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as the basis for his engraving of a portrait of the
Flemish poet Jeremias Pierssene. Guillaume Duvivier, an engraver who was active in Ghent in the 17th century, made an engraving after a painting of Antoon van den Heuvel which shows two servant women in a kitchen. This
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His style is, however, not that easily reduced to the
Caravaggesque movement. His early work showed a preference for contrasting colours and strong lighting, with little use of transitional tones. But compared to his contemporary
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Van den Heuvel also made designs for engravings. The paintings (some of them after designs by Rubens) that he (and other painters) made on the occasion of the
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in Ghent in 1635 were engraved to be included in a publication authored by Willem van der Beke (Guilielmus
Becanus). The publication entitled
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Antoon van den Heuvel remained active for the rest of his life in Ghent and its neighbouring areas where he was particularly in demand for
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Antoon van den Heuvel painted mainly religious scenes and portraits. He is usually regarded as a representative of the international
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Serenissimi principis
Ferdinandi Hispaniarum infantis S.R.E. cardinalis triumphalis introitus in Flandriae metropolim Gandauum
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Serenissimi principis
Ferdinandi Hispaniarum infantis S.R.E. cardinalis triumphalis introitus in Flandriae metropolim Gandavum
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Hans
Vlieghe. "Heuvel, Antoon van den." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 13 October 2014
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His later work between 1640 and 1650 is less colourful and therefore appears less expressive.
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Van den Heuvel also borrowed motifs and compositions of contemporary
Flemish painters such as
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and draughtsman. After training and working in
Antwerp and Rome, he returned to his native
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subject is atypical for van den Heuvel who mainly painted religious scenes and portraits.
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where he was one of the important creators of altarpieces for the churches in the region.
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Recherches sur les peintres et sculpteurs à Gand, aux XVIe, XVIIe et XVIIIe siècles
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was published by
Johannes Meursius in Antwerp in 1636. Leading Antwerp engravers
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and their followers. He must have seen their work during his residence in Rome.
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of Ghent in 1628, he stated that in the previous 10 years he had been working in
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A portrait painting made by van den Heuvel was used by the prominent engraver
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Van den Heuvel's style is in its linear compositions and bright lighting more
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in the Church of
Borsbeke relies upon a painting by the Dutch Carravagist
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Little is known about his early life and training. He was born in
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37:(nickname: 'don Antonio') (c. 1600 – 5 August 1677) was a Flemish
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Ferdinand Receives the Keys of the City from the Virgin of Ghent
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of the same subject for its composition and a number of motifs.
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Gerrit Van Honthorst: A Discussion of His Position in Dutch Art
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Die altniederländische Malerei von Jan van Eyck bis Memling
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286:Work by Antoon van den Heuvel on Belgiumview
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129:: 'The Madonna with the snake' (Rome,
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21:Christ and the adulterous woman
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160:Adoration of the shepherds
111:The resurrection of Christ
417:Flemish history painters
412:Flemish Baroque painters
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237:Antoine van den Heuvel
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93:Caravaggesque movement
31:Antoine van den Heuvel
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396:Antoon van den Heuvel
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27:Antoon van den Heuvel
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398:at Wikimedia Commons
312:Jay Richard Judson,
257:Edmond De Busscher,
101:Gerard van Honthorst
35:Anton van den Heuvel
373:at the Rijksmuseum
371:The Flemish kitchen
358:at the Rijksmuseum
201:Antony van der Does
59:Guild of Saint Luke
422:Artists from Ghent
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83:He died in Ghent.
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394:Media related to
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432:1677 deaths
346:at WorldCat
330:Rijksmuseum
263:(in French)
193:Jacob Neefs
97:Lamentation
74:altarpieces
406:Categories
375:(in Dutch)
360:(in Dutch)
333:(in Dutch)
244:(in Dutch)
219:References
138:Classicist
127:Caravaggio
297:Karl Voll
328:at the
239:at the
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63:Antwerp
167:Rubens
213:genre
55:Ghent
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199:and
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67:Rome
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