Screen Actors Guild - Knowledge (XXG)

946:– also known to the FBI as Confidential Informant "T-10", testified before the committee but never publicly named names. Instead, according to an FBI memorandum in 1947: "T-10 advised Special Agent that he has been made a member of a committee headed by Mayer, the purpose of which is allegedly is to 'purge' the motion-picture industry of Communist party members, which committee was an outgrowth of the Thomas committee hearings in Washington and subsequent meetings ... He felt that lacking a definite stand on the part of the government, it would be very difficult for any committee of motion-picture people to conduct any type of cleansing of their household". Subsequently, a climate of fear, enhanced by the threat of detention under the provisions of the 928: 1001:, dared to stand behind its members and help them continue their creative lives in the theater. ... Unfortunately, there are no credits to restore, nor any other belated recognition that we can offer our members who were blacklisted. They could not work under assumed names or employ surrogates to front for them. An actor's work and his or her identity are inseparable. Screen Actors Guild's participation in tonight's event must stand as our testament to all those who suffered that, in the future, we will strongly support our members and work with them to assure their rights as defined and guaranteed by the Bill of Rights. 244: 302: 489:. Opposition to these contracts included that they did not include restrictions on work hours or minimum rest periods, and often had clauses that automatically renewed at the studios' discretion. These contracts were notorious for allowing the studios to dictate the public and private lives of the performers who signed them, and most did not have provisions to allow the performer to end the deal. 84: 186: 43: 754:'s insistence, at that meeting, that any response to that producer's agreement help all actors, not just the already established ones, it took only three weeks for SAG membership to go from around 80 members to more than 4,000. Cantor's participation was critical, particularly because of his friendship with the recently elected President 1522:, the Screen Actors Guild compiles statistical surveys that explicitly document the disenfranchisement of their women members, often linking the data to a specific studio, network and in several cases individual television shows. These efforts are spearheaded by the two organizations' individual Women's Committees. 3465: 1495:

Beijing Platform of 1995. These objectives included supporting research into all aspects of women and the media so as to define areas needing attention and action. The SAG Hollywood Division Women's Committee also encouraged the media to refrain from presenting women as inferior beings and exploiting

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Membership dues were calculated and due semi-annually, and were based upon the member's earnings from SAG productions. The minimum annual dues amount was $ 116, with an additional 1.85% of the performer's income up to $ 200,000. Income from $ 200,000 to $ 500,000 was assessed at 0.5%, and income from

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An actor was eligible to join the Screen Actors Guild by meeting the criteria in any of the following three categories: principal actor in a SAG production, background actor (originally the "three voucher rule"), and one-year member of an affiliated union (with a principal role). The basic categories

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ineligible to vote in the guild. "Honorable withdrawals" constituted the largest portion of these, at 20% of the total membership, or 36,284 members before the merger in 2012. "Suspended" members were the second largest, at 10%, or 18,402 members. This classification scheme is continued by SAG-AFTRA.

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Performers who meet the eligibility criteria of working a certain number of days or attaining a certain threshold in income derived from SAG productions could join the Producers Pension and Health Plans offered by the Guild. The eligibility requirements varied by age of the performer and the desired

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All members of the Guild agreed to work only for producers who had signed contracts with SAG. These contracts spelled out in detail the responsibilities that producers must assume when hiring SAG performers. Specifically, the SAG basic contract specified: the number of hours performers may work, the

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Members joining the Los Angeles, New York, or Miami SAG locals were assessed an initial fee to join the Guild of $ 3,000. At the time of initiation, the first minimum semi-annual membership dues payment of $ 58 must have also been paid, bringing the total amount due upon initiation into the Guild to

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was extremely controversial. Some factions within SAG call it a success, asserting that it not only saved Pay-Per-Play (residuals) but it also increased cable residuals by 140% up from $ 1,014 to $ 2,460. Others suggested almost identical terms were available in negotiation without a strike. In the

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was the only one of the 52 nominated actors to attend: "This is either the most courageous moment of my career or the dumbest" he quipped during his acceptance speech. The guild ratified a new pact, for a 32.25% increase in minimum salaries and a 4.5% share of movies made for pay TV, and the strike

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of the organization. Every SAG performer, as a condition of membership, agreed to abide by this and all other SAG rules; thus SAG members could not perform in any non-union project that was within SAG's jurisdiction. Beginning in 2002 the Guild pursued a policy of worldwide enforcement of Rule One,

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Dr. Martha Lauzen of the Alliance for Women Film Journalists, conducts a study revealing that, of 2009's top 250 films at box offices, women comprised only 16% of the directors, producers, writers, and other top jobs. This represents a 3% decline from the 2001 study showing 19% female composition.

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had SAG Student Film Agreements with the Guild to allow SAG actors to work in their projects. SAGIndie was formed in 1997 to promote using SAG actors; SAG also had Low Budget Contracts that were meant to encourage the use of SAG members on films produced outside of the major studios and to prevent

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SAG Principal members could not work on non-union productions. Union background actors were not fully covered nationwide and could work non-union outside the background zones. These background zones included the state of Hawaii, 4 zones in California, Las Vegas NV, and a 300-mile radius around New

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since January 31, 1960 with similar demands to the actors. The independents were not affected since they signed new contracts. The dispute rested on actors wanting to be paid 6% or 7% of the gross earnings of pictures made since 1948 and sold to television. Actors also wanted a pension and welfare

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Like other organizations that represent actors, SAG rules stipulated that no two members could have identical working names; many actors were thus prevented from registering under their own names and had to make changes. Some maintained their usual name but added a middle initial; others adopted a

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Any actor who works as a principal actor for a minimum of one day on a project (film, commercial, TV show, etc.) under a producer's agreement with SAG, and the actor has been paid at the appropriate SAG daily, three-day, or weekly rate was then considered "SAG-eligible". A SAG-eligible actor could

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According to SAG's Mission Statement, the Guild sought to: negotiate and enforce collective bargaining agreements that establish equitable levels of compensation, benefits, and working conditions for its performers; collect compensation for exploitation of recorded performances by its members, and

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and pay that the union actor would have received under that voucher. This was called a Taft–Hartley voucher. The SAG-Eligible background actor could continue working in non-union productions, but after obtaining 3 Taft–Hartley vouchers were given a 30-day window where they were allowed to work as

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a non-union background actor. For television productions in the West Coast Zones, the minimum number of SAG background actors was 21 (25 in the New York Zone), for commercials the minimum was 40, and for feature films, the minimum was 57 in the West Coast zones (85 in the New York zone). In rare

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According to SAG's Department of Labor records since 2006, when membership classifications were first reported, 30%, or almost a third, of the guild's total membership had consistently been considered "withdrawn", "suspended", or otherwise not categorized as "active" members. These members were

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For years, SAG had the "three voucher rule". After collecting three valid union vouchers for three separate days of work, a background actor could become SAG-eligible; however, employment must have been confirmed with payroll data, not vouchers. SAG productions required a minimum number of SAG

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Approximately 96% of normal union dues were paid to make an actor a Financial Core member of the SAG, and Financial Core members were not permitted to "represent themselves as Screen Actors Guild members". Additionally, the Screen Actors Guild said "Fi-Core/FPNM are viewed as scabs ... by SAG

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agreed upon a new collective bargaining contract. The major points agreed upon included: full union shop for actors to continue, negotiations for films sent direct to TV, producers could not sue an actor for breach of contract if they strike (but the guild could only strike when the contract

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Entertainment remains among the most gender unequal industries in the United States. The National Women's Committee operated within the National Statement of Purpose to promote equal employment opportunities for its female SAG members. It also encouraged positive images of women in film and

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in picket lines in Los Angeles and New York. The unions said that management's demand would cut actors' salaries. The argument was over filming commercials. Management agreed to up salaries from $ 218 to $ 250 per scene, but if the scene were not used at all, the actor would not be paid.

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many SAG jobs as they wish. After the 30-day window had expired the actor became a "Must Join" with SAG, meaning they could no longer work any SAG projects without formally joining the union. They could continue to work non-union jobs, however, until they officially became a SAG member.

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Members in good standing, for at least one year, of any of the other unions affiliated with the AAAA, and who had worked as a principal at least once in an area of the affiliated union's jurisdiction, and who had been paid for their work in that principal role, were eligible to join

1293:, and adequate rest periods between performances. When applicable, and with due regard to the safety of the individuals, cast and crew, women and minorities were to be considered for doubling roles and for descript and non-descript stunts on a functional, non-discriminatory basis. 3470: 4099: 1156:$ 3,058. All other SAG locals still assessed initiation fees at the previous rate. Members from other locales who worked in Los Angeles, New York, or Miami after joining were charged the difference between the fee they paid their local and the higher rate in those markets. 1569:

Women's voice-over study by McCollum/Spielman and Company indicates "it makes absolutely no difference whether a male or female voice is used as a TV commercial voice-over", destroying long-held advertising industry assertion that male voices "sell better" and carry "more

3414: 3409: 1114:". After the 30-day Taft–Hartley period has expired, the actor could not work on any further SAG productions until first joining SAG, by: paying the initiation fee with the first half-year minimum membership dues, and agreeing to abide by the Guild's rules and bylaws. 1562:

SAG creates additional low-budget motion picture agreement, giving advantages to productions that hire more women, minorities, seniors, and disabled performers. SAG's New York branch forms Women's Voice-Over Committee to study why women get only 10–20% of voiceover

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The SAG Constitution and Bylaws stated "No member shall work as a performer or make an agreement to work as a performer for any producer who has not executed a basic minimum agreement with the Guild which is in full force and effect", and this became known as

3445: 3435: 3394: 950:, permeated the film industry. On November 17, 1947, the Screen Actors Guild voted to force its officers to take a "non-communist" pledge. On November 25 (the day after the full House approved the ten citations for contempt) in what has become known as the 3430: 3389: 4213: 4228: 1586:

keynotes first national event, emphasizing the decline in women's work opportunities, pay parity, and role models within the film industry. She lashes out at the film industry for downplaying the importance of women both on screen and

1556:, first stuntwoman elected to the Hollywood Screen Actors Board. She works towards hiring more women, minorities, seniors, and disabled performers as stuntpeople. She is blacklisted by the Screen Actors Guild Board and Stuntmen Groups. 4012: 1160:$ 500,000 to $ 1 million was assessed at 0.25%. For the calculation of dues, there was a total earnings cap at $ 1 million. Therefore, the maximum dues payable in any one calendar year by any single member was limited to $ 6,566. 665:, Alden Gay, and Kenneth Thomson) led to the guild's foundation. Three months later, three of the six and eighteen others became the guild's first officers and board of directors: Ralph Morgan (its first president), Alden Gay, 4002: 4067: 4203: 1387:

In July, SAG members walked out on strike, along with AFTRA, the union for television and radio artists, and the American Federation of Musicians. The union joined the television artists in calling for a successful

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A SAG report reveals that 71% of all roles in feature films and 64% of all roles in TV went to men. The report said the combined income of men more than doubled that of women ($ 644 million to $ 296 million).

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Baar, K. Kevyne. " 'What Has My Union Done For Me?' The Screen Actors Guild, the American Federation of Television and Radio Artists, and Actors' Equity Association Respond to McCarthy-Era Blacklisting."

966:: "We will not knowingly employ a Communist or a member of any party or group which advocates the overthrow of the government of the United States by force or by any illegal or unconstitutional methods." 2731: 4077: 740:

Many high-profile actors refused to join SAG initially. This changed when the producers made an agreement amongst themselves not to bid competitively for talent. A pivotal meeting, at the home of

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circumstances, due to the uniqueness of a role, or constraints on the numbers of available SAG actors or last-minute cancellations, those minimums were unable to be met. When this happened,

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SAG contracts with producers contained a variety of protections for Guild performers. Among these provisions were: minimum rates of pay, adequate working conditions, special protection and

4280: 1439:". In the fight against "Runaway production", the SAG National Board voted unanimously to support the Film and Television Action Committee (FTAC) and its 301(a) Petition which asked the 993:

the name of any individual who had failed to clear his name before Congress. At a 1997 ceremony marking the 50th anniversary of the Blacklist, the Guild's president made this statement:

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HARRY BERNSTEIN (December 20, 1978). Actors in Radio, TV Commercials Strike :Unions Say Ad Agencies Seek More Work for Less Money. Los Angeles Times, p. oc_a12. Retrieved June 24, 2008

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In 1998, Naomi Marquez filed suit against SAG and Lakeside Productions claiming they had breached their duty of fair representation. The claim was denied by the Supreme Court.

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were permitted to fill one or more of those union spots with non-union actors. The non-union actor chosen to fill the union spot was then issued a union background

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leads protest rally, with signs reading "Women and Minorities: Not Seen on the American Scene"..."Window Dressing on the Set"...and "TV: it's Time for a Facelift".

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ACTORS START STRIKE AT 7 MAJOR STUDIOS: Guild Turns Down Proposal to Finish Work on 8 Movies. (March 7, 1960). Los Angeles Times, p. 1. Retrieved June 24, 2008

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A study reveals that between 1949 and 1979, 7,332 feature films were made and released by major distributors. Fourteen, a mere 0.19%, were directed by women.

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television, in order to end sexual stereotypes and educate the industry about the representation of women, both in numbers and quality of representation.

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wake of the strike, SAG, and its sister union AFTRA, gathered evidence on over 1,500 non-members who had worked during the strike. SAG trial boards found

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HERBERT MITGANG. Dangerous Dossiers: exposing the secret war against America's greatest authors. New York City, NY: Donald I. Fine, Inc, pp 31-33

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of a Motion Picture, after being only the fourth woman in history to secure a nomination. Statistics show that only 9% of directors are female.

3797: 2107: 959: 650:, which at that time arbitrated between the producers and actors on contract disputes, had a membership policy which was by invitation only. 3756: 4388: 2243: 2223: 2014: 1367: 1363:. This was the first industry-wide strike in the 50-year history of movie making. Earlier walkouts involved production for television. The 1311: 101: 56: 3771: 4439: 4336: 4154: 2081: 2034: 4248: 4233: 4193: 3802: 927: 517: 417: 4027: 4017: 3935: 3930: 3669: 2762: 2239: 2219: 2010: 1323: 921: 279: 225: 167: 70: 1472:

members, directors, and writers—most of whom also belong to entertainment unions". This statement was met with skepticism by some.

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provide protection against unauthorized use of those performances; and preserve and expand work opportunities for its members.

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that saw hundreds of people prevented from working in the film industry. During the height of what is now referred to as

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with its sister union AFTRA, with which it shared 44,000 dual members. Internationally, the SAG was affiliated with the

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to investigate Canadian film subsidies for their violation of trade agreements Canada signed with the United States.

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successfully fights to get Disability Health Plans for two stuntmen and a reimbursement for a disabled stuntwoman.

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Actors' Strike Threat Fades; Points Agreed. (July 8, 1948). Los Angeles Times, p. A1. Retrieved June 24, 2008

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worldwide. On March 30, 2012, the union leadership announced that the SAG membership voted to merge with the

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SAG contracts for actresses exceed $ 472 million, while male SAG contracts receive more than $ 928 million.

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In December 1978, members of SAG went on strike for the fourth time in its 45-year history. It joined the

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This article is about the labor union that existed from 1933 until 2012. For the post-merger union, see

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finds that male characters outnumber female characters by 2.42 to one in top-grossing American films.

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work in other SAG or non-SAG productions up to 30 days, during which that actor was classified as a "

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stage name quite different from their legal name to comply with this rule. Notable examples include

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SAG Women's Committee had been dedicated to working towards strategic objectives adopted from the

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Composition of female leading roles rises to 40%, but supporting roles for women decline to 33%.

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None of those blacklisted were proven to advocate overthrowing the government – most simply had

17: 3841: 3711: 3044: 2078: 1876: 951: 924:(CFA) and flew to Washington, DC, in late October 1947 to show support for the Hollywood Ten. 710: 674: 560: 3655: 3138: 2784: 1414: 1303: 1164: 1135: 722: 654: 608: 588: 584: 2247: 2227: 3882: 3092: 3084: 3012: 2996: 2754: 2296: 2171: 2085: 1936: 1926: 1836: 1816: 1611: 1476: 1217: 774: 718: 301: 2475: 257:

Please help update this article to reflect recent events or newly available information.

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conducts a study that reveals 81.7% of television roles are male, versus 18.3% female.

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The Screen Actors Guild Ethnic Minorities Committee was co-founded in 1972 by actors

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and sentenced to prison. Several liberal members of SAG, led by Humphrey Bogart,

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SAG members who became delinquent in their dues without formally requesting a

1122: 1024: 917: 913: 505: 2829: 4218: 3289: 2972: 2874: 2669:. Department for Professional Employees, AFL-CIO. April 2010. Archived from 2262:"SAG-AFTRA Merger Means Tougher Admissions, Potentially Costlier Membership" 1786: 1667: 1421:

guilty of performing in non-union commercials and each was fined $ 100,000.

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members be employed as background actors before a producer was permitted to

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Actors known for their early support of SAG (besides the founders) include

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working in the Hollywood film industry were summoned to appear before the

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was formed by actors discontented with the grueling work hours at the

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In July 1948, a strike was averted at the last minute as the SAG and

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or "scale" at which performers must be compensated for their work,

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for the day, and that non-union actor was entitled to all the same

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The membership of the Screen Actors Guild voted to merge with the

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over issues regarding profit sharing from home media and pay TV.

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The Screen Actors Guild Women's Committee was founded in 1972.

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Female directors fall from a low 9% in 2008, to a meager 7%.

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through clauses in the basic SAG agreements with producers.

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The Guild was founded in 1933 in an effort to eliminate the

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plan chosen (there were two health plans). There were also

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Only 37% of all SAG television and film roles go to women.

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and clarified for the communications industry in 1988 via

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becomes the Screen Actors Guild's first female president.

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views. The Waldorf Statement marked the beginning of the

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actors, who were being forced into oppressive multi-year

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The Screen Actors Guild Women's Committee is founded.

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film productions from leaving the country, known as "

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may contain excessive or inappropriate references to

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In October 1947, the members of a list of suspected

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