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function. Contrasting textures and colour were also in fashion. Examples of changing tastes in design were the use of diamonds being set against onyx or trans lucid vitrines and amethysts juxtaposed against opaque coral and jade." Even though geometric shapes and cleaner shaped jewelry were now a trend, one of the key pieces was the long rope pearl necklace. The long rope pearl necklace was a signature faux piece that was sold everywhere at the time. It was inexpensive and basic in a woman's wardrobe. "Although buffeted by cycles of boom, depression and war, jewelry design between the 1920s and 1950s continued to be both innovative and glamorous. Sharp, geometric patterns celebrated the machine age, while exotic creations inspired by the Near and Far East hinted that jewelry fashions were truly international."
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109:, the United States entered a prosperous era and, as a result of its role in the war, came out of isolation onto the world stage. Social customs and morals were relaxed in the optimism brought on by the end of the war and the booming of the stock market. Women were entering the workforce in record numbers. In the United States in 1920, there was the enactment of the 18th Amendment, or as many know it, Prohibition. Prohibition stated that it would be illegal to sell and consume alcohol. This lasted until 1933, so it was a constant for the whole 1920s era. This "noble experiment" was intended to reduce crime and corruption, solve social problems, reduce the tax burden created by prisons and poorhouses, and improve health and hygiene. The nationwide
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sleeves, and were adorned with sashes, bows, or artificial flowers at the waist. For evening wear the term "cocktail dress" was invented in France for
American clientele. With the "New Woman" also came the "Drinking Woman". The cocktail dress was styled with a matching hat, gloves, and shoes. What was so unique about the cocktail dress was that it could be worn not just at cocktail hours (6 and 8pm), but by manipulating and styling the accessories correctly could be worn appropriately for any event from 3 pm to the late evening. Evening dresses were typically slightly longer than tea gowns, in satin or velvet, and embellished with beads, rhinestones, or fringe.
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walking shoes, dancing shoes, sporting shoes, to swimming shoes. The shoe industry became an important industry that transformed the way we buy shoes today. Shoes were made in standard sizes perfect to order from fashion catalogs to the near boutique. In the beginning of the 1920s, Mary Janes were still popular from previous era, although they paved the way for the invention of many other shoes. The T-strap heel was a variation of the Mary Jane, having the same base with the addition of a strap going around the heel and down to the top of the shoe that looked like a T. Also, "The
117:. Another important amendment in the United States was the 19th Amendment, which gave women the right to vote. There was a revolution in almost every sphere of human activity. Fashion was no exception; women entered the workforce and earned the right to vote, and they felt liberated. Fashion trends became more accessible, masculine, and practical, creating the emergence of "The New Woman". Flappers was a popular name given to women of this time because of what they wore. The constrictive corset, an essential undergarment to make the waist thinner, became a thing of the past.
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235:, or cut, their hair short to fit under the popular hats, a radical move in the beginning, but standard by the end of the decade. Particularly in France, the epicenter of art and fashion, the bobbed hairstyle came to be associated with controversy with constant stories and rumors of family members rejecting the women of their family because of their decision to get a bobbed cut. In the west, women won the right to vote in the late nineteenth to the early twentieth centuries; that may have played a role in the social reboot that was to come in the 1920s.
933:, the old long jackets being used merely for formal occasions. In the early 1920s, men's fashion was characterized by extremely high-waisted jackets, often worn with belts. Lapels on suit jackets were not very wide as they tended to be buttoned up high. This style of jacket seems to have been greatly influenced by the uniforms worn by the military during the First World War. Trousers were relatively narrow and straight and they were worn rather short so that a man's socks often showed. Trousers also began to be worn cuffed at the bottom at this time.
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To emphasize the eyes, Kohl eyeliner became popular, and was the first time they knew anything of eyeliner (information about
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thin camisoles, and cami-knickers, later shortened to panties or knickers. These were primarily made from rayon and came in soft, light colors in order to be worn under semi-transparent fabrics. Young flappers took to these styles of underwear due to the ability to move more freely and the increased comfort when dancing to the high tempo jazz music. During the mid-1920s, all-in-one lingerie became popular.
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365:, and many editorials in Vogue throughout the decade." The bob hairstyle matched perfectly with the loose and straight silhouette of the times. During this era Vogue gave credit to this new cut for the immense success of the hat business. New haircuts meant new styled hats, therefore there was a new craze for hats. The cloche hat and the bob were basically made for each other.
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393:", a term popularized by F. Scott Fitzgerald, was a phrase used to represent the mass popularity of jazz music during the 1920s. Both jazz music and dance marked the transition from the archaic societal values of the Victorian era to the arrival of a new youthful modernistic society. Jazz gained much of its popularity due to its perceived exoticism, from its
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combined the idea of classic design from the Greeks and Romans with the modern imperative for freedom of movement. Schiaparelli wrote that the ancient Greeks "gave to their goddesses... the serenity of perfection and the fabulous appearance of freedom." Her own interpretation produced evening dresses
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Undergarments began to transform after World War I to conform to the ideals of a flatter chest and more boyish figure. The female figure was liberated from the restrictive corset, and the newly popular boyish look was achieved through the use of bust bodices. Some of the new pieces included chemises,
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Shoes were finally visible during the 1920s. Before, long garments covered up shoes, so they weren't an important part of women's fashion. Now, shoes were seen by everyone and played an important part during the 1920s. Women had all kinds of shoes for all kinds of events. Everything from house shoes,
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Glamour was now an important fashion trend due to the influence of the motion picture industry and the famous female movie stars. Style, at many social levels, was heavily influenced by the newly created, larger-than-life movie stars. For the first time in history, fashion influences and trends were
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became a major industry. Women did not feel ashamed for caring about their appearance and it was a declaration of self-worth and vanity, hence why they no longer wanted to achieve a natural look. For evenings and events, the popular look was a smoky eye with long lashes, rosy cheeks and a bold lip.
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in particular created a need for a revival in women's evening wear due to the dynamic and lively manner of these jazz dances. Dress and skirt hems became shorter in order to allow the body to move more easily. In addition, decorative embellishments on dresses such as fringe threads swung and jingled
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were favored by high-end designers, while department stores carried less expensive variations on those designs made of newly available synthetic fabrics. The use of mannequins became widespread during the 1920s and served as a way to show shoppers how to combine and accessorize the new fashions. The
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Vastly improved production methods enabled manufacturers to easily produce clothing affordable by working families. The average person's fashion sense became more sophisticated. Meanwhile, working-class women looked for modern forms of dress as they transitioned from rural to urban careers. Taking
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Fashion in the 1920s was largely impacted by women. They challenged the standard of femininity through clothing, as many of their typical dress items were impractical to move around in. For many, fashion had become a symbol of women's social liberation or the modernization of womanhood. However, it
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movement of 1890-1910 inspired most of the natural forms and geometric shapes of the jewelry during the 1920s. "Aesthetic clean lines were inspired by designs found in industrial machines. A key influence of this modernism was the influential
Bauhaus movement, with its philosophy of form following
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Proper attire for women was enforced for morning, afternoon, and evening activities. In the early part of the decade, wealthy women were still expected to change from a morning to an afternoon dress. These afternoon or "tea gowns" were less form-fitting than evening dresses, featured long, flowing
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worn by forward-looking and younger women became the greatest change in post-war fashion. The tubular dresses of the 'teens had evolved into a similar silhouette that now sported shorter skirts with pleats, gathers, or slits to allow motion. The most memorable fashion trend of the
Roaring Twenties
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underwent a modernization. Women's fashion continued to evolve from the restrictions of gender roles and traditional styles of the
Victorian era. Women wore looser clothing which revealed more of the arms and legs, that had begun at least a decade prior with the rising of hemlines to the ankle and
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Fashion for children started to become more stylish and comfortable in the 1920s. Clothes were made out of cotton and wool rather than silk, lace, and velvet. Clothes were also made more sturdy in order to withstand play. During previous decades, many layers were worn; however, during the 1920s,
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women in the 1920s, tailored suits with a straight, curve less cut were popular. Throughout the decade, the lengths of skirts were rise to the knee and then to the ankle various times affecting the skirt style of tailored suits. Rayon, an artificial silk fabric, was most common for working-class
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Men's fashion also became less regimented and formal. Men favored short jackets with two or three buttons rather than jackets with long tailcoats as well as pinstriped suits. Casual-wear for men often included knickers, short pants that came to the knee. The most formal men's suit consisted of a
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Paris set the fashion trends for Europe and North
America. The fashion for women was all about letting loose. Women wore dresses all day, every day. Day dresses had a drop waist, which was a belt around the low waist or hip and a skirt that hung anywhere from the ankle on up to the knee, never
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During the 1920s, the notion of keeping up with fashion trends and expressing oneself through material goods seized middle-class
Americans as never before. Purchasing new clothes, new appliances, new automobiles, new anything indicated one's level of prosperity. Being considered old-fashioned,
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completed the outfit. The tuxedo vest could be black or white, but, unlike the obligatory full-dress white tie, tuxedos ties were always black. Men usually completed their tuxedo outfit with all the same accessories as the full-dress suit, except that instead of top hats they would wear dark,
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The 1920s are characterized by two distinct periods of fashion: in the early part of the decade, change was slower, and there was more reluctance to wear the new, revealing popular styles. From 1925, the public more passionately embraced the styles now typically associated with the
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in sync with the movement of the body. Lastly, the use of glossy and ornate textiles mirrored light to the tempo of jazz music and dance. Jazz music and its perceived exotic nature had both a flamboyant influence on fashion while keeping both form and function in mind.
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In 1922, skirts went off from the ankle and reached mid-shin. And created a slightly A-lined shape by flaring out, or in a barrel-like shape by tapering around the hips. Blouses were worn often tucked in the skirt's waistbands and were pulled out a few inches.
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roots to its melodic and soulful rhythm. The music itself had quite an alluring effect on the new youthful society and was considered to be the pulse of the 1920s due to its spontaneity. With new music emerged new dancing. Jazz dances, such as the
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For working-class men in the 1920s, suits were popular. Depending on the job title and season of the year, the suit would change. These would have featured high lapels and were often made of thick wool material before the advent of central
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For the first time in centuries, women's legs were seen with hemlines rising to the knee and dresses becoming more fitted. A more masculine look became popular, including flattened breasts and hips, short hairstyles such as the bob cut,
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their cue from wealthier women, working women began wearing less expensive variations on the day suit, adopting a more modern look that seemed to suit their new, technologically focused careers as typists and telephone operators.
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came into fashion, while suit jackets returned to a normal waist and lapels became wider and were often worn peaked. Loose-fitting sleeves without a taper also began to be worn during this period. During the late 1920s,
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by Victor
Marguerite - the plot of a woman who lives a liberated lifestyle. Low-waisted dresses with fullness at the hemline allowed women to literally kick up their heels in new dances like the
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Clothing fashions changed with women's changing roles in society, particularly with the idea of new fashion. Although society matrons of a certain age continued to wear conservative dresses, the
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Waistbands wide and patch pockets large, and the skirts were fastened with hooks on the sides. The buttons that were on the outside were often for decorative purposes and were non-functional.
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For boys, knee-length trousers were worn all year long and would be accompanied by ankle socks and canvas shoes. Pullovers and cardigans were also worn when the weather became cooler.
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For girls, clothing became looser and shorter. Dresses and skirts were now knee length and loose fitting. Shoes were also made out of canvas, making them lighter and easier to wear.
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and short trousers (commonly known in
American English as knickers). For formal occasions in the daytime, a morning suit was usually worn. For evening wear men preferred the short
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The pioneer of this hairstyle is often disputed; the primary figures frequently mentioned are the French fashion designer Coco Chanel who shortened her hair some time in 1916,
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Knee-length, pleated skirts and dropped waists were still popular as everyday clothes in 1929, though Paris designers were already showing longer skirts and higher waistlines.
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which fastened with a strap and a single button became popular during the 1920s. It was worn with the new short skirts and was practical for their vigorous style of dancing."
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Between 1922 and 1923, the waistline boot dropped to the hips. The 1920s classic tubular fashion was born. Parisian fashion house
Madeleine-et-Madeleine design, January, 1922.
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coming from more than one source. Not unlike today, women and men of the 1920s looked to movie stars as their fashion icons. Women and men wanted to emulate the styles of
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were the abundant fabrics of the decade. Silk was highly desired for its luxurious qualities, but the limited supply made it expensive. In the late 19th century, "
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swallow-tailed coat trimmed with satin, and a pair of matching trousers, trimmed down the sides with wide braid or satin ribbon. A white bow tie, black silk
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above. Daywear had sleeves (long to mid-bicep) and a skirt that was straight, pleated, hank hem, or tiered. Hair was often bobbed, giving a boyish look.
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the movement from the S-bend corset to the columnar silhouette of the 1910s. Men also began to wear less formal daily attire and athletic clothing or '
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Headbands were known as bandeaus. They were worn in the evenings with the most formal dresses, until 1925. Style of these kind of accessories include
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Bridesmaids gowns of 1929 have knee-length underskirts and longer, sheer over skirts, foreshadowing the trend toward longer skirts. Minnesota, 1929.
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515:. Probably the most influential woman in fashion of the 20th century, Chanel did much to further the emancipation and freedom of women's fashion.
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that could be mixed and matched for work and modern, informal, un-chaperoned social activities like attending films or the theater and car rides.
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In the early 1920s, some women chose not to bob their hair, so they pinned it up to look shorter. Mlle Cayet, Queen of Parisian Carnival, 1922
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Although simple lines and minimal adornment reigned on the runways, the 1920s were not free of luxury. Expensive fabrics, including silk,
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is one key Italian designer of this decade who was heavily influenced by the "beyond the real" art and incorporated it into her designs.
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For women, face, figure, coiffure, posture, and grooming had become important fashion factors in addition to clothing. In particular,
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A painting showing the mid-decade silhouette at its simplest: languid pose, bobbed hair, knee-length dress with dropped waist, 1926.
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modern fashion cycle, established in the 1920s, still dominates the industry today. Designers favored separates in new fabrics like
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During 1920, the lengths of the skirt went to the ankle with a slight bow around the hips and tapering slightly to the hemline.
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of elegant simplicity. Departing from the chemise, her clothes returned to an awareness of the body beneath the evening dress.
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Both blouses and separate skirts went out of fashion by mid-decade, and were popular during the early years of the decade.
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The development of new fabrics and new means of fastening clothing affected fashions of the 1920s. Natural fabrics such as
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out-of-date, or—worse yet—unable to afford stylish new products was a fate many Americans went to great lengths to avoid.
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jacket, also became quite fashionable. During the 1920s, men had a variety of sport clothes available to them, including
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May 1928, abdomen and curves. After many years of a "stovepipe" silhouette, "natural" curves were beginning to reappear.
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Jewelry was less conspicuous. Jewelry was much less elaborate, and began using 'romantic', more natural shapes. The
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In the 20s, the jewelry was not determined by the cost of materials, instead, the focus was more on the design.
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Jazz and its influence on fashion reached even further, with both jazz and dance motifs making their way onto
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Steven Zdatny, "The Boyish Look and the Liberated Woman: The Politics and Aesthetics of Women's Hairstyles."
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Photographs from the 1920s taken by photographer, Henry Walker at the University of Houston Digital Library
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popularized jazz dance. In fact, jazz music and dance are responsible for the origin of the iconic term "
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2nd edition, A & C Black (Publishers) Ltd; Chicago: New Amsterdam Books, 2000. (Excerpts online at
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The straight-line chemise topped by the close-fitting cloche hat became the uniform of the day. Women "
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Mary Louise Roberts, "Samson and Delilah revisited: the politics of women's fashion in 1920s France".
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By 1925, skirts ended just below the knee. Tunic-tops and sweaters reaching to the hips were popular.
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In men's wear, there were two distinct periods in the 1920s. Throughout the decade, men wore short
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The Africana craze in the Jazz Age : a comparison of French and American fashion, 1920-1940 /
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Men's hats were usually worn depending on their class, with upper class citizens usually wearing
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had also become a place where slim body structures and restraints of gender roles were implied.
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Teenage girls in Minnesota wearing breeches and riding boots with men's neckties, 1924.
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One of the first women to wear trousers, cut her hair short, and reject the corset was
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Simon Bliss, "'L’intelligence de la parure': Notes on Jewelry Wearing in the 1920s."
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was popular for upper class and middle-class men. Working-class men wore a standard
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In the world of art, fashion was being influenced heavily by art movements such as
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meant that there were easier means of fastening clothing. Hooks and eyes, buttons,
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Patterns of Fashion 2: Englishwomen's Dresses and Their Construction C.1860–1940
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1562:"Samson and Delilah Revisited: The Politics of Women's Fashion in 1920s France"
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Russell, Douglas A. " Costume History and Style" Stanford University, 1983.
1974:"Women's Clothing - 1920s - Clothing - Dating - Landscape Change Program"
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to the tail coat, which was now seen as rather old-fashioned and snobby.
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Hannel, Susan L. (2005). "4 The Influence of American Jazz on Fashion".
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1789:"An Analysis of Shoe Within the Context of Social History of Fashion"
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who was a powerful female symbol of strength in France and the novel
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wearing a three-piece striped suit with a spread-collar shirt, 1924.
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American Pop: Popular Culture Decade by Decade, Volume 1: 1900–1929
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1601:"Passing fashions: reading female masculinities in the 1920s"
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1920s Fashion Plates of men, women, and children's fashion
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Woman hiding a hip flask tucked in her garter belt during
2012:"History of Women's Fashion - 1920 to 1929 | Glamourdaze"
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in a straight dress with a sheer beaded overdress, 1926.
2234:"1920s - 20th Century Fashion Drawing and Illustration"
1697:"1920s Headband, Headpiece & Hair Accessory Styles"
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Dress with a dropped waist and width at the hips, 1923.
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wearing a cloche hat and boldly patterned coat, 1926.
1925:. Chicago, IL: Lightner Publishing Corp. p. 39.
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Hoover: An Extraordinary Life in Extraordinary Times
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1524:. ABC-CLIO, 2011. Retrieved December 24, 2012.
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2036:"What Did Women & Men Wear in the 1920s?"
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2150:The Concise History of Costume and Fashion
1898:"Textile, Americana Print: Rhapsody, 1925"
936:By 1925, wider trousers commonly known as
1522:Pop Culture Universe: Icons, Idols, Ideas
1169:wearing a stiff collar and bow tie, 1927.
483:Learn how and when to remove this message
1902:Cooper Hewitt, Smithsonian Design Museum
1272:minimal layers became the new standard.
2134:Black, J. Anderson, and Madge Garland,
1752:"1920s Jewellery Style and Inspiration"
1620:
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1989:
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1338:Two-year-old Paulina with her mother,
417:Dances such as the Charleston and the
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1962:. Greenwood Press, 2009. pp. 292-302.
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1366:Aaron Younquist & children, 1929.
208:in 1926, wearing bobbed hair under a
7:
2328:Prehistory of nakedness and clothing
2238:Fashion, Jewellery & Accessories
1972:Vermont, Jens Hilke, University of.
1181:German aviators, one a prince, 1929.
712:, in the mid-1920s with bobbed hair.
465:adding citations to reliable sources
1826:. Atglen, PA: Schiffer Publishing.
314:with an evening wear headwrap 1925.
1849:Twentieth-Century American Fashion
1314:Children's fashion, Germany, 1925.
913:An Argentine aristocrat wearing a
148:were all used to fasten clothing.
14:
2173:, Oxford University Press, 1988,
2171:Paris Fashion: A Cultural History
1290:Roller-skater, Mississippi, 1921.
1099:and spats in wedding photo, 1929.
1002:. Middle-class men wore either a
113:was ignored by many resulting in
2383:
2304:History of clothing and textiles
1512:Fashion in the 1920s (Overview).
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303:Young women with headbands 1923.
2711:impact of the COVID-19 pandemic
2196:Children's fashion of the 1920s
2191:The Spirella Magazine; MAY 1928
2091:"1920 Children's Fashion Facts"
1626:"Ladies Fashions of the 1920s".
1302:Winter fashion for girls, 1923.
969:, white gloves, patent leather
452:needs additional citations for
2157:Fashion in Costume, 1200–2000,
1857:10.2752/9781847882837/tcaf0008
1670:"1920s Jewelry Styles History"
1566:The American Historical Review
1495:Fashion Trends of the Twenties
1010:. During the summer months, a
660:in French fashion, autumn 1923
645:in French fashion, autumn 1923
73:Tennis player, Australia, 1924
1:
2187:, Yale University Press, 2001
1822:Langley, Susan (2005-09-28).
1560:Roberts, Mary Louise (1993).
1187:Fashion influences and trends
1130:British playwright and actor
1628:Retrieved December 24, 2012.
1431:Strassel, Annemarie (2012).
1063:and soft-crowned hat with a
614:in formal wear, early 1920s.
598:Robe de style, Lanvin, 1922.
78:Western fashion in the 1920s
2627:1920s–1950s Western fashion
2557:1830s–1910s Western fashion
2494:1500s–1820s Western fashion
1824:Roaring '20s Fashions: Jazz
1466:. Knopf. pp. 349–351.
402:, replaced the slow waltz.
2824:
2242:Victoria and Albert Museum
1599:Doan, Laura (1998-09-22).
1535:American Historical Review
2381:
2309:History of fashion design
2298:
1880:Hannel, Susan L. (2002).
1437:Women's Studies Quarterly
1340:Alice Roosevelt Longworth
945:vests, often worn with a
822:wearing cloche hat, 1927.
524:At the end of the 1920s,
2634:Suffrage Movement period
2138:, New York, Morrow, 1975
1851:. Dress, Body, Culture.
1770:"A history of jewellery"
982:dome-shaped hats called
546:Summer sport suit, 1920.
38:on their honeymoon, 1920
2293:of clothing and fashion
2143:20,000 Years of Fashion
1957:"Fashion in the 1920s".
1921:Thornton, Zita (2011).
1462:Whyte, Kenneth (2017).
1266:
961:black or midnight-blue
763:Evening dress, ca 1926.
630:with bobbed hair, 1920s
586:Rolled stockings, 1922.
1923:Fashion for a Jazz Age
1394:Cosmetics in the 1920s
1114:as a teenager wearing
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111:prohibition on alcohol
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2722:By country and region
2145:, Harry Abrams, 1966.
1939:The Spirella Magazine
1721:"Vogue by the Decade"
1646:"1920s Skirt History"
1537:98.3 (1993): 657-684.
1041:Clarence Hudson White
977:, and a white flower
787:Autumn fashion, 1926.
718:Style gallery 1926–29
533:Style gallery 1920–25
385:The influence of jazz
363:Bernice Bobs Her Hair
310:
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224:was undoubtedly "the
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16:Clothing in the 1920s
2689:2000–present fashion
2136:A History of Fashion
1550:1.4 (1997): 367-397.
924:
461:improve this article
171:
2729:Indian subcontinent
2658:1960s-1990s fashion
2141:Boucher, François:
1774:Victoria and Albert
1081:Edward Beale McLean
1006:, bowler hat, or a
800:Woman with Umbrella
574:Evening dress, 1921
359:F. Scott Fitzgerald
61:Typical fashion in
2226:2010-06-25 at the
2201:2016-03-04 at the
1941:. May 1928. p. 72.
1741:20.1 (2016): 5-26.
1517:2014-02-02 at the
1267:Children's fashion
560:Elaine Hammerstein
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269:Blouses and Skirts
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2183:Steele, Valerie:
2169:Steele, Valerie:
2161:The Victorian Web
2040:VintageDancer.com
1936:"Back to Beauty".
1787:Sancaktar, Asli.
1701:vintagedancer.com
1674:vintagedancer.com
1650:vintagedancer.com
1473:978-0-307-59796-0
1218:Rudolph Valentino
1057:William J. Fields
628:Angela du Maurier
626:British novelist
526:Elsa Schiaparelli
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433:The boyish figure
259:Elsa Schiaparelli
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2152:, Abrams, 1979.
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1624:Carol Nolan.
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1611:(3): 663–666.
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1234:working class
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1210:Louise Brooks
1207:
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1150:and buttoned
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1112:Ronald Reagan
1107:
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1098:
1097:morning dress
1091:
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1039:Photographer
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1026:Style gallery
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853:, late 1920s.
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473:November 2023
466:
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450:This section
448:
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396:
395:Afro-American
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206:Louise Brooks
202:
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44:
37:
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31:on board the
30:
29:Mary Pickford
26:
21:
2638:
2250:. Retrieved
2246:the original
2237:
2184:
2170:
2156:
2155:Nunn, Joan:
2149:
2142:
2135:
2121:
2098:. Retrieved
2094:
2069:. Retrieved
2067:. 2019-12-13
2064:
2055:
2044:. Retrieved
2042:. 2013-06-21
2039:
2030:
2019:. Retrieved
2015:
2006:
1981:. Retrieved
1977:
1967:
1959:
1938:
1931:
1922:
1916:
1905:. Retrieved
1901:
1892:
1882:
1875:
1848:
1842:
1823:
1803:. Retrieved
1796:the original
1782:
1773:
1764:
1755:
1746:
1738:
1733:
1724:
1715:
1704:. Retrieved
1700:
1677:. Retrieved
1673:
1664:
1653:. Retrieved
1649:
1608:
1604:
1594:
1569:
1565:
1555:
1547:
1542:
1534:
1529:
1521:
1494:
1463:
1457:
1440:
1436:
1386:1920s portal
1277:
1274:
1270:
1239:
1231:
1228:Work clothes
1202:
1194:
1190:
1095:Men wearing
1012:straw boater
993:
975:handkerchief
971:Oxford shoes
959:
935:
931:suit jackets
928:
914:
799:
710:Evelyn Brent
523:
517:
510:
498:
494:
479:
470:
459:Please help
454:verification
451:
424:
419:Black Bottom
416:
404:Paul Whitman
391:The Jazz Age
388:
375:
367:
355:Irene Castle
348:
322:Brain Binder
317:
290:
282:
278:
275:
272:
263:
252:
243:
239:
237:
230:
218:
214:
172:Women's wear
154:
150:
119:
104:
91:
87:
77:
76:
34:
2765:By clothing
2428:Western Xia
2418:Jurchen Jin
2400:Anglo-Saxon
2393:Middle Ages
2338:Han Chinese
1978:www.uvm.edu
1222:Clark Gable
1214:Greta Garbo
1134:in a jumper
1132:Noël Coward
1059:wearing an
1055:Politician
1016:newsboy cap
1000:homburg hat
979:boutonnière
938:Oxford bags
851:Prohibition
835:Coco Chanel
820:Vilma Bánky
749:Alice Joyce
658:Greta Garbo
643:Greta Garbo
513:Coco Chanel
506:Marcel wave
370:Art Nouveau
345:Accessories
244:La garconne
240:Joan of Arc
115:speakeasies
107:World War I
2485:Vietnamese
2443:400s–1000s
2252:2011-04-03
2185:The Corset
2100:2016-10-17
2095:LoveToKnow
2071:2019-12-17
2046:2016-11-15
2021:2016-11-15
1983:2016-11-15
1907:2017-10-09
1805:2018-04-13
1706:2023-09-11
1679:2022-09-17
1655:2022-09-17
1148:Panama hat
1079:Publisher
1043:, c. 1920.
1008:trilby hat
990:Men's hats
925:Men's wear
519:Jean Patou
504:, and the
412:Charleston
400:Charleston
351:Cloche hat
340:Wrap style
255:surrealism
248:Charleston
221:sportswear
210:cloche hat
83:Sportswear
63:California
2649:1945–1960
2644:1930–1945
2606:Edwardian
2564:Victorian
2536:1795–1820
2531:1775–1795
2526:1750–1775
2521:1700–1750
2516:1650–1700
2511:1600–1650
2506:1550–1600
2501:1500–1550
2480:Tocharian
2405:Byzantine
1886:(Thesis).
1756:Winterson
1586:0002-8762
1449:0732-1562
1259:dutch cap
1206:Hollywood
1197:cosmetics
1152:waistcoat
502:Eton crop
361:, called
295:Headbands
2802:Category
2787:Swimwear
2751:Thailand
2409:Chinese
2375:Thracian
2360:Biblical
2350:Egyptian
2291:Timeline
2224:Archived
2199:Archived
1992:cite web
1515:Archived
1372:See also
1241:heating.
1118:, 1920s.
1061:overcoat
1020:flat cap
996:top hats
951:sweaters
919:in 1929.
818:Actress
747:Actress
731:Actress
708:Actress
610:Actress
558:Actress
427:textiles
379:bar shoe
334:Skullcap
331:Headwrap
328:Haircomb
204:Actress
101:Overview
33:SS
2475:Ottoman
2439:Europe
2435:English
2320:Ancient
1404:Flapper
1154:, 1927.
1065:bow tie
984:bowlers
967:top hat
963:worsted
408:flapper
287:Jewelry
233:bobbed"
226:flapper
142:zippers
35:Lapland
23:Actors
2777:Corset
2772:Bikini
2470:Korean
2177:
2128:
1863:
1830:
1584:
1470:
1447:
1261:, 1922
1220:, and
1004:fedora
955:tuxedo
166:jersey
159:, and
157:velvet
144:, and
122:cotton
105:After
65:, 1925
2744:Meiji
2739:Japan
2734:Italy
2706:2020s
2701:2010s
2696:2000s
2680:1990s
2675:1980s
2670:1970s
2665:1960s
2639:1920s
2616:1910s
2611:1900s
2599:1890s
2594:1880s
2589:1870s
2584:1860s
2579:1850s
2574:1840s
2569:1830s
2548:1820s
2463:1400s
2458:1300s
2453:1200s
2448:1100s
2370:Roman
2365:Greek
2355:Inuit
2333:China
1799:(PDF)
1792:(PDF)
1725:Vogue
1415:Notes
1255:apron
1018:or a
998:or a
337:Tiara
161:satin
146:snaps
134:rayon
2782:Hide
2423:Yuan
2413:Liao
2175:ISBN
2126:ISBN
1998:link
1861:ISBN
1828:ISBN
1582:ISSN
1468:ISBN
1445:ISSN
1257:and
1232:For
126:wool
124:and
27:and
2343:Shu
1853:doi
1574:doi
1253:An
463:by
2804::
2240:.
2236:.
2120::
2093:.
2080:^
2063:.
2038:.
2014:.
1994:}}
1990:{{
1976:.
1946:^
1900:.
1859:.
1814:^
1772:.
1754:.
1723:.
1699:.
1688:^
1672:.
1648:.
1633:^
1617:^
1609:24
1607:.
1603:.
1580:.
1570:98
1568:.
1564:.
1502:^
1482:^
1441:41
1439:.
1435:.
1423:^
1224:.
1216:,
1212:,
1022:.
802:,
257:.
2283:e
2276:t
2269:v
2255:.
2163:)
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2074:.
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2024:.
2000:)
1986:.
1910:.
1869:.
1855::
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1758:.
1727:.
1709:.
1682:.
1658:.
1588:.
1576::
1476:.
1451:.
486:)
480:(
475:)
471:(
457:.
389:"
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