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514:(1903), which shows a small cloaked figure on a speeding horse rushing through a rocky meadow. The rider's cloak is medium blue, which casts a darker-blue shadow. In the foreground are more amorphous blue shadows, the counterparts of the fall trees in the background. The blue rider in the painting is prominent (but not clearly defined), and the horse has an unnatural gait (which Kandinsky must have known) . This intentional disjunction, allowing viewers to participate in the creation of the artwork, became an increasingly conscious technique used by Kandinsky in subsequent years; it culminated in the abstract works of the 1911–1914 period. In
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1157:(1925) of several main forms: a vertical yellow rectangle, an inclined red cross and a large dark blue circle; a multitude of straight (or sinuous) black lines, circular arcs, monochromatic circles and scattered, coloured checker-boards contribute to its delicate complexity. This simple visual identification of forms and the main coloured masses present on the canvas is only a first approach to the inner reality of the work, whose appreciation necessitates deeper observation—not only of forms and colours involved in the painting but their relationship, their absolute and relative positions on the canvas and their harmony.
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1127:) in 1926. His examinations of the effects of forces on straight lines, leading to the contrasting tones of curved and angled lines, coincided with the research of Gestalt psychologists, whose work was also discussed at the Bauhaus. Geometrical elements took on increasing importance in both his teaching and painting—particularly the circle, half-circle, the angle, straight lines and curves. This period was intensely productive. This freedom is characterised in his works by the treatment of planes rich in colours and gradations—as in
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1930:. In 2020, a committee established by the Dutch minister of culture found fault with the behaviour of the Restitution Committee, causing a scandal where two of its members, including its chairman, resigned. Later that year, a court in Amsterdam ruled that the Stedelijk Museum could retain the painting from the Jewish Lewenstein collection despite the Nazi theft. However, in August 2021, the Amsterdam City Council decided to return the painting to the Lewenstein family.
555:(1908–1909) was painted at this time, demonstrating his trend toward abstraction. A mountain of blue is flanked by two broad trees, one yellow and one red. A procession, with three riders and several others, crosses at the bottom. The faces, clothing, and saddles of the riders are each a single color, and neither they nor the walking figures display any real detail. The flat planes and the contours also are indicative of Fauvist influence. The broad use of color in
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1688:) only to move towards abstractionism as he explored spirituality in art. His object-free paintings display spiritual abstraction suggested by sounds and emotions through a unity of sensation. Driven by the Christian faith and the inner necessity of an artist, his paintings have the ambiguity of the form rendered in a variety of colours as well as resistance against conventional aesthetic values of the art world.
1647:. From nearly six months of study and preparation, he had intended the work to evoke a flood, baptism, destruction, and rebirth simultaneously. After outlining the work on a mural-sized wood panel, he became blocked and could not go on. Münter told him that he was trapped in his intellect and not reaching the true subject of the picture. She suggested he simply repeat the word
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357:, he relates that the houses and churches were decorated with such shimmering colours that upon entering them, he felt that he was moving into a painting. This experience, as well as his study of the region's folk art (particularly the use of bright colours on a dark background), were reflected in much of his early work.
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well as a painter. The number of his existing paintings increased at the beginning of the 20th century; much remains of the landscapes and towns he painted, using broad swaths of colour and recognisable forms. For the most part, however, Kandinsky's paintings did not feature any human figures; an exception is
484:(1907) depicts a man on horseback, holding a woman as they ride past a Russian town with luminous walls across a blue river. The horse is muted while the leaves in the trees, the town, and the reflections in the river glisten with spots of colour and brightness. This work demonstrates the influence of
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The city of
Amsterdam purchased the Kandinsky works that were stolen by the Germans at auction in October 1940, just six months after the occupation began. De Volkskrant expects to reconsider the issue of returning the painting after Friday's government decision. Before the Nazi robbery, the painting
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Kandinsky's analyses on forms and colours result not from simple, arbitrary idea-associations but from the painter's inner experience. He spent years creating abstract/sensorially rich paintings, working with form and colour, tirelessly observing his own paintings (along with those of other artists)
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But eventually, Kandinsky went further, rejecting pictorial representation with more synesthetic swirling hurricanes of colours and shapes, eliminating traditional references to depth and laying out bare and abstracted glyphs; however, what remained consistent was his spiritual pursuit of expressive
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with pastel tones cover a large maroon mass which seems to float in the upper-left corner of the canvas. In
Kandinsky's work, some characteristics are obvious, while certain touches are more discreet and veiled; they reveal themselves only progressively to those who deepen their connection with his
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Wassily
Kandinsky's art has a confluence of music and spirituality. With his appreciation for music of his times and kinesthetic disposition, Kandinsky's artworks have a marked style of expressionism in his early years. But he embraced all types of artistic styles of his times and his predecessors
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forms with supple, non-geometric outlines appear in his paintings—forms which suggest microscopic organisms but express the artist's inner life. Kandinsky used original colour compositions, evoking Slavic popular art. He also occasionally mixed sand with paint to give a granular, rustic texture to
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illustrates
Kandinsky's inclination toward an art in which colour is presented independently of form, and in which each color is given equal attention. The composition is more planar; the painting is divided into four sections: the sky, the red tree, the yellow tree, and the blue mountain with the
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to join him at his summer painting classes just south of Munich in the Alps. She accepted the offer and their relationship became more personal than professional. Art school, usually considered difficult, was easy for
Kandinsky. It was during this time that he began to emerge as an art theorist as
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That it was a haystack the catalogue informed me. I could not recognise it. This non-recognition was painful to me. I considered that the painter had no right to paint indistinctly. I dully felt that the object of the painting was missing. And I noticed with surprise and confusion that the picture
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A few years later, he first likened painting to composing music in the manner for which he would become noted, writing "Colour is the keyboard, the eyes are the harmony, the soul is the piano with many strings. The artist is the hand which plays, touching one key or another, to cause vibrations in
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and the treatise "On the
Spiritual in Art" (which was released in 1910) were both a defence and promotion of abstract art and an affirmation that all forms of art were equally capable of reaching a level of spirituality. He believed that colour could be used in a painting as something autonomous,
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nature; it does not try to represent the exterior world, but expresses the inner feelings of the soul in an immediate way. Kandinsky sometimes used musical terms to identify his works; he called his most spontaneous paintings "improvisations" and described more elaborate works as "compositions."
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Kandinsky's paintings from this period are large, expressive coloured masses evaluated independently from forms and lines; these serve no longer to delimit them, but overlap freely to form paintings of extraordinary force. Music was important to the birth of abstract art since it is abstract by
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illustrates his synesthetic concept of a universal correspondence of forms, colors and musical sounds. In 1928, the stage production premiered at a theater in Dessau. In 2015, the original designs of the stage elements were animated with modern video technology and synchronized with the music
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The sun melts all of Moscow down to a single spot that, like a mad tuba, starts all of the heart and all of the soul vibrating. But no, this uniformity of red is not the most beautiful hour. It is only the final chord of a symphony that takes every colour to the zenith of life that, like the
342:. Kandinsky learned from a variety of sources while in Moscow. He studied many fields while in school, including law and economics. Later in life, he would recall being fascinated and stimulated by colour as a child. His fascination with colour symbolism and psychology continued as he grew.
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today (and understood only by the few) is common knowledge tomorrow. The modern artist–prophet stands alone at the apex of the pyramid, making new discoveries and ushering in tomorrow's reality. Kandinsky was aware of recent scientific developments and the advances of modern artists who had
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Emotional harmony is another salient feature in the later works of
Kandinsky. With diverse dimensions and bright hues balanced through a careful juxtaposition of proportion and colours, he substantiated the universality of shapes in his artworks thus paving the way for further abstraction.
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From 1918 to 1921, Kandinsky was involved in the cultural politics of Russia and collaborated in art education and museum reform. He painted little during this period, but devoted his time to artistic teaching with a program based on form and colour analysis; he also helped organize the
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In 1916, he met Nina
Nikolaevna Andreevskaya (1899–1980), whom he married on 11 February 1917 when she was 17 or 18 and he was 50 years old. At the end of 1917, they had a son, Wsevolod, or Lodya as he was called in the family. Lodya died in June 1920 and there were no more children.
1549:, Russian folktales and the common mythological experiences of death and rebirth. Never attempting to picture any one of these stories as a narrative, he used their veiled imagery as symbols of the archetypes of death–rebirth and destruction–creation he felt were imminent in the pre-
1560:(see below), Kandinsky felt that an authentic artist creating art from "an internal necessity" inhabits the tip of an upward-moving pyramid. This progressing pyramid is penetrating and proceeding into the future. What was odd or inconceivable yesterday is commonplace today; what is
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1123:; he also conducted painting classes and a workshop in which he augmented his colour theory with new elements of form psychology. The development of his works on forms study, particularly on points and line forms, led to the publication of his second theoretical book (
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736:(Munich New Artists' Association), becoming its president in 1909. However, the group could not integrate the radical approach of Kandinsky (and others) with conventional artistic concepts and the group dissolved in late 1911. Kandinsky then formed a new group,
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He returned to Moscow in 1914 when the first World War broke out. The relationship between
Kandinsky and Münter worsened due to mutual tensions and disappointments over his lack of commitment to marriage. Their relationship formally ended in 1916 in Stockholm.
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to join him at his summer painting classes just south of Munich in the Alps. She accepted the offer and their relationship became more personal than professional. In 1911, the German expressionist painter was one of several artists joining
Kandinsky in his
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in Moscow (of which he was its first director). His spiritual, expressionistic view of art was ultimately rejected by the radical members of the institute as too individualistic and bourgeois. In 1921, Kandinsky was invited to go to Germany to attend the
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This period corresponds to a synthesis of Kandinsky's previous work in which he used all elements, enriching them. In 1936 and 1939, he painted his final two major compositions, the type of elaborate canvases he had not produced for many years.
518:, Kandinsky shows the rider more as a series of colours than in specific detail. This painting is not exceptional in that regard when compared with contemporary painters, but it shows the direction Kandinsky would take only a few years later.
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on a brassy trumpet; black is the colour of closure, and the end of things; and that combinations of colours produce vibrational frequencies, akin to chords played on a piano. In 1871 the young Kandinsky learned to play the piano and cello.
380:, fervor of spirit and spiritual desire "inner necessity"; it was a central aspect of his art. Some art historians suggest that Kandinsky's passion for abstract art began when one day, coming back home, he found one of his own paintings
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in Switzerland since 1960 and was sold to a European collector by the Volkart Foundation, the charitable arm of the Swiss commodities trading firm Volkart Brothers. Before this sale, the artist's last record was set in 1990 when
438:. Theosophical theory postulates that creation is a geometrical progression, beginning with a single point. The creative aspect of the form is expressed by a descending series of circles, triangles, and squares. Kandinsky's book
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can be further defined and divided into three categories over the course of his art career: Impressions (representational element), Improvisations (spontaneous emotional reaction) and Compositions (ultimate works of art).
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Kandinsky also developed a theory of geometric figures and their relationships, claiming (for example) that the circle is the most peaceful shape and represents the human soul. These theories are explained in
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and noting their effects on his sense of colour. This subjective experience is something that anyone can do—not scientific/objective observations, but inner/subjective ones, referred to by French philosopher
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Kandinsky and Münter became engaged in the summer of 1903 while he was still married to Anja and travelled extensively through Europe, Russia and North Africa until 1908. He separated from Anja in 1911.
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Kandinsky made more studies for this composition than for any other – over thirty drawings, watercolours and sketches. However, according to Gabriele Münter, the final version was painted in just three
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After the Russian Revolution, he had opportunities in Germany, to which he returned in 1920. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933.
3195:"1 November 2018: Dutch Restitution Decision re Kandinsky 'Painting with Houses: 'Interest of the claimant in restitution does not outweigh the interest of the [Museum] in retaining the work'"
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As Kandinsky started moving away from his early inspiration from Impressionism, his paintings became more vibrant, pictographic and expressive with more sharp shapes and clear linear qualities.
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has highly contrasted, powerful diagonals whose central form gives the impression of an embryo in the womb. Small squares of colours and coloured bands stand out against the black background of
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and the couple happily entertained colleagues there. The property is still known as Russenhaus and she would later use the basement to hide many works (by Kandinsky and others) from the
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1525:, Kandinsky created paintings in the years immediately preceding World War I showing a coming cataclysm which would alter individual and social reality. Having a devout belief in
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1651:("deluge" or "flood") and focus on its sound rather than its meaning. Repeating this word like a mantra, Kandinsky painted and completed the monumental work in a three-day span.
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closed it in 1933. He then moved to France, where he lived for the rest of his life, becoming a French citizen in 1939 and producing some of his most prominent art. He died in
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2525:"De Stijl, "A Short Review of the Proceedings [of the Congress of International Progressive Artists], Followed by the Statements Made by the Artists' Groups" (1922)"
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Kandinsky's creation of abstract work followed a long period of development and maturation of intense thought based on his artistic experiences. He called this devotion to
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originally purchased the painting directly from the artist in 1936, but it was not exhibited after 1949; it was then sold at auction to a private collector in 1964 by the
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was owned by Hedwig Loewenstein-Feigerman, who inherited it from her husband, the Jewish art collector, Emmanuel Albert Lowenstein, who had owned the painting since 1923.
1754:. While impressions are based on an external reality that serves as a starting point, improvisations and compositions depict images emergent from the unconscious, though
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In 2017, Robert Colin Lewenstein, Francesca Manuela Davis and Elsa Hannchen Guidotti filed suit against Bayerische Landesbank (BLB) for the restitution of Kandinsky's
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He then moved to France with his wife, where he lived for the rest of his life, becoming a French citizen in 1939 and producing some of his most prominent art.
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4 December] 1866 – 13 December 1944) was a Russian painter and art theorist. Kandinsky is generally credited as one of the pioneers of
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and later paintings are primarily concerned with evoking a spiritual resonance in viewer and artist. As in his painting of the apocalypse by water (
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is also apparent in these early works. Colours are used to express Kandinsky's experience of subject matter, not to describe objective nature.
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Kandinsky was born in Moscow, the son of Lidia Ticheeva and Vasily Silvestrovich Kandinsky, a tea merchant. One of his great-grandmothers was
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836:. Kandinsky had received some notice earlier in Britain, however; in 1910, he participated in the Allied Artists' Exhibition (organised by
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405:; this, to him, had a powerful sense of colour almost independent of the objects themselves. Later, he would write about this experience:
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in his studio and he stared at it for a while before realizing it was his own work, suggesting to him the potential power of abstraction.
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Watercolours by Kandinsky at the Guggenheim Museum: a selection from the Solomon R. Guggenheim Museum and the Hilla von Rebay Foundation
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Spencer Frederick Gore, "The Allied Artists' Exhibition at the Royal Albert Hall (London)", in "The Art News," 4 August 1910, p.254.
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1862:, a 1909 view of a man wielding a broadsword in a rainbow-hued village, for $ 23 million. The painting had been on loan to the
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480:(1904), in which Kandinsky recreates a highly colourful (and fanciful) view of peasants and nobles in front of the walls of a town.
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indicate, Kandinsky also expressed the communion between artist and viewer as being available to both the senses and the mind (
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From 1906 to 1908, Kandinsky travelled across Europe. In 1909, Münter bought a summerhouse in the small Bavarian town of
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Kandinsky often used black in his paintings to heighten the impact of brightly coloured forms while his forms were often
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Sadleir's interest in Kandinsky also led to Kandinsky's first works entering a British art collection; Sadleir's father,
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1483:(1910) was destroyed by a British air raid on the city of Braunschweig in Lower Saxony on the night of 14 October 1944.
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These ideas had an almost-immediate international impact, particularly in the English-speaking world. As early as 1912,
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not only gripped me, but impressed itself ineradicably on my memory. Painting took on a fairy-tale power and splendour.
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which, he felt, pushed the limits of music and melody beyond standard lyricism. He was also spiritually influenced by
299:(today Tartu, Estonia). Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30.
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Michael Sadleir, Review of Uber da Geistige an der Kunst by Wassily Kandinsky, in "The Art News," 9 March 1912, p.45.
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Lindsay, Kenneth and Peter Vergo. "Introduction". Kandinsky: Complete Writings on Art. New York: Da Capo Press, 1994.
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in 1913 following a visit by father and son to meet Kandinsky in Munich that year. These works were displayed in
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1821:. Upon returning to Munich, Kandinsky founded the Neue Kunstler Vereinigung (New Artists' Association) in 1909.
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From 1906 to 1908, Kandinsky spent a great deal of time travelling across Europe (he was an associate of the
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In 1896, at the age of 30, Kandinsky gave up a promising career teaching law and economics to enroll in the
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3039:. London: Courtauld Institute Art Gallery, in association with Paul Holberton Publishing. pp. 35–36.
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work. He intended his forms (which he subtly harmonised and placed) to resonate with the observer's soul.
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The Life of Vasilii Kandinsky in Russian Art: A Study of "On the Spiritual in Art" by Wassily Kandinsky
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Lindsay, Kenneth; Vergo, Peter (1994). Kandinsky: Complete Writings on Art. New York: Da Capo Press.
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3220:"A Jewish family sold this Kandinsky painting to survive the Nazis. Amsterdam is keeping it anyway"
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See Michael Paraskos, "English Expressionism," MRes Thesis, University of Leeds, Leeds 1997, p103f
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After graduating in 1892, Kandinsky married his cousin, Anja Chimiakina, and became a lecturer in
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Writing that "music is the ultimate teacher", Kandinsky embarked upon the first seven of his ten
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Kandinsky taught the basic design class for beginners and the course on advanced theory at the
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Tom Steele, "Alfred Orage and the Leeds Arts Club 1893–1923" (Mitcham, Orage Press, 2009) 218f
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3111:"Kandinsky painting bought directly from the artist by Solomon Guggenheim returns to auction"
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of the stage production of "Pictures at an Exhibition" by Kandinsky in 1928 in Dessau, 2015.
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stems perhaps more from his theoretical works than from his paintings. He helped found the
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artistic periods. For complete detailed references in French, see the original version at
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and signed the "Founding Proclamation of the Union of Progressive International Artists".
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He died in Neuilly-sur-Seine on 13 December 1944, three days prior to his 78th birthday.
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according to the preparatory notes of Kandinsky and the director's script of Felix Klee.
1887:), a large 1935 abstract painting, for $ 23.3 million, a new record for Kandinsky.
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in 1914 ended these plans and sent Kandinsky back to Russia via Switzerland and Sweden.
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In addition to painting, Kandinsky was an art theorist; his influence on the history of
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1521:(the end of the world as we know it). Writing of the "artist as prophet" in his book,
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Note: Several sections of this article have been translated from its French version:
1985:
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and the perception of a coming New Age, a common theme among Kandinsky's first seven
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Living in an apartment in Paris, Kandinsky created his work in a living-room studio.
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fortissimo of a great orchestra, is both compelled and allowed by Moscow to ring out.
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2850:"Art As Sensation: Four Painters As Philosophers Of Art | Issue 57 | Philosophy Now"
811:
Interest in Kandinsky grew quickly when Sadleir published an English translation of
717:, oil on canvas, 66.2 cm × 82 cm (26.1 in × 32.3 in),
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Perhaps the most important of his paintings from the first decade of the 1900s was
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310:. He returned to Moscow in 1914 after the outbreak of World War I. Following the
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3079:"Monet Sells for $ 81.4 M., a New Record, at $ 246.3 M. Christie's Imp-Mod Sale"
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1467:. According to Kandinsky, this is the most complex piece he ever painted (1913).
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2697:
Susan B. Hirschfeld, Solomon R. Guggenheim Museum, Hilla von Rebay Foundation,
2285:. translated by Michael T. H. Sadler (2004). Kessinger Publishing. p. 32.
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2799:"Discover the Famous Works of Wassily Kandinsky, the Artist Who Painted Music"
2646:
1768:, 1920, 110.3 cm × 91.8 cm (43.4 in × 36.1 in),
1681:
1518:
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1188:
in 1925. Following a Nazi smear campaign, the Bauhaus left Dessau in 1932 for
751:
31:
3326:"Amsterdam to Restitute Kandinsky Painting to Heirs After Years-Long Dispute"
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in the way the depth of field is collapsed into a flat, luminescent surface.
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2774:"How Music Motivated Artists from Matisse to Kandinsky to Reinvent Painting"
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2681:, Twentieth Century masters series, Random House Incorporated, 1987, p. 7,
3400:. (New York: MFA Publications and London: Tate Publishing, 2001). 192pp.
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2931:"Wassily Kandinsky – Articles – Biomorphic themes from "Parisian period""
1055:(1919) by Kandinsky, exhibited at the 19th State Exhibition, Moscow, 1920
2891:
2327:
1565:
contributed to radically new ways of seeing and experiencing the world.
766:) and held two exhibits. More of each were planned, but the outbreak of
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3520:(New York: The Jewish Museum, and London: Scala Publishers Ltd, 2003).
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1120:
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446:(1926) echoed this theosophical tenet. Illustrations by John Varley in
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319:
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1836:"Portrait de Nina Kandinsky" by German photographer Hugo Erfurth, 1927
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1954:
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3826:
3396:
Wassily Kandinsky, M. T. Sadler (Translator), Adrian Glew (Editor).
3245:"Dutch Court Rules Against Jewish Heirs on Claim for Kandinsky Work"
3143:"Son of El Lissitzky files for return of another war loot Kandinsky"
4138:
3914:
1486:
While studies, sketches, and improvisations exist (particularly of
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1658:
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1096:
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864:
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314:, Kandinsky "became an insider in the cultural administration of
4861:
4395:
3625:
Julian Lloyd Webber. "Seeing red, looking blue, feeling green",
3032:
Hoberg, Annegret (2005). "The Life and Work of Gabriel Münter".
2741:
4303:
4142:
3924:
796:
apart from the visual description of an object or other form.
399:. He was particularly taken with the impressionistic style of
3701:(éd. Albin Michel, les grands maîtres de l'art contemporain)
2592:, Continuum, 2009, p. 38–45 (The disclosure of pictoriality).
2306:
Ashmore, Jerome (1962). "The Theoretical Side of Kandinsky".
4299:
815:
in 1914. Extracts from the book were published that year in
3351:"Case 1:17-cv-01600 Document 1 Filed 03/03/17 Page 1 of 23"
2063:
2031:
364:
Kandinsky was also the uncle of Russian-French philosopher
3299:"Amsterdam to restore disputed Kandinsky to Jewish family"
1131:(1925), where Kandinsky illustrates his distance from the
2051:
2039:
2025:
2019:
859:, acquired several wood-prints and the abstract painting
525:
symbolist group of Moscow) until he settled in the small
420:
Kandinsky was similarly influenced during this period by
3917:– 500 paintings, 60+ photos, biography, quotes, articles
3760:. The Getty Research Institute, Los Angeles, California.
3492:. (Newtonville, MA.: Oriental Research Partners, 1984).
2737:"Kandinsky: The Path to Abstraction, room guide, room 6"
1625:
Kandinsky's legendary stage design for a performance of
302:
In 1896, Kandinsky settled in Munich, studying first at
3593:. (New York: Harry N Abrams Inc, 1997). (Illustrated).
3476:
Wassily Kandinsky 1866–1944: The Journey to Abstraction
2361:
Wassily Kandinsky, 1866–1944: A Revolution in Painting
1860:
Studie für Improvisation 8 (Study for Improvisation 8)
3532:
Wassily Kandinsky 1866–1944: A Revolution in Painting
3147:
The Art Newspaper – International art news and events
2715:. Germany: h.f.ullmann publishing GmbH. p. 262.
2229:
Wassily Kandinsky 1866–1944: a Revolution in Painting
2096:
2072:
2060:
2057:
2054:
2042:
2036:
2022:
1875:(1914) for $ 20.9 million. On 16 November 2016,
3369:"Heirs Claim Kandinsky Painting Was Looted by Nazis"
3037:
Gabriele Münter: The Search for Expression 1906–1917
2048:
2028:
2016:
1806:) group, which ended with the onset of World War I.
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6298:
A Sunday Afternoon on the Island of La Grande Jatte
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3636:
Kandinsky in Munich: The Formative Jugendstil Years
3270:""Recovery is more than just returning an object.""
2045:
2013:
1639:In another episode with Münter during the Bavarian
322:school of art and architecture from 1922 until the
248:
237:
180:
166:
146:
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128:
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53:
3782:Kandinsky's Introspective Path to Abstract Reality
3732:Kandinsky. Œuvres de Vassily Kandinsky (1866–1944)
1168:), which was a group that was formed in 1923 with
867:, either in the university or the premises of the
2403:. Baden-Baden: Woldemar Klein Verlag. p. 12.
2107:[vɐˈsʲilʲɪjvɐˈsʲilʲjɪvʲɪtɕkɐnʲˈdʲinskʲɪj]
1922:filed a claim for the restitution of Kandinsky's
3788:"2021 French stamps featuring Kandinsky's works"
3488:John E. Bowlt and Rose-Carol Washton Long, eds.
19:"Kandinsky" redirects here. For other uses, see
7657:Burials at Neuilly-sur-Seine community cemetery
3638:(Princeton: Princeton University Press, 1979).
1903:In July 2001, Jen Lissitzky, the son of artist
1758:is developed from a more formal point of view.
1058:
407:
3551:Sabine Flach. "Through the Looking Glass", in
3422:. or: Lightning Source Inc Publ. (Paperback).
3410:Wassily Kandinsky, M. T. Sadler (Translator).
3104:
3102:
1734:Published in Munich in 1911, Kandinsky's text
1529:, Kandinsky drew upon the biblical stories of
465:Munich-Schwabing with the Church of St. Ursula
330:in 1944, three days before his 78th birthday.
4315:
4154:
3936:
2661:"The Bauhaus Group: Six Masters of Modernism"
2084:
1498:and were then destroyed (along with works by
1494:. They were displayed in the state-sponsored
1114:International Congress of Progressive Artists
8:
7667:Emigrants from the Russian Empire to Germany
7230:
7219:
4420:
4409:
4363:
4352:
3516:Esther da Costa Meyer, Fred Wasserman, eds.
3001:
2999:
2997:
2995:
1727:as "absolute subjectivity" or the "absolute
1146:House of Paul Klee and Wassily Kandinsky in
1004:Color Study: Squares with Concentric Circles
391:where his teachers would eventually include
279:. Born in Moscow, he spent his childhood in
16:Russian painter and art theorist (1866–1944)
7602:Emigrants from the Russian Empire to France
4491:
2226:Düchting, Hajo; Kandinsky, Wassily (2000).
1714:approaches to bring surrealism in his art.
1093:Back in Germany and the Bauhaus (1922–1933)
6499:
5154:
4548:
4322:
4308:
4300:
4161:
4147:
4139:
3943:
3929:
3921:
3911:, Kandinsky's compositions with commentary
3569:. (New York: Harry N. Abrams, Inc., 1958).
3506:. (New York: Museum of Modern Art, 2002).
61:
50:
3518:Schoenberg, Kandinsky, and the Blue Rider
3061:Christie's Sells Monet for $ 43.8 Million
3007:"WASSILY KANDINSKY (1866–1944) Biography"
1791:In the summer of 1902, Kandinsky invited
1153:The two-metre-wide (6 ft 7 in)
471:In the summer of 1902, Kandinsky invited
2260:McMullen, Roy Donald (20 January 2024).
1907:, filed a restitution claim against the
1663:"Portrait de Kandinsky" by photographer
434:(1831–1891), the best-known exponent of
7642:Russian Orthodox Christians from Russia
3414:. Dover Publ. (Paperback). 80 pp.
2154:Lindsay, Kenneth; Vergo, Peter (1994).
2146:
1998:
1342:
1194:
873:
562:
7652:Watercolorists from the Russian Empire
4093:Aleksey Ivanovich Kandinsky (grandson)
3860:
2825:"Vasily Kandinsky Replaces the Object"
2647:"Kandinsky: Master of the Mystic Arts"
2342:"What drove Kandinsky to abstraction?"
1911:in Basel, Switzerland for Kandinsky's
1447:List of paintings by Wassily Kandinsky
345:In 1889, at age 23, he was part of an
7156:Six Characters in Search of an Author
2749:from the original on 26 February 2013
2105:
1676:(sinuous organic forms), Fauvism and
349:research group that travelled to the
7:
3905:, Wassily Kandinsky at ArtCyclopedia
3777:Art Detective Podcast, 19 April 2017
3367:Buffenstein, Alyssa (6 March 2017).
1915:. A settlement was reached in 2002.
1601:essays and theorising with composer
778:Improvisation 27 (Garden of Love II)
7647:Printmakers from the Russian Empire
7582:Academy of Fine Arts, Munich alumni
3818:Works by or about Wassily Kandinsky
3758:Wassily Kandinsky papers, 1911–1940
3659:(Presses Universitaires de France)
3608:(Munich: Museum Villa Stuck, 2006).
3455:Kandinsky, Complete Writings on Art
3436:. Verlag R. Piper & Co., Munich
2876:"The Theoretical Side of Kandinsky"
2529:modernistarchitecture.wordpress.com
2386:Kandinsky: Complete Writings on Art
2205:Books and Writers (kirjasto.sci.fi)
2157:Kandinsky: Complete Writings on Art
1742:) defines three types of painting:
1139:movements influential at the time.
746:) with like-minded artists such as
6358:Nude Descending a Staircase, No. 2
3577:Seeing the Invisible: On Kandinsky
3324:Villa, Angelica (30 August 2021).
2969:Seeing the invisible, on Kandinsky
2956:Seeing the invisible, on Kandinsky
2590:Seeing the invisible, on Kandinsky
2388:. G.K. Hall & Co. p. 363.
784:, New York. Exhibited at the 1913
306:'s private school and then at the
14:
7672:20th-century Russian male artists
3877:Improvisation 28 (second version)
3843:"Concerning the Spiritual in Art"
3109:Pobric, Pac (15 September 2016).
1440:
1395:Kunstsammlung Nordrhein-Westfalen
762:. The group released an almanac (
7692:20th-century French male artists
7632:Painters from the Russian Empire
7538:
7537:
4103:Neue Künstlervereinigung München
3869:
3834:
3567:Wassily Kandinsky: Life and Work
3443:. Dover Publications, New York.
3169:"Kandinsky painting row settled"
2009:
1643:years, Kandinsky was working on
1421:
1402:
1383:
1364:
1345:
1290:
1275:
1256:
1237:
1216:
1197:
1028:
1011:
996:
979:
960:
945:
930:
915:
896:
876:
734:Neue Künstlervereinigung München
679:
660:
641:
622:
603:
584:
565:
452:(1901) influenced him visually.
254:
203:
7597:Immigrants to the German Empire
3657:Voir l'invisible. Sur Kandinsky
3615:(Paris: Pierre Terrail, 1992).
3412:Concerning the Spiritual in Art
3398:Concerning the Spiritual in Art
2282:Concerning the Spiritual in Art
2098:Vasiliy Vasil'yevich Kandinskiy
1740:Concerning the spiritual in art
1579:Artistic and spiritual theorist
1558:Concerning the Spiritual in Art
1543:four horsemen of the Apocalypse
1523:Concerning the Spiritual in Art
533:. In 1908, he bought a copy of
440:Concerning the Spiritual in Art
224:
199:
7627:Russian Expressionist painters
7617:Moscow State University alumni
7607:Naturalized citizens of France
7305:Grosvenor School of Modern Art
7298:Fourth dimension in literature
4016:Improvisation No. 30 (Cannons)
3555:(London: Koenig Books, 2012).
3059:Kelly Crow (7 November 2012),
2905:Kandinsky, W. (October 2008).
2211:Public Library. Archived from
1736:Über das Geistige in der Kunst
988:Landscape with Red Spots, No 2
715:Landscape with Factory Chimney
265:Wassily Wassilyevich Kandinsky
83:Wassily Wassilyevich Kandinsky
1:
7682:French Expressionist painters
7677:20th-century Russian painters
7592:Academic staff of the Bauhaus
4113:Institute of Artistic Culture
3171:. 3 July 2002. Archived from
2628:"Lost Art: Wassily Kandinsky"
2086:Василий Васильевич Кандинский
1441:Kandinsky's conception of art
1357:Museum Boijmans Van Beuningen
1112:In May 1922, he attended the
1074:Institute of Artistic Culture
830:'s weekly cultural newspaper
699:Blue Rider Period (1911–1914)
596:Museum Boijmans Van Beuningen
68:
28:Eastern Slavic naming customs
7687:20th-century French painters
3847:Guggenheim Internet Archives
3613:Kandinsky and the Blue Rider
2958:, Continuum, 2009, pp. 5–11.
2907:The Art of Spiritual Harmony
2772:Arn, Jackson (30 May 2019).
2603:"Wassily Kandinsky – Quotes"
2384:Lindsay, Kenneth C. (1982).
1893:Solomon R. Guggenheim Museum
1433:Musée national d'art moderne
1414:Solomon R. Guggenheim Museum
1376:Musée national d'art moderne
1268:Solomon R. Guggenheim Museum
1106:Musée National d'Art Moderne
1044:Return to Russia (1914–1921)
861:Fragment for Composition VII
719:Solomon R. Guggenheim Museum
653:Solomon R. Guggenheim Museum
214:Nina Nikolaevna Andreevskaya
133:Academy of Fine Arts, Munich
7398:List of avant-garde artists
6382:The Cabinet of Dr. Caligari
4289:Der Blaue Reiter (painting)
4032:Auf Weiss II (Sur blanc II)
3833:(public domain audiobooks)
2986:mediation.centrepompidou.fr
2399:Kandinsky, Wassily (1955).
2279:Kandinsky, Wassily (1911).
2160:. New York: Da Capo Press.
2123:Theoretical writings on art
2097:
1718:Theoretical writings on art
1506:and other modern artists).
1310:Great Synthesis (1934–1944)
1209:National Gallery of Denmark
353:region north of Moscow. In
67:Kandinsky by Adolf Elnain,
7708:
7256:Classical Hollywood cinema
3827:Works by Wassily Kandinsky
3809:Works by Wassily Kandinsky
3734:(Centre Georges Pompidou)
2711:Fiedler, Jeannine (2013).
1444:
1249:Philadelphia Museum of Art
1085:by its founder, architect
953:Landscape With Two Poplars
782:Metropolitan Museum of Art
702:
687:Murnau, train & castle
545:Charles Webster Leadbeater
283:, where he graduated from
26:In this name that follows
25:
21:Kandinsky (disambiguation)
18:
7519:
6334:Les Demoiselles d'Avignon
4273:
4098:Gabriele Münter (partner)
3958:
3868:
2971:, Continuum, 2009, p. 27.
2462:First Abstract Watercolor
2085:
1632:Pictures at an Exhibition
1496:Degenerate Art exhibition
1036:Painting with a Red Stain
923:Study for Improvisation V
885:First Abstract Watercolor
871:, between 1913 and 1923.
713:Wassily Kandinsky, 1910,
547:. In 1909, he joined the
253:
90:4 December] 1866
60:
5119:The Master and Margarita
3992:Landscape with Red Spots
3712:Kandinsky. Rétrospective
3035:Exhibition catalogue for
2935:www.wassilykandinsky.net
2874:Ashmore, Jerome (1962).
2607:www.wassilykandinsky.net
1537:and the whale, Christ's
7405:List of modernist poets
7291:Fourth dimension in art
6474:Meshes of the Afternoon
3611:Annette and Luc Vezin.
3441:Point and Line to Plane
2554:. Taschen. p. 68.
2550:Düchting, Hajo (2013).
2494:Duchting, Hajo (2007).
2478:Mit Dem Schwarzen Boden
2363:. Taschen. p. 94.
2359:Düchting, Hajo (2000).
1976:List of Russian artists
1966:Kandinsky and Theosophy
1684:(mystery) and Bauhaus (
1620:Point and Line to Plane
1125:Point and Line to Plane
968:Mit Dem Schwarzen Boden
813:On the Spiritual in Art
801:On the Spiritual in Art
444:Point and Line to Plane
267:(16 December [
7489:Second Viennese School
7231:
7220:
5131:The Sound and the Fury
5035:In Search of Lost Time
4492:
4421:
4410:
4364:
4353:
4118:Bibliothèque Kandinsky
4024:Ein Zentrum (A Centre)
3888:Paintings by Kandinsky
3683:Jéléna Hahl-Fontaine.
3553:Intellectual Birdhouse
3504:Kandinsky Compositions
3474:Ulrike Becks-Malorny.
2665:Columbia College Today
1950:Bibliothèque Kandinsky
1879:auctioned Kandinsky's
1864:Kunstmuseum Winterthur
1858:auctioned Kandinsky's
1837:
1772:
1668:
1641:abstract expressionist
1591:
1468:
1331:as star fragments (or
1180:at the instigation of
1150:
1109:
1069:
1056:
846:Spencer Frederick Gore
793:The Blue Rider Almanac
788:
764:The Blue Rider Almanac
721:
505:
468:
418:
86:16 December [
7468:Reactionary modernism
7391:List of art movements
4265:Marianne von Werefkin
3687:(Marc Vokar éditeur)
3502:Magdalena Dabrowski.
3469:References in English
2576:"Kleine Welten, 1922"
2531:. Ross Lawrence Wolfe
1889:Solomon R. Guggenheim
1835:
1764:
1729:phenomenological life
1662:
1586:
1527:Orthodox Christianity
1511:Christian eschatology
1459:
1452:The artist as prophet
1353:Brown with supplement
1160:Kandinsky was one of
1145:
1100:
1051:
776:
712:
579:, Kunstarealm, Munich
498:
463:
287:. He enrolled at the
124:Russian, later French
7312:Hanshinkan Modernism
7168:The Threepenny Opera
7084:Pelléas et Mélisande
4235:Alexej von Jawlensky
3915:Wassilykandinsky.net
3898:Museum of Modern Art
3803:Writing by Kandinsky
3714:(Foundation Maeght)
3697:François le Targat.
3650:References in French
3604:Margarita Tupitsyn.
2677:François Le Targat,
2523:van Doesburg, Theo.
2215:on 26 February 2015.
2135:fr:Vassily Kandinsky
1924:Painting with Houses
1913:Improvisation No. 10
1786:University of Moscow
1680:(shocking colours),
1461:Composition VII
1178:Alexej von Jawlensky
807:in the London-based
672:Von der Heydt Museum
592:Sunday (Old Russian)
549:Theosophical Society
340:Princess Gantimurova
308:Academy of Fine Arts
297:University of Dorpat
289:University of Moscow
202: 1892;
7622:Artists from Moscow
7370:International Style
7120:Afternoon of a Faun
6406:Battleship Potemkin
6310:Mont Sainte-Victoir
4215:Heinrich Campendonk
3765:Yellow – Red – Blue
3628:The Daily Telegraph
3579:(Continuum, 2009).
3534:. (Taschen, 2000).
3453:Wassily Kandinsky.
3439:Wassily Kandinsky.
3432:Wassily Kandinsky.
3123:on 12 February 2017
3065:Wall Street Journal
2982:"Vassily Kandinsky"
2645:Rabinovich, Yakov.
2262:"Wassily Kandinsky"
2201:"Wassily Kandinsky"
2131:The great synthesis
1981:Russian avant-garde
1770:Ohara Museum of Art
1335:), while enigmatic
1245:Circles in a Circle
1155:Yellow – red – blue
1129:Yellow – red – blue
817:Percy Wyndham Lewis
630:Couple on Horseback
482:Couple on Horseback
382:hanging upside down
316:Anatoly Lunacharsky
7662:Artists from Odesa
7249:Buddhist modernism
7206:American modernism
7132:The Rite of Spring
5107:The Sun Also Rises
5083:The Magic Mountain
4230:Natalia Goncharova
3589:Thomas M. Messer.
3548:. (Prestel, 2008).
3391:Books by Kandinsky
3087:. 17 November 2016
2894:– via JSTOR.
2829:Lapham's Quarterly
2805:. 13 December 2020
2199:Liukkonen, Petri.
1909:Beyeler Foundation
1838:
1773:
1669:
1592:
1547:book of Revelation
1469:
1151:
1110:
1057:
789:
722:
506:
478:Sunday, Old Russia
469:
312:Russian Revolution
7637:Gantimurov family
7577:Abstract painters
7562:Wassily Kandinsky
7549:
7548:
7277:Experimental film
7193:
7192:
7180:Waiting for Godot
6487:
6486:
5144:
5143:
5047:The Metamorphosis
4297:
4296:
4260:Arnold Schoenberg
4184:Wassily Kandinsky
4136:
4135:
3961:List of paintings
3952:Wassily Kandinsky
3903:Artcyclopedia.com
3894:Wassily Kandinsky
3885:
3884:
3813:Project Gutenberg
3673:(éd. Flammarion)
3606:Against Kandinsky
3561:978-3-86335-118-2
3546:Wassily Kandinsky
3484:978-3-8228-3564-7
3478:(Taschen, 2007).
3457:. Da Capo Press.
3175:on 2 October 2002
3116:The Art Newspaper
2854:philosophynow.org
2722:978-3-8480-0275-7
2561:978-3-8365-3146-7
2370:978-3-8365-3146-7
2292:978-1-4191-1377-2
2239:978-3-8228-5982-7
2095:
1960:Theory of Colours
1920:Lewenstein family
1691:His signature or
1603:Arnold Schoenberg
1465:Tretyakov Gallery
1429:Circle and Square
1066:Wassily Kandinsky
842:Royal Albert Hall
557:The Blue Mountain
553:The Blue Mountain
415:Wassily Kandinsky
355:Looks on the Past
328:Neuilly-sur-Seine
285:Odessa Art School
262:
261:
113:Neuilly-sur-Seine
55:Wassily Kandinsky
7699:
7541:
7540:
7512:
7510:Vulgar modernism
7505:
7503:Underground film
7498:
7491:
7484:
7477:
7470:
7463:
7456:
7449:
7442:
7435:
7428:
7421:
7414:
7407:
7400:
7393:
7386:
7379:
7372:
7365:
7356:
7349:
7342:
7335:
7328:
7326:Hippie modernism
7321:
7314:
7307:
7300:
7293:
7286:
7279:
7272:
7265:
7258:
7251:
7244:
7242:Bloomsbury Group
7237:
7236:
7226:
7225:
7215:
7208:
7186:
7185:
7174:
7173:
7162:
7161:
7150:
7149:
7138:
7137:
7126:
7125:
7114:
7113:
7102:
7101:
7090:
7089:
7078:
7077:
7066:
7065:
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7053:
7031:
7024:
7017:
7010:
7003:
6996:
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6885:
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6857:
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6599:
6592:
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6578:
6571:
6564:
6557:
6550:
6543:
6536:
6529:
6522:
6515:
6500:
6480:
6479:
6468:
6467:
6456:
6455:
6446:
6445:
6436:
6435:
6430:Un Chien Andalou
6424:
6423:
6412:
6411:
6400:
6399:
6394:Ballet Mécanique
6388:
6387:
6376:
6375:
6364:
6363:
6352:
6351:
6340:
6339:
6328:
6327:
6322:The Starry Night
6316:
6315:
6304:
6303:
6281:
6274:
6267:
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6037:
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5792:
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5743:
5736:
5729:
5722:
5715:
5708:
5701:
5694:
5687:
5667:
5660:
5653:
5651:Toulouse-Lautrec
5646:
5639:
5632:
5625:
5618:
5611:
5604:
5597:
5590:
5583:
5576:
5569:
5562:
5555:
5548:
5541:
5534:
5527:
5520:
5513:
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5499:
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5464:
5457:
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5317:
5310:
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5219:
5212:
5205:
5198:
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5184:
5177:
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5136:
5125:
5124:
5113:
5112:
5101:
5100:
5089:
5088:
5077:
5076:
5065:
5064:
5053:
5052:
5041:
5040:
5018:
5011:
5004:
4997:
4990:
4983:
4976:
4969:
4962:
4955:
4948:
4941:
4934:
4927:
4920:
4913:
4906:
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4892:
4885:
4878:
4871:
4864:
4857:
4850:
4843:
4836:
4829:
4822:
4802:
4795:
4788:
4781:
4774:
4767:
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4753:
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4711:
4704:
4697:
4690:
4683:
4676:
4669:
4662:
4655:
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4634:
4627:
4620:
4613:
4606:
4599:
4592:
4585:
4578:
4571:
4564:
4549:
4535:
4528:
4521:
4514:
4507:
4498:
4497:
4487:
4480:
4473:
4466:
4457:
4450:
4443:
4434:
4427:
4426:
4416:
4415:
4412:Der Blaue Reiter
4405:
4398:
4391:
4384:
4377:
4370:
4369:
4359:
4358:
4348:
4324:
4317:
4310:
4301:
4225:Lyonel Feininger
4170:Der Blaue Reiter
4163:
4156:
4149:
4140:
4108:Der Blaue Reiter
4075:The Yellow Sound
3945:
3938:
3931:
3922:
3873:
3872:
3861:
3857:
3855:
3853:
3838:
3837:
3822:Internet Archive
3798:
3796:
3794:
3671:Kandinsky et moi
3669:Nina Kandinsky.
3591:Vasily Kandinsky
3384:
3383:
3381:
3379:
3364:
3358:
3357:
3355:
3347:
3341:
3340:
3338:
3336:
3321:
3315:
3314:
3312:
3310:
3305:. 27 August 2021
3295:
3289:
3288:
3282:
3280:
3266:
3260:
3259:
3257:
3255:
3241:
3235:
3234:
3232:
3230:
3216:
3210:
3209:
3207:
3205:
3191:
3185:
3184:
3182:
3180:
3165:
3159:
3158:
3156:
3154:
3149:. 31 August 2001
3139:
3133:
3132:
3130:
3128:
3119:. Archived from
3106:
3097:
3096:
3094:
3092:
3075:
3069:
3057:
3051:
3050:
3029:
3023:
3022:
3020:
3018:
3013:. Montreal. 2022
3003:
2990:
2989:
2978:
2972:
2965:
2959:
2952:
2946:
2945:
2943:
2941:
2927:
2921:
2920:
2902:
2896:
2895:
2871:
2865:
2864:
2862:
2860:
2846:
2840:
2839:
2837:
2835:
2821:
2815:
2814:
2812:
2810:
2795:
2789:
2788:
2786:
2784:
2769:
2763:
2762:
2756:
2754:
2745:. 13 June 2012.
2733:
2727:
2726:
2708:
2702:
2695:
2689:
2675:
2669:
2668:
2657:
2651:
2650:
2642:
2636:
2635:
2624:
2618:
2617:
2615:
2613:
2599:
2593:
2586:
2580:
2579:
2572:
2566:
2565:
2547:
2541:
2540:
2538:
2536:
2520:
2514:
2513:
2491:
2485:
2475:
2469:
2459:
2453:
2450:
2444:
2441:
2435:
2432:
2426:
2423:
2417:
2411:
2405:
2404:
2396:
2390:
2389:
2381:
2375:
2374:
2356:
2350:
2349:
2338:
2332:
2331:
2303:
2297:
2296:
2276:
2270:
2269:
2257:
2251:
2250:
2248:
2246:
2223:
2217:
2216:
2196:
2190:
2187:
2181:
2178:
2172:
2171:
2151:
2110:
2109:
2104:
2100:
2090:
2088:
2087:
2079:
2075:
2070:
2069:
2066:
2065:
2062:
2059:
2056:
2053:
2050:
2047:
2044:
2041:
2038:
2034:
2033:
2030:
2027:
2024:
2021:
2018:
2015:
2008:
2003:
1928:Stedelijk Museum
1881:Rigide et courbé
1803:Der Blaue Reiter
1693:individual style
1597:Der Blaue Reiter
1556:As he stated in
1425:
1406:
1387:
1368:
1349:
1294:
1279:
1260:
1241:
1220:
1201:
1174:Lyonel Feininger
1067:
1032:
1015:
1000:
983:
964:
949:
934:
919:
900:
880:
803:was reviewed by
743:Der Blaue Reiter
705:Der Blaue Reiter
683:
668:Houses in Munich
664:
645:
626:
607:
588:
569:
432:Madame Blavatsky
416:
372:Artistic periods
366:Alexandre Kojève
258:
228:
226:
207:
205:
201:
160:Der Blaue Reiter
149:
108:
105:13 December 1944
73:
70:
65:
51:
7707:
7706:
7702:
7701:
7700:
7698:
7697:
7696:
7552:
7551:
7550:
7545:
7536:
7528:
7515:
7508:
7501:
7496:Structural film
7494:
7487:
7480:
7473:
7466:
7459:
7452:
7447:New Objectivity
7445:
7438:
7433:Neo-romanticism
7431:
7426:Neo-primitivism
7424:
7417:
7410:
7403:
7396:
7389:
7382:
7375:
7368:
7361:
7352:
7345:
7338:
7331:
7324:
7317:
7310:
7303:
7296:
7289:
7282:
7275:
7268:
7261:
7254:
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7240:
7229:
7218:
7211:
7204:
7189:
7183:
7177:
7171:
7165:
7159:
7153:
7147:
7141:
7135:
7129:
7123:
7117:
7111:
7105:
7099:
7093:
7087:
7081:
7075:
7072:Verklärte Nacht
7069:
7063:
7057:
7051:
7045:
7034:
7027:
7020:
7013:
7006:
6999:
6992:
6985:
6978:
6971:
6964:
6957:
6950:
6943:
6936:
6929:
6922:
6915:
6902:
6895:
6888:
6881:
6874:
6867:
6860:
6853:
6846:
6839:
6832:
6825:
6818:
6811:
6804:
6797:
6790:
6783:
6776:
6769:
6762:
6755:
6742:
6735:
6728:
6721:
6714:
6707:
6700:
6693:
6686:
6679:
6672:
6665:
6658:
6651:
6644:
6637:
6630:
6623:
6616:
6609:
6602:
6595:
6588:
6581:
6574:
6567:
6560:
6553:
6546:
6539:
6532:
6525:
6518:
6511:
6494:
6483:
6477:
6471:
6465:
6459:
6453:
6449:
6443:
6439:
6433:
6427:
6421:
6415:
6409:
6403:
6397:
6391:
6385:
6379:
6373:
6367:
6361:
6355:
6349:
6343:
6337:
6331:
6325:
6319:
6313:
6307:
6301:
6295:
6284:
6277:
6270:
6263:
6256:
6249:
6242:
6235:
6228:
6221:
6214:
6207:
6200:
6193:
6186:
6179:
6172:
6165:
6158:
6151:
6144:
6137:
6130:
6123:
6110:
6103:
6096:
6089:
6082:
6075:
6068:
6061:
6054:
6047:
6040:
6033:
6026:
6019:
6012:
6005:
5998:
5991:
5984:
5977:
5970:
5963:
5956:
5949:
5942:
5935:
5928:
5921:
5914:
5907:
5900:
5893:
5886:
5879:
5872:
5865:
5858:
5851:
5844:
5837:
5830:
5823:
5816:
5809:
5802:
5795:
5788:
5781:
5774:
5767:
5760:
5753:
5746:
5739:
5732:
5725:
5718:
5711:
5704:
5697:
5690:
5683:
5670:
5663:
5656:
5649:
5642:
5635:
5628:
5621:
5614:
5607:
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5593:
5586:
5579:
5572:
5565:
5558:
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5537:
5530:
5523:
5516:
5509:
5502:
5495:
5488:
5481:
5474:
5467:
5460:
5453:
5446:
5439:
5432:
5425:
5418:
5411:
5404:
5397:
5390:
5383:
5376:
5369:
5362:
5355:
5348:
5341:
5334:
5327:
5320:
5313:
5306:
5299:
5292:
5285:
5278:
5271:
5264:
5257:
5250:
5243:
5236:
5229:
5222:
5215:
5208:
5201:
5194:
5187:
5180:
5173:
5166:
5140:
5134:
5128:
5122:
5116:
5110:
5104:
5098:
5092:
5086:
5080:
5074:
5068:
5062:
5056:
5050:
5044:
5038:
5032:
5021:
5014:
5007:
5000:
4993:
4986:
4979:
4972:
4965:
4958:
4951:
4944:
4937:
4930:
4925:Lowell (Robert)
4923:
4916:
4909:
4902:
4895:
4888:
4881:
4874:
4867:
4860:
4853:
4846:
4839:
4832:
4825:
4818:
4805:
4798:
4791:
4784:
4777:
4770:
4763:
4756:
4749:
4742:
4735:
4728:
4721:
4714:
4707:
4700:
4693:
4686:
4679:
4672:
4665:
4658:
4651:
4644:
4637:
4630:
4623:
4616:
4609:
4602:
4595:
4588:
4581:
4574:
4567:
4560:
4538:
4531:
4524:
4517:
4510:
4503:
4490:
4483:
4476:
4469:
4462:
4453:
4446:
4439:
4430:
4419:
4408:
4401:
4394:
4387:
4380:
4373:
4362:
4351:
4344:
4333:
4328:
4298:
4293:
4269:
4255:Gabriele Münter
4220:Robert Delaunay
4193:
4172:
4167:
4137:
4132:
4123:Kandinsky Prize
4081:
4062:
4008:Composition VII
3984:Das Bunte Leben
3963:
3954:
3949:
3870:
3864:External videos
3851:
3849:
3841:
3835:
3792:
3790:
3786:
3748:
3652:
3565:Will Grohmann.
3544:Hajo Düchting.
3530:Hajo Düchting.
3471:
3393:
3388:
3387:
3377:
3375:
3366:
3365:
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3353:
3349:
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3323:
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3253:
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3108:
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3100:
3090:
3088:
3077:
3076:
3072:
3058:
3054:
3047:
3031:
3030:
3026:
3016:
3014:
3011:Landau Fine Art
3005:
3004:
2993:
2980:
2979:
2975:
2966:
2962:
2953:
2949:
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2937:
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2858:
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2843:
2833:
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2782:
2780:
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2710:
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2696:
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2644:
2643:
2639:
2626:
2625:
2621:
2611:
2609:
2601:
2600:
2596:
2587:
2583:
2574:
2573:
2569:
2562:
2549:
2548:
2544:
2534:
2532:
2522:
2521:
2517:
2510:
2493:
2492:
2488:
2482:Centre Pompidou
2476:
2472:
2466:Centre Pompidou
2460:
2456:
2451:
2447:
2442:
2438:
2433:
2429:
2424:
2420:
2412:
2408:
2398:
2397:
2393:
2383:
2382:
2378:
2371:
2358:
2357:
2353:
2348:. 25 June 2006.
2340:
2339:
2335:
2305:
2304:
2300:
2293:
2278:
2277:
2273:
2259:
2258:
2254:
2244:
2242:
2240:
2225:
2224:
2220:
2198:
2197:
2193:
2188:
2184:
2179:
2175:
2168:
2153:
2152:
2148:
2143:
2119:
2114:
2113:
2102:
2083:; Russian:
2077:
2073:
2035:
2012:
2006:
2005:
2004:
2000:
1995:
1990:
1971:Kandinsky Prize
1945:
1936:Das Bunte Leben
1901:
1899:Nazi-looted art
1852:
1793:Gabriele Münter
1778:
1720:
1657:
1655:Signature style
1581:
1477:Gabriele Münter
1454:
1449:
1443:
1436:
1426:
1417:
1410:Various Actions
1407:
1398:
1388:
1379:
1369:
1360:
1350:
1319:his paintings.
1312:
1305:
1295:
1286:
1280:
1271:
1270:, New York City
1264:Several Circles
1261:
1252:
1242:
1233:
1230:Centre Pompidou
1221:
1212:
1202:
1102:Yellow-Red-Blue
1095:
1068:
1065:
1046:
1039:
1033:
1024:
1016:
1007:
1001:
992:
984:
975:
972:Centre Pompidou
965:
956:
950:
941:
935:
926:
920:
911:
901:
892:
889:Centre Pompidou
881:
869:Leeds Arts Club
805:Michael Sadleir
791:His writing in
760:Gabriele Münter
707:
701:
694:
684:
675:
665:
656:
646:
637:
627:
618:
608:
599:
589:
580:
570:
473:Gabriele Münter
458:
417:
414:
393:Franz von Stuck
374:
336:
242:Gabriele Münter
233:
230:
227: 1917)
222:
218:
215:
209:
206: 1911)
197:
193:
190:
189:Anja Chimiakina
147:
116:
110:
106:
97:
91:
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84:
74:
71:
56:
47:
24:
17:
12:
11:
5:
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7703:
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7669:
7664:
7659:
7654:
7649:
7644:
7639:
7634:
7629:
7624:
7619:
7614:
7612:Modern artists
7609:
7604:
7599:
7594:
7589:
7584:
7579:
7574:
7569:
7564:
7554:
7553:
7547:
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7517:
7516:
7514:
7513:
7506:
7499:
7492:
7485:
7478:
7471:
7464:
7457:
7454:Poetic realism
7450:
7443:
7436:
7429:
7422:
7415:
7408:
7401:
7394:
7387:
7384:Late modernity
7380:
7377:Late modernism
7373:
7366:
7359:
7358:
7357:
7350:
7343:
7329:
7322:
7319:High modernism
7315:
7308:
7301:
7294:
7287:
7280:
7273:
7266:
7263:Degenerate art
7259:
7252:
7245:
7238:
7233:Ballets Russes
7227:
7216:
7209:
7201:
7199:
7195:
7194:
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6156:
6149:
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6128:
6120:
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6112:
6111:
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6108:
6101:
6094:
6087:
6080:
6073:
6066:
6059:
6052:
6045:
6038:
6031:
6024:
6017:
6010:
6003:
5996:
5989:
5986:Ray (Satyajit)
5982:
5979:Ray (Nicholas)
5975:
5968:
5961:
5954:
5947:
5940:
5933:
5926:
5919:
5912:
5905:
5898:
5891:
5884:
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5863:
5856:
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5807:
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5793:
5786:
5779:
5772:
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5751:
5744:
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5716:
5709:
5702:
5695:
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5678:
5672:
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5605:
5598:
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5563:
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5535:
5528:
5521:
5514:
5507:
5500:
5493:
5486:
5479:
5472:
5465:
5458:
5451:
5444:
5437:
5430:
5423:
5416:
5409:
5402:
5395:
5388:
5381:
5374:
5367:
5360:
5353:
5346:
5339:
5332:
5325:
5318:
5311:
5304:
5297:
5290:
5283:
5276:
5269:
5262:
5255:
5248:
5241:
5234:
5227:
5220:
5213:
5206:
5199:
5192:
5185:
5178:
5171:
5163:
5161:
5152:
5146:
5145:
5142:
5141:
5139:
5138:
5126:
5114:
5102:
5090:
5078:
5071:The Waste Land
5066:
5054:
5042:
5029:
5027:
5023:
5022:
5020:
5019:
5012:
5005:
4998:
4991:
4984:
4977:
4970:
4963:
4956:
4949:
4942:
4935:
4928:
4921:
4914:
4907:
4900:
4893:
4886:
4879:
4872:
4865:
4858:
4851:
4844:
4837:
4830:
4823:
4815:
4813:
4807:
4806:
4804:
4803:
4796:
4789:
4782:
4775:
4768:
4761:
4754:
4747:
4740:
4733:
4726:
4719:
4712:
4705:
4698:
4691:
4684:
4677:
4670:
4663:
4656:
4649:
4642:
4635:
4628:
4621:
4614:
4607:
4600:
4593:
4586:
4579:
4572:
4565:
4557:
4555:
4546:
4540:
4539:
4537:
4536:
4529:
4522:
4515:
4508:
4501:
4500:
4499:
4481:
4474:
4467:
4460:
4459:
4458:
4444:
4437:
4436:
4435:
4428:
4417:
4399:
4392:
4385:
4382:Constructivism
4378:
4371:
4360:
4349:
4341:
4339:
4335:
4334:
4329:
4327:
4326:
4319:
4312:
4304:
4295:
4294:
4292:
4291:
4286:
4281:
4274:
4271:
4270:
4268:
4267:
4262:
4257:
4252:
4247:
4242:
4237:
4232:
4227:
4222:
4217:
4212:
4207:
4201:
4199:
4195:
4194:
4192:
4191:
4186:
4180:
4178:
4174:
4173:
4168:
4166:
4165:
4158:
4151:
4143:
4134:
4133:
4131:
4130:
4125:
4120:
4115:
4110:
4105:
4100:
4095:
4089:
4087:
4083:
4082:
4080:
4079:
4070:
4068:
4064:
4063:
4061:
4060:
4052:
4044:
4040:Three Elements
4036:
4028:
4020:
4012:
4004:
4000:Composition VI
3996:
3988:
3980:
3976:The Blue Rider
3971:
3969:
3965:
3964:
3959:
3956:
3955:
3950:
3948:
3947:
3940:
3933:
3925:
3919:
3918:
3912:
3906:
3900:
3890:
3889:
3883:
3882:
3881:, Smarthistory
3866:
3865:
3859:
3858:
3839:
3824:
3815:
3805:
3804:
3800:
3799:
3784:
3779:
3769:Janina Ramirez
3763:Discussion of
3761:
3755:
3747:
3746:External links
3744:
3743:
3742:
3729:
3709:
3695:
3681:
3667:
3655:Michel Henry.
3651:
3648:
3647:
3646:
3632:
3623:
3609:
3602:
3587:
3570:
3563:
3549:
3542:
3528:
3514:
3500:
3486:
3470:
3467:
3466:
3465:
3451:
3437:
3430:
3408:
3392:
3389:
3386:
3385:
3359:
3342:
3316:
3290:
3261:
3236:
3211:
3186:
3160:
3134:
3098:
3070:
3052:
3045:
3024:
2991:
2973:
2967:Michel Henry,
2960:
2954:Michel Henry,
2947:
2922:
2915:
2909:. Read Books.
2897:
2866:
2841:
2816:
2790:
2764:
2728:
2721:
2703:
2690:
2670:
2652:
2637:
2619:
2594:
2588:Michel Henry,
2581:
2567:
2560:
2542:
2515:
2509:978-3836531467
2508:
2486:
2470:
2454:
2445:
2436:
2427:
2418:
2414:Sixten Ringbom
2406:
2391:
2376:
2369:
2351:
2333:
2314:(3): 175–185.
2298:
2291:
2271:
2252:
2238:
2218:
2191:
2182:
2173:
2166:
2145:
2144:
2142:
2139:
2118:
2115:
2112:
2111:
1997:
1996:
1994:
1991:
1989:
1988:
1983:
1978:
1973:
1968:
1963:
1952:
1946:
1944:
1941:
1900:
1897:
1885:Rigid and bent
1851:
1848:
1777:
1774:
1748:improvisations
1719:
1716:
1686:constructivism
1656:
1653:
1645:Composition VI
1588:Composition VI
1580:
1577:
1573:Composition VI
1569:Composition IV
1509:Fascinated by
1488:Composition II
1453:
1450:
1445:Main article:
1442:
1439:
1438:
1437:
1427:
1420:
1418:
1408:
1401:
1399:
1389:
1382:
1380:
1372:Composition IX
1370:
1363:
1361:
1351:
1344:
1325:Composition IX
1311:
1308:
1307:
1306:
1298:Inner Alliance
1296:
1289:
1287:
1281:
1274:
1272:
1262:
1255:
1253:
1251:, Philadelphia
1243:
1236:
1234:
1222:
1215:
1213:
1205:Small worlds I
1203:
1196:
1162:Die Blaue Vier
1133:constructivism
1094:
1091:
1087:Walter Gropius
1063:
1045:
1042:
1041:
1040:
1034:
1027:
1025:
1017:
1010:
1008:
1002:
995:
993:
985:
978:
976:
966:
959:
957:
951:
944:
942:
936:
929:
927:
921:
914:
912:
902:
895:
893:
882:
875:
857:Michael Sadler
840:) at London's
819:'s periodical
738:The Blue Rider
700:
697:
696:
695:
685:
678:
676:
666:
659:
657:
647:
640:
638:
628:
621:
619:
609:
602:
600:
590:
583:
581:
571:
564:
560:three riders.
516:The Blue Rider
511:The Blue Rider
501:The Blue Rider
457:
454:
422:Richard Wagner
412:
389:Munich Academy
373:
370:
335:
332:
260:
259:
251:
250:
246:
245:
239:
235:
234:
232:
231:
220:
216:
213:
212:
210:
195:
191:
188:
187:
184:
182:
178:
177:
168:
164:
163:
150:
144:
143:
140:
139:Known for
136:
135:
130:
126:
125:
122:
118:
117:
111:
109:(aged 77)
103:
99:
98:
95:Russian Empire
92:
82:
80:
76:
75:
66:
58:
57:
54:
15:
13:
10:
9:
6:
4:
3:
2:
7704:
7693:
7690:
7688:
7685:
7683:
7680:
7678:
7675:
7673:
7670:
7668:
7665:
7663:
7660:
7658:
7655:
7653:
7650:
7648:
7645:
7643:
7640:
7638:
7635:
7633:
7630:
7628:
7625:
7623:
7620:
7618:
7615:
7613:
7610:
7608:
7605:
7603:
7600:
7598:
7595:
7593:
7590:
7588:
7587:Art educators
7585:
7583:
7580:
7578:
7575:
7573:
7570:
7568:
7565:
7563:
7560:
7559:
7557:
7544:
7534:
7533:
7532:Postmodernism
7527:
7526:
7518:
7511:
7507:
7504:
7500:
7497:
7493:
7490:
7486:
7483:
7479:
7476:
7475:Metamodernism
7472:
7469:
7465:
7462:
7458:
7455:
7451:
7448:
7444:
7441:
7440:New Hollywood
7437:
7434:
7430:
7427:
7423:
7420:
7416:
7413:
7409:
7406:
7402:
7399:
7395:
7392:
7388:
7385:
7381:
7378:
7374:
7371:
7367:
7364:
7360:
7355:
7351:
7348:
7344:
7341:
7337:
7336:
7334:
7333:Impressionism
7330:
7327:
7323:
7320:
7316:
7313:
7309:
7306:
7302:
7299:
7295:
7292:
7288:
7285:
7281:
7278:
7274:
7271:
7267:
7264:
7260:
7257:
7253:
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7246:
7243:
7239:
7235:
7234:
7228:
7224:
7223:
7217:
7214:
7210:
7207:
7203:
7202:
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7196:
7182:
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7176:
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7158:
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7140:
7134:
7133:
7128:
7122:
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7110:
7109:
7104:
7098:
7097:
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7080:
7074:
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7068:
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7056:
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7049:
7044:
7043:
7041:
7037:
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7023:
7019:
7016:
7012:
7009:
7005:
7002:
6998:
6995:
6991:
6988:
6984:
6981:
6977:
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6970:
6967:
6963:
6960:
6956:
6953:
6949:
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6928:
6925:
6921:
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6909:
6905:
6898:
6894:
6891:
6887:
6884:
6880:
6877:
6873:
6870:
6866:
6863:
6859:
6856:
6852:
6849:
6845:
6842:
6838:
6835:
6831:
6828:
6824:
6821:
6817:
6814:
6810:
6807:
6803:
6800:
6796:
6793:
6789:
6786:
6782:
6779:
6775:
6772:
6768:
6765:
6761:
6758:
6754:
6753:
6751:
6749:
6745:
6738:
6734:
6731:
6727:
6724:
6720:
6717:
6713:
6710:
6706:
6703:
6699:
6696:
6692:
6689:
6685:
6682:
6678:
6675:
6671:
6668:
6664:
6661:
6657:
6654:
6650:
6647:
6643:
6640:
6636:
6633:
6629:
6626:
6622:
6619:
6615:
6612:
6608:
6605:
6601:
6598:
6594:
6591:
6587:
6584:
6580:
6577:
6573:
6570:
6566:
6563:
6559:
6556:
6552:
6549:
6545:
6542:
6538:
6535:
6531:
6528:
6524:
6521:
6517:
6514:
6510:
6509:
6507:
6505:
6501:
6498:
6496:
6490:
6476:
6475:
6470:
6464:
6463:
6458:
6452:
6448:
6442:
6438:
6432:
6431:
6426:
6420:
6419:
6414:
6408:
6407:
6402:
6396:
6395:
6390:
6384:
6383:
6378:
6372:
6371:
6366:
6360:
6359:
6354:
6348:
6347:
6342:
6336:
6335:
6330:
6324:
6323:
6318:
6312:
6311:
6306:
6300:
6299:
6294:
6293:
6291:
6287:
6280:
6276:
6273:
6269:
6266:
6262:
6259:
6255:
6252:
6248:
6245:
6241:
6238:
6234:
6231:
6227:
6224:
6220:
6217:
6213:
6210:
6206:
6203:
6199:
6196:
6192:
6189:
6185:
6182:
6178:
6175:
6171:
6168:
6167:Hundertwasser
6164:
6161:
6157:
6154:
6150:
6147:
6143:
6140:
6136:
6133:
6129:
6126:
6122:
6121:
6119:
6117:
6113:
6106:
6102:
6099:
6095:
6092:
6088:
6085:
6081:
6078:
6074:
6071:
6067:
6064:
6060:
6057:
6053:
6050:
6046:
6043:
6039:
6036:
6032:
6029:
6025:
6022:
6018:
6015:
6011:
6008:
6004:
6001:
5997:
5994:
5990:
5987:
5983:
5980:
5976:
5973:
5969:
5966:
5962:
5959:
5955:
5952:
5948:
5945:
5941:
5938:
5934:
5931:
5927:
5924:
5920:
5917:
5913:
5910:
5906:
5903:
5899:
5896:
5892:
5889:
5885:
5882:
5878:
5875:
5871:
5868:
5864:
5861:
5857:
5854:
5850:
5847:
5843:
5840:
5836:
5833:
5829:
5826:
5822:
5819:
5815:
5812:
5808:
5805:
5801:
5798:
5794:
5791:
5787:
5784:
5780:
5777:
5773:
5770:
5766:
5763:
5759:
5756:
5752:
5749:
5745:
5742:
5738:
5735:
5731:
5728:
5724:
5721:
5717:
5714:
5710:
5707:
5703:
5700:
5696:
5693:
5689:
5686:
5682:
5681:
5679:
5677:
5673:
5666:
5662:
5659:
5655:
5652:
5648:
5645:
5641:
5638:
5634:
5631:
5627:
5624:
5620:
5617:
5613:
5610:
5606:
5603:
5599:
5596:
5592:
5589:
5585:
5582:
5578:
5575:
5571:
5568:
5564:
5561:
5557:
5554:
5550:
5547:
5543:
5540:
5536:
5533:
5529:
5526:
5522:
5519:
5515:
5512:
5508:
5505:
5501:
5498:
5494:
5491:
5487:
5484:
5480:
5477:
5473:
5470:
5466:
5463:
5459:
5456:
5452:
5449:
5445:
5442:
5438:
5435:
5431:
5428:
5424:
5421:
5417:
5414:
5410:
5407:
5403:
5400:
5396:
5393:
5389:
5386:
5382:
5379:
5375:
5372:
5368:
5365:
5361:
5358:
5354:
5351:
5347:
5344:
5340:
5337:
5333:
5330:
5326:
5323:
5319:
5316:
5312:
5309:
5305:
5302:
5298:
5295:
5291:
5288:
5284:
5281:
5277:
5274:
5270:
5267:
5263:
5260:
5256:
5253:
5249:
5246:
5242:
5239:
5235:
5232:
5228:
5225:
5221:
5218:
5214:
5211:
5207:
5204:
5200:
5197:
5193:
5190:
5186:
5183:
5179:
5176:
5172:
5169:
5165:
5164:
5162:
5160:
5156:
5153:
5151:
5147:
5133:
5132:
5127:
5121:
5120:
5115:
5109:
5108:
5103:
5097:
5096:
5091:
5085:
5084:
5079:
5073:
5072:
5067:
5061:
5060:
5055:
5049:
5048:
5043:
5037:
5036:
5031:
5030:
5028:
5024:
5017:
5013:
5010:
5006:
5003:
4999:
4996:
4992:
4989:
4985:
4982:
4978:
4975:
4971:
4968:
4964:
4961:
4957:
4954:
4950:
4947:
4943:
4940:
4936:
4933:
4929:
4926:
4922:
4919:
4915:
4912:
4908:
4905:
4901:
4898:
4894:
4891:
4887:
4884:
4880:
4877:
4873:
4870:
4866:
4863:
4859:
4856:
4852:
4849:
4845:
4842:
4838:
4835:
4831:
4828:
4824:
4821:
4817:
4816:
4814:
4812:
4808:
4801:
4797:
4794:
4790:
4787:
4783:
4780:
4776:
4773:
4769:
4766:
4762:
4759:
4755:
4752:
4748:
4745:
4741:
4738:
4734:
4731:
4727:
4724:
4720:
4717:
4713:
4710:
4706:
4703:
4699:
4696:
4692:
4689:
4685:
4682:
4678:
4675:
4671:
4668:
4664:
4661:
4657:
4654:
4650:
4647:
4643:
4640:
4636:
4633:
4629:
4626:
4622:
4619:
4615:
4612:
4608:
4605:
4601:
4598:
4594:
4591:
4587:
4584:
4580:
4577:
4573:
4570:
4566:
4563:
4559:
4558:
4556:
4554:
4550:
4547:
4545:
4544:Literary arts
4541:
4534:
4530:
4527:
4523:
4520:
4516:
4513:
4509:
4506:
4502:
4496:
4495:
4489:
4488:
4486:
4485:Neoplasticism
4482:
4479:
4475:
4472:
4468:
4465:
4461:
4456:
4452:
4451:
4449:
4448:Functionalism
4445:
4442:
4438:
4433:
4429:
4425:
4424:
4418:
4414:
4413:
4407:
4406:
4404:
4403:Expressionism
4400:
4397:
4393:
4390:
4386:
4383:
4379:
4376:
4375:Ashcan School
4372:
4368:
4367:
4361:
4357:
4356:
4350:
4347:
4343:
4342:
4340:
4336:
4332:
4325:
4320:
4318:
4313:
4311:
4306:
4305:
4302:
4290:
4287:
4285:
4284:Expressionism
4282:
4280:
4276:
4275:
4272:
4266:
4263:
4261:
4258:
4256:
4253:
4251:
4248:
4246:
4243:
4241:
4238:
4236:
4233:
4231:
4228:
4226:
4223:
4221:
4218:
4216:
4213:
4211:
4210:David Burliuk
4208:
4206:
4203:
4202:
4200:
4196:
4190:
4187:
4185:
4182:
4181:
4179:
4175:
4171:
4164:
4159:
4157:
4152:
4150:
4145:
4144:
4141:
4129:
4128:Wassily Chair
4126:
4124:
4121:
4119:
4116:
4114:
4111:
4109:
4106:
4104:
4101:
4099:
4096:
4094:
4091:
4090:
4088:
4084:
4077:
4076:
4072:
4071:
4069:
4065:
4058:
4057:
4056:Composition X
4053:
4050:
4049:
4045:
4042:
4041:
4037:
4034:
4033:
4029:
4026:
4025:
4021:
4018:
4017:
4013:
4010:
4009:
4005:
4002:
4001:
3997:
3994:
3993:
3989:
3986:
3985:
3981:
3978:
3977:
3973:
3972:
3970:
3966:
3962:
3957:
3953:
3946:
3941:
3939:
3934:
3932:
3927:
3926:
3923:
3916:
3913:
3910:
3907:
3904:
3901:
3899:
3895:
3892:
3891:
3887:
3886:
3880:
3878:
3867:
3862:
3848:
3844:
3840:
3832:
3828:
3825:
3823:
3819:
3816:
3814:
3810:
3807:
3806:
3802:
3801:
3789:
3785:
3783:
3780:
3778:
3774:
3770:
3766:
3762:
3759:
3756:
3753:
3750:
3749:
3745:
3741:
3740:2-85850-262-5
3737:
3733:
3730:
3728:
3727:2-900923-27-1
3724:
3721:
3720:2-900923-26-3
3717:
3713:
3710:
3708:
3707:2-226-02830-7
3704:
3700:
3696:
3694:
3693:2-87012-006-0
3690:
3686:
3682:
3680:
3679:2-08-064013-5
3676:
3672:
3668:
3666:
3665:2-13-053887-8
3662:
3658:
3654:
3653:
3649:
3645:
3644:0-691-03934-8
3641:
3637:
3633:
3630:
3629:
3624:
3622:
3621:2-87939-043-5
3618:
3614:
3610:
3607:
3603:
3600:
3599:0-8109-1228-7
3596:
3592:
3588:
3586:
3585:1-84706-447-7
3582:
3578:
3574:
3571:
3568:
3564:
3562:
3558:
3554:
3550:
3547:
3543:
3541:
3540:3-8228-5982-6
3537:
3533:
3529:
3527:
3526:1-85759-312-X
3523:
3519:
3515:
3513:
3512:0-87070-405-2
3509:
3505:
3501:
3499:
3498:0-89250-131-6
3495:
3491:
3487:
3485:
3481:
3477:
3473:
3472:
3468:
3464:
3463:0-306-80570-7
3460:
3456:
3452:
3450:
3449:0-486-23808-3
3446:
3442:
3438:
3435:
3431:
3429:
3428:1-4191-1377-1
3425:
3421:
3420:0-486-23411-8
3417:
3413:
3409:
3407:
3406:0-87846-702-5
3403:
3399:
3395:
3394:
3390:
3374:
3370:
3363:
3360:
3352:
3346:
3343:
3331:
3327:
3320:
3317:
3304:
3300:
3294:
3291:
3287:
3275:
3274:lootedart.com
3271:
3265:
3262:
3250:
3249:lootedart.com
3246:
3240:
3237:
3225:
3221:
3215:
3212:
3200:
3199:lootedart.com
3196:
3190:
3187:
3174:
3170:
3164:
3161:
3148:
3144:
3138:
3135:
3122:
3118:
3117:
3112:
3105:
3103:
3099:
3086:
3085:
3080:
3074:
3071:
3067:
3066:
3062:
3056:
3053:
3048:
3046:1-903470-29-3
3042:
3038:
3034:
3028:
3025:
3012:
3008:
3002:
3000:
2998:
2996:
2992:
2987:
2983:
2977:
2974:
2970:
2964:
2961:
2957:
2951:
2948:
2936:
2932:
2926:
2923:
2918:
2916:9781443755474
2912:
2908:
2901:
2898:
2893:
2889:
2886:(3): 175–85.
2885:
2881:
2877:
2870:
2867:
2855:
2851:
2845:
2842:
2830:
2826:
2820:
2817:
2804:
2803:My Modern Met
2800:
2794:
2791:
2779:
2775:
2768:
2765:
2761:
2748:
2744:
2743:
2738:
2732:
2729:
2724:
2718:
2714:
2707:
2704:
2700:
2694:
2691:
2688:
2684:
2680:
2674:
2671:
2666:
2662:
2656:
2653:
2648:
2641:
2638:
2633:
2629:
2623:
2620:
2608:
2604:
2598:
2595:
2591:
2585:
2582:
2577:
2571:
2568:
2563:
2557:
2553:
2546:
2543:
2530:
2526:
2519:
2516:
2511:
2505:
2502:. p. 7.
2501:
2497:
2490:
2487:
2483:
2479:
2474:
2471:
2467:
2463:
2458:
2455:
2449:
2446:
2440:
2437:
2431:
2428:
2422:
2419:
2415:
2410:
2407:
2402:
2395:
2392:
2387:
2380:
2377:
2372:
2366:
2362:
2355:
2352:
2347:
2343:
2337:
2334:
2329:
2325:
2321:
2317:
2313:
2309:
2302:
2299:
2294:
2288:
2284:
2283:
2275:
2272:
2267:
2263:
2256:
2253:
2241:
2235:
2231:
2230:
2222:
2219:
2214:
2210:
2206:
2202:
2195:
2192:
2186:
2183:
2177:
2174:
2169:
2167:9780306805707
2163:
2159:
2158:
2150:
2147:
2140:
2138:
2136:
2132:
2128:
2124:
2116:
2108:
2099:
2093:
2082:
2081:
2068:
2002:
1999:
1992:
1987:
1986:Wassily Chair
1984:
1982:
1979:
1977:
1974:
1972:
1969:
1967:
1964:
1962:
1961:
1956:
1953:
1951:
1948:
1947:
1942:
1940:
1939:
1937:
1931:
1929:
1925:
1921:
1918:In 2013, the
1916:
1914:
1910:
1906:
1898:
1896:
1894:
1890:
1886:
1882:
1878:
1874:
1870:
1865:
1861:
1857:
1849:
1847:
1844:
1841:
1834:
1830:
1826:
1822:
1820:
1816:
1811:
1807:
1805:
1804:
1799:
1794:
1789:
1787:
1783:
1782:Jurisprudence
1776:Personal life
1775:
1771:
1767:
1763:
1759:
1757:
1753:
1749:
1745:
1741:
1737:
1732:
1730:
1726:
1717:
1715:
1713:
1708:
1704:
1700:
1697:
1694:
1689:
1687:
1683:
1679:
1675:
1666:
1661:
1654:
1652:
1650:
1646:
1642:
1637:
1634:
1633:
1628:
1623:
1621:
1615:
1612:
1608:
1604:
1600:
1598:
1589:
1585:
1578:
1576:
1574:
1570:
1566:
1563:
1559:
1554:
1552:
1548:
1544:
1540:
1536:
1532:
1528:
1524:
1520:
1516:
1512:
1507:
1505:
1501:
1497:
1493:
1489:
1484:
1482:
1481:Composition I
1478:
1474:
1466:
1462:
1458:
1451:
1448:
1434:
1430:
1424:
1419:
1415:
1411:
1405:
1400:
1396:
1392:
1391:Composition X
1386:
1381:
1377:
1373:
1367:
1362:
1358:
1354:
1348:
1343:
1341:
1338:
1334:
1330:
1329:Composition X
1326:
1320:
1317:
1309:
1303:
1299:
1293:
1288:
1284:
1278:
1273:
1269:
1265:
1259:
1254:
1250:
1246:
1240:
1235:
1231:
1227:
1226:
1219:
1214:
1210:
1206:
1200:
1195:
1193:
1191:
1187:
1183:
1182:Galka Scheyer
1179:
1175:
1171:
1167:
1166:The Blue Four
1163:
1158:
1156:
1149:
1144:
1140:
1138:
1134:
1130:
1126:
1122:
1117:
1115:
1107:
1103:
1099:
1092:
1090:
1088:
1084:
1080:
1075:
1062:
1054:
1050:
1043:
1037:
1031:
1026:
1022:
1021:
1020:Composition 6
1014:
1009:
1005:
999:
994:
990:
989:
982:
977:
973:
969:
963:
958:
954:
948:
943:
939:
933:
928:
924:
918:
913:
909:
905:
899:
894:
890:
887:, 1910–1913,
886:
879:
874:
872:
870:
866:
862:
858:
853:
851:
847:
843:
839:
835:
834:
829:
825:
823:
818:
814:
810:
806:
802:
797:
794:
787:
783:
779:
775:
771:
769:
765:
761:
757:
753:
749:
745:
744:
739:
735:
731:
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720:
716:
711:
706:
698:
692:
688:
682:
677:
673:
669:
663:
658:
654:
650:
649:Blue Mountain
644:
639:
635:
631:
625:
620:
616:
612:
606:
601:
597:
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587:
582:
578:
574:
568:
563:
561:
558:
554:
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546:
542:
538:
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536:Thought-Forms
532:
528:
524:
519:
517:
513:
512:
503:
502:
497:
493:
491:
487:
483:
479:
474:
466:
462:
456:Metamorphosis
455:
453:
451:
450:
449:Thought-Forms
445:
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437:
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429:
428:
423:
411:
406:
404:
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398:
394:
390:
385:
383:
379:
371:
369:
368:(1902–1968).
367:
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333:
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257:
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186:
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176:
172:
171:Expressionism
169:
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145:
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137:
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64:
59:
52:
49:
45:
41:
38: and the
37:
33:
29:
22:
7530:
7523:
7270:Ecomodernism
7178:
7166:
7154:
7142:
7130:
7118:
7108:The Firebird
7106:
7094:
7082:
7070:
7058:
7046:
6472:
6462:Citizen Kane
6460:
6451:Fallingwater
6441:Villa Savoye
6428:
6416:
6404:
6392:
6380:
6370:Black Square
6368:
6356:
6344:
6332:
6320:
6308:
6296:
6188:Le Corbusier
6116:Architecture
5412:
5129:
5117:
5105:
5095:Mrs Dalloway
5093:
5081:
5069:
5057:
5045:
5033:
4918:Lowell (Amy)
4250:August Macke
4245:Alfred Kubin
4205:Albert Bloch
4183:
4073:
4054:
4046:
4038:
4030:
4022:
4014:
4006:
3998:
3990:
3982:
3974:
3951:
3876:
3850:. Retrieved
3846:
3791:. Retrieved
3764:
3752:Video remake
3731:
3711:
3698:
3684:
3670:
3656:
3635:
3631:6 July 2006.
3626:
3612:
3605:
3590:
3576:
3573:Michel Henry
3566:
3552:
3545:
3531:
3517:
3503:
3489:
3475:
3454:
3440:
3411:
3397:
3376:. Retrieved
3372:
3362:
3345:
3333:. Retrieved
3329:
3319:
3307:. Retrieved
3303:DutchNews.nl
3302:
3293:
3284:
3277:. Retrieved
3273:
3264:
3252:. Retrieved
3248:
3239:
3227:. Retrieved
3223:
3214:
3202:. Retrieved
3198:
3189:
3177:. Retrieved
3173:the original
3163:
3151:. Retrieved
3146:
3137:
3125:. Retrieved
3121:the original
3114:
3089:. Retrieved
3082:
3073:
3063:
3055:
3036:
3033:
3027:
3015:. Retrieved
3010:
2985:
2976:
2968:
2963:
2955:
2950:
2938:. Retrieved
2934:
2925:
2906:
2900:
2883:
2879:
2869:
2857:. Retrieved
2853:
2844:
2832:. Retrieved
2828:
2819:
2807:. Retrieved
2802:
2793:
2781:. Retrieved
2777:
2767:
2758:
2751:. Retrieved
2740:
2731:
2712:
2706:
2698:
2693:
2678:
2673:
2664:
2655:
2640:
2631:
2622:
2612:17 September
2610:. Retrieved
2606:
2597:
2589:
2584:
2570:
2551:
2545:
2533:. Retrieved
2528:
2518:
2495:
2489:
2473:
2457:
2448:
2439:
2430:
2421:
2409:
2400:
2394:
2385:
2379:
2360:
2354:
2346:The Guardian
2345:
2336:
2311:
2307:
2301:
2281:
2274:
2265:
2255:
2243:. Retrieved
2228:
2221:
2213:the original
2204:
2194:
2185:
2176:
2156:
2149:
2130:
2126:
2122:
2120:
2001:
1958:
1934:
1932:
1926:held by the
1923:
1917:
1912:
1905:El Lissitzky
1902:
1884:
1880:
1872:
1859:
1853:
1845:
1842:
1839:
1827:
1823:
1812:
1808:
1801:
1797:
1790:
1779:
1765:
1755:
1752:compositions
1751:
1747:
1743:
1739:
1735:
1733:
1725:Michel Henry
1721:
1709:
1705:
1701:
1698:
1690:
1678:Blaue Reiter
1670:
1665:Hugo Erfurth
1648:
1644:
1638:
1630:
1624:
1619:
1616:
1595:
1593:
1587:
1572:
1568:
1567:
1561:
1557:
1555:
1539:resurrection
1522:
1515:Compositions
1514:
1508:
1492:Compositions
1491:
1487:
1485:
1480:
1473:Compositions
1472:
1470:
1460:
1428:
1409:
1397:, Düsseldorf
1390:
1371:
1352:
1328:
1324:
1321:
1313:
1297:
1282:
1263:
1244:
1223:
1211:, Copenhagen
1204:
1165:
1161:
1159:
1154:
1152:
1128:
1124:
1118:
1111:
1101:
1070:
1059:
1052:
1035:
1019:
1003:
986:
967:
952:
937:
922:
903:
884:
860:
854:
850:The Art News
849:
838:Frank Rutter
831:
828:Alfred Orage
820:
812:
808:
800:
798:
792:
790:
777:
763:
756:Albert Bloch
748:August Macke
741:
737:
727:
723:
714:
686:
667:
648:
629:
614:
610:
591:
572:
556:
552:
541:Annie Besant
534:
520:
515:
509:
507:
499:
481:
477:
470:
464:
447:
443:
439:
425:
419:
408:
400:
386:
378:inner beauty
375:
363:
359:
354:
347:ethnographic
344:
337:
301:
264:
263:
175:abstract art
158:
152:
148:Notable work
107:(1944-12-13)
48:
43:
36:Wassilyevich
35:
7572:1944 deaths
7567:1866 births
7525:Romanticism
7482:Remodernism
7363:Incoherents
7222:Avant-garde
7213:Armory Show
6820:Maeterlinck
6723:Villa-Lobos
6709:Szymanowski
6688:Stockhausen
6625:Lutosławski
6350:(1909–1910)
5150:Visual arts
5123:(1928–1940)
5039:(1913–1927)
4562:Apollinaire
4526:Synchromism
4366:Art Nouveau
4019:(1911–1913)
3875:Kandinsky,
3773:Marc Canham
3634:Peg Weiss.
3373:Artnet News
3330:ARTnews.com
3127:12 February
3091:12 February
2535:30 November
2232:. Taschen.
2209:Kuusankoski
2207:. Finland:
2127:The Bauhaus
2076:-il-ee kan-
1756:composition
1744:impressions
1674:Art Nouveau
1607:synesthesia
1562:avant garde
1551:World War I
1359:, Rotterdam
1337:hieroglyphs
1225:On White II
1137:suprematism
908:Lenbachhaus
833:The New Age
786:Armory Show
768:World War I
730:Western art
691:Lenbachhaus
674:, Wuppertal
651:, 1908–09,
634:Lenbachhaus
632:, 1906–07,
598:, Rotterdam
577:Lenbachhaus
486:pointillism
442:(1910) and
361:the soul".
277:western art
273:abstraction
244:(1902–1916)
154:On White II
121:Nationality
72: 1925
40:family name
7556:Categories
7412:Maximalism
7347:Literature
7022:Wiesenthal
6924:Cunningham
6917:Balanchine
6897:Witkiewicz
6869:Strindberg
6855:Pirandello
6827:Mayakovsky
6702:Stravinsky
6674:Schoenberg
6493:Performing
6418:Metropolis
6209:Mendelsohn
6014:Rossellini
6007:Richardson
5818:Fassbinder
5804:Eisenstein
5741:Cassavetes
5497:Modigliani
5371:Goncharova
5357:Giacometti
4751:Dos Passos
4553:Literature
4512:Surrealism
4423:Die Brücke
4279:Die Brücke
4189:Franz Marc
3909:Glyphs.com
3852:25 October
3378:28 January
3335:28 January
3224:Looted Art
3179:28 January
3153:28 January
2940:27 October
2859:27 October
2834:27 October
2809:27 October
2783:27 October
2687:0847808106
2266:Britannica
2117:References
1877:Christie's
1856:Christie's
1850:Art market
1798:Blue Rider
1712:biomorphic
1682:Surrealism
1627:Mussorgsky
1531:Noah's Ark
1519:apocalypse
1504:Franz Marc
1416:, New York
1316:Biomorphic
752:Franz Marc
703:See also:
655:, New York
334:Early life
304:Anton Ažbe
32:patronymic
7461:Pulp noir
7419:Modernity
7284:Film noir
7008:St. Denis
6931:Diaghilev
6667:Schaeffer
6590:Hindemith
6569:Dutilleux
6541:Boulanger
6346:The Dance
6042:Tarkovsky
6035:Sternberg
5867:Hitchcock
5783:Dovzhenko
5699:Antonioni
5644:Stieglitz
5483:Metzinger
5434:Kokoschka
5413:Kandinsky
4827:Aldington
4820:Akhmatova
4737:Marinetti
4730:Mansfield
4681:Hemingway
4519:Symbolism
4338:Movements
4331:Modernism
4277:See also
4240:Paul Klee
3968:Paintings
3793:21 August
3699:Kandinsky
3685:Kandinsky
3309:30 August
2880:Criticism
2753:10 August
2679:Kandinsky
2552:Kandinsky
2496:Kandinsky
2401:Ruckblick
2320:0011-1589
2308:Criticism
2141:Citations
2092:romanized
2007:English:
1871:sold his
1869:Sotheby's
1854:In 2012,
1500:Paul Klee
1333:filaments
1302:Albertina
1283:Soft Hard
1170:Paul Klee
883:Untitled
809:Art News.
523:Blue Rose
436:theosophy
427:Lohengrin
402:Haystacks
295:) at the
293:Roman Law
249:Signature
129:Education
44:Kandinsky
7543:Category
7144:Fountain
7048:Don Juan
6987:Nijinsky
6883:Wedekind
6862:Piscator
6757:Anderson
6681:Scriabin
6597:Honegger
6258:Sullivan
6244:Saarinen
6237:Rietveld
6230:Niemeyer
6202:Melnikov
6132:Bunshaft
6063:Truffaut
6028:Sjöström
5972:Pudovkin
5944:Minnelli
5909:Kurosawa
5902:Kuleshov
5832:Flaherty
5658:Vuillard
5637:Steichen
5595:Rousseau
5560:Pissarro
5539:O'Keeffe
5504:Mondrian
5455:Malevich
5448:Magritte
5420:Kirchner
5364:van Gogh
5315:Doesburg
5294:Delaunay
5287:Delaunay
5210:Brâncuși
5196:Boccioni
5159:Painting
5009:Williams
4932:Mallarmé
4848:Cendrars
4758:Platonov
4716:Lawrence
4709:Koestler
4646:Flaubert
4639:Faulkner
4604:Bulgakov
4533:Tonalism
4494:De Stijl
4478:Lettrism
4464:Futurism
4355:Art Deco
3831:LibriVox
3279:24 March
3254:24 March
3229:24 March
3204:24 March
2892:23091068
2747:Archived
2328:23091068
1943:See also
1649:uberflut
1431:, 1943,
1412:, 1941,
1393:, 1939,
1374:, 1936,
1355:, 1935,
1304:, Vienna
1300:, 1929,
1266:, 1926,
1247:, 1923,
1228:, 1923,
1207:, 1922,
1104:, 1925,
1064:—
970:, 1912,
910:, Munich
906:, 1910,
693:, Munich
689:, 1909,
670:, 1908,
636:, Munich
594:, 1904,
575:, 1901,
573:Akhtyrka
529:town of
527:Bavarian
413:—
167:Movement
142:Painting
115:, France
93:Moscow,
7198:Related
7060:Ubu Roi
7015:Tamiris
7001:Sokolow
6980:Massine
6848:Osborne
6841:O'Neill
6834:O'Casey
6792:Chekhov
6778:Beckett
6764:Anouilh
6748:Theatre
6695:Strauss
6653:Russolo
6632:Milhaud
6611:Janáček
6583:Górecki
6576:Feldman
6562:Debussy
6555:Copland
6513:Antheil
6251:Steiner
6174:Johnson
6153:Guimard
6146:Gropius
5993:Resnais
5895:Kubrick
5825:Fellini
5811:Epstein
5797:Edwards
5762:Cocteau
5748:Chaplin
5720:Bresson
5713:Bergman
5692:Aldrich
5685:Akerman
5630:Soutine
5602:Schiele
5553:Picasso
5546:Picabia
5476:Matisse
5350:Gauguin
5322:Duchamp
5280:Kooning
5259:Claudel
5252:Chirico
5245:Chagall
5238:Cézanne
5231:Cassatt
5203:Bonnard
5189:Bellows
5182:Balthus
5059:Ulysses
4981:Stevens
4974:Seferis
4793:Unamuno
4632:Forster
4611:Chekhov
4576:Beckett
4505:Orphism
4471:Imagism
4455:Bauhaus
4441:Fauvism
4346:Acmeism
4198:Artists
4177:Leaders
4086:Related
4067:Theater
3896:at the
3820:at the
3084:ARTnews
2713:Bauhaus
2701:, 1991.
2500:Taschen
2484:, Paris
2468:, Paris
1784:at the
1703:forms.
1599:Almanac
1594:As the
1553:world.
1545:in the
1517:is the
1435:, Paris
1378:, Paris
1232:, Paris
1121:Bauhaus
1108:, Paris
1079:Bauhaus
1053:In Grey
974:, Paris
938:Lyrical
904:The Cow
891:, Paris
617:), 1906
615:Chanson
490:Fauvism
351:Vologda
320:Bauhaus
238:Partner
229:
221:
217:
208:
196:
192:
181:Spouses
7184:(1953)
7172:(1928)
7160:(1921)
7148:(1917)
7136:(1913)
7124:(1912)
7112:(1910)
7100:(1905)
7096:Salome
7088:(1902)
7076:(1899)
7064:(1896)
7052:(1888)
7029:Wigman
6959:Graham
6952:Fuller
6945:Fokine
6938:Duncan
6890:Wilder
6876:Toller
6813:Kaiser
6785:Brecht
6771:Artaud
6730:Webern
6716:Varèse
6646:Partch
6618:Ligeti
6548:Boulez
6520:Bartók
6478:(1943)
6466:(1941)
6454:(1936)
6444:(1931)
6434:(1929)
6422:(1927)
6410:(1925)
6398:(1923)
6386:(1920)
6374:(1915)
6362:(1912)
6338:(1907)
6326:(1889)
6314:(1887)
6302:(1886)
6279:Wright
6265:Tatlin
6223:Neutra
6125:Breuer
6091:Welles
6077:Vertov
6000:Renoir
5951:Murnau
5937:Marker
5930:Lupino
5888:Keaton
5874:Hubley
5860:Godard
5846:Fuller
5790:Dreyer
5769:Dassin
5727:Buñuel
5623:Sisley
5616:Signac
5609:Seurat
5581:Renoir
5399:Hopper
5301:Demuth
5224:Calder
5217:Braque
5168:Albers
5135:(1929)
5111:(1926)
5099:(1925)
5087:(1924)
5075:(1922)
5063:(1922)
5051:(1915)
5002:Valéry
4988:Thomas
4953:Pessoa
4897:George
4890:Elytis
4883:Éluard
4869:Desnos
4841:Cavafy
4811:Poetry
4772:Proust
4765:Porter
4667:Hamsun
4625:Döblin
4618:Conrad
4590:Breton
4569:Barnes
4389:Cubism
4078:(1912)
4059:(1939)
4051:(1929)
4048:Upward
4043:(1925)
4035:(1923)
4027:(1922)
4011:(1913)
4003:(1913)
3995:(1913)
3987:(1907)
3979:(1903)
3879:, 1912
3738:
3725:
3718:
3705:
3691:
3677:
3663:
3642:
3619:
3597:
3583:
3559:
3538:
3524:
3510:
3496:
3482:
3461:
3447:
3434:Klänge
3426:
3418:
3404:
3043:
3017:3 June
2913:
2890:
2719:
2685:
2558:
2506:
2367:
2326:
2318:
2289:
2245:4 June
2236:
2164:
1955:Goethe
1815:Murnau
1766:Points
1667:, 1925
1590:(1913)
1541:, the
1285:, 1927
1190:Berlin
1186:Dessau
1148:Dessau
1083:Weimar
1038:, 1914
1023:, 1913
1006:, 1913
991:, 1913
955:, 1912
940:, 1911
925:, 1910
758:, and
531:Murnau
504:(1903)
467:(1908)
281:Odessa
30:, the
7354:Post-
7340:Music
7039:Works
6994:Shawn
6973:Laban
6908:Dance
6806:Jarry
6799:Ibsen
6737:Weill
6660:Satie
6534:Berio
6504:Music
6289:Works
6216:Nervi
6160:Horta
6139:Gaudí
6098:Wiene
6070:Varda
6056:Trnka
5965:Pabst
5923:Losey
5881:Jones
5853:Gance
5776:Deren
5755:Clair
5734:Carné
5706:Avery
5588:Rodin
5574:Redon
5532:Nolde
5525:Munch
5518:Moore
5511:Monet
5462:Manet
5441:Léger
5406:Kahlo
5385:Grosz
5343:Ernst
5336:Ensor
5273:Degas
5026:Works
5016:Yeats
4995:Tzara
4967:Rilke
4960:Pound
4939:Moore
4911:Lorca
4904:Jacob
4876:Eliot
4855:Crane
4834:Auden
4800:Woolf
4786:Svevo
4779:Stein
4744:Musil
4702:Kafka
4695:Joyce
4688:Hesse
4674:Hašek
4597:Broch
4432:Music
3354:(PDF)
2888:JSTOR
2778:Artsy
2760:days.
2324:JSTOR
2080:-skee
1993:Notes
1873:Fugue
1819:Nazis
1672:i.e.
1535:Jonah
865:Leeds
822:Blast
397:Monet
324:Nazis
223:(
219:
198:(
194:
6966:Holm
6639:Nono
6604:Ives
6527:Berg
6495:arts
6272:Mies
6195:Loos
6181:Kahn
6105:Wood
6084:Vigo
6049:Tati
6021:Sirk
5916:Lang
5839:Ford
5676:Film
5665:Wood
5490:Miró
5469:Marc
5427:Klee
5392:Höch
5378:Gris
5329:Dufy
5266:Dalí
4946:Owen
4862:H.D.
4723:Mann
4660:Gide
4653:Ford
4583:Bely
4396:Dada
3854:2013
3795:2023
3771:and
3736:ISBN
3723:ISBN
3716:ISBN
3703:ISBN
3689:ISBN
3675:ISBN
3661:ISBN
3640:ISBN
3617:ISBN
3595:ISBN
3581:ISBN
3557:ISBN
3536:ISBN
3522:ISBN
3508:ISBN
3494:ISBN
3480:ISBN
3459:ISBN
3445:ISBN
3424:ISBN
3416:ISBN
3402:ISBN
3380:2022
3337:2022
3311:2021
3281:2021
3256:2021
3231:2021
3206:2021
3181:2022
3155:2022
3129:2017
3093:2017
3041:ISBN
3019:2022
2942:2021
2911:ISBN
2861:2021
2836:2021
2811:2021
2785:2021
2755:2021
2742:Tate
2717:ISBN
2683:ISBN
2632:Tate
2614:2016
2556:ISBN
2537:2018
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