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He is not to be confused with another 13th-century
Norwegian "Master of the Life of the Virgin", the late 15th-century Venetian "Master of the Louvre Life of the Virgin," or the three artists each known as the
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139:. His elegant figural style is well enough known that his considerable influence can be detected in the work of other painters in Cologne.
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Though his name is unknown, through his paintings he has become the most celebrated Late Gothic painter of the
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His workshop is identified by his masterwork, a series of eight depictions of conventional scenes from the
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Der
Meister des Marienlebens und sein Kreis: Studien zur spätgotik Malerei in Köln
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Through the detectable influence of
Netherlandish painters including
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Mary, painted for the
Ursulakirche, Cologne; seven are in the
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155:Seven of the eight scenes from the eponymous
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359:Infobitte: Meister des Marienlebens
260:Presentation of Jesus at the Temple
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145:Master of the Death of the Virgin
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38:Master of the Life of the Virgin
56:. He can also be known as the
310:Getty Union Artist's Name List
281:Getty Union Artist's Name List
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374:15th-century German painters
101:Germanisches Nationalmuseum
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339:(Düsseldorf:Schwann) 1978.
176:Meeting at the Golden Gate
52:German painter working in
16:Late Gothic German painter
89:for the hospital chapel,
75:, Munich, and one in the
77:National Gallery, London
42:Meister des Marienlebens
350:Kunsthalle, Karlsruhe:
115:Wallraf-Richartz Museum
30:Wallraf-Richartz Museum
218:Marriage of the Virgin
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352:Portrait of a Scholar
126:Rogier van der Weyden
103:, Nuremberg; and the
96:Adoration of the Magi
86:Crucifixion of Christ
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389:Artists from Cologne
204:Presentation of Mary
110:Deposition of Christ
25:Deposition of Christ
335:Schmidt, Hans M..
297:2007-07-03 at the
157:Life of the Virgin
69:Life of the Virgin
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384:Anonymous artists
62:Johann van Duyren
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58:Master of Wilten
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379:Gothic painters
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117:, Cologne.
105:Crucifixion
50:late Gothic
48:given to a
368:Categories
246:Visitation
161:Assumption
122:Dirk Bouts
46:pseudonym
32:, Cologne
295:Archived
262:, London
321:Joconde
151:Gallery
113:at the
99:in the
54:Cologne
28:at the
93:; the
81:Werden
268:Notes
60:, or
124:and
107:and
36:The
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