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century, Servandoni's productions used pantomime rather than dialog, with a description of the story provided in the program. His productions were typically based on well-known stories from literature and mythology such as the "Spectacle de
Pandore" (1739) which told the tale of Prometheus and Pandora or "La forêt enchantée" (1754) which was inspired by
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During the years 1738–1743 and 1754–1758, Servandoni produced a series of successful theatrical productions much in the style of seventeenth-century machine plays, with an emphasis on elaborate changes in décor and special effects, often set to music. Unlike the machine plays of the seventeenth
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in 1731. His activity was considerable, whether as a painter or as an inventor of scenic contrivances for fêtes at the marriage of royal personages. He decorated public festivals in
England, France, and Portugal.
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Melanie
Doderer-Winkler, "Magnificent Entertainments: Temporary Architecture for Georgian Festivals" (London and New Haven, Yale University Press for The Paul Mellon Centre for Studies in British Art, 2013).
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Melanie
Doderer-Winkler, "Magnificent Entertainments: Temporary Architecture for Georgian Festivals" (London and New Haven, Yale University Press for The Paul Mellon Centre for Studies in British Art, 2013).
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worked in London as a set designer at the recently founded Royal
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Dizionario delle Belle Arti del
Disegno y Estratto in Gran Parte dalla Enciclopedia Metodica da Francesco Milizia, Seconda Edizione, Tomo Secondo
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Cristiano
Marchegiani, « Servandoni (Servandon), Giovanni Niccolò Girolamo (Jean-Nicolas-Jérôme) », in
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La
Relation de la répresentation de la forêt enchantée sur le théâtre des Tuileries, le 31 mars 1754
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One or more of the preceding sentences incorporates text from a publication now in the
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Olivier, Marc (2005). "Jean-Nicolas
Servandoni's Spectacles of Nature and Technology".
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Olivier, Marc (2005). "Jean-Nicolas
Servandoni's Spectacles of Nature and Technology".
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He was educated as an artist of perspective in Rome and was a pupil of
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He was born in Florence, the son of a French carriage driver.
80:(2 May 1695 – 19 January 1766) was an Italian decorator,
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designed in 1761, former property of the Duke of Ursel.
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Description abregée de l'eglise Saint Pierre de Rome
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