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Venkatamakhin

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25: 347:. The name itself means ‘Exposition or illumination of the four channels through which a raga manifests itself’. Out of the ten chapters, the last and part of the ninth are said to be missing. Twelve hundred and odd couplets available are in simple, elegant Sanskrit. His grandson, Muddu Venkatamakhi, added a supplement to the work. 350:
It is said that Venkatamakhin freed himself from thieves by singing ‘Hare Nipidakantaka Dushpradesa’ (Lalita). He cared for his people too and freed them from the order of the ruler to get the symbols of conch and wheel tattooed by singing ‘Sankha Chakranganatyachara re’ (Ritigowla). He has also
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was a landmark in the annals of Carnatic music. It had been in circulation only in manuscript form until it was taken up for print early in the 20th century. It gives a systematic and scientific classification of
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N. Ramanathan: ‘Influence of Śāstra on Prayoga: the Svara System in the Post-Saṅgītaratnākara Period with Special Reference to South Indian Music’,
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Subramanian, L. (1999). "The reinvention of a tradition: Nationalism, Carnatic music and the Madras Music Academy, 1900-1947".
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by his father and his brother, Yagnanarayan. He was later schooled in the scholarly aspects of classical music by
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and equipped with knowledge in varied subjects such as astrology, logic, philosophy, and
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Venkatamakhin or Venkateswara Dikshita was the son of the musician, scholar, and priest,
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Venkatamakhin composed the Gita ‘Gandharva Janata’ (Arabhi) in praise of Tanappacharya.
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Like his father, Venkatamakhin served as a minister to Raghunatha Nayak's successor,
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Ries, Raymond E. (1969). "The Cultural Setting of South Indian Music".
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in Carnatic music, the king commissioned Venkatamakhin to compile the
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The Traditional Indian Theory and Practice of Music and Dance
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composed Lakshya Gitas and Prabandhas in Bandira Bhasha.
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from Honnali near Shivamogga, who was also a minister of
232:, was an Indian poet, musician, and musicologist of 188: 176: 157: 140: 132: 125: 49:. Unsourced material may be challenged and removed. 535: 579:V. Raghavan: ‘Venkatamakhin and the 72 Melas’, 398:"4carnaticmusic - GOVINDA DIKSHITAR-SSRAO-BLOG" 542:The Oxford Encyclopaedia of the Music of India 8: 372: 328:, and composed 24 ashtapadis in his honour. 478:Indian Economic & Social History Review 436: 384: 122: 572:V. Raghavan: ‘Later Saṅgīta Literature’, 109:Learn how and when to remove this message 453:Katz, Jonathan (2001). "Veṅkaṭamakhin". 469:10.1093/gmo/9781561592630.article.48134 360: 597:, ed. J.B. Katz (Leiden, 1992), 75–105 7: 421: 47:adding citations to reliable sources 294:. Venkatamakhin was also versed in 14: 276:Kannada Hoysala Karnataka Brahmin 23: 311: 34:needs additional citations for 1: 221: 166: 581:Journal of the Music Academy 574:Journal of the Music Academy 534:Mahabharati, Sangit (2011). 463:. Oxford University Press. 286:. He was instructed in the 242:in which he explicates the 210: 627: 588:Tanjore as a Seat of Music 583:, Madras, 12 (1941), 67–79 490:10.1177/001946469903600201 250:. Venkatamakhin composed 236:. He is renowned for his 576:, Madras, 4 (1933), 62–4 246:system of classifying 16:Musicologist, composer 336:Chaturdandi Prakasika 322:Chaturdandiprakashika 239:Chaturdandiprakashika 183:Chaturdandiprakashika 43:improve this article 307:Vijayaraghava Nayak 611:Carnatic composers 456:Grove Music Online 198: 197: 158:Years active 119: 118: 111: 93: 618: 562: 560: 558: 539: 530: 501: 472: 440: 434: 425: 419: 413: 412: 410: 408: 402:sites.google.com 394: 388: 385:Subramanian 1999 382: 376: 373:GroveMusicOnline 370: 334:Venkatamakhin's 315: 314: 1633–1673 313: 280:Raghunatha Nayak 272:Govinda Dikshita 227: 226: 223: 218: 213: 193:Govinda Dikshita 179: 172: 171: 168: 163: 133:Other names 123: 114: 107: 103: 100: 94: 92: 51: 27: 19: 626: 625: 621: 620: 619: 617: 616: 615: 601: 600: 569: 567:Further reading 556: 554: 552: 533: 504: 475: 452: 449: 444: 443: 437:OxfordReference 435: 428: 420: 416: 406: 404: 396: 395: 391: 383: 379: 371: 362: 357: 343:ragas based on 310: 268: 224: 219: 177: 169: 164: 153: 128: 115: 104: 98: 95: 58:"Venkatamakhin" 52: 50: 40: 28: 17: 12: 11: 5: 624: 622: 614: 613: 603: 602: 599: 598: 591: 590:(Madras, 1981) 584: 577: 568: 565: 564: 563: 550: 537:"Venkaṭamakhi" 531: 519:10.2307/833909 502: 484:(2): 131–163. 473: 448: 445: 442: 441: 426: 414: 389: 387:, p. 135. 377: 359: 358: 356: 353: 267: 264: 234:Carnatic music 196: 195: 190: 186: 185: 180: 174: 173: 159: 155: 154: 152: 151: 148: 144: 142: 138: 137: 134: 130: 129: 126: 117: 116: 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 623: 612: 609: 608: 606: 596: 592: 589: 585: 582: 578: 575: 571: 570: 566: 553: 551:9780195650983 547: 543: 538: 532: 528: 524: 520: 516: 512: 508: 503: 499: 495: 491: 487: 483: 479: 474: 470: 466: 462: 458: 457: 451: 450: 446: 438: 433: 431: 427: 424:, p. 24. 423: 418: 415: 403: 399: 393: 390: 386: 381: 378: 374: 369: 367: 365: 361: 354: 352: 348: 346: 342: 337: 332: 329: 327: 323: 319: 308: 303: 301: 297: 293: 292:Tanappacharya 289: 285: 281: 277: 273: 265: 263: 261: 257: 253: 249: 245: 241: 240: 235: 231: 214: 212: 211:Veṅkaṭamakhin 206: 202: 201:Venkatamakhin 194: 191: 187: 184: 181: 175: 160: 156: 149: 146: 145: 143: 139: 135: 131: 124: 121: 113: 110: 102: 91: 88: 84: 81: 77: 74: 70: 67: 63: 60: –  59: 55: 54:Find sources: 48: 44: 38: 37: 32:This article 30: 26: 21: 20: 594: 587: 580: 573: 555:. Retrieved 541: 513:(2): 22–31. 510: 506: 481: 477: 460: 454: 417: 405:. Retrieved 401: 392: 380: 349: 333: 330: 304: 269: 237: 230:Venkatamakhi 229: 208: 200: 199: 178:Notable work 136:Venkateswara 127:Venkatamakhi 120: 105: 96: 86: 79: 72: 65: 53: 41:Please help 36:verification 33: 586:S. Seetha: 557:7 September 507:Asian Music 225: 1630 170: 1630 141:Occupations 447:References 256:prabandhas 69:newspapers 498:144368744 422:Ries 1969 407:24 August 326:Tiruvarur 284:Thanjavur 266:Biography 260:Tiruvarur 244:melakarta 99:June 2018 605:Category 300:alankara 296:Sanskrit 252:geethams 147:Minister 220:  165:  150:Scholar 83:scholar 548:  527:833909 525:  496:  345:swaras 189:Father 85:  78:  71:  64:  56:  523:JSTOR 494:S2CID 355:Notes 318:ragas 288:veena 248:ragas 228:) or 90:JSTOR 76:books 559:2018 546:ISBN 409:2024 341:Mela 274:, a 254:and 205:IAST 62:news 515:doi 486:doi 465:doi 302:. 282:of 217:fl. 162:fl. 45:by 607:: 544:. 540:. 521:. 509:. 492:. 482:36 480:. 459:. 429:^ 400:. 363:^ 312:r. 262:. 222:c. 215:; 207:: 167:c. 561:. 529:. 517:: 511:1 500:. 488:: 471:. 467:: 461:1 439:. 411:. 375:. 309:( 203:( 112:) 106:( 101:) 97:( 87:· 80:· 73:· 66:· 39:.

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"Venkatamakhin"
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Chaturdandiprakashika
Govinda Dikshita
IAST
Carnatic music
Chaturdandiprakashika
melakarta
ragas
geethams
prabandhas
Tiruvarur
Govinda Dikshita
Kannada Hoysala Karnataka Brahmin
Raghunatha Nayak
Thanjavur
veena
Tanappacharya
Sanskrit
alankara
Vijayaraghava Nayak

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