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314:(1913) His writings on color, which were influenced by scientists and theoreticians, are intuitive and can sometimes be random statements based on the belief that color is a thing in itself, with its own powers of expression and form. He believes painting is a purely visual art that depends on intellectual elements, and perception is in the impact of colored light on the eye. The contrasts and harmonies of color produce in the eye simultaneous movements and correspond to movement in nature. Vision becomes the subject of painting.
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590:, the first published suggestion that Delaunay had broken with this group of Cubists appeared, in James Burkley's review of the Salon des Indépendants. Burkley wrote, "The "Cubists", who occupied only a room, have multiplied. Their leaders, Picasso and Braque, have not participated in their grouping, and Delaunay, commonly labeled a Cubist, has wished to isolate himself and declares he has nothing in common with Metzinger or Le Fauconnier."
566:"This happened in 1912. Cubism was in full force. I made paintings that seemed like prisms compared to the Cubism my fellow artists were producing. I was the heretic of Cubism. I had great arguments with my comrades who banned color from their palette, depriving it of all elemental mobility. I was accused of returning to Impressionism, of making decorative paintings, etc.⊠I felt I had almost reached my goal."
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539:-based group of artists. Delaunay was also successful in Germany, Switzerland, and Russia. He participated in the first Blaue Reiter exhibition in Munich and sold four works. Delaunay's paintings encouraged an enthusiastic response with Blaue Reiter. The Blaue Reiter connections led to the article by
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period was somewhat longer than that of his close friend
Delaunay... The height of his Neo-Impressionist work was in 1906 and 1907, when he and Delaunay did portraits of each other (Art market, London, and Museum of Fine Arts, Houston) in prominent rectangles of pigment. (In the sky of
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236:. From 1912 to 1914, he painted nonfigurative paintings based on the optical characteristics of brilliant colors that were so dynamic they would function as the form. His theories are mostly concerned with color and light and influenced many, including
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was strongly influenced by
Delaunay's theories of color and often quoted from them to explain Orphism, which he had named. Delaunay's fixations with color as the expressive and structural means were sustained by his study of color.
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Metzinger, followed closely by
Delaunayâthe two often painting together in 1906 and 1907âwould develop a new sub-style of Neo-Impressionism that had great significance shortly thereafter within the context of their Cubist works.
449:, 1906â07, Collection Rijksmuseum Kröller-MĂŒller, is the solar disk which Delaunay was later to make into a personal emblem)." Herbert describes the vibrating image of the sun in Metzinger's painting, and so too of Delaunay's
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and Cubist Eiffel Tower paintings from 1909 to 1912. Apollinaire praised those works of the exhibition and proclaimed
Delaunay as "an artist who has a monumental vision of the world."
325:, for example, has vigorous activity, with the use of lively brushstrokes in bright colors against a dark background, not defining solid objects but the areas that surround them.
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the interpenetration of tangible objects and space is accompanied by the intense movement of geometric planes that are more dynamic than the static equilibrium of Cubist forms.
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Berthe FĂ©licie de Rose. While he was a child, Delaunay's parents divorced, and he was raised by his mother's sister Marie and her husband
Charles Damour, in La RonchĂšre near
1946:
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509:; at the time she was married to a German art dealer whom she would soon divorce. In 1909, Delaunay began to paint a series of studies of the city of Paris and the
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series represented the fragmentation of solid objects and their merging with space. Influences in this series were CĂ©zanne, Analytical Cubism, and
Futurism. In the
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brought an end to the financial support Sonia received from her family in Russia, and a different source of income was needed. In 1917 the
Delaunays met
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1906:
895:. Robert Delaunay and Sonia Terk met through the German collector/dealer Wilhelm Uhde, with whom Sonia had been married as she said for "convenience"
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879:, oil on canvas, 72.4 x 48.5 cm. Exhibited in Paris at the 1906 Salon d'Autome (no. 420) along with a portrait of Delaunay by Metzinger
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After the war, in 1921, they returned to Paris. Delaunay continued to work in both figurative and abstract themes, with a brief stint into
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453:(1906â07), as "an homage to the decomposition of spectral light that lay at the heart of Neo-Impressionist color theory..."
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1938:
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772:, Delaunay was unable to endure being moved around, and his health deteriorated. He died of cancer on 25 October 1941 in
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1912 was a turning point for
Delaunay. On 13 March his first major exhibition in Paris closed after two weeks at the
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562:, 1912â1913, oil on canvas. 134 x 52.7 inches (circular), Esther Grether Familensammlung (Foundation), Switzerland.
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refused a business partnership with Sonia in 1920, citing as one of the reasons her marriage to a deserter. The
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361:. When he failed his final exam and said he wanted to become a painter, his uncle in 1902 sent him to Ronsin's
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547:. Delaunay would go to exhibit in February of that year, in the second Blaue Reiter exhibition in Munich and
393:; and, in 1906, he contributed works he painted in Brittany to the 22nd Salon des Indépendants, where he met
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The following year, he married Terk, and the couple settled in a studio apartment in Paris, where their son
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158:. His key influence related to bold use of colour and a clear love of experimentation with both depth and
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434:, 1906â07, oil on canvas, 55 x 46 cm, MusĂ©e national d'art moderne (MNAM), Centre Georges Pompidou, Paris
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Robert
Delaunay's works can be found in museums and loaned from private collections around the world:
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With
Apollinaire, Delaunay traveled to Berlin in January 1913 for an exhibition of his work at
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At age 19, Delaunay left Ronsin to focus entirely on painting and contributed six works to the
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Agence Photographique de la Réunion des musées nationaux et du Grand Palais des Champs-Elysées
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1470:"School of Paris | Essay | The Metropolitan Museum of Art | Heilbrunn Timeline of Art History"
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who used large, mosaic-like 'cubes' to construct small but highly symbolic compositions.
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Robert Herbert, Neo-Impressionism, The Solomon R. Guggenheim Foundation, New York, 1968
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1173:, New York, Gift by Andrew Powie Fuller and Geraldine Spreckels Fuller Collection, 1999
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The New Art of Color: The Writings of Robert and Sonia Delaunay - First Notebook, 1939
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154:, noted for its use of strong colours and geometric shapes. His later works were more
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Guillaume, Valérie (1999). "Sonia und Tissus Delaunay". In Delaunay, Robert (ed.).
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469:'s Parisian works (from 1907 onward), into their dynamic paintings and sculpture.
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In 1908, after a term in the military working as a regimental librarian, he met
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Centre Pompidou/MNAM-CCI/BibliothĂšque Kandinsky, Fonds Sonia et Robert Delaunay
753:, Delaunay participated in the design of the railway and air travel pavilions.
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titled "Robert Delaunay's Methods of Composition", which appeared in the 1912
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showed works by Sonia and Robert from their Portuguese period the same year.
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In the prime of his career he painted a number of series that included: the
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run by Berthe Weill early in 1907. The two of them were singled out by the
577:, showed forty-six works from his early 1906-07 Divisionist period to his
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Envisioning Abstraction: The Simultaneity Of Robert Delaunay's First Disk
661:, Robert was declared unfit for military duty at the French consulate in
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Robert Delaunay â Sonia Delaunay: Das Centre Pompidou zu Gast in Hamburg
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641:. In August 1915 they moved to Portugal where they shared a home with
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later (1909â1916) would incorporate the style, under the influence of
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developed a similar mosaic-like Divisionist technique circa 1909. The
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Willard Bohn: Apollinaire and the international avant-garde (1997),
573:. The exhibition, organized by the French mathematician and actuary
204:. Statements consisting only of original research should be removed.
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1663:, (video). Museum of Modern Art, New York. Retrieved April 4, 2020
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The spectral colors of Neoimpressionism were later abandoned. The
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729:, Volume 1, Number 1, 1 October 1924, cover by Robert Delaunay
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in Spain. They decided not to return to France and settled in
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was born in January 1911. The same year, at the invitation of
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139:; 12 April 1885 â 25 October 1941) was a French artist of the
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E. van Busse. "Robert Delaunay's Methods of Composition". In
1850:, Volume 1, Number 1, 1 October 1924, Blue Mountain Project
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in Madrid. Robert designed the stage for his production of
1647:. Museum of Modern Art, New York. Retrieved April 5, 2020.
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1209:, Decoration for the Salon des Tuileries, oil on canvas,
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they discussed an artistic partnership. First declared a
498:, 1912â13, oil on canvas, 53 in. (134.5 cm) in diameter,
1034:, oil on canvas, 195 x 130 cm, Van Abbemuseum, Eindhoven
1262:(Walsall, England), Palazzo Cavour (Turin, Italy), the
193:
1603:
Rijksmuseum Kröller-MĂŒller, Otterlo, Jean Metzinger,
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In the 23 March 1912 issue of the satirical magazine
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Delaunay formed a close friendship at this time with
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1997:
1922:
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L'homme Ă la tulipe (Portrait de M. Jean Metzinger)
776:at the age of 56. His body was reburied in 1952 in
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1861:Robert Delaunay, Museo Nacional Thyssen-Bornemisza
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917:. Another version of that painting belongs to the
653:(whom the Delaunays had already met in Paris) and
597:. On their way back to Paris, the two stayed with
1716:Delaunay, Robert; Delaunay, Sonia (18 May 1978).
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1947:Windows Open Simultaneously 1st Part, 3rd Motif
1012:Windows Open Simultaneously 1st Part, 3rd Motif
1495:"Robert Delaunay Biography, Life & Quotes"
1130:, Conté crayon on paper, 62.3 à 47.5 cm,
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1900:
8:
1749:, Gallica, BibliothĂšque nationale de France
1474:The Metâs Heilbrunn Timeline of Art History
3055:The Cubist Painters, Aesthetic Meditations
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1685:. New York: Viking Press. pp. 119â23.
1643:Simultaneous Contrasts: Sun and Moon Paris
1190:, 1934, oil on canvas, 145 x 113 cm,
710:Return to Paris and later life (1921â1941)
29:
18:
841:), oil on canvas, 113.7 Ă 130.8 cm,
633:in 1914 Sonia and Robert were staying in
482:, 1911, oil on canvas, 160.7 x 128.6 cm,
317:His early paintings are deeply rooted in
232:Delaunay is most closely identified with
220:Learn how and when to remove this message
1545:Robert Delaunay â Sonia Delaunay, 1999,
1376:Baron, Stanley; Damase, Jacques (1995).
1211:Musée d'Art Moderne de la Ville de Paris
1152:Musée d'Art Moderne de la Ville de Paris
1094:Musée d'Art Moderne de la Ville de Paris
975:, oil on canvas, 113.7 Ă 130.8 cm,
625:Spanish and Portuguese years (1914â1920)
553:
1460:
1169:, oil on canvas, 67.3 Ă 109.8 cm,
937:, oil on canvas, 114.1 Ă 88.6 cm,
787:
621:to remove all his works from the show.
1787:Some sources mention an Eduardo Vianna
1134:, New York, The Hilla Rebay Collection
1111:, oil on canvas, 135.9 Ă 161 cm,
913:, oil on canvas, 82.5 x 66.5 cm,
1380:Sonia Delaunay: The Life of an Artist
860:, oil on paper, 54.9 x 43.2 cm,
764:, in an effort to avoid the invading
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7:
1659:Simultaneous contrasts: Sun and moon
1541:
1539:
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1529:
1527:
1092:, oil on canvas, 140 Ă 142 cm,
1090:Nu Ă la toilette (Nu Ă la coiffeuse)
956:, oil on canvas, 267 Ă 406 cm,
760:erupted, the Delaunays moved to the
496:Simultaneous Contrasts: Sun and Moon
438:Robert Herbert writes: "Metzinger's
2650:Portrait of Daniel-Henry Kahnweiler
1150:, oil on canvas, 169 Ă 86 cm,
2786:Still Life with Checked Tablecloth
2754:Nude Descending a Staircase, No. 2
1308:Fine Arts Museums of San Francisco
817:, oil on canvas, 54 x 46 cm,
801:, oil on canvas, 46.4 x 55 cm
531:, Delaunay joined The Blue Rider (
14:
1278:(France). Tate (London, England)
605:, where Macke introduced them to
389:, where he was influenced by the
353:, the son of George Delaunay and
3225:20th-century French male artists
1563:"History of Art: Jean Metzinger"
1198:
1178:
1158:
1139:
1119:
1100:
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1002:
992:Simultaneous Windows on the City
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117:
1364:Aichi Prefectural Museum of Art
1318:(Poughkeepsie, New York), the
1052:, oil on canvas, 326 Ă 208 cm,
684:). Robert Delaunay illustrates
649:. With Viana and their friends
617:as being too big he instructed
3161:Douglas Cooper (art historian)
3127:Daniel Robbins (art historian)
1421:. Hamburger Kunsthalle. 1999.
1312:Frances Lehman Loeb Art Center
1276:Palais des Beaux-Arts de Lille
1274:(Eindhoven, The Netherlands),
1256:National Galleries of Scotland
1015:, oil on canvas, 57 Ă 123 cm,
799:Nature morte au vase de fleurs
1:
3255:French Impressionist painters
1939:Champs de Mars: The Red Tower
1626:Champs de Mars: The Red Tower
1304:Minneapolis Institute of Arts
745:, who introduced him to both
479:Champs de Mars: The Red Tower
143:movement; who, with his wife
3270:Deaths from cancer in France
3220:20th-century French painters
2642:Portrait of Ambroise Vollard
1360:National Gallery of Victoria
1236:Musée d'Art Moderne de Paris
1232:Musée National d'Art Moderne
1171:Solomon R. Guggenheim Museum
1132:Solomon R. Guggenheim Museum
1126:Robert Delaunay, 1926â1928,
1054:Musée d'Art Moderne de Paris
1017:Solomon R. Guggenheim Museum
977:Solomon R. Guggenheim Museum
958:Musée National d'Art Moderne
952:Robert Delaunay, 1910â1912,
939:Solomon R. Guggenheim Museum
862:Museum of Fine Arts, Houston
843:Solomon R. Guggenheim Museum
819:Musée National d'Art Moderne
749:and Surrealists. During the
349:Robert Delaunay was born in
45:Robert-Victor-Felix Delaunay
3122:Paul Rosenberg (art dealer)
2778:Still Life with Candlestick
2469:Georges Ribemont-Dessaignes
2220:Der Blaue Reiter (painting)
1630:. Art Institute of Chicago.
1264:Peggy Guggenheim Collection
200:the claims made and adding
147:and others, co-founded the
3291:
2722:Portrait of Jacques Nayral
1813:. Kunsthalle. p. 31.
1706:. Retrieved April 4, 2020.
1623:(n.d.). Robert Delaunay.
1468:Voorhies, Authors: James.
1344:Philadelphia Museum of Art
971:Robert Delaunay, 1911â12,
933:Robert Delaunay, 1909â10,
813:Robert Delaunay, 1905â06,
16:French painter (1885â1941)
2762:The Cathedral (KatedrĂĄla)
2666:Le pigeon aux petits pois
2634:Les Demoiselles d'Avignon
2204:
1979:Portrait of Tristan Tzara
1833:
1796:
1732:– via Google Books.
1518:
1290:(Buffalo, New York), the
1288:Albright-Knox Art Gallery
1268:National Museum of Serbia
919:Thyssen-Bornemisza Museum
797:Robert Delaunay, c.1907,
404:, with whom he shared an
116:
28:
3230:French abstract painters
2567:Stanton Macdonald-Wright
1931:Still Life with a Parrot
1848:Manifeste du surréalisme
1683:The Blaue Reiter Almanac
1334:(Washington, D.C.), the
1292:Art Institute of Chicago
973:Window on the City No. 3
910:Still Life with a Parrot
893:Portrait of Wilhelm Uhde
751:1937 World Fair in Paris
727:Manifeste du surréalisme
655:José de Almada Negreiros
484:Art Institute of Chicago
385:in 1904. He traveled to
284:series (1909â1911); the
238:Stanton Macdonald-Wright
3189:Fourth dimension in art
3110:Daniel-Henry Kahnweiler
2746:Les Joueurs de football
1605:Coucher de soleil No. 1
1399:DĂŒchting, Hajo (1995).
1348:Saint Louis Art Museum
1340:San Diego Museum of Art
1332:National Gallery of Art
1248:Bilbao Fine Arts Museum
1205:Robert Delaunay, 1938,
1192:Centre Georges Pompidou
1165:Robert Delaunay, 1930,
1146:Robert Delaunay, 1926,
1107:Robert Delaunay, 1916,
1088:Robert Delaunay, 1915,
1067:Robert Delaunay, 1914,
1046:Robert Delaunay, 1913,
1030:Robert Delaunay, 1913,
1009:Robert Delaunay, 1912,
990:Robert Delaunay, 1912,
907:Robert Delaunay, 1907,
891:Robert Delaunay, 1907,
875:Robert Delaunay, 1906,
856:Robert Delaunay, 1906,
833:Robert Delaunay, 1906,
768:forces. Suffering from
651:Amadeo de Souza Cardoso
629:At the outbreak of the
446:Coucher de soleil no. 1
3150:John Quinn (collector)
2374:Raymond Duchamp-Villon
1778:measures 234 x 294 cm.
1435:Gordon Hughes (1997).
1324:Honolulu Museum of Art
1296:Columbus Museum of Art
1113:Columbus Museum of Art
730:
563:
502:
487:
435:
383:Salon des Indépendants
295:series (1911â12); the
280:series (1909â10); the
3275:World War II refugees
3240:French cubist artists
3086:Guillaume Apollinaire
2196:Marianne von Werefkin
1384:. Harry N. Abrahams.
1330:(New York City), the
1322:(New York City), the
717:
557:
493:
475:
429:
270:Guillaume Apollinaire
136:[ÊÉbÉÊdÉlonÉ]
3250:French male painters
3245:Divisionist painters
2389:Roger de La Fresnaye
2334:Alexander Archipenko
2166:Alexej von Jawlensky
1745:L'Assiette au Beurre
1450:Abstraction Creation
1336:Dallas Museum of Art
1328:Museum of Modern Art
1240:Neue Nationalgalerie
613:was rejected by the
609:. When his painting
587:L'Assiette au Beurre
545:Blaue Reiter Almanac
500:Museum of Modern Art
3235:Painters from Paris
2602:Alexander Rodchenko
2542:Patrick Henry Bruce
2474:Jeanne Rij-Rousseau
2384:Henri Le Fauconnier
2344:Constantin BrĂąncuÈi
2316:Henri Le Fauconnier
2146:Heinrich Campendonk
1300:Berkeley Art Museum
1254:(Switzerland), the
1049:L'Ăquipe de Cardiff
1032:L'Ăquipe de Cardiff
994:, 40 x 46 cm,
935:Saint-SĂ©verin No. 3
680:(costume design by
571:Galerie Barbazanges
373:district of Paris.
310:series (1913); and
306:series (1913); the
246:Patrick Henry Bruce
3166:Arthur Jerome Eddy
2714:La Femme aux Phlox
2690:La Femme au Cheval
2607:Nadezhda Udaltsova
2419:Jean Lambert-Rucki
2399:Natalia Goncharova
2161:Natalia Goncharova
1675:Kandinsky, Wassily
1350:(Saint Louis, MO)
1338:(Dallas, TX), the
1218:Museum collections
1075:Museum of Grenoble
996:Kunsthalle Hamburg
915:Unterlinden Museum
731:
670:Russian Revolution
564:
503:
488:
436:
391:group of Pont-Aven
185:possibly contains
3197:
3196:
3063:La Maison Cubiste
2912:Chronophotography
2882:Neo-impressionism
2228:
2227:
2191:Arnold Schoenberg
2115:Wassily Kandinsky
2067:
2066:
2044:Neo-Impressionism
1963:Homage to Blériot
1776:La ville de Paris
1695:Robert Delaunay,
1657:Robert Delaunay,
1641:Robert Delaunay.
1362:(Australia), the
1354:Rest of the world
1320:Guggenheim Museum
1252:Kunstmuseum Basel
1073:, oil on canvas,
1070:Homage to Blériot
954:La Ville de Paris
839:ManĂšge de cochons
665:on 23 June 1916.
611:La ville de Paris
595:Galerie Der Sturm
560:Le Premier Disque
558:Robert Delaunay.
549:Knave of Diamonds
529:Wassily Kandinsky
494:Robert Delaunay,
476:Robert Delaunay.
451:Paysage au disque
440:Neo-Impressionist
432:Paysage au disque
430:Robert Delaunay,
377:Career beginnings
302:(1912â1914); the
291:(1909â1912); the
230:
229:
222:
187:original research
125:
124:
3282:
3116:LĂ©once Rosenberg
3080:Louis Vauxcelles
3020:Russian Futurism
2938:Cubist sculpture
2897:Symbolism (arts)
2813:Groupe de femmes
2730:Man on a Balcony
2698:Dancer in a café
2658:The Accordionist
2612:Marie Vassilieff
2577:Kazimir Malevich
2557:Lyonel Feininger
2507:
2454:Louis Marcoussis
2439:Jacques Lipchitz
2255:
2248:
2241:
2232:
2156:Lyonel Feininger
2101:Der Blaue Reiter
2094:
2087:
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2054:Der Blaue Reiter
2038:Charles Delaunay
1971:Portuguese Woman
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1493:Jenkins, Sarah.
1490:
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690:Vicente Huidobro
674:Sergei Diaghilev
533:Der Blaue Reiter
417:Louis Vauxcelles
319:Neoimpressionism
266:Lyonel Feininger
250:Der Blaue Reiter
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3168:(art collector)
3157:(art collector)
3146:(art collector)
3134:(art collector)
3068:
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2877:Esprit Jouffret
2872:Maurice Princet
2857:Gustave Courbet
2835:
2800:
2794:Three Musicians
2621:
2617:Marie Vorobieff
2520:
2511:Georges Valmier
2501:
2489:LĂ©opold Survage
2464:Francis Picabia
2424:Marie Laurencin
2414:FrantiĆĄek Kupka
2379:Alexandra Exter
2354:Robert Delaunay
2339:MarĂa Blanchard
2320:
2296:Robert Delaunay
2264:
2259:
2229:
2224:
2200:
2186:Gabriele MĂŒnter
2151:Robert Delaunay
2124:
2103:
2098:
2068:
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2020:
1998:Painting series
1993:
1918:
1916:Robert Delaunay
1913:
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1747:, 23 March 1912
1743:James Burkley,
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737:. Delaunay met
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631:First World War
627:
575:Maurice Princet
541:Erwin von Busse
379:
367:Decorative Arts
347:
342:
226:
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141:School of Paris
131:
128:Robert Delaunay
106:School of Paris
71:
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60:25 October 1941
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35:Robert Delaunay
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3132:Gertrude Stein
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3106:(poet, critic)
3104:Maurice Raynal
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1869:External links
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1811:Sonia Delaunay
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402:Jean Metzinger
395:Henri Rousseau
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312:The First Disk
308:Circular Forms
242:Morgan Russell
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1573:on 2018-01-12
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647:Eduardo Viana
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268:. Art critic
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183:This section
181:
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137:
129:
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110:
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84:
81:
78:
74:
69:
59:
55:
51:Paris, France
48:12 April 1885
43:
39:
32:
27:
20:
3144:Wilhelm Uhde
3140:(art dealer)
3138:Berthe Weill
3118:(art dealer)
3112:(art dealer)
3092:André Salmon
3061:
3053:
3047:Du "Cubisme"
3045:
3025:Ego-Futurism
2965:Abstract art
2943:Czech Cubism
2928:Section d'Or
2907:Proto-Cubism
2852:Paul Gauguin
2847:Paul CĂ©zanne
2827:
2819:
2811:
2792:
2784:
2776:
2768:
2760:
2752:
2744:
2736:
2728:
2720:
2712:
2704:
2696:
2688:
2680:
2674:La Coiffeuse
2672:
2664:
2656:
2648:
2640:
2632:
2592:Diego Rivera
2572:August Macke
2562:El Lissitzky
2537:Alice Bailly
2479:Diego Rivera
2404:Henri Hayden
2353:
2349:Joseph Csaky
2326:Section d'Or
2295:
2181:August Macke
2176:Alfred Kubin
2150:
2136:Albert Bloch
2012:
2006:Eiffel Tower
2004:
1985:
1977:
1969:
1961:
1955:Cardiff Team
1953:
1945:
1937:
1929:
1915:
1856:
1847:
1841:
1829:
1810:
1804:
1792:
1783:
1775:
1771:
1754:
1744:
1738:
1718:
1711:
1703:
1697:
1691:
1682:
1668:
1658:
1652:
1642:
1635:
1625:
1619:
1604:
1598:
1575:. Retrieved
1571:the original
1566:
1557:
1514:
1502:. Retrieved
1498:
1488:
1477:. Retrieved
1473:
1463:
1436:
1418:
1400:
1379:
1370:Publications
1357:
1285:
1229:
1221:
1206:
1185:
1166:
1147:
1128:Eiffel Tower
1127:
1108:
1089:
1068:
1047:
1031:
1010:
991:
972:
953:
934:
908:
892:
876:
857:
838:
834:
815:Autoportrait
814:
798:
758:World War II
755:
739:André Breton
732:
726:
722:
694:
685:
677:
667:
628:
610:
599:August Macke
592:
585:
583:
579:Proto-Cubist
568:
565:
559:
544:
522:
516:Eiffel Tower
515:
511:Eiffel Tower
504:
495:
477:
455:
450:
444:
437:
431:
421:Divisionists
399:
380:
348:
334:Eiffel Tower
333:
330:Eiffel Tower
329:
327:
322:
316:
311:
307:
304:Cardiff Team
303:
297:
292:
287:Eiffel Tower
286:
281:
278:Saint-SĂ©vrin
277:
275:
254:August Macke
231:
216:
210:October 2023
207:
184:
152:art movement
127:
126:
102:Abstract art
62:(1941-10-25)
3215:1941 deaths
3210:1885 births
3184:Armory Show
3058:(1913 book)
3050:(1912 book)
2995:Suprematism
2970:Synchromism
2948:Rondocubism
2892:Divisionism
2887:Pointillism
2867:Paul Signac
2709:(Metzinger)
2701:(Metzinger)
2693:(Metzinger)
2685:(Metzinger)
2547:Carlo CarrĂ
2502: [
2444:André Lhote
2017:(1911â1912)
2009:(1909â1928)
1679:Marc, Franz
1628:, (1911/23)
1504:25 February
1403:. Taschen.
1148:Tour Eiffel
774:Montpellier
723:Surréalisme
702:gallery in
696:Paul Poiret
686:Tour Eiffel
615:Armory Show
551:in Moscow.
419:in 1907 as
323:night scene
90:Divisionism
68:Montpellier
3204:Categories
2955:Die BrĂŒcke
2921:Influenced
2840:Influences
2805:Sculptures
2582:Franz Marc
2210:Die BrĂŒcke
2120:Franz Marc
1577:2012-06-15
1479:2023-11-26
1456:References
1346:, and the
1266:(Venice),
1207:Rythme n°1
735:Surrealism
635:Fontarabie
507:Sonia Terk
414:art critic
406:exhibition
371:Belleville
345:Early life
258:Franz Marc
194:improve it
3098:Max Jacob
3030:Vorticism
2797:(Picasso)
2757:(Duchamp)
2749:(Gleizes)
2741:(Gleizes)
2733:(Gleizes)
2725:(Gleizes)
2717:(Gleizes)
2682:Le goûter
2677:(Picasso)
2669:(Picasso)
2661:(Picasso)
2653:(Picasso)
2645:(Picasso)
2637:(Picasso)
2626:Paintings
2552:Paul Klee
2301:Juan Gris
2208:See also
2171:Paul Klee
1923:Paintings
1366:(Japan).
1250:(Spain),
719:Yvan Goll
700:Der Sturm
678:Cleopatra
607:Max Ernst
463:Futurists
365:to study
340:Biography
262:Paul Klee
198:verifying
112:Signature
3094:(critic)
3082:(critic)
3015:Art Deco
3010:De Stijl
2980:Futurism
2821:Danseuse
2770:The City
1834:DĂŒchting
1797:DĂŒchting
1700:, (1912)
1681:(eds.).
1645:, (1913)
1639:(n.d.).
1609:Archived
1519:DĂŒchting
1444:See also
1401:Delaunay
762:Auvergne
747:Dadaists
659:deserter
387:Brittany
355:Countess
166:Overview
156:abstract
86:Movement
80:Painting
70:, France
3073:Related
3039:Related
2902:Fauvism
2832:(Csaky)
2824:(Csaky)
2816:(Csaky)
2781:(LĂ©ger)
2773:(LĂ©ger)
2765:(Kupka)
2269:Leaders
2129:Artists
2108:Leaders
2059:Orphism
2025:Related
2014:Windows
1987:Rhythms
821:, Paris
784:Gallery
778:Gambais
525:Charles
410:gallery
369:in the
363:atelier
359:Bourges
234:Orphism
192:Please
149:Orphism
132:French:
98:Orphism
3180:(poet)
3174:(poet)
3100:(poet)
2990:Purism
2975:Tubism
2789:(Gris)
2525:Others
2494:Tobeen
2262:Cubism
2049:Cubism
2034:(wife)
1990:(1934)
1982:(1923)
1974:(1916)
1966:(1914)
1958:(1913)
1950:(1912)
1942:(1911)
1934:(1907)
1817:
1762:
1726:
1661:, 1912
1549:
1425:
1407:
1388:
1342:, the
1326:, the
1310:, the
1306:, the
1302:, the
1298:, the
1294:, the
1258:, the
1246:, the
1244:Berlin
1238:, the
1226:Europe
1187:Rythme
770:cancer
766:German
704:Berlin
639:Madrid
537:Munich
518:series
513:, the
300:series
298:Window
289:series
264:, and
94:Cubism
2506:]
2040:(son)
1836:: p91
1799:: p51
1766:, p82
756:When
535:), a
408:at a
351:Paris
3000:Dada
2829:Head
1815:ISBN
1760:ISBN
1724:ISBN
1547:ISBN
1521:: p7
1506:2022
1423:ISBN
1405:ISBN
1386:ISBN
1358:The
1286:The
1230:The
741:and
688:for
668:The
663:Vigo
645:and
603:Bonn
282:City
160:tone
57:Died
41:Born
1314:at
1242:in
601:in
196:by
3206::
2504:fr
1702:.
1677:;
1586:^
1565:.
1526:^
1497:.
1472:.
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921:.
780:.
725:,
721:,
692:.
520:.
397:.
321:.
260:,
256:,
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162:.
104:,
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96:,
92:,
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2240:v
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2079:v
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1901:t
1894:v
1823:.
1580:.
1508:.
1482:.
1439:.
1431:.
1413:.
1394:.
837:(
486:.
223:)
217:(
212:)
208:(
190:.
130:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
