20:
89:
For a usual fee of ten cents, people could view realistic images of nature, history, and science themes. The two lenses are used to dissolve between images when projected. This "visual storytelling" with technology directly preceded the development of the first moving pictures.
62:
since the late 1830s, lanternists needed to be able to project two aligned pictures in the same spot on a screen, gradually dimming a first picture while revealing a second one. This could be done with two lanterns, but soon biunial lanterns (with two
46:
Magic lanterns originally used rather weak light sources, like candles or oil lamps, that produced projections that were just large and strong enough to entertain small groups of people. During the 19th century stronger light sources, like
39:", which has two lenses, usually one above the other, and has mainly been used to project photographic images. These devices date back to the mid 19th century, and were a popular form of entertainment and education before the advent of
78:
Exhibition in London in 1851. For circa two centuries magic lanterns had been used to project painted images from glass slides, but the
Langenheim brothers seem to have been the firsts to incorporate the relatively new medium of
86:
By 1860 Massachusetts chemist and businessman John Fallon improved a large biunial lantern, imported from
England, and named it 'stereopticon'.
264:
231:
135:
256:
303:
293:
283:
127:
83:(introduced in 1839). To enjoy the details of photographic slides optimally, the stronger lanterns were needed.
298:
98:
288:
190:
71:
163:
75:
59:
64:
260:
227:
131:
55:
176:
32:
120:
40:
277:
223:
216:
36:
19:
94:
80:
48:
74:
from
Philadelphia introduced a photographic glass slide technology at the
155:
18:
93:
The term stereopticon has been widely misused to name a
218:
Before
Hollywood: From Shadow Play to the Silver Screen
122:
From Peep Show to Palace: The Birth of
American Film
215:
119:
97:. The stereopticon has not commonly been used for
251:Lev, Peter; Charles Musser; et al. (2003).
8:
67:placed one above the other) became common.
58:" lantern shows that were popularized by
16:19th-century photographic image projector
191:"Lantern Slides | Magic Lantern Society"
149:
147:
110:
172:
161:
7:
253:Transforming the Screen, 1950–1959
14:
257:University of California Press
23:Illustration of a stereopticon
1:
158:– via www.academia.edu.
195:www.magiclanternsociety.org
320:
128:Columbia University Press
118:Robinson, David (1996).
35:or relatively powerful "
171:Cite journal requires
51:, became available.
24:
22:
72:Frederick Langenheim
60:Henry Langdon Childe
304:American inventions
214:Clee, Paul (2005).
294:Display technology
284:1850 introductions
25:
99:three-dimensional
311:
270:
238:
237:
221:
211:
205:
204:
202:
201:
187:
181:
180:
174:
169:
167:
159:
154:Treen, Kristen.
151:
142:
141:
125:
115:
56:dissolving views
319:
318:
314:
313:
312:
310:
309:
308:
274:
273:
267:
250:
247:
245:Further reading
242:
241:
234:
213:
212:
208:
199:
197:
189:
188:
184:
170:
160:
153:
152:
145:
138:
117:
116:
112:
107:
41:moving pictures
33:slide projector
17:
12:
11:
5:
317:
315:
307:
306:
301:
299:Magic lanterns
296:
291:
286:
276:
275:
272:
271:
265:
246:
243:
240:
239:
232:
206:
182:
173:|journal=
156:"Stereopticon"
143:
136:
109:
108:
106:
103:
76:Crystal Palace
15:
13:
10:
9:
6:
4:
3:
2:
316:
305:
302:
300:
297:
295:
292:
290:
289:Entertainment
287:
285:
282:
281:
279:
268:
266:0-520-08533-7
262:
258:
254:
249:
248:
244:
235:
233:0-618-44533-1
229:
225:
224:Clarion Books
220:
219:
210:
207:
196:
192:
186:
183:
178:
165:
157:
150:
148:
144:
139:
137:0-231-10339-5
133:
129:
124:
123:
114:
111:
104:
102:
100:
96:
91:
87:
84:
82:
77:
73:
68:
66:
61:
57:
52:
50:
44:
42:
38:
37:magic lantern
34:
30:
21:
252:
217:
209:
198:. Retrieved
194:
185:
164:cite journal
121:
113:
92:
88:
85:
70:William and
69:
53:
45:
29:stereopticon
28:
26:
95:stereoscope
81:photography
278:Categories
200:2018-03-20
105:References
65:objectives
101:images.
54:For the "
49:limelight
263:
230:
134:
31:is a
261:ISBN
228:ISBN
177:help
132:ISBN
280::
259:.
255:.
226:.
222:.
193:.
168::
166:}}
162:{{
146:^
130:.
126:.
43:.
27:A
269:.
236:.
203:.
179:)
175:(
140:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.