288:, one of Rice Owen Clark's great-grandsons, began working in the firm during the 1930s depression. He was responsible for the plant expanding in 1937 to produce items unrelated to the building trade such as electrical insulation equipment and moulds for rubber products such as gloves, baby bottle teats and condoms. Clark was an employer who always encouraged his staff to experiment with new products. As a result, an oil-fired continuous tunnel kiln was built in 1941, and tableware manufacture began the following year. The company had established a research department in 1938 to investigate the viability of producing tableware from New Zealand clays.
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279:. He had arrived in New Zealand thirteen years before and had previously worked as a school teacher in Wellington and as a clerk in Auckland. To drain his land, he made his own pipes by wrapping logs with clay and firing them with charcoal. This first production led to his making pipes for his neighbours, and by the 1860s he had a thriving pipeworks. His success encouraged a number of others to form similar small companies. In 1929 the various small producers merged to become the Amalgamated Brick and Pipe Company.
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including pudding basins, casserole dishes and various sized chamber pots. However, due to shortages of material and labour, the decorations were simple. Alongside this extended range, the
Railways cups and saucers continued to be produced in bulk. Clark continued to be innovative, founding a laboratory to test clay samples and a variety of other scientific tasks.
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At the time Crown Lynn was the southern hemisphere's largest producer of household pottery, and remained so up to at least 1978. At its height the factory employed 650 staff, produced about 17 million pieces annually, and exported to
Australia, the Pacific Islands, south-east Asia, the US and Canada.
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helped increased the fired whiteness of the body. This enabled Crown Lynn to mass-produce tableware decorated with transfers, and coloured tableware. This discovery virtually saved the firm, as the recent revaluation of the pound had made it very difficult for companies to export overseas. The intent
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Ceramco blamed the closure in part on union inflexibility in a pre-Labour market reform economy. Although Crown Lynn was showing signs of recovery after years of trading losses, the company could not compete with the more advanced manufacturing technologies used in Asia and Europe. In
September 1989
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In 1961 the purchase of a Malkin pattern stamp machine and a Murray Curvex colour printing machine enabled the company to produce variations of popular overseas patterns. "These machines bring pottery decoration to as near automation as is presently practical," said production manager Colin Leitch.
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In the late 1940s and early 1950s Tom Clark recruited experienced staff from
England and Europe to work in the newly formed Crown Lynn Specials Department. New equipment was purchased which enabled a more extensive range to be developed. This new range included tea sets, art pottery and salad ware,
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One and a half million cups were made in the financial year from April 1943 to March 1944. Those early cups had a significant flaw: the handles broke off easily. However, the year's production reports said that "the quality of the articles is steadily increasing". This type of utilitarian tableware
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The Crown Lynn lines of military and
Railways crockery were highly successful. However, because there was no crockery imported into New Zealand, the range had to be extended to suit the domestic market. A tunnel kiln was built in 1941, and the following year a new range of tableware was produced
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in 1939, only essential goods were imported into New
Zealand, and by December 1940 no imported crockery was available. Under a directive from the wartime Ministry of Supply, the company produced thousands of coffee mugs and plates for the American forces stationed in New Zealand and the Pacific
345:, he began by applying glaze effects to ornamental wares, and a trickle glaze technique was developed. These trickle-glazed pieces are still highly sought after by collectors. In 1948, the "specials" department of Amalgamated Brick and Pipe became Crown Lynn Potteries Limited.
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had sabotaged the company by allowing cheap imported tableware into the country. Crown Lynn's share of New
Zealand's domestic tableware market was then less than 20% in value, despite the company's successful move from the lower end of the market to a more middle ground.
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In 1974 Crown Lynn changed its corporate name to
Ceramco and continued to diversify into a series of new interests, including electronics, appliance wholesaling and making acquisitions including Bendon lingerie. The pottery continued under the Crown Lynn name.
560:. Some output carried the Crown Lynn name or other trademarks (such as Ironstone). In addition, some patterns from New Zealand were also produced there, in addition to entirely new lines (such as Ligaya and Luzon). Crown Lynn exited the partnership in 1982.
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1968 - Crown Lynn purchased
Gibsons & Paterson, which was established in NZ in 1909 and opened in Australia in 1913. Ceramco continued to hold shares in the company after Crown Lynn was shut down until Ceramco's liquidation in
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In 1996, a series of collaborative projects commenced with "Crown Lynn New
Zealand' - A Salvage Operation" that was exhibited at the High Street Project Gallery in Christchurch and the City Gallery in Wellington.
396:"With only one operation on the machine itself, plus those engaged in bringing up and removing the ware, the Murray Curvex will put through 200 dozen pieces a day. The Malkin will do even better - 400 or more."
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became central to Crown Lynn, and the company gained a reputation for supplying sturdy and reliable products. This reputation culminated when the company was also contracted to supply the
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Ceramco announced the Crown Lynn factory closure on 5 May 1989. By then staff numbers had fallen to between 180 and 220, and many amongst the largely female workforce believed that
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in the UK, manufacturers of fine bone china. This continued to run separately and did not manufacture Crown Lynn shapes. Royal Grafton was sold in 1985 in a management buyout.
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and utilised a variety of decorative techniques such as monogram printing, band brushing and lining. At the same time the factory laboratory discovered that the use of a
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As well as the above, many pieces are unmarked save for variations of "New Zealand", "Made in New Zealand" or "Made in NZ" either stamped or pressed into the base.
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of the "Specials Department" was to produce more upmarket works from Crown Lynn's existing commercial production-line wares in order to compete with the
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Clark's plant moved from Hobsonville to New Lynn, Auckland, in 1925. New Lynn offered better clay, more access to workers and a rail siding close by.
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After the war, the company began to experiment and diversify. Employees were encouraged to develop different styles. Artist
535:. A number of Crown Lynn shapes were subsequently made in Christchurch for several years until the factory's close in 1975.
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Crown Lynn used several difference brands over the years it was in production, as demonstrated by the wide variety of
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with tableware, and ultimately the Crown Lynn Railways cup and saucer became a twentieth-century icon in the country.
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all of Crown Lynn's assets, including plant, designs and brand name, were sold to GBH Porcelain Sdn Bhd of Malaysia.
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652:"Object: Cup and saucer | Collections Online - Museum of New Zealand Te Papa Tongarewa"
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Te Toi Uku, the Crown Lynn and Clayworks Museum, is managed by the Portage Ceramics Trust.
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Crown Lynn pottery in the collection of the Auckland War Memorial Museum Tāmaki Penga Hira
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As Crown Lynn grew, they also either purchased or partnered a number of other companies:
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Roydon (exclusive to McKenzies & named after McKenzies founding brothers Roy and Don)
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Kelston British / Potteries / Ceramics / Ferrostone (named after the Auckland suburb of
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in 1945, and later helped in setting up the design studio. With guidance from his aunt,
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Crown Lynn pottery in the collection of the Museum of New Zealand Te Papa Pongarewa
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ceramics manufacturer that operated under various names between 1854 and 1989.
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Islands, as well as tableware for New Zealand military and domestic use.
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New Zealand Railways Cup and Saucer; Te Papa Tai Awatea | Knowledge Net
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1972 - Crown Lynn entered into a partnership in the Philippines called
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In 2011, there were two exhibitions on Crown Lynn collections:
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The pottery's origins started with an 1854 land purchase at
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1969 - Crown Lynn purchased a significant shareholding in
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1965 - Crown Lynn purchased Christchurch-based pottery
756:"Crown Lynn shapes made at Luke Adams in Christchurch"
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Titian Studio (Titian Pottery was bought in 1969–71)
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60:. Unsourced material may be challenged and removed.
362:works that were being imported into New Zealand.
434:- named after their head buyer Jack Brereton)
412:seen today. Some of the more common include:
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499:"Magnolia Moon" pattern on a Crown Lynn mug
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630:. New Zealand: Penguin Group. p. 11.
546:, purchasing the remaining shares in 1971.
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1011:Manufacturing companies based in Auckland
120:Learn how and when to remove this message
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705:"Other Brand Names used by Crown Lynn"
1016:Ceramics manufacturers of New Zealand
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976:Online gallery of Crown Lynn pottery
58:adding citations to reliable sources
785:The National Library of New Zealand
734:Te Toi Uku / Portage Ceramics Trust
596:Crown Lynn: Crockery of Distinction
971:Te Toi Uku - the Crown Lynn museum
600:Crown Lynn: Pottery for the People
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27:New Zealand ceramics manufacturer
1006:Defunct companies of New Zealand
859:A to Z of Stoke-on-Trent Potters
507:An image of a window display at
423:Avondale Selection (named after
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806:"Notice of Solvency Resolution"
598:at City Gallery Wellington and
523:Expansion and change to Ceramco
458:Lynndale (a portmanteau of New
319:New Zealand Railways Department
45:needs additional citations for
880:"Crown Lynn Ceramics (UK) Ltd"
855:"Crown Lynn Ceramics (UK) Ltd"
628:Crown Lynn, A New Zealand Icon
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905:"Some Mayon Ceramics History"
884:A-Z of Stoke-on-Trent potters
626:Ringer Monk, Valerie (2006).
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682:. 1975-02-21. Archived from
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443:Essentials Quality Homewares
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830:"Titian Potteries History"
656:Collections.tepapa.govt.nz
329:Diversification of designs
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930:"Portage Ceramics Trust"
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730:"The Lynndale Range"
376:Ernest Shufflebotham
54:improve this article
909:New Zealand Pottery
834:New Zealand Pottery
760:New Zealand Pottery
709:New Zealand Pottery
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680:Tpo.tepapa.govt.nz
604:Gus Fisher Gallery
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69:"Crown Lynn"
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52:Please help
47:verification
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814:11 February
516: 1960
446:Fancy Fayre
437:Colourglaze
390: 1963
355:Matauri Bay
351:halloysitic
335:Dave Jenkin
269:Hobsonville
235:New Zealand
194:New Zealand
1000:Categories
939:2017-12-20
889:27 January
790:27 January
690:2016-01-23
661:2016-01-23
637:0143020633
613:References
533:Luke Adams
410:backstamps
353:clay from
252:spill vase
231:Crown Lynn
202:Key people
80:newspapers
488:Wharetana
418:McKenzies
364:Tom Clark
286:Tom Clark
207:Tom Clark
462:and Avon
455:Handwerk
449:Goldline
304:, 1950s.
273:Auckland
218:tetoiuku
188:Auckland
147:Industry
740:15 July
476:Ngakura
471:Kelston
271:, near
213:Website
175:Defunct
165:Founder
157:Founded
151:Pottery
94:scholar
18:Ceramco
914:7 June
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432:D.I.C
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792:2023
767:2021
742:2018
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632:ISBN
464:dale
460:Lynn
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220:.org
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