: 902: 895: 892: 887: 880: 878: 874: 869: 865: 861: 857: 853: 849: 845: 838: 835: 830: 826: 822: 818: 814: 810: 806: 802: 798: 794: 790: 783: 780: 775: 771: 767: 763: 759: 755: 751: 744: 741: 736: 732: 727: 722: 718: 714: 710: 706: 702: 695: 692: 689: 687: 680: 677: 674: 672: 669:BBC website, 665: 662: 659: 657: 650: 647: 644: 643: 636: 633: 630: 629: 622: 619: 616: 615: 608: 605: 602: 600: 593: 590: 587: 585: 578: 575: 568: 565: 562: 560: 553: 550: 544: 539: 534: 529: 525: 521: 517: 510: 507: 501: 496: 492: 488: 484: 477: 474: 469: 465: 460: 455: 451: 447: 443: 439: 435: 428: 425: 417: 410: 403: 400: 395: 388: 385: 382: 381: 374: 371: 368: 366: 359: 356: 353: 351: 344: 341: 329: 323: 320: 314: 311: 305: 303: 299: 288: 281: 278: 272: 267: 264: 261: 257: 254: 253: 249: 247: 240: 238: 231: 229: 225: 222: 214: 212: 208: 204: 196: 189: 184: 177: 175: 173: 169: 165: 162: 155: 153: 146: 144: 137: 135: 132: 124: 122: 115: 113: 111: 107: 103: 99: 98:folk clothing 94: 93:post-consumer 90: 86: 82: 80: 79:textile waste 76: 66: 63: 55: 45: 39: 37: 30: 21: 20: 1058: 1052: 1015: 1011: 1001: 992: 986: 945: 941: 935: 908: 904: 894: 885: 851: 847: 837: 796: 792: 782: 757: 753: 743: 708: 704: 694: 685: 679: 670: 664: 655: 649: 641: 635: 627: 621: 613: 607: 598: 592: 583: 577: 567: 558: 552: 523: 519: 509: 490: 486: 476: 441: 437: 427: 416:the original 402: 393: 387: 379: 373: 364: 358: 349: 343: 332:. 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Index

encyclopedic tone
guide to writing better articles
Learn how and when to remove this message
textile waste
Zero-waste
pre-consumer
post-consumer
folk clothing
kimono
sari
chiton
pattern-cutting
Fast fashion
Slow fashion
slow movement culture

Fashion and Wellness shows a "Model showcasing a dress made out bulletin newspapers, this is an attempt towards clearing the environment and keeping it clean". This is from the theme "Health and wellness in Africa."
waste hierarchy
Dorothy K. Burnham
Madeleine Vionnet
"The New York Times"


"Using design practice to negotiate the awkward space between sustainability and fashion consumption"
The Conversation website, For a true war on waste, the fashion industry must spend more on research, article by Mark Liu dated August 15, 2017
Zero Waste Scotland website, Is it time to break up with fast fashion to help save the planet?, article dated March 13, 2023
Zero Waste Week website, Let’s Talk about Fast Fashion
"From 15% to 0: Investigating the creation of fashion without the creation of fabric waste"
the original
"Recycling technologies for enabling sustainability transitions of the fashion industry: status quo and avenues for increasing post-consumer waste recycling"

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