362:" is included in the play's performance listings to commemorate 100 years since the death of Goethe. Höfgen takes the role of Mephisto, which becomes his most successful part. Höfgen can hardly believe that the Nazis will come to power, but on 30 January 1933, Hitler is named as the new Reichskanzler (Chancellor of the Reich). At this time, Höfgen starts shooting a film in Madrid. Dora Martin emigrates to America. Once the shooting in Spain is finished, Höfgen doesn't return to Germany, instead travelling to Paris, because he had been warned that he was on the Nazi blacklist. After his colleague from Hamburg Angela Siebert puts in a good word for him with Lotte Lindenthal, Lotte decides to choose him as her partner for her debut performance at the Berlin State Theatre. Höfgen therefore is under the protection of the Ministerpräsident and can return to Germany. "Faust" is again written in the performance listings of the State Theatre. Höfgen tells Lotte that he would like to play Mephisto. Again, she manages to get him this part. Thanks to his patron, he organises the release of Otto Ulrichs, whom the Nazis had imprisoned in a concentration camp for his communist beliefs. Höfgen convinces him to take a job at the State Theatre. Meanwhile, Hans Miklas feels betrayed by national socialism, since in his opinion it was of no benefit to Germany.
351:" ("Frühlings Erwachen") is being rehearsed. Here Höfgen acts as a tyrant towards his colleagues. He adjourns the rehearsal in the afternoon because of his dance lesson. Juliette is the only person he allows to address him as Heinz – not even his family are allowed this. Höfgen is introduced to Barbara Bruckner (the daughter of Geheimrat Bruckner) by his colleague Nicoletta von Niebuhr. She encourages Höfgen to woo Barbara. To Barbara's surprise he does it, and they marry quickly. They spend their honeymoon in the Upper Bavarian lakes. Nicoletta joins them and is visited almost daily by the eccentric writer Theophil Marder. Two weeks after their return, Hendrik again meets with Juliette. Theophil Marder writes Nicoletta a telegram, saying that his feelings are hurt by his marriage; a wife must belong to her husband regardless of circumstances. Nicoletta von Niebuhr travels straight to him and gives up her job. She marries the man, 30 years her senior.
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Hamburger Künstlertheater is the first rung on Höfgen's career ladder. He works there 16 hours a day and often suffers from fits of excitement and nerves. He demonstrates superiority over his colleagues. When the Berlin actress Dora Martin has a guest performance, he hides in her dressing room. Although he didn't see her performance, he congratulates her for it. Hans Miklas, a follower of the NSDAP, talks negatively of Martin because of her Jewish origin. In a harbour pub in
Hamburg, he gets to know Juliette Martins. Her father is an engineer from Hamburg and her mother was African, giving Juliette her dark skin. She gives Höfgen dance lessons and becomes his mistress.
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disregarded Mann's advice and not only returned to
Germany, but embraced the Nazi regime (for purely opportunistic reasons), Mann never forgave his former friend Gründgens. Klaus Mann was exiled in 1934; Gründgens became a renowned theater and movie director in Nazi Germany. While Mann never called Gründgens an adversary, he admitted "moved antipathy". Although he attacked Gründgens in newspaper articles, Mann hesitated to use homosexuality as a theme in the novel as he himself was gay and decided to use "negroid masochism" as the main character's sexual preference.
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267:, which attacked National Socialism. His friend and publisher Fritz Helmut Landshoff made him a "relatively generous offer", as Mann wrote to his mother on 21 July 1935. He was to receive a monthly wage to write a novel. Mann originally intended to write a utopian novel about Europe in 200 years. However, Mann discarded this idea stating that he could not write an apolitical novel at that point in history. The author
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surrounded by an ice-cold atmosphere. Despite his disability he walks through the hall directly towards the director of the state theatre, Hendrik Höfgen. Although he hates the 39-year-old, he allows himself to be photographed conversing with him. To guarantee a good consequence of his appearance, the
Ministerpräsident delays his arrival to the party. Later he enters with his wife, Lotte Lindenthal.
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of Dora Martin, Höfgen receives a role in the State
Theatre in Berlin. There he makes his career; his fee triples. He even sings for the evening performance of Chansons in the Music Hall. Now he spends a week at the Reichskanzlerplatz (Chancellor of the Reich) and learns to drive. Geheimrat Bruckner and his daughter Barbara come to Berlin less and less often and withdraw from Höfgen.
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Höfgen buys a huge villa in
Grunewald and calls his sister and parents to Berlin. He now marries Nicoletta to put an end to the rumours of his relationship with a black woman. Ulrichs once again works in underground communist circles. He now knows that Höfgen only lives for his fame. Ulrichs is again
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The story then reverts to the mid-1920s: Hendrik Höfgen, Otto
Ulrichs and Hans Miklas belong to the Hamburger Künstlertheater (Artists' Theatre in Hamburg). Höfgen currently works there as an actor and director, and is friends with Otto Ulrichs, as they incessantly plan a "revolutionary theatre." The
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In 1928, Höfgen takes a role in a comedy in Vienna. He receives his place there on the recommendation of Dora Martin, Geheimrat
Bruckner and Theophil Marder. He leaves the Hamburger Künstlertheater after an argument with Hans Miklas, after he called Lotte Lindenthal a blonde cow. Through the support
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He plays his new role of Hamlet poorly, and suffers greatly from feelings of ineptitude. The premiere is very successful and the critics are impressed. The audience no longer assesses his artistic capabilities, but rather his relationship with power. At the end of the novel, he breaks down to his
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The
Prussian Ministerpräsident (Prime Minister) celebrates his 43rd birthday in 1936 in the Berliner Opernhaus (Berlin Opera House). The party is so magnificent and extravagant that the foreign guests feel intimidated. As the propaganda minister enters the hall, his presence creates a stir. He is
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Höfgen wants the Nazis to know nothing of his relationship with the dark-skinned
Juliette. He implores her to leave Germany and go to Paris. Since Juliette refuses, Höfgen finds no alternative but to allow Juliette to be arrested. In prison Höfgen tells her that he will get her sent to Paris and
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a year later. Gründgens and Mann had both belonged in the early 1930s to a strongly left-wing theatre group that in
January 1933 was touring Spain. When Hitler became German Chancellor on 30 January 1933, the group was in Madrid, and Mann urged Gründgens not to return to Germany. When Gründgens
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The novel portrays actor Hendrik Höfgen's rise from the Hamburger Künstlertheater (Hamburg Artists' Theater) in 1926 to nationwide fame in 1936. Initially, Höfgen flees to Paris on receiving news of the Nazis' rise to power because of his communist past (learning from a friend that he is on a
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The Ministerpräsident and the propaganda minister argue over the choice of the new director of the State Theatre. The Ministerpräsident wants Höfgen to take the post and the propaganda minister disagrees, but eventually gives in. Höfgen takes over the position of Cäsar von Muck, who is named
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president of the "Dichterakademie" (Poetry Academy). In Paris, von Muck encounters Höfgen's black lover. Out of revenge he spreads the information. The Führer engages Höfgen for a short conversation on the matter, then dismisses him, content that the issue has been dealt with.
331:) and lost his humane values (even denouncing his mistress as "Black Venus"). There are situations where Höfgen tries to help his friends or tell the prime minister about concentration camp hardships, but he is always concerned not to lose his Nazi patrons.
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in the title role, produced by Manfred Durniok, with a screenplay by Péter Dobai and Szabó. The film received generally positive reviews and was the first Hungarian film to win an Academy Award for Best Foreign Film.
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support her financially. In 1934, Barbara divorces Höfgen. She too lives in Paris. Nicoletta separates from her husband and returns to Berlin, to continue working as an actress. She works alongside Höfgen.
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and had toured through Germany. Gründgens and Erika Mann got engaged while Klaus Mann similarly got engaged to Wedekind. The first two got married in 1926 but divorced in 1929 and Wedekind married writer
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suggested that he write a novel of a homosexual careerist in the Third Reich, with the director of the state theatre Gustaf Gründgens as a subject matter. Gründgens's homosexuality was widely known.
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arrested. Höfgen begs for help from the Ministerpräsident, but he explains to Höfgen that he can no longer help and that he should say no more about it.
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general, to have him pardoned. On returning to Berlin he quickly manages to win over Lotte and her general, and with his support has a wonderful career.
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blacklist). A former co-actress from Hamburg, Angelika Siebert, travels to Berlin to convince Lotte von Lindenthal, the girlfriend (and later wife) of a
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republished it in West Germany. Since the 1968 verdict concerned only Nymphenburger and Gorski never took legal action against Rowohlt, its
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mother. She knows her son's susceptibility to nervous breakdowns, but notices in his composure that his spiritual condition is deep-rooted.
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a typical opportunist, no values, arrogant and craving for power, adaptable, unscrupulous though not without conscience, ambitious and vain
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Klaus Mann fled to exile in March 1933 to avoid political persecution by Hitler's regime. In Amsterdam he worked for the exile magazine
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writer, bootlicker of the Nazis, whom he attempts to provide with an intellectual veneer of respectability
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He rents a room for Juliette in a remote corner of Berlin. Then he visits her during the week. In 1932, "
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independent, engaged over many years by Höfgen as dance teacher and
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admires Marders (as a father figure), artistic lifestyle, extrovert
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sued the Nymphenburger Verlagsbuchhandlung, then the publisher of
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The novel was however still available (and importable) from the
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eccentric and egoistical playwright, successful as critic of
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adapted the story for the stage and was performed by the
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he realizes that he actually made a pact with evil (i.e.
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had all worked together on a stage production of Mann's
228:(Nazis), keep his job and improve his social positions.
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intelligent family patriarch with cosmopolitan outlook
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Exploits and Opinions of Dr. Faustroll, Pataphysician
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After the novel's publication in 1936, the newspaper
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theatre director; owns theatres in Vienna and Berlin
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49:. Unsourced material may be challenged and removed.
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801:from 1985 to 1986. In an early leading role,
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885:"Production of Mephisto | Theatricalia"
251:The novel was adapted into an award-winning
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527:successful actress (in Germany and abroad)
472:actor, theatre director, artistic director
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109:Learn how and when to remove this message
1530:2nd movement "Quasi-Faust" (1847, Alkan)
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386:After Gründgens' death, his adopted son
1347:The Black Bonspiel of Wullie MacCrimmon
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226:National Socialist German Workers Party
1988:The Devil's Hands Are Idle Playthings
1224:The Year the Yankees Lost the Pennant
871:"The 54th Academy Awards | 1982"
321:On obtaining the role of Mephisto in
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487:actor, communist, resistance fighter
209:is the sixth novel by German author
47:adding citations to reliable sources
347:In the Hamburger Künstlertheater "
234:was first published in 1936 by an
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1851:El extraño caso del doctor Fausto
1693:The Mephistopheles of Los Angeles
1240:The Devil to Pay in the Backlands
899:"Edmundson, Helen - Drama Online"
216:The novel adapts themes from the
2219:German novels adapted into films
2209:Novels based on the Faust legend
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1715:The Laboratory of Mephistopheles
1446:Doctor Faustus Lights the Lights
274:In 1924, Klaus Mann, his sister
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1528:Grande sonate 'Les quatre âges'
1339:Will Success Spoil Rock Hunter?
34:needs additional citations for
2014:When the Devil Calls Your Name
1679:The Devil Went Down to Georgia
1470:Historia von D. Johann Fausten
1296:Johannes Cabal the Necromancer
1048:Historia von D. Johann Fausten
150:Mephisto: Roman einer Karriere
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2139:Mephistopheles and Margaretta
746:Dr. Radig in a later edition)
1779:The Devil and Daniel Webster
1193:The Devil and Daniel Webster
816:, which was produced at the
812:wrote a stage adaptation of
407:Federal Constitutional Court
206:Mephisto – Novel of a Career
2184:1936 German-language novels
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2006:The Devil and Daniel Mouse
1535:Scenes from Goethe's Faust
903:www.dramaonlinelibrary.com
731:diplomat; Berlin socialite
617:Barbara's childhood friend
459:Corresponding real person
2199:Novels about Nazi Germany
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1907:Faust: Love of the Damned
795:Royal Shakespeare Company
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1177:The Master and Margarita
1130:The Devil and Tom Walker
400:Federal Court of Justice
248:Aufbau-Verlag in 1956.
16:1936 novel by Klaus Mann
1574:Bagatelle sans tonalité
1478:Faustus, the Last Night
805:played Hendrik Höfgen.
1731:The Damnation of Faust
1658:Sympathy for the Devil
1619:Beethoven's Last Night
253:film of the same title
2214:Works set in theatres
1931:Shortcut to Happiness
1923:I Was a Teenage Faust
1811:Marguerite de la nuit
1763:The Student of Prague
1747:The Student of Prague
1513:Gretchen am Spinnrade
1390:La damnation de Faust
1248:That Hell-Bound Train
846:"Das Duell der Toten"
842:Reich-Ranicki, Marcel
783:Klaus Maria Brandauer
541:Nicoletta von Niebuhr
58:"Mephisto" novel
2045:Randy Newman's Faust
1803:Beauty and the Devil
1739:Faust and Marguerite
1723:Faust and Marguerite
1422:Faust and Marguerite
1280:The Devil's Own Work
1256:For a Breath I Tarry
1161:The Sorrows of Satan
1122:Melmoth the Wanderer
1115:Daniel and the Devil
970:Works based on Faust
928:Mephisto (in German)
512:nightclubs, outsider
439:is still available.
298:Pariser Tageszeitung
255:, released in 1981.
43:improve this article
2194:Roman à clef novels
1795:The Legend of Faust
1665:Friend of the Devil
1454:The Rake's Progress
1441:(1916–1925, Busoni)
1216:The Devil in Velvet
1011:Theophilus of Adana
994:Deal with the Devil
773:was adapted into a
620:liberal bourgeoisie
602:liberal bourgeoisie
584:liberal bourgeoisie
566:theatre, Nazi elite
456:Position in society
419:dissenting opinions
146:Original title
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2189:1936 German novels
1875:Oh, God! You Devil
1553:(1854–1857, Liszt)
1457:(1951, Stravinsky)
1264:The Damnation Game
999:in popular culture
989:Johann Georg Faust
789:French playwright
713:intellectual, Nazi
695:intellectual, Nazi
595:Geheimrat Bruckner
490:theatre; communist
349:Spring's Awakening
301:presented it as a
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717:Gottfried Benn
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688:Cäsar von Muck
684:
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663:Carl Sternheim
660:
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642:Hermann Göring
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465:Hendrik Höfgen
461:
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383:
380:
336:
333:
324:Faust Part One
310:
307:
289:Carl Sternheim
269:Hermann Kesten
260:
257:
240:firm based in
200:
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178:Querido Verlag
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99:September 2020
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2069:Disco Inferno
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2011:
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1646:" (1859–1885)
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1497:
1496:Faust ballets
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1417:(1869, Hervé)
1416:
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1409:(1868, Boito)
1408:
1407:
1403:
1400:
1399:
1395:
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1385:(1816, Spohr)
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1042:
1040:Seminal works
1038:
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1022:
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764:
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749:
747:
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739:
736:
735:André Germain
733:
730:
727:
725:
722:
721:
718:
715:
712:
709:
707:
706:Benjamin Pelz
704:
703:
700:
697:
694:
691:
689:
686:
685:
682:
681:Max Reinhardt
679:
676:
673:
671:
670:the Professor
668:
667:
664:
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438:
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429:Aufbau-Verlag
427:
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401:
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285:
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258:
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243:
239:
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237:Exilliteratur
233:
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223:
219:
214:
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91:
88:
84:
81:
77:
74:
70:
67:
63:
60: –
59:
55:
54:Find sources:
48:
44:
38:
37:
32:This article
30:
26:
21:
20:
2137:
2118:
2110:
2095:
2086:
2067:
2059:
2051:
2043:
2037:Damn Yankees
2035:
2012:
2004:
1953:
1945:
1937:
1929:
1921:
1913:
1905:
1897:
1889:
1881:
1873:
1865:
1857:
1849:
1841:
1833:
1825:
1819:Damn Yankees
1817:
1809:
1801:
1793:
1785:
1777:
1769:
1761:
1753:
1745:
1737:
1729:
1721:
1713:
1624:
1617:
1608:
1601:
1572:
1564:
1556:
1548:
1533:
1519:
1511:
1476:
1468:
1460:
1452:
1444:
1438:Doktor Faust
1436:
1433:(1888, Lutz)
1428:
1425:(1855, Lutz)
1420:
1412:
1404:
1396:
1388:
1380:
1361:
1353:
1345:
1337:
1331:Damn Yankees
1329:
1321:
1302:
1294:
1286:
1278:
1270:
1262:
1254:
1246:
1238:
1230:
1222:
1214:
1206:
1198:
1184:
1183:
1175:
1167:
1159:
1151:
1143:
1135:
1120:
1086:
1079:
1076:(1808 play)
1072:
1067:(1602, play)
1062:
1054:
1046:
927:
906:. Retrieved
902:
893:
879:
865:
854:. Retrieved
849:
836:
813:
807:
803:Alan Rickman
788:
779:István Szabó
777:directed by
770:
768:
745:
741:
724:Pierre Larue
723:
705:
687:
669:
659:intellectual
655:Wilhelminism
648:
630:
612:
594:
576:
558:
540:
522:
500:
483:Otto Ulrichs
482:
464:
436:
423:
404:
396:West Germany
391:
388:Peter Gorski
385:
376:
372:
368:
364:
357:
353:
346:
342:
338:
322:
320:
312:
303:roman à clef
296:
294:
283:
273:
265:Die Sammlung
264:
262:
250:
235:
231:
230:
215:
205:
204:
203:
149:
105:
96:
86:
79:
72:
65:
53:
41:Please help
36:verification
33:
1598:Epica Saga
1585:Other music
1541:Part II of
1406:Mefistofele
1180:(1929–1940)
1059:(1592 play)
1031:Stingy Jack
1006:Simon Magus
977:Folk legend
852:(in German)
781:, starring
765:Adaptations
699:Hanns Johst
606:Thomas Mann
570:Emmy Göring
523:Dora Martin
453:Personality
426:East German
246:East Berlin
180:(Amsterdam)
2178:Categories
2120:Frau Faust
1966:Television
1939:Goat Story
1915:Fausto 5.0
1883:Crossroads
1355:Temptation
1288:Jack Faust
933:Faded Page
856:2020-05-07
828:References
638:Nazi elite
624:Klaus Mann
588:Erika Mann
507:dominatrix
443:Characters
431:. In 1981
259:Background
211:Klaus Mann
140:Klaus Mann
69:newspapers
2145:Paintings
2088:Gods' Man
1899:Bedazzled
1835:Bedazzled
1071:Goethe's
1064:Cenodoxus
808:In 2013,
769:In 1981,
613:Sebastian
494:Hans Otto
450:Character
411:Basic Law
402:in 1968.
316:Luftwaffe
242:Amsterdam
174:Publisher
122:Mephisto
2163:Category
2113:(comics)
2053:Success!
2029:Musicals
1990:" (2003)
1983:" (1963)
1973:Episodes
1859:Mephisto
1695:" (2015)
1688:" (2012)
1681:" (1979)
1674:" (1975)
1667:" (1970)
1660:" (1968)
1653:" (1936)
1323:Gretchen
1195:" (1937)
1185:Mephisto
1132:" (1824)
1108:Bearskin
1016:Erdgeist
935:(Canada)
850:Die Zeit
814:Mephisto
771:Mephisto
437:Mephisto
392:Mephisto
309:Synopsis
232:Mephisto
156:Language
2098:(manga)
1577:(Liszt)
1569:(Brian)
1561:(Liszt)
1489:Ballets
822:Hamburg
797:at the
753:theatre
677:theatre
548:theatre
433:Rowohlt
415:dignity
382:Lawsuit
198:Germany
83:scholar
2123:(2014)
2115:(1987)
2100:(1950)
2091:(1929)
2080:Comics
2072:(2004)
2064:(2003)
2056:(1993)
2048:(1995)
2040:(1955)
2017:(2019)
2009:(1978)
1958:(2019)
1950:(2011)
1942:(2008)
1934:(2007)
1926:(2002)
1918:(2001)
1910:(2000)
1902:(2000)
1894:(1994)
1886:(1986)
1878:(1984)
1870:(1982)
1862:(1981)
1854:(1969)
1846:(1967)
1838:(1967)
1830:(1960)
1822:(1958)
1814:(1955)
1806:(1950)
1798:(1949)
1790:(1949)
1782:(1941)
1774:(1926)
1766:(1926)
1758:(1915)
1750:(1913)
1742:(1904)
1734:(1903)
1726:(1900)
1718:(1897)
1592:Albums
1481:(2006)
1473:(1994)
1465:(1955)
1449:(1938)
1374:Operas
1366:(2018)
1358:(1986)
1350:(1965)
1342:(1955)
1334:(1955)
1326:(1879)
1307:(2019)
1299:(2009)
1291:(1997)
1283:(1991)
1275:(1990)
1267:(1986)
1259:(1966)
1251:(1958)
1243:(1956)
1235:(1956)
1227:(1954)
1219:(1951)
1211:(1947)
1203:(1939)
1188:(1936)
1172:(1898)
1164:(1896)
1156:(1892)
1148:(1844)
1145:Auriol
1140:(1830)
1125:(1820)
908:Oct 9,
329:Nazism
159:German
136:Author
85:
78:
71:
64:
56:
2111:Faust
2096:Faust
2061:Faust
1998:Other
1947:Faust
1891:Faust
1827:Faust
1771:Faust
1707:Films
1636:Songs
1603:Epica
1398:Faust
1382:Faust
1315:Plays
1100:Prose
1073:Faust
984:Faust
742:Ihrig
360:Faust
276:Erika
218:Faust
164:Genre
90:JSTOR
76:books
1272:Eric
910:2019
775:film
335:Plot
190:1936
62:news
2131:Art
931:at
820:in
394:in
213:.
45:by
2180::
901:.
848:.
824:.
1986:"
1979:"
1691:"
1684:"
1677:"
1670:"
1663:"
1656:"
1649:"
1642:"
1191:"
1128:"
1117:"
1113:"
1110:"
1106:"
962:e
955:t
948:v
912:.
887:.
873:.
859:.
744:(
112:)
106:(
101:)
97:(
87:·
80:·
73:·
66:·
39:.
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