43:. A mute, paralysed fury responds to the danger of the obliteration of an individual consciousness by an external Other (and perhaps by the corresponding internalised desire to obliterate the subjectivity of others in turn).
272:
325:
58:
uses the Medusa
Complex to refer to a self-destructive early state of inwardly directed aggression produced by a disruption of the mother/child mutual gaze.
132:
305:
166:
310:
315:
69:
65:
290:
68:
in a state of petrified fear. She also saw it as the possible by-product of a conflict between an idealised,
89:
23:
revolving around the petrification or freezing of human emotion, and drawing on the classical myth of the
20:
93:
246:
162:
55:
112:
83:
36:
320:
75:
127:
61:
299:
137:
274:
Shakespeare's Spiral: Tracing the Snail in King Lear and
Renaissance Painting
97:
39:
to cover the feeling of petrification induced by the threat of the parental
64:
saw the Medusa
Complex as a dissociated state produced by paralysis of the
117:
79:
222:
The
Concise Corsini Encyclopedia of Psychology and Behavioural Science
159:
The
Concise Corsini Encyclopedia of Psychology and Behavioral Science
24:
122:
40:
157:
Craighead, W. Edward; Nemeroff, Charles B., eds. (2004-04-19).
51:
Later writers have developed
Bachelard's idea in various ways.
72:
state and the actual reality of one's feelings and emotions.
326:Words and phrases derived from Greek mythology
35:The term Medusa Complex was coined in 1948 by
8:
161:(3rd ed.). New York Chichester: Wiley.
92:used the Medusa Complex in reference to
149:
133:Petrifaction in mythology and fiction
7:
14:
78:saw the Medusa Complex pervading
271:results, search (2010-03-19).
1:
342:
306:Psychoanalytic terminology
66:fight-or-flight response
90:Francois-Xavier Gleyzon
311:Analytical psychology
316:Complex (psychology)
247:Waltzing with Medusa
209:Novel Configurations
183:Shakespeare's Spiral
19:is a psychological
291:The Medusa Complex
220:W. Craighead ed.
56:Attachment theory
333:
279:
278:
268:
262:
255:
249:
244:
238:
233:P. Bennett ed.,
231:
225:
218:
212:
205:
199:
192:
186:
179:
173:
172:
154:
113:Bruno Bettelheim
37:Gaston Bachelard
341:
340:
336:
335:
334:
332:
331:
330:
296:
295:
287:
282:
270:
269:
265:
256:
252:
245:
241:
232:
228:
219:
215:
206:
202:
193:
189:
180:
176:
169:
156:
155:
151:
147:
142:
108:
82:in the form of
76:Marjorie Garber
49:
33:
12:
11:
5:
339:
337:
329:
328:
323:
318:
313:
308:
298:
297:
294:
293:
286:
285:External links
283:
281:
280:
263:
250:
239:
237:(2012) p. 1593
226:
224:(2014) p. 1044
213:
200:
187:
174:
167:
148:
146:
143:
141:
140:
135:
130:
128:Louis MacNeice
125:
120:
115:
109:
107:
104:
103:
102:
87:
73:
62:Marion Woodman
59:
48:
45:
32:
29:
17:Medusa complex
13:
10:
9:
6:
4:
3:
2:
338:
327:
324:
322:
319:
317:
314:
312:
309:
307:
304:
303:
301:
292:
289:
288:
284:
276:
275:
267:
264:
260:
254:
251:
248:
243:
240:
236:
235:Montreal 2010
230:
227:
223:
217:
214:
211:(1994) p. 215
210:
204:
201:
198:(2012) p. 268
197:
191:
188:
185:(2010) p. 209
184:
178:
175:
170:
168:9780471220367
164:
160:
153:
150:
144:
139:
136:
134:
131:
129:
126:
124:
121:
119:
116:
114:
111:
110:
105:
100:
99:
95:
94:Shakespeare's
91:
88:
85:
84:gender trauma
81:
77:
74:
71:
67:
63:
60:
57:
54:
53:
52:
46:
44:
42:
38:
30:
28:
26:
22:
18:
273:
266:
261:(2007) p. 36
258:
253:
242:
234:
229:
221:
216:
208:
203:
195:
194:J-P Sartre,
190:
182:
181:F. Gleyzon,
177:
158:
152:
138:Sophie Calle
96:
50:
47:Developments
34:
16:
15:
257:L. Shamas,
196:Saint Genet
300:Categories
207:A. Passo,
145:References
98:King Lear
259:We Three
118:Gargoyle
106:See also
80:Macbeth
70:perfect
31:Origins
21:complex
321:Medusa
277:. UPA.
165:
25:Medusa
123:Golem
163:ISBN
41:gaze
302::
27:.
171:.
101:.
86:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.