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The painting belonged to Jewish retail magnate Max Emden, who fled
Hamburg ahead of Nazi rule leaving much of his massive art collection behind. His grandson, Chile-based Juan Carlos Emden, said the ter Borch painting was one of about 100 stolen during the Holocaust. Mr Emden is planning to visit
264:, Ter Borch "established a new framework for subject matter, taking people into the sanctum of the home", showing the figures' uncertainties and expertly hinting at their inner lives. His influence as a painter, however, was later surpassed by Vermeer.
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Melbourne to demand the painting's return. "There is no doubt that the painting was aryanised from the Max Emden collection in or about 1938," his request says, in response to demands from the NGV for Mr Emden to prove the ter Borch is rightfully his.
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1123:, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Gerard ter Borch (cat. no. 3-4)
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Ter Borch's works are comparatively rare; about eighty have been catalogued. Six of these are at the
Hermitage, six at the Berlin Museum, five at the
1111:, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Gerard ter Borch (cat. no. 1)
1105:, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Gerard ter Borch (see index)
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431:, where he became a member of the town council, as which he appears in the portrait now in the gallery of the Hague. He died at Deventer in 1681.
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In 2007, the heirs to the retail magnate Max Emden requested that the
National Gallery of Victoria restitute the Gerard ter Borch painting
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Ter Borch is a significant painter of genre subjects. He is known for his rendering of texture in draperies, for example in
479:, c. 1658, oil on canvas, 80 x 75 cm (31½ × 29 9/16 in.) in the Andrew W. Mellon Collection, was used on the cover of
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Fifteenth- to eighteenth-century
European paintings: France, Central Europe, the Netherlands, Spain, and Great Britain
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also became a painter. It is certain that he was in Rome in 1641, when he painted the small portraits on copper of
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360:(Six Collection, Amsterdam) and the portrait of a Gentlemen (DMK Collection Nuermberg). In 1648 he was at
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This article is about Gerard ter Borch the
Younger. For other people with the same surname, see
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Pieter C. Vis: Andries de Graeff (1611–1678) ’t Gezagh is heerelyk: doch vol bekommeringen
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In 1635, he was in London, and subsequently he travelled in
Germany, France, Spain and
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celebrated little picture, painted upon copper, of the assembled plenipotentiaries
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975:"Dutch Painter Gerard ter Borch: Putting people and things in perspective"
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1051:. Vol. 26 (11th ed.). Cambridge University Press. p. 637.
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in London. The picture was bought by the marquess of
Hertford at the
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The
Ratification of the Spanish-Dutch Treaty of Münster, 15 May 1648
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This article incorporates text from a publication now in the
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859:"Vermeer was brilliant, but he was not without influences"
376:("Portrait of a Young Man"), represents the master in the
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meeting of the congress which ratified the treaty of peace
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in
Washington D.C., highlighted in 2010 by Blake Gopnik.
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which Emden had owned prior to the rise of the Nazis.
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between the
Spaniards and the Dutch, and executed his
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Der künstlerische Entwickelungsgang des C. Ter Borch
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287:He received an excellent education from his father
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58:. Unsourced material may be challenged and removed.
223:; December 1617 – 8 December 1681), also known as
1217:A Woman Playing the Theorbo-Lute and a Cavalier
671:A Woman Playing the Theorbo-Lute and a Cavalier
1121:Dutch and Flemish paintings from the Hermitage
372:—a work which, along with the a portrait of a
272:Gerard ter Borch was born in December 1617 in
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415:At this time Ter Borch was invited to visit
460:, four at the Dresden Museum, three at the
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468:. A pair of portraits were located at the
244:. He influenced his fellow Dutch painters
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315:. A record of this Haarlem period is the
295:in 1632, where he studied possibly under
118:Learn how and when to remove this message
1134:Works and literature on Gerard ter Borch
1064:Gerard Terburg (Ter Borch) et sa famille
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674:, circa 1658, Metropolitan Museum of Art
950:. Getty.edu. 7 May 2009. Archived from
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384:sale for £7280, and presented to the
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993:"Claim on gallery's 'Nazi-loot' art"
307:, London). In 1634 he studied under
56:adding citations to reliable sources
16:Dutch Golden Age painter (1617–1681)
1329:Municipal councillors in Overijssel
1193:Portrait of Helena van der Schalcke
973:Gopnik, Blake (28 December 2010).
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948:"Gerard ter Borch (Getty Museum)"
1109:The Milkmaid by Johannes Vermeer
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1201:Seated Girl in Peasant Costume
540:A Maid Milking a Cow in a Barn
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1103:Vermeer and The Delft School
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496:Gerard ter Borch's paintings
563:(The Paternal Admonition) (
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220:[ɣəˈrɑrtərˈbɔr(ə)x]
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1259:Gerard ter Borch the Elder
904:National Gallery catalogue
403:modelled for his painting
305:Victoria and Albert Museum
289:Gerard ter Borch the Elder
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1314:Dutch Golden Age painters
826:Claim for Nazi-looted art
180:8 December 1681 (aged 64)
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1209:The Gallant Conversation
560:The Gallant Conversation
446:The Gallant Conversation
297:Willem Cornelisz Duyster
238:Dutch Golden Age painter
1267:(half-sister and model)
1048:Encyclopædia Britannica
724:A Lady Reading a Letter
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598:Woman writing a letter
475:The artist's painting
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262:Arthur K. Wheelock Jr.
1099:(1944) on archive.org
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149:by Gerard ter Borch (
1324:Dutch genre painters
1081:Maîtres d'autre fois
709:Lady at her Toilette
636:Portrait of a Family
52:improve this article
1334:Artists from Zwolle
1319:Dutch male painters
1261:(father and master)
979:The Washington Post
405:Sitting Young Woman
390:Sir Richard Wallace
276:in the province of
900:"Gerard ter Borch"
867:. 12 October 2017.
687:The Suitor's Visit
477:The Suitor's Visit
466:Wallace Collection
451:Johann Georg Wille
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254:Eglon van der Neer
67:"Gerard ter Borch"
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1225:Glass of Lemonade
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425:Andries de Graeff
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1185:Man on Horseback
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45:verification
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1309:1681 deaths
1304:1617 births
1241:The Concert
909:20 February
694: 1658
583:The concert
568: 1654
485:Art History
399:His sister
364:during the
335:Rijksmuseum
192:Nationality
1298:Categories
1233:The Letter
1019:References
768:1660–1665)
761:The Letter
617:The letter
441:The Letter
278:Overijssel
250:Gerrit Dou
240:mainly of
78:newspapers
1228:(c. 1664)
1220:(c. 1658)
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1204:(c. 1650)
1196:(c. 1648)
1177:Paintings
421:Philip IV
339:Amsterdam
293:Amsterdam
268:Biography
236:), was a
108:June 2022
21:Ter Borch
1279:(master)
1002:19 March
657:1657–58)
546:1652–54)
429:Deventer
382:Demidoff
205:Painting
184:Deventer
1252:Related
1036::
958:3 March
443:and in
362:Münster
354:Jan Six
313:Haarlem
280:in the
92:scholar
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527:(1646)
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458:Louvre
417:Madrid
401:Gesina
350:Gesina
274:Zwolle
229:Dutch:
216:Dutch:
166:Zwolle
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1095:, by
1083:, by
1067:, by
838:Notes
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604:1655)
435:Works
411:1650)
346:Italy
196:Dutch
153:1668)
99:JSTOR
85:books
1004:2021
960:2012
911:2021
256:and
177:Died
159:Born
71:news
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388:by
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