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670:. When he accepted the Wagner family's invitation, it caused surprise because of his iconoclasm and his well-known aversion to all things tainted by association with Hitler; however, he had been invited to the festival before in 1991. Film clips and costumes focused the action on the conflict between Christianity and Islam. The production, in the first years conducted by
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605:: eight pillars were built at the central Marienplatz square, where homeless people were invited to sit on, and the deal was that the one who sat there longest could win 7,000 shillings, plus every day the artist threw 20,000 shillings on passers-by in front of the eyes of those who sat on the pillars. The project was interrupted with help of the right-wing
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810:, the second of his three-part final work, created after he had undergone surgery to remove a lung. The exhibition presented multimedia documents—from videos to x-rays—relating to his battle with terminal cancer. A side room showed footage and a maquette made as part of Schlingensief's project to build an opera house in
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390:, Schlingensief came to prominence. Since then he shaped the cultural and political discourse in Germany for more than two decades and established himself as one of the country's most important and versatile artists. The "Germany Trilogy" deals with three turning points in 20th-century German history: the first movie
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Schlingensief's commitment to developing nations later took him to
Burkina Faso, where he was awarded a concession to build an opera house, arguably his most ambitious project. The project, which received funding from the German government, was also to include a theater and film school, and an
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for its display of work by
Christoph Schlingensief. Organized by curator Susanne Gaensheimer, who completed the exhibition after Schlingensief's death, the German pavilion was transformed into a replica of the church where the artist spent his teenage years as an altar boy in order to present
493:!". In November 1999, invited by P.S.1 Contemporary Art Center and organized by Klaus Biesenbach, Schlingensief carried out a performance at the Statue of Liberty in New York City, where, kneeling down at the foot of the statue, he handed Germany over to globalization.
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Schlingensief's work covered a variety of media, including installation and the ubiquitous 'talk show' and has in many cases led to audience members leaving the theatre space with
Schlingensief and his colleagues to take part in events such as
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One of
Schlingensief's central tactics was to call politicians' bluff in an attempt to reveal the inanities of their "responsible" discourse, a tactic he called "playing something through to its end". This strategy was most notable in his work
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performed in his early short films. He considered himself a 'provocatively thoughtful' artist. He created numerous controversial and provocative theatre pieces as well as films, his former mentor being filmmaker and media artist Werner Nekes.
714:, and was later continued under the guidance of Schlingensief's wife and long-time assistant Aino Laberenz, whom he married in 2009. In 2012, numerous internationally renowned artists have donated works for a fundraising auction at the
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for the project, where former members of Neo Nazi groups were sought and then cast as actors to play characters in the drama on stage as a way of re-integrating the ex-Neo-Nazis with the common workforce of the theatre.
129:. Starting as an independent underground filmmaker, Schlingensief later staged productions for theatres and festivals, often accompanied by public controversies. In the final years before his death, he staged Wagner's
402:(1990), depicts the German reunification of 1990 and shows a group of East Germans who cross the border to visit West Germany and get slaughtered by a psychopathic West German family with chainsaws, and the third
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Schlingensief was one of the greatest artists who ever lived. I always thought one like him cannot die. It is as if life itself had died. He was not really a stage director (in spite of
Bayreuth and
568:'s play where there is something foul afoot. Events around the piece questioned and attacked Switzerland's 'neutrality' in the face of growing racism and extreme right wing movements. The artist duo
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With his demands for people to "prove they exist" in an age of total TV coverage and "act, act, act" in the sense of becoming active not 'actors', his work could be considered a direct legacy of
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1487:"German filmmaker, theater director and artist Christoph Schlingensief died before finishing his upcoming exhibition at the Venice Biennale, but preparations went on without him"
298:, with whom he collaborated on numerous occasions. To said period of film, Schlingensief delivered both a heartfelt homage as well as the final coup de grâce with
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English language version of
Schlingensief's official site, featuring an overview of his body of work, as well as several short biography texts and further links.
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had previously criticised
Schlingensief's appointment as "a scandal", associating the selection of the multitasking director with "the decline of painting".
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Schlingensief soon became a figure of considerable celebrity and notoriety in
Germany, thanks to several popular television projects. Broadcast in 1997,
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was a talk show with celebrity guests in which
Schlingensief sometimes interrupted interviews to discuss his own personal problems. In
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His exhibition The Last Hour, with its twisted metalwork from a crashed car, footage of a long tunnel and paparazzi pictures of
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451:(2000), he and his crew were filmed acting crazily on platforms and in cars of the Berlin subway system; the program aired on
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coalition in
Austria, a work which attracted international support, a media frenzy and countless debates about art practice.
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Already as a young man Schlingensief had organized art events in the cellar of his parents' house, and local artists such as
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465:-style parody, two dozen people from an assisted-living home for the mentally disabled competed for spots in a new band.
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1997 Passion Impossible, Wake Up Call for Germany, Deutsches Schauspielhaus Hamburg and Station Mission for the Homeless
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1401:. Europäische Hochschulschriften, series 28: Kunstgeschichte, vol. 439), Peter Lang Verlag, Frankfurt am Main 2011,
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325:(1975)—in much the same way he dealt with German avant-garde cinema 15 years earlier with his first feature film
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After learning he had lung cancer in early 2008, Schlingensief wrote about his illness and in 2009 published
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270:("Tunguska – The Crates Are Delivered!", 1984) was well received by critics. Growing up in the shadow of the
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Deutscher Pavillon 2011: Christoph Schlingensief / 4 June – 27 November 2011 La Biennale di Venezia, Venice
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would later describe "the likes of Wolfgang Wagner" as "bourgeois & enemy to Christoph Schlingensief".
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awarded the international exhibition's highest honor, the "Golden Lion for best national pavilion", to
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exhibition in Kassel as part of the performance space "Hybrid WorkSpace", which was curated by
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1093:"Operatic Heart of a Chaotic Career: The German Gadfly Christoph Schlingensief at MoMA PS1"
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1998 Chance 2000, an Election Circus, Prater Garden, Berlin and other locations nationwide
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In the 1990s, Schlingensief directed a series of chaotic, satirical productions at the
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in London's Regent's Park and instead ended up in a little-known gallery space in
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1682:"Christoph Schlingensief and Richard Wagner – The Will to the Total Work of Art"
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1994 Kuhnen "94, Bring Me the Head of Adolf Hitler!" at the VolksbĂĽhne Berlin
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Already Schlingensief's debut feature film, the surreal, absurd experimental
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Christoph Schlingensief, "18 Images a Second", May 25 – September 16, 2007
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1990–1993 he directed a series of films known as the Germany trilogy
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406:(1992) focuses on xenophobic violence after the reunification process.
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where anyone could become a candidate themselves in the run up to the
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Christoph Schlingensief und seine Auseinandersetzung mit Joseph Beuys
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external links, and converting useful links where appropriate into
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394:("A Hundred Years of Adolf Hitler", 1989) covers the last hours of
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1993 he directed his first stage piece "100 Years of CDU" at the
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Website for the German pavilion at the 54th Venice Biennale 2011
1448:"Schlingensief, Who Put Putrid Bunny on Bayreuth Stage, Is Dead"
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Schlingensief at the 2009 Berlinale reception, with his partner
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Schlingensief, Who Put Putrid Bunny on Bayreuth Stage, Is Dead
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1997 My Felt, My Fat, My Hare, 48 Hours Survival for Germany (
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and short films that have been shot while the artist directed
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and worked at several opera houses, establishing himself as a
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The New Opera 'Metanoia' Goes On, but Without Its Provocateur
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100 Years of Adolf Hitler – The Last Hour in the Führerbunker
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Christoph Schlingensief, Artistic Provocateur, Dies at 49
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50 directors working in Germany: Christoph Schlingensief
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Heaven Could Not Be as Beautiful as Here: A Cancer Diary
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may not follow Knowledge (XXG)'s policies or guidelines
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a performative installation at the VolksbĂĽhne in Berlin
278:—many members of whose stock company of actors such as
274:, Schlingensief was deeply influenced by the likes of
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and already made short films with a hand-held camera.
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340:. Drawing parallels to the work of British filmmaker
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German audience vents fury at Diana-Nazi parody play
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infirmary. Construction began in January 2010, near
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473:In 1997, Schlingesief staged an art action at the
554:theatre in Berlin. He also directed a version of
178:exams, he twice failed to gain admission to the
117:(24 October 1960 – 21 August 2010) was a German
1639:Christoph Schlingensief's films to watch online
609:, that collected 10,000 signatures against it.
315:, playing an inept director's effort to remake
889:(Opera Square, Vienna in association with the
1781:Mass media people from North Rhine-Westphalia
873:1999 Freakstars 3000 at the VolksbĂĽhne Berlin
153:Schlingensief was born on 24 October 1960 in
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1269:Christoph Schlingensief Chance 2000 fĂĽr Graz
1012:Eine Kirche der Angst vor dem Fremden in mir
857:1996 Rocky Dutschke at the VolksbĂĽhne Berlin
583:Passion Impossible, Wake Up Call for Germany
546:performance in front of the VolksbĂĽhne, 1999
294:became regulars in Schlingensief's films—or
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1485:Georg Diez; Nora Reinhardt (3 June 2011).
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375:With his "Germany Trilogy", consisting of
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27:German film and stage director (1960–2010)
1615:Learn how and when to remove this message
1329:"A Hullabaloo for an Opening at Bayreuth"
920:2003 founded the "Church of Fear" at the
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1000:2007 created a new talk show series for
886:Foreigners out! Schlingensiefs Container
417:Foreigners out! Schlingensiefs Container
180:University of Television and Film Munich
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1629:Christoph Schlingensief's Films on DVD
435:with Tilda Swinton as jury president.
188:Ludwig-Maximilians-Universität München
1473:"Christoph Schlingensief passed away"
681:In his last productions, such as the
384:– The First Hour of the Reunification
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1658:". Times Online, September 14, 2006.
1513:"Richter Criticizes German Pavilion"
388:Terror 2000 – Germany out of Control
205:, he became a production manager on
1446:Apthorp, Shirley (22 August 2010).
1288:Shirley Apthorp (August 23, 2010),
903:in ZĂĽrich, Switzerland, and at the
595:federal election of 1998 in Germany
431:In 2009, he joined the jury of the
327:Tunguska – The Crates Are Delivered
165:nurse. As a child, he worked as an
1791:Deaths from lung cancer in Germany
1684:. Translated by Jonathan Uhlaner.
1306:George Loomis (October 12, 2010),
1183:Former Auteur in Love With Outrage
1149:"Christoph Schlingensief obituary"
1123:William Grimes (August 25, 2010),
776:, Literature Nobel Prize Laureate
433:Berlin International Film Festival
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1061:"Christoph Schlingensief ist tot"
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1351:"The Weird Twilight of a Wagner"
1228:Christoph Schlingensief obituary
1147:Hugh Rorrison (24 August 2010).
972:Area 7, a St Matthews Expedition
907:in Berlin in collaboration with
197:. After working as a teacher at
186:, philosophy and art history at
901:, This is Your Family—Nazi Line
572:provided the Internet platform
1634:Schlingensief Films and others
1036:Remdoogo – Via Intolleranza II
1023:Mea Culpa – eine ReadyMadeOper
797:In 2011, the jury of the 54th
652:In 2004, at the invitation of
587:Chance 2000, Vote for Yourself
562:This is your Family, Nazi~Line
542:Schlingensief speaking at the
500:, was in 2006 rejected by the
346:Egomania – Island without Hope
322:Salò, or the 120 Days of Sodom
268:Tunguska – Die Kisten sind da!
184:German language and literature
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1418:Till Briegleb (7 June 2012).
1016:Landschaftspark Duisburg-Nord
915:Atta Atta—Art Has Broken Out!
115:Christoph Maria Schlingensief
58:Christoph Maria Schlingensief
48:Schlingensief in October 2009
1680:Till Briegleb (March 2007).
974:at the Burgtheater in Vienna
934:at the Burgtheater in Vienna
400:The German Chainsaw Massacre
382:The German Chainsaw Massacre
1796:German contemporary artists
1201:"Searching for Germany '99"
1181:Ken Johnson (May 1, 2014),
851:1996 Director of the movie
352:. Other influences include
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1420:"Halleluja der Ambivalenz"
768:Berlin Academy of the Arts
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392:Hundert Jahre Adolf Hitler
1475:, dld-conference.com 2010
691:and the ready made opera
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607:Freedom Party of Austria
348:(1986) starred Kier and
276:Rainer Werner Fassbinder
203:Kunstakademie DĂĽsseldorf
149:Early life and education
1671:Christoph Schlingensief
1247:Haus der Kunst, Munich.
956:at VolksbĂĽhne in Berlin
917:at VolksbĂĽhne in Berlin
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301:The 120 Days of Bottrop
182:. From 1981 he studied
36:Christoph Schlingensief
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1771:People from Oberhausen
1257:http://www.naziline.de
948:Bayreuth Festspielhaus
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1585:improve this article
1547:Festspielhaus Afrika
1388:, 2011), pp. 91, 94.
1040:Bavarian State Opera
705:Opera Village Africa
699:Opera Village Africa
603:Chance 2000 for Graz
362:Herbert Achternbusch
207:Hans W. Geißendörfer
1597:footnote references
1425:SĂĽddeutsche Zeitung
1235:, October 31, 2010.
1232:The Daily Telegraph
1066:SĂĽddeutsche Zeitung
987:The Flying Dutchman
773:SĂĽddeutsche Zeitung
544:Deutschlandsuche 99
530:in Manaus, Brazil.
523:The Flying Dutchman
518:African Twin Towers
459:(2003), a six-part
414:(alternately named
412:Please Love Austria
317:Pier Paolo Pasolini
157:. His father was a
1518:2011-08-10 at the
1397:Kaspar MĂĽhlemann:
1367:Kracht, C., &
1355:The New York Times
1334:The New York Times
1312:The New York Times
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1129:The New York Times
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510:Hauser & Wirth
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172:Having passed his
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1407:978-3-631-61800-4
1349:(June 22, 2003),
1327:(July 27, 2004),
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716:Hamburger Bahnhof
668:Bayreuth Festival
642:Berlin Staatsoper
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284:Margit Carstensen
272:New German Cinema
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1154:The Guardian
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1766:2010 deaths
1761:1960 births
1492:Der Spiegel
1431:26 December
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979:Kaprow City
891:Burgtheater
862:documenta X
752:Patti Smith
712:Ouagadougou
634:Dieter Roth
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475:documenta X
453:MTV Germany
404:Terror 2000
354:Luis Buñuel
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1755:Categories
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1374:Five Years
1047:References
1006:The Pilots
909:Ubermorgen
905:VolksbĂĽhne
843:VolksbĂĽhne
570:Ubermorgen
552:VolksbĂĽhne
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159:pharmacist
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105:Occupation
72:Oberhausen
64:1960-10-24
1721:Biography
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1651:The Times
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1589:excessive
1457:24 August
1452:Bloomberg
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693:Mea culpa
574:Nazi~Line
445:Talk 2000
329:starring
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163:pediatric
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1523:Artforum
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828:Projects
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686:oratorio
666:for the
663:Parsifal
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585:1997 or
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219:Career
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1745:Opera
1386:]
1204:(PDF)
1160:6 May
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1021:2009
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833:1990s
758:Death
648:Opera
455:. In
449:U3000
338:]
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1693:2010
1675:IMDb
1537:2010
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