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Art historian and curator Amy L. Brandt provided the first comprehensive survey of neogeo artists that included
Sherrie Levine, Allan McCollum, Haim Steinbach, Jeff Koons, Peter Halley, Ashley Bickerton, and Meyer Vaisman. Brandt focused on their artistic perspective, examining each artists' exposure
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newspaper article, “What Do You Call Art’s Newest Trend: ‘Neo-Geo’...Maybe”, he explains that “air conditioning is a simulation of air; movies are a simulation of life; life is simulated by bio-mechanical manipulations”.
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Curators, acquisitors, and artists within the movement could not come to an agreement on the name of the movement, leaving the world with more than one name for the art movement.
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and criticizes the industrialism and consumerism of modern society. The usage of the term neo-geo began when it was first used in reference to a 1986 exhibition at the
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Some critics pondered whether the movement had enough originality to be singled out as its own movement, as it bore too many similarities to prior movements such as
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185:, Geometry was a way in which artists represented ideas like Jean Baudrillard's, with geometry as a metaphor for the modern world because shapes are constructed.
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theory. Other topics covered include East
Village culture in the 1980s and the influence of postwar French theory. Brandt connected each artists' works to
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and Meyer
Vaisman. According to artist Michael Young, Neo-geo artwork recognizes technology as both a promise and a threat.
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was the best fitting term, as it highlighted the magnification of ideas. Many artists within the movement, such as
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wished for the movement to be untitled. He believed that once you give art a name, the movement is destroyed.
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inspired those within the neo-geo movement. Many neo-geo artists were influenced by French thinker
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Glueck, Grace (July 6, 1987). "What Do You Call Art's Newest Trend: 'Neo-Geo' . . . Maybe".
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Neo-geo artwork was influenced by earlier movements of the twentieth century, including
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as it was for him a new version of 1960s abstraction that creates alternative meanings.
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because it referred technology replacing nature. In the 1987
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Interplay : neo-geo neoconceptual art of the 1980s
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444:"Jeff Koons Artwork: Encased - One Row"
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305:Williams, Tom (2011). "Neo-Geo".
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476:. Retrieved
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273:References
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210:Jeff Koons
159:minimalism
153:Influences
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287:"Neo-geo"
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110:Pop Art
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