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169:...not only did Glickman handle the figures in a way that connotes dignity within poverty, the intimation of common humanity that classicism brings with it makes the sculpture speak powerful against the injustice of a situation in which some went without shoes because of color and class.
131:"the exhibition's one outstanding piece of sculpture...a work of remarkable insight and plastic strength." It was one of just 11 sculptures exhibited at the 600-piece exhibition and "unquestionably stole the show."
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amongst a handful of other public artworks in the national capital city that "flesh out the story of the nation" with representations of the
African-American experience.
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349:. Preservation case studies. Washington, D.C.: U.S. Dept. of the Interior, National Park Service, Preservation Assistance Division. pp. 116–117.
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The sculpture is recognized as a "powerful comment on the plight of
African-Americans" before and during the Great Depression. According to
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Public works of art project. Report of the assistant secretary of the
Treasury to federal emergency relief administrator
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Figuring the New Deal: Politics and
Ideology in Treasury Section Painting and Sculpture in Washington, D.C., 1934-1943
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190 cm × 51 cm × 51 cm (76 in × 20 in × 20 in)
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saw the plaster cast of this sculpture, he said "it ought to be cast in bronze." Someone paid for the
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158:. The bronze version of the sculpture is featured in the PWAP official report of 1934.
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Artists on the left : American artists and the
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Artists on the left: American artists and the
Communist movement, 1926-1956
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212:"THE REALM OF ART: THE PUBLIC WORKS OF ART PROJECT; IN A NATIONAL MIRROR"
332:(Ph.D.). University College London. pp. 194–195. UMI U591437.
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attended the gala opening of the show on
Tuesday, April 24, 1934.
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and sent it to the White House, the White House sent it to the
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exhibition of PWAP artworks in
Washington, D.C. President and
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Look, David W.; Perrault, Carole L.; United States (1986).
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The
Interior Building: its architecture and its art
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379:"Across D.C., statues honor African Americans"
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16:1934 New Deal sculpture by Maurice Glickman
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377:Trescott, Jacqueline (2011-08-23).
209:Jewell, Edward Alden (1934-04-29).
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33:cast in bronze, photographed 1934
154:base. The plaster cast went to
253:. New Haven. pp. 98–100.
78:U.S. government (IAS 08870002)
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111:This sculpture appeared in a
97:was produced under the early
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247:Hemingway, Andrew (2002).
148:1939 New York World's Fair
156:Howard University Library
136:Franklin Delano Roosevelt
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301:GSA Fine Arts Collection
323:Carter, Warren (2013).
144:National Gallery of Art
360:United States (1934).
190:Negro Mother and Child
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129:Negro Mother and Child
103:Main Interior Building
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127:art critic, called
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134:Reportedly, when
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230:2023-02-14
196:References
188:mentioned
57:Dimensions
391:0190-8286
277:cite book
225:0362-4331
269:49225403
172:—
65:Location
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39:Artist
330:(PDF)
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265:OCLC
255:ISBN
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52:1934
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